October Positivity: One More Round (dir by Chip Rossetti)


2015’s One More Round tells the story of Jack “The Jackhammer” Taylor (played by Tommy Lee Thomas).

Once upon a time, Jack Taylor was a big-time boxer, a contender to be worldwide champ.  But eventually, he burned out on boxing.  On the night of the “big fight,” he failed to show up.  Now, he works at a furniture store.  He spends most of his time sleeping and having dreams of the life he once had.  When he makes a big sale, his boss tries to steal Jack’s commission.  That’s not a good thing because Jack really needs that commission.  His wife is getting frustrated with Jack’s inability to get his life together.  His scheming mother-in-law all sorts of lies about him.  Jack’s in trouble!

Finally, Jack does the one thing that he swore he would never do again.  He returns to boxing.  He steps into the gym that is owned by his uncle (Kevin Sorbo) and asks for another chance.  He trains with Franco Turelli (Franco Columbu).  He prepares for the fight against the fearsome B.A. Fontana (T.C. Stallings), a fighter who is so aggressive that he even takes a swing at a referee at one point.  Throughout it all, Jack prays and feels that God is leading him back into the ring.

Along with Kevin Sorbo, there are some familiar faces in One More Round.  Jeremy London appears as Brock Thornhill (now there’s a villainous name!), a man who courts Jack’s wife during their separation.  Donald James Parker of Gramps Goes To College fame appears as one of Jack’s co-workers.  It’s actually interesting to see Parker here because this is one of the few Donald James Parker performances in which he’s not playing a character who comes across as being super-aggressive and bitter.  Instead, he just comes across as being a nice old man who reads the Bible and offers up spiritual advice.  Parker’s character here comes across as who Parker was trying to play in Gramps Goes To College before that film became about Gramps telling off all the pointy-headed, liberal intellectuals who make up the academic world.  This film features the nice version of Gramps!

That said, the majority of this movie is taken up with boxing.  I actually like most boxing films.  There’s something thrilling about watching two men punch each other until one of them collapses.  I mean, it’s the type of thing to which I should probably object on humanitarian grounds but I can’t help myself.  Boxing is (usually) exciting.  The best boxing films present the fight as being modern-day gladiatorial combat.  Unfortunately, the boxing scenes in One More Round aren’t particularly impressive.  The low-budget is obvious as the film cuts from scenes inside the ring to shots of people in the audience, all pretending to be watching a boxing match.  Neither one of the actors playing the boxers is particularly believable as a professional fighter.

In the end, I always have my doubts about any film that suggests that God picks sides when it comes to sports.  I’d like to think that God would be like me and just hope that both teams have fun.

Playing Catch-Up With 6 Quickie Reviews: The Big Game, The Connection, Graduation Day, McFarland USA, Taken 3, and War Room


Here are 6 more reviews of 6 other films that I watched this year.  Why six?  Because Lisa doesn’t do odd numbers, that’s why.

The Big Game (dir by Jalmari Helander)

In The Big Game, Samuel L. Jackson plays the President of the United States and you would think that fact alone would make this film an instant classic.  Unfortunately, this film never really takes advantage of the inherent coolness of Samuel L. Jackson playing the leader of the free world.  When Air Force One is sabotaged and crashes in the wilderness of Finland, President Jackson has to rely on a young hunter (Onni Tommila) from a group of CIA agents disguised as terrorists.  Tommila does a pretty good job and the scenery looks great but at no point does Samuel L. Jackson says, “Check out this executive action, motherfucker,” and that’s a huge missed opportunity.  As for the rest of the film, it takes itself a bit too seriously and if you can’t figure out the big twist from the minute the movie starts, you obviously haven’t seen enough movies.

The Connection (dir by Cedric Jiminez)

Taking place over the 1970s, the French crime thriller tells the largely true story of the efforts of a French judge (played by Jean Dujardin) to take down a ruthless gangster (Gilles Lellouche) who is the head of one of the biggest drug cartels in the world.  The Connection run for a bit too long but, ultimately, it’s a stylish thriller that does a very good job of creating a world where literally no one can be trusted.  Dujardin, best known here in the States for his Oscar-winning role in The Artist, does a great job playing an honest man who is nearly driven to the point of insanity by the corruption all around him.

Graduation Day (dir by Chris Stokes)

Hey, it’s another found footage horror film!  Bleh!  Now, I should admit that this horror film — which is NOT a remake of that classic 1980s slasher — does have a fairly clever twist towards the end, that goes a long way towards explaining a lot of the inconsistencies that, up until that point, had pretty much dominated the film.  But, even with that in mind and admitting that Unfriended and Devil’s Due worked wonders with the concept, it’s still hard to feel any enthusiasm about yet another found footage horror film.

McFarland USA (dir by Niki Caro)

McFarland USA is an extremely predictable but likable movie.  Kevin Costner plays a former football coach who, while teaching at a mostly Latino high school, organizes a cross country team that goes on to win the state championship.  It’s based on a true story and, at the end of the film, all of the real people appear alongside the actors who played them.  There’s nothing about this film that will surprise you but it’s still fairly well-done.  Even Kevin Costner, who usually gets on my last nerve, gives a good performance.

Taken 3 (dir by Olivier Megaton)

Bryan Mills (Liam Neeson) is back and he’s killing even more people!  Fortunately, they’re all bad people but you really do have to wonder what type of dreams Bryan has whenever he goes to sleep.  In Taken 3, Bryan’s wife (Famke Janssen) has been murdered and Bryan has been framed.  He has to solve the case and kill the bad guys while staying one step ahead of the police (represented by a bored-looking Forest Whitaker).  Neeson does all of his usual Taken stuff — the intense phone conversation, the steely glare, and all the rest — but at this point, it has literally been parodied to death.  If you’re into watching Liam Neeson kill ugly people, Taken 3 will provide you with adequate entertainment but, for the most part, it’s but a shadow of the first Taken.

War Room (dir by Alex Kendrick)

I saw the War Room in Oklahoma.  It was being shown as part of a double feature with The Martian, of all things!  Anyway, this film is about an upper middle class family that hits rock bottom but they’re saved by the power of prayer!  Lots and lots of prayer!  Seriously, this film almost qualifies as “prayer porn.”  Anyway, the film was badly acted, badly written, incredibly heavy-handed, and ran on way too long but, on the plus side, it did eventually end.