I have to admit that I’m starting to reach the point that I always reach during Oscar season. This is the point where I say, “How many different groups of critics are there!?”
Anyway, the North Texas Critics Association have announced their picks for the best of 2016! There are my people (in that we all live in North Texas and probably make a lot of jokes about pasty yankee tourists coming down from the North and sweating like pigs) and they picked La La Land as the best of the year. I’ll be seeing La La Land this weekend so I’ll let you know if they were right.
Best Actress 1. Natalie Portman (Jackie)
2. Emma Stone (La La Land)
3. Amy Adams (Arrival)
4. Emily Blunt (The Girl on the Train)
5. Ruth Negga (Loving)
Best Cinematography 1. Linus Sandgren (La La Land)
2. James Laxton (Moonlight)
3. Simon Duggan (Hacksaw Ridge)
4. Bradford Young (Arrival)
5. Stephane Fontaine (Jackie)
Manchester By The Sea is the latest Oscar contender to be set in Massachusetts. I’m not exactly sure why but it appears that if you want your film to get some sort of Oscar consideration, it’s always good idea to set it some place in New England.
Consider some of the films nominated for Best Picture since the 1992:
2013’s Captain Phillips featured Tom Hanks speaking with Boston accent.
And, finally, last year’s Spotlight was as much a celebration of Boston as anything else.
As of this writing, it appears that Manchester By The Sea will continue the long tradition of New England-set films being nominated for best picture. Interestingly, of all those films, Manchester By The Sea is probably the most low-key. Though it’s a film that deals with death, it’s a natural death as opposed to the violent executions that dominated The Departed and Mystic River. And though there are two bar fights, there’s very little violence to be found in Manchester By The Sea. As opposed to Spotlight, Manchester By The Sea is not about moral crusaders battling against the corrupt establishment.
Instead, it’s the story of an intelligent but irresponsible man named Lee Chadler (Casey Affleck). When Lee was a young man living in the town of Manchester-By-The-Sea, he was someone. He was a high school hockey star. He made an okay living, he had a lot of friends, and he was very close to his older brother, Joe (Kyle Chandler). He was married to Randi (Michelle Williams) and he had two daughters.
And then he lost everything. He lost his daughters, through a stupid accident for which he blamed himself. Randi divorced him. His friends abandoned him. The only thing that prevented him from shooting himself was the intervention of Joe. Lee eventually ended up in Quincy, Massachusetts, working as a maintenance man and keeping to himself.
And that’s probably what Lee would have done his entire life, if Joe hadn’t died. Lee returns to Manchester-By-The-Sea and, to his shock, he discovers that he’s been named the guardian of Joe’s sixteen year-old son, Patrick (Lucas Hedges). Still struggling with his own feelings of guilt, Lee now finds himself thrust into the role of being a father.
Patrick, of course, doesn’t think he needs a guardian and sometimes, it almost seems as if Patrick might be right. At times, it’s hard not to feel that Patrick is a hundred times more mature than his uncle but occasionally, Patrick’s grown-up mask will slip. When he learns that his father cannot be buried until the spring and the body will be kept in a freezer, Patrick stays calm until he opens up the freezer at home. That’s when the reality of it all hits him and it’s an amazingly powerful moment.
Manchester By The Sea is not an easy film to describe. There’s not much of a plot. Instead, it’s just a portrait of people living from day-to-day, trying to juggle handling tragedy with handling everyday life. Conditioned by previous films, audiences watch something like Manchester By The Sea and wait for some gigantic dramatic moment that will magically make sense of the human condition but, by design, that moment never comes. That’s not what Manchester By The Sea is about. If there is any great lesson to be found in Manchester By The Sea, it’s that life goes on.
Despite being full of funny lines, it’s a sad film but fortunately, it’s also a well-acted one. I have to admit that I’m not as crazy about Manchester By The Sea as some of the critics who are currently declaring Manchester to be the best film of 2016 are but I can’t disagree with those who have praised Casey Affleck’s lead performance. Lucas Hedges also does a good job as Patrick and Michelle Williams gets one revelatory scene in which she happens to randomly run into her ex-husband on the street.
As I said, I liked Manchester By The Sea but I didn’t quite love it. It’s a well-made and well-acted film and, if it’s not as brilliant as some have claimed, it’s still worthy of respect.
The Online Film Critics Society announced their nominations today. Along with the usual suspects, the 7 and a half hour documentary OJ: Made in America also picked up a nomination for best picture.
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Pablo Larraín – Jackie
Kenneth Lonergan – Manchester By the Sea
Denis Villeneuve – Arrival
Best Actor
Casey Affleck – Manchester By the Sea
Adam Driver – Paterson
Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences
Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land
Best Supporting Actor
Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon – Nocturnal Animals
Best Supporting Actress
Viola Davis – Fences
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester By the Sea
Arrival – Eric Heisserer, Ted Chiang
Elle – David Birke, Philippe Djian
Love & Friendship – Whit Stillman Moonlight – Barry Jenkins, Tarell Alvin McCraney
Nocturnal Animals – Tom Ford
Best Editing
Arrival – Joe Walker
Cameraperson – Nels Bangerter
Jackie – Sebastian Sepulveda La La Land – Tom Cross Moonlight – Joi McMillon, Nat Sanders
Best Cinematography
Arrival – Bradford Young
Jackie – Stéphane Fontaine La La Land – Linus Sandgren Moonlight – James Laxton
The Neon Demon – Natasha Braier
Best Film Not in the English Language
Elle – France
The Handmaiden – South Korea
Neruda – Chile
The Salesman – Iran
Toni Erdmann – Germany
Best Documentary
13th
Cameraperson
I Am Not Your Negro
O.J.: Made in America Weiner
Best Non-U.S. Release
After the Storm
The Death of Louis XIV
The Girl With All the Gifts
Graduation
Nocturma
Personal Shopper
A Quiet Passion
Staying Vertical
The Unknown Girl
Yourself and Yours
BEST FOREIGN LANGUAGE FILM Elle The Handmaiden A Man Called Ove Toni Erdmann Things to Come
BEST DIRECTOR
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
David Mackenzie — Hell or High Water
Chan-woo Park — The Handmaiden
BEST CINEMATOGRAPHY
Chung-hoo Chung — The Handmaiden
James Laxton — Moonlight
Giles Nuttgens — Hell or High Water
Linus Sandgren — La La Land
Bradford Young — Arrival
BEST ACTOR
Casey Affleck — Manchester by the Sea
Joel Edgerton — Loving
Ryan Gosling — La La Land
Viggo Mortensen — Captain Fantastic
Denzel Washington — Fences
BEST SUPPORTING ACTOR
Mahershala Ali — Moonlight
Jeff Bridges — Hell or High Water
Ben Foster — Hell or High Water
Lucas Hedges — Manchester by the Sea
Sam Neill — Hunt for the Wilderpeople
BEST ACTRESS
Annette Bening — 20th Century Women
Kate Beckinsale — Love & Friendship
Ruth Negga — Loving
Natalie Portman — Jackie
Emma Stone — La La Land
BEST SUPPORTING ACTRESS
Viola Davis — Fences
Greta Gerwig — 20th Century Women
Naomie Harris — Moonlight
Nicole Kidman — Lion
Michelle Williams — Manchester by the Sea
BEST ORIGINAL SCREENPLAY
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
Mike Mills — 20th Century Women
Taylor Sheridan — Hell or High Water
BEST ADAPTED SCREENPLAY
Tom Ford — Nocturnal Animals
Eric Heisserer — Arrival
Seo-kyeong Jeong and Chan-wook Park — The Handmaiden
Whit Stillman — Love & Friendship
Taika Waititi — Hunt for the Wilderpeople
KEN HANKE MEMORIAL TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Anthony Mackie
Jeff Nichols Starving the Beast
Yesterday, the Florida Film Critics Circle announced their picks for the best of 2016! And guess what? While there’s plenty of familiar names on the list of honorees, Florida still went its own way by naming The Lobster as best film of the year!
BEST ACTOR
Casey Affleck – Manchester by the Sea
Joel Edgerton – Loving Ryan Gosling – La La Land
Viggo Mortensen – Captain Fantastic
Denzel Washington – Fences
BEST ACTRESS
Annette Bening – 20th Century Women
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie Emma Stone – La La Land
BEST SUPPORTING ACTOR
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ralph Fiennes – A Bigger Splash
André Holland – Moonlight
Michael Shannon – Nocturnal Animals
BEST SUPPORTING ACTRESS
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Lily Gladstone – Certain Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea
BEST ENSEMBLE
20th Century Women American Honey
Hidden Figures
Manchester by the Sea Moonlight
The Alliance of Women Film Journalists (of which I am not a member and what’s up with that!?) announced their picks for the best of 2016 earlier this week.
And here they are:
AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration. Best Film
Arrival Hell or High Water La La Land
Manchester by the Sea Moonlight
Best Screenplay, Adapted
Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford
Best Documentary 13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman Weiner – Elyse Steinberg and Josh Kriegma
Best Actress
Amy Adams – Arrival
Isabelle Huppert – Elle Ruth Negga – Loving
Natalie Portman – Jackie Emma Stone – La La Land
Best Actress in a Supporting Role Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea
Best Non-English-Language Film
Elle – Paul Verhoeven, France
Fire At Sea – Gianfranco Rossi, Italy The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany
EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only
Best Woman Director Andrea Arnold – American Honey Ava DuVernay -13TH
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women
Best Woman Screenwriter Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris
Best Breakthrough Performance Sasha Lane – American Honey
Janelle Monáe – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe Ruth Negga – Loving
Outstanding Achievement by A Woman in The Film Industry Ava DuVernay – For 13TH and raising awareness about the need for diversity and gender equality in Hollywood
Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers
Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women
April Reign for creating and mobilizing the #OscarsSoWhite campaign
EDA SPECIAL MENTION AWARDS
Actress Defying Age and Ageism Annette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky
Actress Most in Need Of A New Agent Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series
AWFJ Hall of Shame Award Sharon Maguire and Renee Zellweger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas