Today, that Academy announced the 15 semi-finalists for the Best Documentary Feature award. I’m sad to say that I haven’t seen as many of these as I should have. However, I am happy to see that both Amy andGoing Clear made the shortlist.
(I’m actually a bit surprised to see Going Clear made the cut, considering it’s subject matter. If Going Clear is nominated, will there be a mass boycott of the Awards by Hollywood Scientologists? Will this be an Oscar ceremony without Tom Cruise?)
Five of these films will be nominated for Best Documentary in January.
So, like a lot of people, I was expecting the National Board of Review to name Spotlight as best picture of the year. I haven’t seen Spotlight yet but I have to admit that I’m already kind of bored of hearing about how it’s the Oscar front-runner. I mean, for all I know, Spotlight could be the best film ever made but I like it when my awards season is interesting. It’s boring when one film — like The Social Network a few years ago — keeps winning every single award.
So, with all that in mind, I was really happy to hear that the National Board of Review picked Mad Max: Fury Road for best picture. I was happy because not only is Fury Road a really great movie that deserves the love but also because it was just so unexpected! Way to go, NBR!
(The only thing that would have made things better would have been if the Guitar Guy had won Best Supporting Actor.)
Hi, everyone! It’s Thanksgiving! Well, actually, it’s the final hours of Thanksgiving. In fact, it’s 10:03 as I start this and it’s totally possible that I won’t be ready to post it until midnight so, by the time you read this, Thanksgiving will probably be over and you’ll be in a Christmas/Hanukkah/Kwanzaa/None of the Above type of mood. Well, no matter…
So, every year, I make out a list of what I’m thankful for and I post it on this site. Today, as I relaxed at my uncle’s house and I listened to all my cousins talking about football, I realized that I wasn’t really quite sure what I was specifically going to mention.
Don’t get me wrong. There’s a lot that I am thankful for. I’m thankful to be alive. I’m thankful that I have people in my life who love me and I’m thankful that there are people who I love. I’m thankful that my sprained foot is much, much better. I’m thankful that it rained today so I would have an excuse not to lay out in the sun and pretend like I’m actually capable of getting a tan. Seriously, I’m a redhead. We don’t tan, we just burn.
And, because this is an entertainment-related site, this would be a good time to mention that I’m thankful that 2015 has been a pretty good year for film. Mad Max, Ex Machina, Sicario, 88, Inside Out…I’m not even beginning to scratch the surface of how many good films have been released this year. As for the bad films — well, The Fantastic Four, Ted 2, and Vacation were all terrible but you know what? None of them did a bit of good at the box office so at least the movie going public is not adding insult to injury.
It’s been a good year and, as a lover of the Oscars, I’m especially excited by the fact that there is no clear front runner. Oscar season is going to be exciting! Sure, it would appear that The Martian and Spotlight appear to be early favorites but neither has dominated. Seriously, this is going to be fun.
So, there’s a lot that I am thankful for but you know what I’m really thankful for? I’m thankful that I have thoughts to share and I am even more thankful that are people out there who are actually interested in learning them. There is nothing more wonderful than the freedom to say whatever the Hell you want. That, along with so many other things, is what I’m thankful for in 2015.
So, instead of coming up with a big list and trying to show off how witty I am, I’m just going to use this holiday to say “Thank you.” Thank you to all of the writers and reviewers at the Shattered Lens. Thank you to Arleigh Sandoc for asking me, 5 years ago, if I would be interested in contributing to an entertainment blog that he had just started. Thank you to all of the writers who were here before me and thank you to everyone who joined after me. Thank you for keeping this site alive. Thank you for keeping this site interesting. Thank you for keeping things lively. Thank you to all of you. Thank you for everything.
Even more importantly, thank you to all of our readers. They you to everyone who subscribes to this site. Thank you to everyone who has ever left a comment. Thank you to everyone who has ever clicked the like button. Whether you’re a regular reader or if you just found us through a google search, thank you! Thank you, thank you, thank you!
Whether today was Thanksgiving or just another Thursday, I hope it was a wonderful one for you!
All my love — Lisa.
P.S. Wow, it’s 10:26 and I’m already ready to post. Happy Thanksgiving!
P.P.S. By the way, since it’s Thanksgiving, here’s the NSFW trailer for Eli Roth’s Thanksgiving. Hurry up and get this movie done, Eli!
P.P.P.S. Finally, since it is Thanksgiving, why not read my review of the classic killer turkey film, Blood Freak?
Here are the 2015 Independent Spirit Nominations! That’s right — Oscar season is officially here! Soon, we will reach the point where every day, another group will be announcing their picks for the best of 2015 and the Oscar race will start to become a lot less cloudy. Until then, we can look at the Independent Spirit Nominations and try to figure out what they all mean in the big scheme of things.
The two big indie best picture contenders — Carol and Spotlight — were nominated for multiple awards. That’s to be expected. If any film is going to benefit from the Spirit nominations, it will probably be Anomalisa, which is starting to look more and more like it might be a dark horse to score a best picture nominations. As well, the Spirit nominations may serve to remind Academy members that Beasts of No Nation is one of the best films of the year.
Anyway, without further ado, here are the Spirit nominations!
The Diary of a Teenage Girl
James White
Manos Sucias
Mediterranea
Songs My Brothers Taught Me
Best First Screenplay
Jesse Andrews, Me and Earl and the Dying Girl
Jonas Carpignano, Mediterranea Emma Donoghue, Room
Marielle Heller, The Diary of a Teenage Girl
John Magary, Russell Harbaugh, Myna Joseph, The Mend
Hi there! Well, as of my birthday yesterday, I am now officially an adult. What does that mean for this site? Well, for the most part, it means that I’m going to be even more aggressive about giving my opinion. After all, I’m an adult now. Whatever I say matters, no matter how weird or random it may be! In fact, I’m such an adult that I’m not even going to worry about proofreading these posts anymore. Adults don’t have to worry abut makin typos.
So, what is Lisa’s editorial corner? Well, it’s a new weekly feature where I talk about whatever caught my eye during the previous week. Basically, it’s a way for me to embrace my inner know-it-all. Fear not, I’m going to keep it entertainment-related. You don’t have to worry about me using this feature to try to convince you to vote for Gary Johnson in 2016. (At least not yet…)
For instance, I might use this feature to talk about Gunnar Hansen…
On Gunnar Hansen and Andrew Bryniarski
On November 7th, Gunnar Hansen passed away from pancreatic cancer. He was 68 years old. When I first heard the news, I was out with my friends in the SBS (and I’ll explain what that stands for at a more appropriate time) and we were celebrating my upcoming birthday. I spent the day after that with my family and then it was Monday and it actually was my birthday and … well, long story short: I’ve only now gotten a chance to write about his passing on this site. And I feel really guilty about that because Gunnar Hansen was an iconic figure in film history.
Who was Gunnar Hansen? Well, you probably already know. He was Leatherface in the original Texas Chainsaw Massacre. Beyond that, he was also a teacher, a writer, an acclaimed poet, and reportedly one of the nicest guys that you could ever hope to meet. I never met Gunnar but every story that I’ve ever heard about him — whether it was from someone who met him at a convention or someone who knew him outside of the world of horror fandom — has been a positive one. As well, I’ve read many interviews with Hansen about the making of Texas Chainsaw and he always came across as being a very intelligent and well-spoken individual.
And it’s often overlooked just how good a performance that Hansen gives in Texas Chainsaw Massacre. Hansen may have been cast because of his large frame and he may have had to perform underneath a mask but he still turned Leatherface into a genuine character. It’s often overlooked that, out of the entire cannibal family, Leatherface is the only one who has any real responsibilities. He’s just trying to prepare everyone’s dinner and he keeps getting interrupted! No wonder he eventually ends up sitting down and slumping in frustration.
Now, upon until a few hours ago, I had absolutely no idea who Andrew Bryniarski was. Do you know who he is? Here’s a picture of him, with Gunnar Hansen:
Gunnar is on the right.
Why are Andrew and Gunnar posing together? Because Andrew played Leatherface in 2003 remake of Texas Chainsaw and in 2006’s Texas Chainsaw Massacre: The Beginning.
And here is what Andrew said on Facebook after several people tagged him in posts about Gunnar’s death:
Seriously, Mr. Bryniarski? Now, before you think that he “misspoke” or any of that, he went on to double down on his comments. When someone pointed out that, if not for Gunnar, Bryniarski would have never played Leatherface, Bryniarski wrote back, “I played the role twice without him.” Bryniraski then told another FB user to “suck Gunnar’s dead nutz.”
Seriously — what the Hell!?
For what it’s worth, Bryniarski has an official response to everyone who is upset with him. You can check it out here. As far as I can tell, it appears that he feels that, while promoting Texas Chainsaw 3D, Gunnar criticized the way that he played Leatherface.
There’s probably more to it than that but … well, it really doesn’t matter. If you’re going to speak ill of the dead, you better have a hell of a better reason that professional jealousy. End of story. Bryniarski’s comments and the outrage that greeted them only serve to remind us that Gunnar Hansen was a class act.
Gunnar Hansen, R.I.P.
On Jack The Ripper
Over 4 years ago, when I reviewed Murder By Decree, I wrote about my fascination with the unsolved case of Jack the Ripper. Well, after all this time, I’m still fascinated. So, needless to say, when I read that an Australian professor named Richard Patterson was convinced that he had figured out the identity of Jack the Ripper, I was intrigued.
Then I found out that Patterson thought that poet Francis Thompson was the murderer and I promptly yawned.
Poor Francis Thompson.
Seriously, most evidence (as opposed to the speculation of people who have seen From Hell) indicates that Saucy Jack was probably some psycho who lived on the margins of society. He got away with his murders because he committed them in 1888, a time when just taking fingerprints was considered to be advanced forensic science. He was never caught, he died in obscurity, and no one knows his name.
However, that’s no fun! Why spend so much time researching Jack the Ripper if the final solution is just going to be some creep that nobody’s ever heard of!? That’s why it seems the almost every Victorian of any sort of renown has, at some point, been accused of being the Ripper. Oscar Wilde, Lewis Carroll, Francis Thompson, and the painter Walter Sickert — all of them have been accused and, amazingly, all of them have had their creative work cited as evidence of their guilt.
You have to wonder if, 100 years from now, amateur criminologists will insist that Stephen King was responsible for every unsolved murder in New England…
Speaking of Walter Sickert…
Here’s one of the infamous painting that’s always cited by people who are convinced that he was Jack The Ripper:
Why not listen to a little music before you leave?
Hey — did you know that I have a daily music blog? Check it out: Lisa Marie’s Song of the Day! This is the song that I shared on my birthday because a lot of people have told me that it might as well be about me:
You know what you should do now?
Since it’s the day after my birthday and all, why not go read the first review that I ever wrote for this site? Check out my thoughts on a strange little film called Welcome Home, Brother Charles.
Have you heard the news? Apparently, Steve Jobs is shaping up to the be one of the biggest box office bombs of all time! Over this past weekend, it went from playing in 2,000 theaters to playing in 424.
Myself, I have to wonder why anyone thought Steve Jobs was going to be a huge financial success in the first place. Isn’t this the third Steve Jobs biopic to be released in as many years? None of them have made in money. It may be time for people of a certain age and certain economic class to admit that not everyone is as fascinated by Steve Jobs as they are. I haven’t seen Steve Jobs yet so I better get out to a theater this week or else I’ll have to see it in a dollar theater and I always seem to have a bad experience at those places. In the mean time, be sure to check out Leonard’s review!
Anyway, with Steve Jobs crashing and burning, I’m dropping it from my list of Oscar predictions. Sorry, Steve Jobs. Sorry, Danny Boyle and Kate Winslet. Don’t worry, Michael Fassbender — you’re still on my list.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Oh my God, it’s my birthday! True, this is the day of the year when I get presents and hear from a lot of wonderful people. That’s the wonderful part of the day! The only downside is that this is also the day of the year when I’m reminded that I’m an adult. But fear not, I know how to chase off any birthday angst. These 4 shots come from 4 films that always cheer me up.
(And, if you know me, you won’ be surprised by what they all have in common!)
4 Shots From 4 Films
Silk Stocking (1957, dir by Rouben Mamoulian)
Save the Last Dance (2001, dir by Thomas Carter)
The Company (2003, dir by Robert Altman)
StreetDance 3D (dir by Max Giwa and Dania Pasquini)
I’m a little late in sharing this (well, about three days) but things have been a little bit busy around these parts. The nominees for the International Documentary Association’s awards were announced a few days ago. You can view the full list here.
For the purposes of those of us who are obsessed with trying to predict all the Oscar nominees, our main concern is with the 6 movies that were nominated for the Best Feature Award. Best Documentary Feature is, traditionally, one of the most difficult categories to predict. Every little bit of info helps. All 6 of the movies listed below have also been included on the list of the 124 documentaries that have been deemed to be Oscar-eligible this year.
Best Feature Award Amy, The Black Panthers: Vanguard of the Revolution, Listen to Me Marlon, The Look of Silence, The Russian Woodpecker, What Happened, Miss Simone?
Despite making an effort to see more documentaries this year, Amy is the only one of the above nominees that I’ve actually watched. It definitely deserves to be nominated.
One final question: though Going Clear was not nominated by the IDA, it is Oscar-eligible. If Going Clear did somehow get an Oscar nomination, would Tom Cruise and John Travolta still show up for the ceremony?
Seeing as how the Dazzling Erin and I went to see The Peanuts Movie on Friday night, it now seems appropriate to share the 16 films that have been submitted for consideration for the Best Animated Feature Oscar! Now, to make clear, these films have just been submitted for consideration. The actual nominees have not yet been determined.
But still, you know how much I love to share Oscar news!
Oh my God, y’all — the Hollywood Film Awards were held on Sunday and a bunch of potential Oscar contenders were honored! Which all leads to one very important question:
What the Hell are the Hollywood Film Awards?
As I pondered that question, I realized that I had vague memories of sitting through the Hollywood Film Awards last year. The ceremony was broadcast on CBS and it was distinguished from other awards shows in that there were no nominees. Instead, only the winners were announced. It was so amazingly dull and I can remember watching it and thinking, “Awards season has finally jumped the shark.”
(And this was even before Sasha Stone and Jeff Wells had their annual breakdowns…)
Anyway, the Hollywood Film Awards for 2015 were given out on Sunday and I’m assuming they weren’t televised. (I was busy watching A Student’s Obsession anyway…) You can find the winners below. For the most part, it’s a pretty boring list (and why give out awards in November?) but it does allow us an early glimpse into some of the films and performers that are contending for Oscar gold.
Here’s the list. Along with a gif of a kitty showing just how excited he is over Awards Season…
“YAY! AWARDS! I’M SO EXCITED..I’M SO EXCITED… I’M SO … SCARED!”
Career Achievement Award presented to Robert De Niro by David O. Russell.
Producer Award presented to Ridley Scott (“The Martian) by Russell Crowe.
Director Award presented to Tom Hooper (“The Danish Girl”) by Amber Heard.
Actor Award presented to Will Smith (“Concussion”) by Jamie Foxx.
Actress Award presented to Carey Mulligan (“Suffragette”) by Jake Gyllenhaal.
Supporting Actor Award presented to Benicio Del Toro (“Sicario”) by Reese Witherspoon.
Supporting Actress Award presented to Jane Fonda (“Youth”) by Laura Dern.
Breakout Actor Award presented to Joel Edgerton (“Black Mass”) by Johnny Depp, Dakota Johnson.
Breakout Actress Award presented to Alicia Vikander (“The Danish Girl”) by Armie Hammer.
New Hollywood Award presented to Saoirse Ronan (“Brooklyn”) by Ryan Gosling.