Playing Catch-Up With 6 Quickie Reviews: The Big Game, The Connection, Graduation Day, McFarland USA, Taken 3, and War Room


Here are 6 more reviews of 6 other films that I watched this year.  Why six?  Because Lisa doesn’t do odd numbers, that’s why.

The Big Game (dir by Jalmari Helander)

In The Big Game, Samuel L. Jackson plays the President of the United States and you would think that fact alone would make this film an instant classic.  Unfortunately, this film never really takes advantage of the inherent coolness of Samuel L. Jackson playing the leader of the free world.  When Air Force One is sabotaged and crashes in the wilderness of Finland, President Jackson has to rely on a young hunter (Onni Tommila) from a group of CIA agents disguised as terrorists.  Tommila does a pretty good job and the scenery looks great but at no point does Samuel L. Jackson says, “Check out this executive action, motherfucker,” and that’s a huge missed opportunity.  As for the rest of the film, it takes itself a bit too seriously and if you can’t figure out the big twist from the minute the movie starts, you obviously haven’t seen enough movies.

The Connection (dir by Cedric Jiminez)

Taking place over the 1970s, the French crime thriller tells the largely true story of the efforts of a French judge (played by Jean Dujardin) to take down a ruthless gangster (Gilles Lellouche) who is the head of one of the biggest drug cartels in the world.  The Connection run for a bit too long but, ultimately, it’s a stylish thriller that does a very good job of creating a world where literally no one can be trusted.  Dujardin, best known here in the States for his Oscar-winning role in The Artist, does a great job playing an honest man who is nearly driven to the point of insanity by the corruption all around him.

Graduation Day (dir by Chris Stokes)

Hey, it’s another found footage horror film!  Bleh!  Now, I should admit that this horror film — which is NOT a remake of that classic 1980s slasher — does have a fairly clever twist towards the end, that goes a long way towards explaining a lot of the inconsistencies that, up until that point, had pretty much dominated the film.  But, even with that in mind and admitting that Unfriended and Devil’s Due worked wonders with the concept, it’s still hard to feel any enthusiasm about yet another found footage horror film.

McFarland USA (dir by Niki Caro)

McFarland USA is an extremely predictable but likable movie.  Kevin Costner plays a former football coach who, while teaching at a mostly Latino high school, organizes a cross country team that goes on to win the state championship.  It’s based on a true story and, at the end of the film, all of the real people appear alongside the actors who played them.  There’s nothing about this film that will surprise you but it’s still fairly well-done.  Even Kevin Costner, who usually gets on my last nerve, gives a good performance.

Taken 3 (dir by Olivier Megaton)

Bryan Mills (Liam Neeson) is back and he’s killing even more people!  Fortunately, they’re all bad people but you really do have to wonder what type of dreams Bryan has whenever he goes to sleep.  In Taken 3, Bryan’s wife (Famke Janssen) has been murdered and Bryan has been framed.  He has to solve the case and kill the bad guys while staying one step ahead of the police (represented by a bored-looking Forest Whitaker).  Neeson does all of his usual Taken stuff — the intense phone conversation, the steely glare, and all the rest — but at this point, it has literally been parodied to death.  If you’re into watching Liam Neeson kill ugly people, Taken 3 will provide you with adequate entertainment but, for the most part, it’s but a shadow of the first Taken.

War Room (dir by Alex Kendrick)

I saw the War Room in Oklahoma.  It was being shown as part of a double feature with The Martian, of all things!  Anyway, this film is about an upper middle class family that hits rock bottom but they’re saved by the power of prayer!  Lots and lots of prayer!  Seriously, this film almost qualifies as “prayer porn.”  Anyway, the film was badly acted, badly written, incredibly heavy-handed, and ran on way too long but, on the plus side, it did eventually end.

Val’s Movie Roundup #13: Hallmark Edition


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Cupid, Inc. (2012) – Okay, who would have thought that Jamie Kennedy would actually be decent as Cupid? This is the guy who taught us how to survive a horror movie and was in Son Of The Mask (2005). But yep, he plays Cupid and does a good job. But he really isn’t a big part of the film all things considered. That falls to Joely Fisher. The deal is that she has to get a new couple together by Valentine’s Day, then she will find her true love. If Jamie Kennedy showed up and told me that, then I would probably ask him if I should see Dinotopia: Quest for the Ruby Sunstone (2005), but she takes him up on his offer. The rest can be boiled down to four words: It’s a Hallmark movie. Believe it or not, this is my first Valentine’s Day Hallmark movie, so I guess it’s the best one I have seen. I’ll tell you this, it’s much better than Gabe the Cupid Dog (2012).

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Fixing Pete (2011) – This one is kind of like Recipe For Love, but not as good. This has dark haired Brooke Burns who is tasked with making over a frat boy looking guy for his upcoming book tour. People often complain about female stereotypes, but this one has the male stereotypes in spades when we are introduced to Pete (Dylan Bruno). Luckily, that doesn’t last long and the two move closer and closer to each other. It’s nice, but if you can find Recipe For Love, then watch that instead.

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Murder 101: New Age (2008) – Once again it’s time for the Van Dykes to solve a murder. This time there are four of them. We’ve got Dick, Barry, Shane, and Carey. As the title suggests, the New Age movement plays a part here. Apparently, after The Nanny, Charles Shaughnessy joined the New Age movement. Basically there’s a room with him dead and gun in his hand while the only other people there are in a really deep meditation. So who killed him? It goes from there. I can’t believe it took till my third Murder 101 movie to realize that Barry Van Dyke’s character is not a cop, but a PI. Not sure then why the Van Dykes seem to just take over the investigation, but who cares. All that matters is that there is a scene where you get to see Dick Van Dyke play tennis on the Wii. When I saw that, I knew my life was complete. Actually, there are several humorous lines surrounding technology. Better than the mystery movies you get from Hallmark nowadays.

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Dad’s Home (2010) – Been awhile since I watched Mr. Mom (1983), but I think it’s probably quite similar. Except kill off the Mom and set it during this generation’s Great Depression. Really, that’s it. We watch him as he settles into his new role as a stay at home dad while looking for work. Before he had a nanny that took care of his kids, but she’s let go after he’s let go from his job. Not sure why she was let go though since he somehow is able to keep this very expensive home and cause of the ending where I swear he decides to not work again. Of course, there has to be a romance thrown in. The hot and nice blonde teacher takes a liking to him and things progress. The only thing that was memorable was when dad interviews for a job at a tech company. The head of the company actually refers to Social Network Accounts as SNAs. I couldn’t even find that in Urban Dictionary. He asks him if he podcasts. I also swear he asked him if he was on Orkut. That’s the social network that was really popular in Brazil. He also asks if he “does Twitter”. What? Was this intentional to show that the guy was actually clueless about the industry he was in or did the writers not know what they were talking about. Or were they trying some feeble attempt to make fun of tech companies. I think it’s the feeble attempt one since they mention a company acupuncturist. Grow up! These are jokes I would expect from a standup comedian. You can skip this one.

Trailer: Taken 3 (Official)


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Why are bad guys still messing with Liam Neeson…I mean Bryan Mills. He literally took on an Albanian gang in Paris (of all places) who were kidnapping young, female tourists to sell to Parisian sex-slave auctioneer who only did business with a very exclusive clientele. Then the hometown relatives of said Albanian gangsters tried to take him out. That didn’t work out so well.

Now, this coming January just when Bryan thought his life as a retired government worker with a unique set of skills can finally enjoy retirement with his lovely daughter and rekindle his relationship with his ex-wife people are out to be quite the killjoy once again.

Taken 3 will see Liam Neeson back as Bryan Mills, Maggie Grace as his daughter Kimmy and joined by Forest Whitaker as an LAPD inspector tasked with taking him down for a murder he didn’t commit. Once again this sequel will be helmed by that French director with the awesome name: Olivier Megaton.

Some people say Taken 3 (will not call it Tak3n) is just a rehash of The Fugitive, but I disagree. Richard Kimble never broke people’s throats and shot many people in their heads to find those responsible. The throat breaking alone puts Bryan Mills heads above Richard Kimble.

Taken 3 is set for January 9, 2015 release date.

Agents of S.H.I.E.L.D. – The Mega-Recap


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I have failed you, dear readers. I have failed you in my solemn commitment to share the odyssey of Marvel’s Agents of S.H.I.E.L.D.. I have failed in my grim responsibility to recap them without snark or sarcasm each week. And I have failed you utterly with regards to knowing when the show is going to air, and on what Tuesdays. There is no one to blame but me for my having fallen behind. One mis-step begat another, and another, until now… finally, we arrive here. To borrow a term and use it in an amusing way, here, at the Magical Place.

But do not fear!

For this MEGA-RECAP will connect the dots of this complex and sophisticated story the innermost twists and turns of which need to be absorbed over repeated viewings and recorded for your reference in this space… Here, I will connect for you the lines between S1E12 “Seeds”… all the way up to 4/1/2014 (oh God)… M.A.O.S. Probably too many acronyms floating around here, but that’s just a thought. Together, let us voyage through the complex storylines, elaborate characterizations, and non-ridicu… well. At any rate. I’ll provide a brief recap of what you might have missed… or not.

For your convenience, I have organized this Mega-Recap in this fashion, so you can bounce around if you wish:
S01E13 will take you to the first episode of the recap, T.R.A.C.K.S.
S01E14 summons forth T.A.H.I.T.I.
S01E15 will show you Yes Men

Mega this recap might be, but I have steeled myself to show more discipline and condense each episode somewhat. Apologies in advance, dear readers, because I know that this may necessitate leaving out some of the grand complexity of each of these totally unique and not-at-all formulaic episodes. In the future, I shall endeavour to do better for you. Well.

That elaborate housekeeping having been taken care of… enjoy? Enjoy!

S01E13

T.R.A.C.K.S.

Yes, it’s Ian Quinn (David Conrad) again. One of the few things that I feel this series has actually done pretty well so far is in providing us with some comic book style ‘mastermind’ villains. We have the still-enigmatic Clairvoyant, and Ian Quinn, Corporate Asshole. Having guys blow their money on evil is a grand comic tradition, and one that is certainly welcome here. Quinn is so off-putting that I enjoy him as a villain, and I’m looking forward to Agent Wooden and Agent Handsome delivering a series of punches and kicks to his face and torso. But that’s for another time, alas…

This time, the dastardly Ian Quinn has purchased something from a company called CyberTek for the low, low price of $10 million. I assume all figures are in U.S. dollars, so maybe it’s not actually that much. It’s being transported on a train through the Italian countryside, under the watchful supervision of Ian Quinn’s number one security guy. Coulson successfully negotiated (read: waved S.H.I.E.L.D.’s carte blanche around) to get the Italian police off the investigation, and Level 7 onto it. In lieu of letting the proper authorities handle things, Coulson’s team is going to infiltrate the train undercover in three different groups. Group 1 consists of agents May and Ward. She’s playing a cold, sneering aristocrat type, who says little, but radiates contempt with her eyes while he carries the luggage. Oh, and they’re married. This is such a departure from their normal characters, that I… ah, nevermind.

Team two is Simmons and Coulson as a father daughter pair. This pairing is engaging. Simmons thinks very poorly on her feet, so in preparation for being undercover, she’s given her character a ten page backstory about an absentee father and a strained relationship. Stan Lee makes his totally inevitable cameo here, berating Coulson for his failures as a father. Team three is Fitz and Skye as young lovers. Skye is charming and beautiful, Fitz is awkward. Giving these two more screen time seems like a way to try and find some male character that Skye actually has some chemistry with. Fitz and Skye aren’t bad together… it’s certainly better than some of the cringe-worthy scenes between Skye and Ward earlier in the season.

Oh, and May tells Ward that she told Coulson about them having clinically precise sex. Ward is alarmed, but we already know Coulson is cool. Guy’s not gonna make waves. I mean, he didn’t even make waves over the forty thousand different ways that S.H.I.E.L.D. screwed him on the whole ‘involuntary resurrection’ thing and the whole ‘without his consent’ affair. That Nick Fury. What a goof!

Things go pretty much how you’d expect. In his conductor disguise, Ward quickly dispatches two assassins in a quick sequence even James Bond would have been proud of. Realizing they’re made, he sends Simmons to meet up with Fitz and Skye. Coulson and Ward get made and bail out of the train, and Quinn’s agents turn the train invisible… wait what? Commercials! By the way, I want to give some credit to the storyboarding on this one… aside from a bunch of quick cuts to set up our premise, we barely had any jarring scene changes at all. Good work, guys!

So dudes in black SUVs are already after Coulson and Ward. Seems like someone probably gave them up. I WONDER WHO IT COULD HAVE BEEN? On the ActionPlane Coulson contacts his boy with the Italian polizia, Russo (Carlo Rota). Russo’s guys got jumped too, it seems, and they’re dead. Coulson explains that the train became invisible, and Russo seems weirdly unimpressed. Well, I’m sure that happens all the time in Italy. Coulson and Ward try and figure out what to do next, but between them they can’t even figure out how to work the computer. They talk about the whole Ward/May wooden lovemaking situation. Coulson berates Ward, then makes fun of him. It is enjoyable. Then suddenly Russo shows up at the landing ramp to the ActionPlane. Before he can do much more than say hello, he gets the old ‘lethal axe in the spine’ from a beaten, bloody Agent May. With a subtle hint of anger (reaaaaaaaaaaaaal subtle), May says “Wheels up in five.” Boom.

It turns out that May also fell off the train. Got captured by Russo. He was going to torture and presumably kill her, but May is kind of a badass. She escaped, facilitated the escape of Ward and Coulson. Now we know why she killed Russo. Good times!

On the train, Skye and Fitz debate the nature of the object being transported. Skye wonders if it could be an ‘084’, an ‘object of unknown origin’. Fitz says no, definitely an item supplied by Cybertek. Some light exposition. Then the jamming hits. Everything’s offline. What? We’ve been made? Security guys burst into the train car. Fitz downs one with a blindfire (good shot, Fitz!) and then Skye does more than enough to disable a comic mook, but since she’s a girl, he’s unaffected and knocks her down. Then, because Fitz is a geek and can’t fight, he goes sprawling as well. It’s at this time that Simmons arrives, and Skye comes back to her feet armed and dangerous. Unfortunately, because Skye and Simmons are both girls, Skye doesn’t shoot, and Simmons then grapples vainly with the mook until his grenade goes off… uhh.. “disabling”… them both. Seriously, is there any doubt that a male agent would have handled these two mooks? It doesn’t even have to be James Bond. But poor Skye gets manhandled even after ambushing the dude, clubbing him, and basically working his shit. He’s just a mook! Luckily the grenade was more of the ‘stun’ variety – using the same technobabble (biobabble? it’s a toxin, they claim) that makes the S.H.I.E.L.D. magic sleep gun (or night-night gun, as the parlance goes) work. Oh, then Fitz shoots the mook. Good on you, Fitz.

The train stops. Outside, a bunch of suits make the exchange. Skye demands that they follow the mysterious Cybertek item, so they do. Arriving at a magnificently-appointed Tuscan villa. Apparently these are just ubiquitous when dealing with Ian Quinn. You have to admire the man’s style. Fitz goes to disable enemy vehicles, while Skye goes into infiltration mode. Again! This is so exciting! Skye sneaks her way into the basement. Something tells me it’s just about time for the big reveal. OH SHIT IT’S MIKE PETERSON (J. August Richards)! He’s in, like, a healing tube or something. Then Ian Quinn shows up. He’s feeling smug. Quinn pops the tube. Not only is Peterson alive, but he’s kind of well. His face is badly mutilated. And the expensive technology from CyberTek proves to be a cybernetic leg to replace the one he lost in the explosion during the events of S1E10 “The Bridge”. Savvier folks than I point this out as the rise of “Deathlok”, a comic character. Good on Deathlok!

Peterson is thoroughly under enemy control. Quinn exults in his power, saying that Peterson can’t hurt him, and that he won’t stop Quinn from shooting him. Skye tries to negotiate with Mike’s better nature. Quinn tries to convince Mike to attack Skye, but he refuses. Instead, Quinn simply shoots her. Then, he shoots her again. Then, he bounces. Boom. My heart is ready to explode. Skye!? Nooooo! She was so charming! Taken before her time! Aaaargggh!

Anyway, in the finale… Peterson kills off all the Cybertek suits. No surprise there, Quinn doesn’t want to pay for the hardware. ActionTeam arrives though, before Skye expires. Peterson has orders not to engage S.H.I.E.L.D., Ward does one of my favourite cinema tricks where a guy with two guns can shoot as many normal mooks as he wants until he runs out of ammo before they can react, and the ActionTeam actually captures Ian Quinn! Coulson demands Skye’s whereabouts. When Quinn is glib, Coulson pistol whips that motherfucker! Yeah, Coulson! They find her, of course, but she’s in bad, bad shape. They put her in the healing tube at Simmons’ urgent instructions, and kind of… hope for the best. May sounds… strained. Upset. As she demands if it’s working. Coulson is a little more emphatic. It’s… a stunningly emotional moment for this show. Back on the ActionPlane, Simmons’ diagnosis is grim… but not definitive. The reaction shots are just as grim. Level 7 Vendetta, yo. May and Ward share a moment that could actually be called… emotional? Coulson remains in vigil beside the magic healing tube. Simmons sobs in Fitz’s arms. Ouch.

In the coda, Peterson falls back on his need to reconnect with his son. The Clairvoyant isn’t going for it. Someone pointed out (it may even have been the ABC synopsis?) that his prosthesis has ‘Project Deathlok’ inscribed on it. Well then!

Guys, this episode is WELL above average. I hope you didn’t abandon the show before seeing this one. It’s a good action piece, with plenty of stuff going on, some great Skye moments, and a lot more… emotion… than I’m used to seeing from this show. If every episode was as well conceived as this one, I probably wouldn’t have nearly so easy a time making fun of it. So I guess that would make the show poorer for me, but better for mankind. I will make this trade, showrunners. Jed Whedon, it is not too late!

S01E14

T.A.H.I.T.I.
(Seriously guys, what’s with the acronyms? Is it supposed to be funny?)

Cold Open: Once again, Ron Glass regrets the whole ‘without consent’ and ‘cruel reanimation’ parts of Coulson’s past. If you forgot since the previous recap… which was… ten lines above… Skye is in critical condition. At best. Let’s roll!

We’re in the S.H.I.E.L.D. hospital. Presumably, there is no better care that Skye could receive than this. Coulson is attempting to call Nick Fury. I assume because Sam Jackson wasn’t available, he’s on hold. Fitz blames himself, but Simmons laughs: “Like you could stop her from doing something she wanted to”. Good point, Simmons. Ward is her “SO” (what does that even mean? I know he’s not the CO. I guess he’s not the XO. Supervising officer? The hierarchy of S.H.I.E.L.D. isn’t that clear). He’s mad too. May blames Ian Quinn. Logical!

At the hospital, the doctors are telling Coulson that it’s time to decide whether to keep Skye on life support, and that her family should be contacted. Coulson breathes… is distressed… “We’re her family”… it’s kind of a tough scene. SCENE CHANGE! (It’s back!)

May kicks the shit out of Ian Quinn. “Wait, you can’t…” “Why, because you’re defenseless? Like she was?” Anger suits the character of Agent May. She seems comfortable in its embrace. Then she seems… emotional, after Coulson stops her. Coulson reminds May that the doctors at S.H.I.E.L.D. literally re-animated his corpse. Surely they can save Skye. Meanwhile, May needs to pilot the ActionPlane. Also, ActionTeam isn’t giving up custody of Quinn. Also, Coulson finally explains the truth of his return to life to the rest of the ActionTeam. It was at the S.H.I.E.L.D. facility in Bethesda, Maryland, where it was done. So, they’re bringing Skye to the same facility. Coulson delivers the full medical report on what was done to him to Fitz-Simmons, explaining that since Shepard Book managed to repair his heart after it was literally torn in half, if they can understand how that process worked… surely they can heal Skye’s injuries as well.

Ward and May, neither of them, would have flown halfway around the world in a desperate and probably ridiculous attempt to save Skye’s life. May points out that she and Ward need people like Coulson. Come to think, that’s probably why Phil’s in charge of this outfit, seniority aside. Oh, and they violated some S.H.I.E.L.D. bylaws or something, so they’re being ordered to stand by and prepare to be boarded. I’ve been waiting for one of these episodes, when the inevitable “bad decision makers” or bureaucracy inherent in S.H.I.E.L.D. complicates things. Coulson elucidates the situation nicely: “Really? All the war and chaos in the world, and S.H.I.E.L.D. sends a plane after us?” Guys, I saw The Avengers. Nick Fury doesn’t think like this, except when he does.

The ActionPlane is boarded by Agent John Garrett (a welcome appearance by Bill Paxton). He seems like a jerk. With him is Agent Antoine Triplett (B.J. Britt) who seems like a cool customer. Garrett threatens Coulson because reasons. Oh, for once they’re going to explain this now! Garrett has been pursuing Quinn for some time. He makes a funny, describing the hilariously unsuccessful train job and subsequent Tuscan villa adventure as “your little Italian job”… and also explains that it set his investigation back. How it set him back is really unclear, since Quinn was taken into custody. This part is not addressed, but I’ll live. Anyway, Garrett is surprised to learn that Quinn actually had the guts to shoot someone himself, and explains that he, too, has lost agents in the pursuit, but seems to soften somewhat when Coulson explains about Skye. Trip and Ward know each other. They talk about nonsense downstairs, then things escalate into a totally pointless fistfight (this show is supposed to have action, damnit!) but Coulson breaks it up. He and Garrett came to an agreement. Garrett will interrogate Quinn on board the ActionPlane… and saving Skye is top priority. If only because she might know something essential.

Fitz-Simmons are trying to save her right this very second, of course.

Meanwhile, in the interrogation room / refuge for tormented young women / Mike Peterson chamber / hexagon walled room… Garrett shows up. Quinn is flippant. Garrett literally grabs Quinn’s tongue (yes! Seriously! It’s kind of awesome!) He explains that Quinn has no rights, no lawyer, and the only reason they don’t just throw him out the back of the plane is that Skye is still alive downstairs. Quinn appears to get the message. They talk a little about the Clairvoyant. Garrett calls it mumbo-jumbo, but Quinn cites a number of incidents in which the far-seeing eyes of the Clairvoyant led to disaster for S.H.I.E.L.D. The only thing the Clairvoyant can’t see is how they saved Coulson after his death or near-death or whatever at Loki’s hands. The gist of the plan is, either ActionTeam figures the whole thing out, in which case it’s in the open for the Clairvoyant to see… or they let Skye die. And Coulson obviously isn’t going to let Skye die. That would be ridiculous. She’s charming!

So it turns out that even the facility that Coulson was treated at doesn’t exist, and certainly wasn’t at Bethesda. Simmons admits that even she and Fitz only understand “70%” of what’s in Coulson’s medical records. May’s concerned that they may give the Clairvoyant exactly what he wants, even if they do save Skye. Coulson doesn’t give a shit. Yeah, Coulson, keep it real. Fitz-Simmons start trying to track Ron Glass’ whereabouts from the date that Coulson was stabbed. With some uh… “clever sleuthing”… Fitz-Simmons locates the site at which Coulson’s “treatment” “occurred” and they “head” “that direction”. May stays on the ActionPlane, but Garrett bolsters the away team as Coulson leads a group to investigate “The Guest House”. They don’t know the countersign, so they force entry. I’m sure this will go well.

What? A gun battle? You’re kidding. Coulson throws a flashbang, and it’s pretty much over. Garrett is growing on me. I hope Bill Paxton isn’t too busy to make a couple more appearances on the show.

With the guards down, there’s a countdown timer running to destroy the facility or something. Coulson assigns Garrett to figure out how to get them back out of the secure facility, while the ActionTeam goes in search of drug GH-325. Apparently this was the substance administered to Coulson. Meanwhile, on the ActionPlane, Triplette is being pretty cool. I wouldn’t mind him coming back either. Things are worsening on the ‘Skye’ front though, as she starts to seize. Hope we find that GH-325 Maguffin!

Shockingly, a search of the facility bears fruit. Fitz locates some GH-325 and absconds. Coulson would be right with him… except that he’s spotted a door marked T.A.H.I.T.I. Can that acronym possibly stand for anything? I’m not kidding here. This is getting a little absurd.

ActionTeam escapes the facility. Kind of. Coulson and Garrett are still inside, but whatever. Actually, Garrett goes back for Coulson, who is almost in a trance. He seems alarmed by the idea that Skye might be given GH-325. He’s even more alarmed when he and Garrett board the ActionPlane. Simmons already gave Skye the GH-325. It’s too late. But then … she stabilizes. Thank God. This show really can’t survive without her, unless we get a lot more Bill Paxton. Everyone’s happy except Coulson, who seems even more alarmed. This would be a great time for the show to explain things to us.

Garrett and Triplette take possession of Quinn. It’s kind of epic. Garrett and Coulson talk things out. As Garrett absconds, I pray for more Bill Paxton in our future. Please, Jed Whedon, deliver unto us more entertaining guest characters. Now that Ian Quinn is presumably gone (until his miraculous escape, or whatever), we need more entertaining guest characters.

Behind the T.A.H.I.T.I. door… Coulson is a little traumatized to discover half of a blue man hooked up to machines. Or something. The meaning of this isn’t real clear. Coulson’s explanation of his panic to May is that he didn’t want Skye to suffer, but that she didn’t, so he’s cool now. Dude isn’t gonna make waves.

Coda: Meet Lorelei (Elena Satine). For those who don’t know, “Lorelei” is the name of both an Asgardian in Marvel comics… and, probably more importantly, a Germanic myth similar to the Greek ‘Siren’ myth. Oh, and the Asgardian in Marvel? Based on that same German myth. I’ll let you guess what that probably means.

S01E15

“Yes Men”

Previously On: Blah blah blah. I just recapped two episodes. Surely you didn’t miss anything important?

Cold Open: Lorelei (Elena Satine) and her boy toy (Robert Belushi) show up at a truck stop. She sirens up a biker leader named Rooster (Dylan Bruno). Then she murders the crap out of the newlywed she siren’d up at the end of T.A.H.I.T.I. Asgard!

Act I: Skye is alive! And … ambulatory! Thank God. I missed her. Simmons is determined to keep poor Skye in bed. There’s a little banter, but what it boils down to is that Skye is alive, and she’s the most gratefulest. It’s not a real word, but I bet you know what it means! There’s some awkward conversation between Skye and Ward. I’m not sure what the point of all this is. I mean, Ward is her “SO” and all… but this conversation is kind of dumb. It has some exposition in it, though. Skye wants to do some more training. She wants to become a badass. I am glad. They also remind us about the whole Mike Peterson subplot. So that’s still going on.

Coulson is trying to locate Nick Fury. He has an incredibly low-profile conversation between incredibly low-profile S.H.I.E.L.D. ActionMobiles. Shockingly, Nick Fury is missing? Has disppeared? Doesn’t want people to know where he is? I’m sure this will be going on. Also, Fitz-Simmons have detected Asgardian Magic. An Asgardian is about. “Asgardians are allies!” “Loki wasn’t”. Thanks, guys. Shortly thereafter, a half dozen totally inconspicuous S.H.I.E.L.D. ActionMobiles driving down the road stop when there’s a burst of incredible energy, and in a flash of awesomeness… the Lady Sif (Jaimie Alexander, reprising her film character) appears! In a crater! In the highway! She doesn’t waste much time announcing that Earth is in great danger.

Commercials!

May’s worried about Coulson, but the thing is, Sif’s worried about Earth. Speaking of Sif, she’s shocked to see Agent Coulson still alive. She’d heard him slain at Loki’s hands. More importantly, Sif is hunting Lorelei. You know, that whole Siren bit. Lorelei is strong like any Asgardian, but also plus Siren. She escaped during the events of Thor: The Dark World when the dark elves screwed everything up, and a bunch of prisoners escaped. But Sif has brought a choker, which will solve the issue. Good times.

Rooster’s wife shows up at the biker bar. She causes a commotion, except everyone else is under Lorelei’s spell. So much for Rooster’s wife. Fitz has designed some higher caliber weapons for the ActionTeam. Shall I start the betting pool now on how effective small arms will continue to prove against metahumans, let alone Asgardians? The whole Lorelei thing isn’t great. It’s not great when the ActionTeam arrives at Rooster’s bar either, despite their inconspicuous arrival in a half dozen black SUVS. The local police open fire on them. Oops. Probably should have thought that one through, Phil son of Coul. Sif makes some fast cover for the S.H.I.E.L.D. boys by moving an RV with her meaty leg, then enters the bar to battle Lorelei. Lorelei comments that she does not fear Sif, and has beaten her before. This is hard to believe when she orders her bikers to attack, because the bikers are mooks. They cannot possibly hurt Sif. It’s kind of like when the villains in the “Superman” TV series fired all their bullets at Superman, then decided to throw their guns, like this would somehow be more effective. Just ridiculous.

Obviously, while Sif dispatches the mooks, Lorelei is out the back. She ensares Ward in her evil spell, and bounces. Why did Phil bring Ward with him, over May, again? Oh, right, because this show has to run forty two and a half minutes. Nevermind. Forget I even asked.

So the Lorelei collar is busted. Coulson assigns Fitz-Simmons to fix that shit. After Skye rants for a bit, he also assigns my personal favourite L7-type to aid in hunting Agent Ward down… electronically. Apparently Ward really is like a James Bond or Jason Bourne type… with lockers full of weapons, money, credentials… all over the world. Frankly, Ward never struck me as important enough for that before. I guess my bad? I shouldn’t have underestimated him.

At the New York New York, Ward scores with Lorelei! It is not clinical. It is not wooden. One wonders if he will ever be able to go back. … Of course, this is all in exchange for him providing Lorelei with an army, presumably to conquer Earth. Oops. Afterward, Lorelei reflects on her captivity. And on how she kind of thought Earth sucked. Ward talks about slaying Sif, but Lorelei points out that it’s a stupid idea. The other ActionTeam members, on the other hand…

Fitz claims that Ward and Lorelei don’t appear on any camera anywhere in Las Vegas. This is factually incorrect, because we saw them wandering around a casino floor. I don’t care how careful Ward allegedly is… he and Lorelei wandered around on a casino floor. Somebody saw them. Of course, Fitz then immediately locks Sif inside the ActionPlane’s holding cell. Apparently he’s somehow become hypnotized by Lorelei’s spells as well. Oops. Sif starts banging on her cell wall. Simmons decides to go investigate the source of all the banging, but discovers that she and Skye are locked in as well. Soon after, Coulson encounters Fitz, immediately deduces what has happened, and talks his way past him. Meanwhile, Lorelei is on the plane, and she dismissively crushes Agent May with one blow. Ouch. Meanwhile: The ActionBrig is opened, launching Sif… INTO OPEN SKY! It happened to Thor, you see. It’s comedy jokes, achieved through repetition!

After the commercial break, there’s a weird sexy showdown. May, Ward, Lorelei… Lorelei tells us that the unbelievably awkward and chemistry-less scenes between Skye and Agent Ward aren’t over. Great. Hoorah. Woot.

Meanwhile, Coulson reconvenes with Simmons and Skye. Simmons tries to brain him with a fire extinguisher, but you know, doesn’t. Since he’s still a clear-thinking individual. For some reason he seems to think that Sif is probably not dead and stuff. And sure enough, when the plane opens again, Sif gets back in to confront a Lorelei now armed with Sif’s own blade. Well… for now. Actually, I think it’s time for the big action piece. Sif and Lorelei begin swordfighting! Fitz was going to interfere and stuff, until he spotted Simmons. Who knows what’s going on there? But also, Ward and May are going to fight. From what I’ve seen so far, the outcome of that brawl is laughable and not in doubt, but I’m sure Ward will put up a fight of some kind.

Whoops! Looks like Coulson sucker punched Fitz right away. Good times. Oh, but Ward is putting up a fight. I hate to get my dander up again, but this is kind of absurd. Heralding back to my review of “T.R.A.C.K.S.”, despite the fact that the show has characterized May as being both faster and more skillful than Ward, she’s also a girl, so when she kicks Ward in the head, he’s fine, and he starts throwing her around. Dramatic tension, I get, but I’m not wild about how we’re getting it this week. Sorry, showrunners, you are doing a shitty job. I know this because even after May tackles Ward through a glass wall, he somehow is the one that comes up with the gun. Isn’t the whole point that she’s faster, with better reflexes? You know, to counteract his better upper body strength. Good thing the gun is empty.

And good thing Sif saves the day by collaring Lorelei.

Anyway, things wrap up tidily. Ward (bleeeeeeeeeeegh) desires another woman than May. Boy, I wonder who. Please, keep forcing that, showrunners! I really enjoy the terrible scenes between Skye and Ward! We need more of them! They are delightful! Kinda feels like May and Ward are dunzo. Coulson visits Skye to talk about how the GH-325 is of alien origin. Skye kinda doesn’t give a shit, since she’s still alive and all… but I really feel like we need to see Nick Fury on this show sometime soon. These convenient excuses for why he’s not around have already worn thin. It’s a bummer. My personal concern? This stuff is heavy plot stuff… we’re in… what, mid season 1? How is this show possibly going to survive multiple season on network TV? I feel like this series always needed to be a 13 episode cable affair. But that’s just me.

Coda: Agent May was listening in. She’s reporting to another master. I am Jack’s complete lack of surprise.

This episode kind of annoyed me. It had some really good stuff going, though, so I won’t be too hard on it. The film tie-in was a welcome one. I feel like this show is going to need occasional guest appearances to keep it going. The next one practically has to be Sam Jackson giving at least a cameo turn as Director Nick Fury… but we shall see.