Brad reviews THIRTEEN LIVES (2022), starring Viggo Mortensen!


After reading the memoir THE BOYS, from Ron Howard and Clint Howard, I’ve taken a renewed interest in their careers. While scanning Ron’s IMDB listing, I noticed that he directed a film in 2022 called THIRTEEN LIVES. Movies had such strange release patterns in the post-Covid years, and somehow this film had flown completely under my radar. Seeing that the movie was very highly rated and that it was based on what seemed like an incredible true story, I became very interested. So much so, that I started the two and a half hour movie after midnight! 

THIRTEEN LIVES is based on a real life “flooded cave” rescue in Thailand in 2018 after 12 boys and their soccer coach become stranded deep inside a cave system when unexpectedly early monsoon rains hit the area. We watch as an international coalition of Thai Navy SEALS, British cave divers, including Rick Stanton (Viggo Mortensen) and John Volanthen (Colin Farrell), and other expert volunteers take part in an extremely urgent and dangerous mission to save the thirteen lives. When it appears that all hope may be lost, the men come up with a risky, experimental plan requiring the expertise of anesthetist and cave diver Harry Harris (Joel Edgerton). As scary as the plan is, everyone agrees it’s the only chance they have…

I mentioned earlier that one of the reasons that THIRTEEN LIVES piqued my interest is the fact that it’s based on a true story. The real world has been full of heartbreaking tragedy this year, and this story seemed like something I really needed to see. On a personal note, 2018 was one of the most difficult years in my life. I don’t remember hearing about this real life drama out of Thailand, so I honestly didn’t know what was going to happen. I’ll give Director Ron Howard a lot of credit for how effectively he captures the seemingly hopeless and terrifying situation over the 18 day period from the time the team was first trapped to the time that the rescue attempt reaches its conclusion. His deliberate pacing doesn’t rush the story, and we can’t help but become invested in the emotions being experienced by the families and the rescue teams. I also enjoyed watching people from all over the world working together and not caring who gets the credit. There was tension at times of course, but the focus was never about ego. It was always about their mission to save those who were trapped. This movie is about regular people who became real heroes. The film captures the psychological cost of that transition as not every person will survive the 18 day journey. 

The incredible real-life story of THIRTEEN LIVES is complimented very well by an excellent cast. I’ve been a fan of Viggo Mortensen since he starred in the film THE INDIAN RUNNER in 1991, which happened to co-star my movie hero Charles Bronson. I’ve also been a fan of Colin Farrell since he emerged in what seemed like a concerted effort in the early 2000’s to make him a star. Both men bring their “A” games here in understated and powerful performances. Other actors that stood out to me include Joel Edgerton as the expert who holds the key to the rescue plan, Sahajek Boonthanakit as Governor Narongsak, the man who takes the ultimate responsibility for their mission, and Pattrakorn Tungsupakul, the distraught mother of one of the trapped boys. Howard assembled a great cast that brings the incredible story to life. 

I mentioned earlier that I started watching THIRTEEN LIVES after midnight. For a 51 year old man, the fact that I watched the entire film at that time of the night, without falling asleep, says a lot about the way this extraordinary story pulled me in. I highly recommend this powerful film to any person who enjoys movies based on true stories. 

Lisa Marie Reviews An Oscar Nominee: The Banshees of Inisherin (dir by Martin McDonagh)


2022’s The Banshees of Inisherin takes place in 1923, near the end of the Irish Civil War.

On the fiction isle of Inisherin, the inhabitants are safe from the the fighting happening on the main land.  Occasionally, they can hear the gunfire and the explosions coming from Ireland but, for the most part, they’re content to go about their lives the same as they always have.  A few do dream of changing their routine.  Young Dominic Kearney (Barry Keoghan) has a crush on Siobhán Súilleabháin (Kerry Condon), who herself occasionally entertains the idea of leaving Inisherin and seeking something better.  But, for the most part, everyone is happy with doing the same thing over and over again.  They know exactly when they will see each other.  They know where everyone will be at any given moment of time.  They know that Colm Doherty (Brendan Gleeson) will be playing his fiddle at the pub or sitting in his cottage with his dog.  They know that every morning, he will have a drink with his best friend (and Siobhan’s brother), Padraic (Colin Farrell).

Except, one day, Colm abruptly tells Padraic that he no longer wants to be his friend.

Padraic has a difficult time understanding what Colm could possibly mean.  He and Colm have always been friends.  How can Colm suddenly no longer be his friend?  Making things even more frustrating is that Colm refuses to explain what, if anything, Padraic has actually done to make Colm no longer want to be his friend.  The closest thing to an explanation that Padraic gets is that Colm finds Padraic to be boring.  Colm, who composes music and, at the very least, seems to spend a good deal of time in contemplation, is tired of Padraic’s jokes and his simple ambitions.  He’s even tired of hearing about Padraic’s pet donkey, Jenny.  In order to show how sincere he is in his desire to no longer speak to Padraic, Colm says that he will chop off one of his fingers every time that Padraic speaks to him.  Padaic, who loves to talk and really doesn’t have anyone other than Colm and his sister to talk to, is shocked when fingers start to show up at his home.  It only escalates from there.

It’s a darkly funny movie, which is no surprise considering that it was written and directed by Martin McDonagh.  If anyone can make you smile while discussing mutilating himself, it’s Brendan Gleeson.  At heart, though, The Banshees of Inisherin is a deadly serious film with the characters of Colm and Padraic obviously meant to represent more than just two friends who are no longer speaking.  Colm, in his desire to have something more to his life than just his boring life in Inisherin, chops off his fingers and leaves you wondering how he will be able to play the fiddle that he loves so much.  It seems counter-productive but once Colm says he’s going to do it, he has no choice but to follow through.  The simple-minded but achingly sincere Padraic goes from simply being emotionally wounded to being vengeful over Colm’s rejection.  It’s easy to see that Colm originally ended the friendship because he was depressed and feeling as if he had wasted his entire life on Inisherin.  Unfortunately, by the time Colm and Padraic come to understand this very common emotion, they’re both too far gone to turn back.  While Colm and Padraic go from being friends to sworn enemies, Dominic attempts to be more assertive and Siobhan dreams of perhaps the same thing that motivates Colm, an escape from Inisherin.

The Banshees of Inisherin is a well-acted and thought-provoking film, one that mixes serious of heart-rendering drama with scenes of dark comedy.  Brendan Gleeson, Colin Farrell, Barry Keoghan, and Kerry Condon were all Oscar-nominated for their work here.  It’s hard to believe that this was Gleeson’s first nomination.  (Gleeson lost Supporting Actor to Ke Huy Quan for Everything Everywhere All At Once.  I would argue that Gleeson should have been nominated for Best Actor and that he deserved the Oscar over The Whale‘s Brendan Fraser.)  Farrell and Gleeson are believable as both lifelong friends and sudden enemies.  Farrell delivers his lines with such earnest conviction that he actually brought tears to my eyes.

Despite having received 9 nominations, The Banshees of Inisherin didn’t win in any of its categories, not even for Best Original Screenplay.  The Banshees of Inisherin lost Best Picture to Everything Everywhere All At Once, a true Oscar injustice.

2022 In Review: Lisa Marie’s Top 30 Films of 2022


Without further ado, here are my top 30 films of 2022!

(Why 30?  Because Lisa doesn’t do odd numbers!  Also, be sure to check out my picks for 2010201120122013201420152016201720182019, 2020, and 2021!  Wow, I’ve been doing this for a while!)

30. Marcel The Shell With Shoes On (dir by Dean Fleischer Camp)

An animated film with heart, Marcel The Shell With Shoes On would probably be ranked higher if Marcel’s favorite news show had been something other than 60 Minutes.  Still, questionable viewing habits aside, Marcel and Nana Connie and all the other shells were amazing characters and the end of the movie brought tears to my mismatched eyes.  With this film and I Want You Back, Jenny Slate had quite a year.

29. Ted K (dir by Tony Stone)

Released in February of this year, this film about Ted Kaczyski and his descent into madness was unfairly overlooked. Sharlto Copley was perfectly cast as Ted K.  This is a film that probably won’t make Ted’s supporters happy but, at the same time, it also avoids painting him as just being a straight-out madman.  It’s refusal to simplify makes the film far more than just another true crime biopic.

28. Dashcam (dir by Rob Savage)

Starring Annie Hardy as herself, this low-budget horror film is a scathing satire of life during the age of COVID and performative “wokeness.”  After the past few years, there’s something rather cathartic about Hardy’s refusal to obey.

27. The Batman (dir by Matt Reeves)

At this point, I’m fairly cynical about comic book movies in general and Batman films in specific.  I mean, how many Batmen have we had over the past ten years?  (Actually, I think only four but it feels like a lot more!)  That said, I enjoyed The Batman, for both its noirish atmosphere and it’s willingness to embrace the melodrama.  You have to love the fact that the villain was basically a nerdy podcaster.

26. Operation Mincemeat (dir by John Madden)

Based on a true story, this film was a throwback to the earnest World War II films of the past.  Colin Firth, Kelly MacDonald, Matthew McFayden, and Johnny Flynn were all well-cast and did their part to bring this moment of WWII history to life.

25. Father Stu (dir by Rosalind Ross)

You don’t have to be from a Catholic background to appreciate Father Stu but it probably helps.  This was one of those roles that only Mark Wahlberg could have pulled off.

24. See How They Run (dir by Tom George)

This stylized murder mystery was terrifically entertaining and witty.  Sam Rockwell and Saoirse Ronan are both treasures.

23. I Want You Back (dir by Jason Orley)

Two friends conspire to win back their respective romantic partners and end up falling in love with each other instead.  This was an enjoyable comedy, one that was blessed with an outstanding cast that included Jenny Slate, Charlie Day, Scott Eastwood, and Gina Rodriguez.  The scene in which Jenny Slate sings Suddenly Seymour is a classic.

22. Ambulance (dir by Michael Bay)

This was the film that Michael Bay was born to direct.  For once, Bay’s hyperkinetic style was perfectly matched by the story being told.  It also helped that the ambulance was a real ambulance and not a robot pretending to be an ambulance.

21.Send Me (dir by Nick Palmisciano)

This is a heart-breaking documentary about the efforts of 12 veterans to evacuate as many allies as they could during the disastrous withdraw from Afghanistan.  This film deserved more attention than it got.

20. The Bombardment (dir by Ole Bornedal)

Based on a true story, this Danish film deals with the accidental bombing of a school during World War II.  It’s been overshadowed a bit by All Quiet On The Western Front but, in its quieter way, The Bombardment is also a strong look at the horrors of war.

19. Goodnight Oppy (dir by Ryan White)

This is a poignant documentary about Opportunity, the NASA exploration rover that spent 15 years exploring Mars.  This movie proves that a robot can make you cry.

18. Dark Glasses (dir by Dario Argento)

Don’t listen to the critics.  This enjoyably over-the-top giallo was an entertaining return-to-form for Dario Argento.

17. Wildcat (dir by Melissa Lesh and Trevor Fost)

This poignant documentary follows a depressed veteran as he finds purpose helping to raise a baby ocelot in Peru.  Be prepared to cry.

16. Apollo 10 1/2 (dir by Richard Linklater)

Richard Linklater’s animated film was well-received by critics but it’s still hard not to feel that it’s been a bit overlooked.  Narrated by Jack Black, the film details the 1969 moon landing from the perspective of a child with a very active imagination.  Nostalgic, sweet-natured, and ultimately rather moving, Apollo 10 1/2 is a film that celebrates life.

15. Three Minutes: A Lengthening (dir by Bianca Stigner)

This haunting and moving documentary, which is narrated by Helena Bonham Cater, examines a three-minute snippet of 16mm film that was shot in a Jewish town in Poland in 1938, shortly before the Nazis invaded.  By examining every aspect of those three minutes, this documentary becomes both a memorial for the inhabitants of that town and a much-needed reminder of the horrors and reality of the Holocaust.  With anti-Semitism and Holocaust denial on the rise, this is an important documentary.

14. The Northman (dir by Robert Eggers)

The Northman is occasionally thrilling and occasionally ludicrous but it’s always watchable.  Robert Eggers finds moments of humor and odd beauty in this Viking epic.  Nicole Kidman embraces the melodrama and goes all out.  I just hope Valhalla was actually worth all the trouble.

13. Puss In Boots: The Last Wish (dir by Joel Crawford)

Yeah, you knew this film was going to show up on my list.  To be honest, the film could have been about just about anything.  I’d watch Puss In Boots read the phone book as long as Antonio Banderas returned to do his voice.  The fact that the film itself was cute and even touching was an added bonus.

12. Guillermo del Toro’s Pinocchio (dir by Guillermo del Toro and Mark Gustafson)

Yes, a puppet can make you cry.

11. Babylon (dir by Damien Chazelle)

Was it flawed?  You bet.  Did it run a little bit too long?  Yes, it did.  Could I have done without the scene with the elephant?  You better believe it.  That said, this film was so gloriously excessive and over-the-top that it was easy for me to forgive its flaws.  The critics may not have liked it but Babylon is a film that will be rediscovered.

10. The Fabelmans (dir by Steven Spielberg)

I went back and forth over whether to put The Fabelmans or Babylon in the number ten spot.  In a way, they’re kind of similar in that they have their flaws but they’re both saved by their director’s obvious love of cinema.  In the end, David Lynch’s role as John Ford moved The Fabelmans into the 10th spot.

9. Everything Everywhere All At Once (dir by the Daniels)

To be honest, I think some people are going a little bit overboard in their praise for this film.  Yes, it’s one of the year’s best but 2022 wasn’t that strong of a year and Everything is one of those probable Best Picture winners that, like Nomadland and CODA, will probably not be quite as celebrated after it actually wins.  That said, Michelle Yeoh and especially Ke Huy Quan deserve all the praise that they’ve received and I appreciated that the film featured the destruction of an IRS office.  It’s not as perfect as some say but, due largely to the cast, it still deserves to be in my top ten.

8. Nitram (dir by Justin Kurzel)

This is another unfairly overlooked film, this time from Australia.  Caleb Landry Jones gives a powerful and disturbing performance as a troubled young man named Nitram who commits an act of shocking violence.  Anthony LaPaglia and Judy Davis play Nitram’s parents, who are both troubled in their own individual ways.  Essie Davis plays the older woman who falls in love with Nitram, despite the fact that Nitram is incapable of loving anyone.

7. Emily the Criminal (dir by John Patton Ford)

Aubrey Plaza plays Emily, who discovers that not only does crime pay but, in the gig economy, it’s one of those few ways to get ahead.  Part thriller and part satire, Emily the Criminal reminds us that Plaza is one of the most interesting actresses working today.

6. All Quiet On The Western Front (dir by Edward Berger)

This German anti-war epic stays true to the themes of its source material while updating the plot for the modern era.  The contrast between the generals and the diplomats planning battles and the soldiers dying in them is a powerful one.

5. Elvis (dir by Baz Luhrmann)

This wonderfully excessive biopic features good music, a great performance from Austin Butler, and a wonderfully eccentric one from Tom Hanks.  Luhrmann is hardly a subtle director but Butler’s performance keeps the film from spiraling out of control.

4. Vengeance (dir by B.J. Novak)

This whip-smart satire of both true crime podcasts and the red state/blue state divide deserved far more attention than it received.  Ashton Kutcher has actually become a surprisingly dependable character actor.  Director and screenwriter Novak tells the story with sensitivity and a sharp eye for the absurd.

3. The Banshees of Inisherin (dir by Martin McDonagh)

In his best film yet, Martin McDonagh examines friendship, art, violence, and anger in Ireland.  Brendan Gleeson no longer wants to be Colin Farrell’s friend.  Farrell’s attempts to discover why leads to all sorts of surprising and macabre developments.  Gleeson and Farrell have never been better.  Kerry Condon and Barry Keoghan offer up poignant support.

2. Tar (dir by Todd Field)

Lydia Tar is a brilliant artist.  Does it matter that she also might be a terrible human being?  Todd Field’s return to filmmaking meditates on the meaning of art, morality, and the consequences of hubris.  Cate Blanchett is perfectly cast.  The scene where Tar talks to a student who objects to playing music by a white male is a real litmus test.  Do you think Tar is a bully or do you think the student is being too sensitive?  For all the talk about how Lydia dismisses the student’s claims, many also fail to note that the student is the one who calls her a “bitch” and runs out of the room.  Much as in Field’s previous film, no one is as perfect or as justified or as blameless as they may believe.

And, finally, my top film of 2022 is….

  1. Top Gun: Maverick (dir by Joseph Kosinski)

After 2 years of lockdowns and pessimism, Top Gun: Maverick was finally released and it reminded audiences of what they loved about movies in the first place.  Top Gun: Maverick was the movie that we needed in 2022.

Well, that concludes my late look back at 2022!  Now, let’s focus on 2023!

Lisa Marie’s 2022 In Review:

  1. 16 Worst Movies
  2. 10 Favorite Songs
  3. 10 Top Non-Fiction Books
  4. Lisa Marie’s Favorite Novels
  5. The Best of Lifetime
  6. 10 Good Things I Saw On Television

What If Lisa Marie Picked The Oscar Nominees: 2022 Edition


With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa Marie had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not be. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

It should also go without saying that I’ve only nominated films that I’ve actually seen.  So, if you’re wondering why a certain film wasn’t nominated, it’s always possible that may have not gotten the opportunity to see it yet.  Of course, it’s also possible that I didn’t feel that a certain film was worthy of a nomination, despite what the critics may say.  In the end, my best advice is not to worry too much about it.  I’m not an Academy voter so ultimately, this is all for fun and that’s the spirit in which it should be taken.

You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.

(Click on the links to see my nominations for 2021, 2020201920182017201620152014201320122011, and 2010!)

And now, without any further ado:

2022 

Best Picture 

All Quiet on the Western Front 

The Banshees of Inisherin 

Elvis 

Emily the Criminal 

Everything Everywhere All At Once 

The Fabelmans 

Nitram 

TAR 

Top Gun: Maverick 

Vengeance  

Best Director 

Edward Berger for All Quiet on the Western Front  

Todd Field for TAR 

Joseph Kosinski for Top Gun: Maverick 

Baz Luhrmann for Elvis 

Martin McDonagh for The Banshees of Inisherin

BJ Novak for Vengeance 

Best Actor 

Austin Butler in Elvis 

Tom Cruise in Top Gun: Maverick 

Colin Farrell in The Banshees of Inisherin  

Caleb Landry Jones in Nitram 

BJ Novak in Vengeance  

Adam Sandler in Hustle 

Best Actress 

Cate Blanchett in TAR 

Emma Corrin in Lady Chatterley’s Lover  

Annie Hardy in Dashcam 

Mia Goth for Pearl 

Aubrey Plaza in Emily The Criminal 

Michelle Yeoh in Everything Everywhere All At Once 

Best Supporting Actor 

Brendan Gleeson in The Banshees of Inisherin 

Val Kilmer in Top Gun: Maverick 

Anthony LaPaglia in Nitram 

David Lynch in The Fabelmans 

Brad Pitt in Babylon 

Ke Huy Quan in Everything Everywhere All At Once 

Best Supporting Actress 

Kerry Condon in The Banshees of Inisherin 

Essie Davis in Nitram 

Judy Davis in Nitram  

Nina Hoss in TAR  

Nicole Kidman in The Northman 

Michelle Williams in The Fabelmans 

Best Voice Over Performance 

Antonio Banderas in Puss In Boots: The Last Wish 

Jack Black in Apollo 10 ½ 

Steve Carell in Minions: The Rise of Gru 

Mike Judge in Beavis and Butthead Do The Universe 

Ewan McGregor in Guillermo del Toro’s Pinocchio  

Jenny Slate in Marcel the Shell With Shoes On  

 

Best Adapted Screenplay 

All Quiet On The Western Front 

Guillermo Del Toro’s Pinocchio   

Lady Chatterley’s Lover 

Marcel The Shell With Shoes On 

Operation Mincemeat 

Top Gun: Maverick 

Best Original Screenplay 

Apollo 10 ½

The Banshees of Inisherin 

Emily the Criminal 

Everything Everywhere All At Once 

TAR 

Vengeance 

Best Animated Feature Film 

Apollo 10 ½ 

Beavis and Butthead Do The Universe  

The Bob’s Burgers Movie 

Guillermo del Toro’s Pinoccio  

The House 

Mad God 

Marcel the Shell with Shoes On 

Minions: The Rise of Gru 

Puss in Boots: The Last Wish

Turning Red  

Best Documentary Feature Film 

The Automat 

Bitterbrush

Dreaming Walls: Inside the Chelsea Hotel

Goodnight Oppy 

Is That Black Enough For You? 

My Old School 

Selena Gomez: My Mind And Me 

Send Me 

Three Minutes: A Lengthening 

Wildcat 

 

Best International Feature Film 

All Quiet on the Western Front 

Bardo 

Battle: Freestyle 

The Bombardment 

Dark Glasses

How I Fell In Love With A Gangster 

Into the Wind 

My Best Friend Anne Frank 

Restless 

RRR 

Best Live Action Short Film 

A Little Dead

Forgive Us Our Trespasses 

Best Animated Short Film 

The Flying Sailor

Ice Merchants

The Garbage Man 

Steakhouse 

Best Documentary Short Film 

Elephant Whisperers

Her Majesty’s Queue  

The Martha Mitchell Effect

Nuisance Bear 

The Runner 

Stranger at the Gate 

Best Original Score 

All Quiet On The Western Front 

Babylon 

The Banshees of Inisherin

Don’t Worry, Darling 

Guillermo del Toro’s Pinocchio

Top Gun: Maverick 

 

Best Original Song 

“At the Automat” from The Automat 

“Sunny Side Up Summer” from The Bob’s Burgers Movie 

“Vegas” from Elvis

“Ciao Papa” from Guillermo del Toro’s Pinocchio  

“Naatu Naatu” from RRR 

“My Mind and Me” From Selena Gomez: My Mind and Me 

“Hold My Hand” From Top Gun: Maverick 

“Carolina” From Where The Crawdads Sing 

“New Body Rhumba” from White Noise 

“A Sky Like I’ve Never Seen” from Wildcat 

Best Overall Use of Music In A Movie 

The Banshees of Inisherin 

Elvis 

TAR   

Father Stu 

Top Gun: Maverick 

Best Sound Editing 

All Quiet On The Western Front 

Avatar: The Way of the Water  

The Bombardment 

Elvis 

Guillermo del Toro’s Pinoccio  

Top Gun Maverick 

Best Sound Mixing 

All Quiet on the Western Front 

The Batman 

Elvis

TAR 

The Northman 

Top Gun Maverick 

Best Production Design 

Babylon

The Batman 

Elvis 

The Fabelmans 

RRR 

See How They Run

Best Casting 

All Quiet on the Western Front 

The Northman 

She Said 

TAR 

Top Gun: Maverick 

Vengeance 

Best Cinematography 

The Banshees of Inisherin 

Bardo   

Elvis 

Everything Everywhere All At Once

RRR 

Top Gun: Maverick 

Best Costume Design 

Babylon 

Death on the Nile 

Dr. Strange in the Multiverse of Madness

Elvis

The Fabelmans

See How They Run  

Best Film Editing 

All Quiet on the Western Front  

Ambulance 

The Banshees of Inisherin 

Everything Everywhere All At Once   

The Fabelmans 

Top Gun: Maverick 

Best Make-Up and Hairstyling 

Babylon 

Elvis   

The Fabelmans   

The Northman  

Terrifier 2 

Best Stuntwork 

All Quiet On The Western Front

The Batman 

Bullet Train    

Everything Everywhere All At Once 

RRR 

Top Gun: Maverick 

Best Visual Effects 

Avatar: The Way of Water 

Dr. Strange in the Multiverse of Madness 

Mad God 

RRR 

Terrifier 2 

Top Gun: Maverick 

Films Listed By Number of Nominations

15 Nominations — Top Gun: Maverick

11 Nominations — Elvis

10 Nominations — All Quiet On The Western Front, The Banshees of Inisherin

8 Nominations — TAR

7 Nominations — Everything Everywhere All At Once, The Fabelmans

6 Nominations — Guillermo del Toro’s Pinocchio, RRR

5 Nominations — Babylon, Nitram, Vengeance

4 Nominations — The Northman, Puss in Boots: The Last Wish

3 Nominations — Apollo 10 1/2, The Batman, Emily the Criminal, Marcel the Shell With Shoes On

2 Nominations — The Automat, Avatar: The Way of the Water, Bardo, Beavis and Butthead Do The Universe, The Bob’s Burgers Movie, The Bombardment, Dr. Strange in the Multiverse of Madness, Lady Chatterley’s Lover, Mad Dog, Minions: The Rise of Gru, See How They Run, Selena Gomez: My Mind & Me, Terrifier 2, Wildcat, X

1 Nomination — A Little Dead, Ambulance, Battle: Freestyle, Bitterbush, Bullet Train, Dascham, Dark Glasses, Death on the Nile, Don’t Worry Darling, Dreaming Walls: Inside the Chelsea Hotel, Elephant Whisperers, Father Stu, The Flying Sailor, Forgive Us Our Trespasses, The Garbage Man, Goodnight Oppy, Her Majesty’s Queue, How I Fell In Love With A Gangster, Hustle, Ice Merchants, Into the Wind, Is That Black Enough For You?, The House, Hustle, The Martha Mitchell Effect, My Friend Anne Frank, My Old School, Nuisance Bear, Operation: Mincemeat, Pearl, Restless, The Runner, Send Me, She Said, Steakhouse, Stranger at the Gates, Three Minutes: A Lengthening, Turning Red, Where The Crawdads Sing, White Noise

Films Listed By Number of Wins:

6 Oscars — Top Gun: Maverick

4 Oscars — All Quiet on the Western Front, Banshees of Inisherin

2 Oscars — Babylon, Elvis, TAR

1 Oscars — A Little Death, Avatar: The Way of the Water, Beavis and Butthead Do The Universe, Guillermo del Toro’s Pinocchio, Ice Merchant, Nuisance Bear, Three Minutes: A Lengthening, X 

Will the Academy and I agree?  Probably not!  But we’ll find out for sure in just a few hours!

Lisa Marie’s Final 2022 Oscar Predictions


Well, it’s finally going to happen.  Tomorrow, the Oscar nominations are going to be announced.

And that means that it is time for me to make my final predictions as to which films will be nominated.  Keep in mind that these are not necessarily the films and performances that I would nominate if I had all the power.  (I’ll be posting those later.)  Instead, these are my predictions for what will be nominated on Tuesday morning!  If you want to see how my thinking has evolved over the past few months, check out my predictions for February, March, April, May. June, July, August, September, October, November, and December!

Without any further ado, here are my predictions for the Big Six Categories:

Best Picture:

All Quiet On The Western Front

Avatar: The Way of Water

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

Glass Oninon

TAR

Top Gun: Maverick

Best Director

Edward Berger for All Quiet On The Western Front

Joseph Kosinski for Top Gun: Maverick

Daniel Kwan and Daniel Scheinert for Everything Everywhere All At Once

Martin McDonagh for The Banshees of Inisherin

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Colin Farrell in The Banshees of Inisherin

Brendan Fraser in The Whale

Bill Nighy in Living

Adam Sandler in Hustle

Best Actress

Cate Blanchett in TAR

Viola Davis in The Woman King

Danielle Deadwyler in Till

Andrea Riseborough in To Leslie

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Paul Dano in The Fabelmans

Brendan Gleeson in The Banshees of Inisherin

Barry Keoghan in The Banshees of Inisherin

Ke Huy Quan in Everything Everywhere All At Once

Eddie Redmayne in The Good Nurse

Best Supporting Actress

Angela Bassett in Black Panther: Wakanda Forever

Hong Chau in The Whale

Kerry Condon in The Banshees of Inisherin

Jamie Lee Curtis in Everything Everywhere At Once

Janelle Monae in Glass Onion

We’ll find out how right (or wrong) I am, come tomorrow morning!

Lisa Marie’s Oscar Predictions for December


Here they are!  These are my final Oscar predictions for 2022.  The critics groups have certainly helped to show us which films are major contenders.  That said, the Guilds are even more important so I can’t wait to see who they nominate and honor in January.

be sure to check out my predictions for FebruaryMarchAprilMayJuneJulyAugustSeptember, October, and November!

Best Picture

Avatar: The Way of Water

Babylon

The Banshees of Inisherin

Elvis

Everything Everywhere All At Once

The Fabelmans

Tar

Top Gun: Maverick

The Woman King

Women Talking

Best Director

Todd Field for TAR

Baz Luhrmann for Elvis

Martin McDonagh for The Banshees of Inisherin

Sarah Polley for Women Talking

Steven Spielberg for The Fabelmans

Best Actor

Austin Butler in Elvis

Tom Cruise in Top Gun: Maverick

Colin Farrell in The Banshees of Inisherin

Brendan Fraser in The Whale

Gabriel LaBelle in The Fabelmans

Best Actress

Cate Blanchett in TAR

Viola Davis in The Woman King

Danielle Deadwyler in Till

Michelle Williams in The Fabelmans

Michelle Yeoh in Everything Everywhere All At Once

Best Supporting Actor

Brendan Gleeson for The Banshees of Inisherin

Judd Hirsch in The Fabelmans

Barry Keoghan in The Banshees of Inisherin

Ke Huy Quan in Everything Everywhere All At Once

Brad Pitt in Babylon

Best Supporting Actress

Jessie Buckley in Woman Talking

Kerry Condon in The Banshees of Inisherin

Jamie Lee Curtis in Everything Everywhere All At Once

Dolly de Leon in Triangle of Sadness

Janelle Monáe in Glass Onion

Here Are The Sequel-Dominated 2022 Satellite Nominations!


The Satellite nominations were announced on Thursday morning. 

What are the Satellites?  For years, they were like a less important version of the Golden Globes.  However, considering all of the recent controversy that has surrounded that Hollywood Foreign Press and the Golden Globes, it wouldn’t surprise me if, in a few years, the International Press Academy and the Satellites became Hollywood’s new favorite shady precursor group.

Like the Globes, the Satellites hand out awards for both film and television.  Below, you’ll find their film nominations.  If you want to see their TV nominations, Next Best Picture has got you covered.

Here are the Satellite noms for 2022!  To me, perhaps the most interesting thing about the nominations is that many of the biggest contenders — Glass Onion, Top Gun: Maverick, Black Panther: Wakanda Forever, Avatar: Way of the Water — are sequels.  It’ll be interesting to see if the Academy follows suit.

ACTRESS IN A MOTION PICTURE DRAMA
Jessica Chastain – The Good Nurse (Netflix)
Cate Blanchett – TÁR (Focus Features)
Michelle Williams – The Fabelmans (Universal Pictures)
Danielle Deadwyler – Till (United Artists Releasing)
Vicky Krieps – Corsage (IFC Films)
Viola Davis – The Woman King (TriStar Pictures)

ACTOR IN A MOTION PICTURE DRAMA
Brendan Fraser – The Whale (A24)
Tom Cruise – Top Gun: Maverick (Paramount Pictures)
Gabriel LaBelle – The Fabelmans (Universal Pictures)
Hugh Jackman – The Son (CAA Media Finance)
Bill Nighy – Living (Sony Pictures)
Mark Wahlberg – Father Stu (Columbia Pictures)

ACTRESS IN A MOTION PICTURE, COMEDY OR MUSICAL
Margot Robbie – Babylon (Paramount Pictures)
Michelle Yeoh – Everything Everywhere All At Once (A24)
Janelle Monáe- Glass Onion: A Knives Out Mystery (Netflix)
Emma Thompson – Good Luck to You, Leo Grande (Searchlight Pictures)

ACTOR IN A MOTION PICTURE, COMEDY OR MUSICAL
Collin Farrell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Austin Butler – Elvis (Warner Bros.)
Diego Calva – Babylon (Paramount Pictures)
Adam Sandler – Hustle (Netflix)
Ralph Fiennes – The Menu (Walt Disney Studios Motion Pictures)
Daniel Craig – Glass Onion: A Knives Out Mystery (Netflix)

ACTRESS IN A SUPPORTING ROLE
Jean Smart – Babylon (Paramount Pictures)
Angela Bassett – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Kerry Condon – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Dolly de Leon – Triangle Of Sadness (Neon)
Claire Foy – Women Talking (United Artists Releasing)
Jamie Lee Curtis – Everything Everywhere All At Once (A24)

ACTOR IN A SUPPORTING ROLE
Eddie Radmayne – The Good Nurse (Netflix)
Ben Whishaw – Women Talking (United Artists Realising)
Paul Dano – The Fabelmans (Universal Pictures)
Brendan Gleeson – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ke Huy Quan – Everything Everywhere All At Once (A24)
Jeremy Strong – Armageddon Time (Focus Features)

MOTION PICTURE, DRAMA
Top Gun: Maverick (Paramount Pictures)
Living (Sony Pictures)
The Fabelmans (Universal Pictures)
Till (United Artists Releasing)
Women Talking (United Artists Releasing)
Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
TÁR (Focus Feature)
Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)

MOTION PICTURE, COMEDY OR MUSICAL
Triangle Of Sadness (Neon)
Everything Everywhere All At Once (A24)
RRR (Variance Films)
Glass Onion: A Knives Out Mystery (Netflix)
The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Elvis (Warner Bros.)

MOTION PICTURE, INTERNATIONAL
Argentina, 1985 (Argentina)
Decision To Leave (Korea)
Holy Spider (Denmark)
Close (Belgium)
War Sailor (Norway)
Corsage (Austria)
Bardo (Mexico)
The Quiet Girl (Ireland)

MOTION PICTURE, ANIMATED OR MIXED MEDIA
Turning Red (Walt Disney Studios Motion Pictures)
Marcel The Shell With Shoes On (A24)
Guillermo del Toro’s Pinocchio (Netflix)
Inu-Oh (GKIDS)
The Bad Guys (DWA)

MOTION PICTURE, DOCUMENTARY
The Territory (National Geographic Documentary Films)
All The Beauty And The Bloodshed (Neon)
Moonage Daydream (Neon)
Fire Of Love (Neon)
Descendant (Netflix)
The Return of Tanya Tucker: Featuring Brandi Carlile (Sony Pictures)
Good Night Oppy (Amazon Prime Video)
All That Breathes (HBO Documentary Films)
Young Plato (Yleisradio)

DIRECTOR
Baz Luhrmann – Elvis (Warner Bros.)
James Cameron – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Steven Spielberg – The Fabelmans (Netflix)
Joseph Kosinski – Top Gun: Maverick (Paramount Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Sarah Polley – Women Talking (United Artists Releasing)

SCREENPLAY, ORIGINAL
Daniel Scheinert & Daniel Kwan – Everything Everywhere All At Once (A24)
Tony Kushner & Steven Spielberg – The Fabelmans (Universal Pictures)
Martin McDonagh – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Ruben Östlund – Triangle Of Sadness (Neon)
Todd Field – TÁR (Focus Features)
Lukas Dhont & Angelo Tijssens – Close (A24)

SCREENPLAY, ADAPTED
Sarah Polley – Women Talking (United Artists Releasing)
Samuel D. Hunter – The Whale (A24)
Rian Johnson – Glass Onion: A Knives Out Mystery (Netflix)
Peter Craig, Ehren Kruger, Justin Marks, Christopher McQuarrie & Eric Warren Singer – Top Gun: Maverick (Paramount Pictures)
Kazuo Ishiguro – Living (Sony Pictures)
Rebecca Lenkiewicz – She Said (Universal Pictures)

ORIGINAL SCORE
Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe – Top Gun: Maverick (Paramount Pictures)
Terence Blanchard – The Woman King (TriStar Pictures)
Justin Hurwitz – Babylon (Paramount Pictures)
John Williams – The Fabelmans (Universal Pictures)
Carter Burwell – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Hildur Guðnadóttir – Women Talking (United Artists Releasing)

ORIGINAL SONG
“Hold My Hand” – Lady Gaga: Top Gun: Maverick (Paramount Pictures)
“Lift Me Up” – Rihanna: Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
“Naatu Naatu” – Kala Bhairava, M.M. Keeravani & Rahul Sipligunj: RRR (Variance Films)
“Vegas” – Doja Cat: Elvis (Warner Bros.)
“Carolina” – Taylor Swift: Where The Crawdads Sing (Columbia Pictures)
“Applause” – Diane Warren: Tell It Like a Woman (Samuel Goldwyn Films)

CINEMATOGRAPHY
Claudio Miranda – Top Gun: Maverick (Paramount Pictures)
Linus Sandgren – Babylon (Paramount Pictures)
Roger Deakins – Empire of Light (Searchlight Pictures)
Ben Davis – The Banshees Of Inisherin (Walt Disney Studios Motion Pictures)
Russell Carpenter – Avatar: The Way Of The Water (Walt Disney Studios Motion Pictures)
Mandy Walker – Elvis ( Warner Bros)

FILM EDITING
Eddie Hamilton – Top Gun: Maverick (Paramount Pictures)
Jonathan Redmond, Matt Villa – Elvis (Warner Bros.)
Sarah Broshar, Michael Kahn – The Fabelmans (Universal Pictures)
Paul Rogers – Everything Everywhere All At Once (A24)
Monika Willi – TÁR (Focus Features)
Terilyn A. Shropshire – The Woman King (TriStar Pictures)

SOUND ( Editor / Mixer )
Top Gun: Maverick – Mark Weingarten, James H. Mather, Al Nelson (Paramount Pictures)
Avatar: The Way Of The Water – Christopher Boyes (Supervising Sound Editor / Re-Recording Mixer ), Gwendolyn Yates Whittle Dick Bernstein (Supervising Sound Editors), Gary Summers, Michael Hedges (Re-Recording Mixers), Julian Howarth (Production Sound Mixer) (Walt Disney Studios Motion Pictures)
Babylon – Steve Morrow, Ai-Ling Lee, Mildred Iatrou Morgan, Andy Nelson (Paramount Pictures)
Elvis – David Lee, Wayne Pashley, Andy Nelson, Michael Keller (Warner Bros.)
The Woman King – Becky Sullivan, Kevin O’Connell, Tony Lamberti, Derek Mansvelt (Sony Pictures)
RRR – Raghunath Kemisetty, Boloy Kumar Doloi, Rahul Karpe (Variance Films)

VISUAL EFFECTS
Top Gun: Maverick – Ryan Tudhope, Scott R. Fisher, Seth Hill, Bryan Litson (Paramount Pictures)
Avatar: The Way Of The Water – Joe Letteri, Eric Saindon, Richie Baneham, Dan Barrett (Walt Disney Studios Motion Pictures)
Babylon – Jay Cooper, Elia Popov, Kevin Martel, Ebrahim Jahromi (Paramount Pictures)
Good Night Oppy – Abishek Nair, Marko Chulev, Steven Nichols (Amazon Prime Video)
The Batman – Dan Lemmon, Russell Earl, Anders Langlands, Dominic Tuohu (Warner Bros)
RRR – V. Srinivas Mohan (Variance Films)

PRODUCTION DESIGN
RRR – Sabu Cyril (Variance Films)
Babylon – Florencia Martin, Anthony Carlino (Paramount Pictures)
Elvis – Catherine Martin, Karen Murphy (Warner Bros.)
Avatar: The Way Of The Water – Dylan Cole, Ben Procter (Walt Disney Studios Motion Pictures)
The Fabelmans – Rick Carter (Universal Pictures)
A Love Song – Juliana Barreto Barreto (Bleecker Street Media)

COSTUME DESIGN
Ruth E. Carter – Black Panther: Wakanda Forever (Walt Disney Studios Motion Pictures)
Mary Zophres – Babylon (Paramount Pictures)
Cathrine Matrin – Elvis (Warner Bros.)
Gersha Phillips – The Woman King (TriStar Pictures)
Sandy Powell – Living (Sony Pictures)
Alexandra Byrne – Empire of Light (Searchlight Pictures)

ENSEMBLE MOTION PICTURE: Glass Onion: A Knives Out Mystery (Netflix)

The National Board of Review Honors Top Gun: Maverick


Earlier today, the National Board of Review announced their picks for the best of 2022.  For best film, they selected Top Gun: Maverick!  Typically, the NBR’s winner does receive an Oscar nomination.  (One of the few times, in recent history, this didn’t happen was when the NBR named A Most Violent Year the best picture of 2014.)  That said, the last time that the NBR’s winner went on to also win the Best Picture Oscar was in 2008, when Slumdog Millionaire was named Best Picture by both the Academy and the NBR.

Here are the winners from the National Board of Review:

Best Film: Top Gun: Maverick

Best Director: Steven Spielberg – The Fabelmans

Best Actor: Colin Farrell – The Banshees Of Inisherin

Best Actress: Michelle Yeoh – Everything Everywhere All At Once

Best Supporting Actor: Brendan Gleeson – The Banshees Of Inisherin

Best Supporting Actress: Janelle Monáe – Glass Onion: A Knives Out Mystery

Best Original Screenplay: Martin McDonagh – The Banshees Of Inisherin

Best Adapted Screenplay: Edward Berger, Lesley Paterson & Ian Stokell – All Quiet on the Western Front

Breakthrough Performance: Danielle Deadwyler – Till

Breakthrough Performance: Gabriel LaBelle – The Fabelmans

Best Directorial Debut: Charlotte Wells – Aftersun

Best Animated Feature: Marcel the Shell With Shoes On

Best International Film: Close

Best Documentary: Sr.

Best Ensemble: Women Talking

Outstanding Achievement in Cinematography: Claudio Miranda – Top Gun: Maverick

NBR Freedom of Expression Awards: All the Beauty and the Bloodshed & Argentina, 1985

Top Films (in alphabetical order):
Aftersun
Avatar: The Way Of The Water
The Banshees Of Inisherin
Everything Everywhere All At Once
The Fabelmans
Glass Onion: A Knives Out Mystery
RRR
Till
The Woman King
Women Talking

Top 5 International Films (in alphabetical order):
All Quiet on the Western Front
Argentina, 1985
Decision To Leave
EO
Saint Omer

Top 5 Documentaries (in alphabetical order):
All the Beauty and the Bloodshed
All That Breathes
Descendant
Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb
Wildcat

Top 10 Independent Films (in alphabetical order):
Armageddon Time
Emily the Criminal
The Eternal Daughter
Funny Pages
The Inspection
Living
A Love Song
Nanny
The Wonder
To Leslie

Everything Everywhere All At Once Wins in Atlanta


The Atlanta Film Critics Circle have announced their picks for best of 2022!

Top 10 Films
1. EVERYTHING EVERYWHERE ALL AT ONCE
2. THE FABELMANS
3. THE BANSHEES OF INISHERIN
4. TÁR
5. RRR
6. TOP GUN: MAVERICK
7. DECISION TO LEAVE
8. WOMEN TALKING
9. GLASS ONION: A KNIVES OUT MYSTERY
10. NOPE

Best Director
Daniel Kwan & Daniel Schneiert – EVERYTHING EVERYWHERE ALL AT ONCE

Best Lead Actor
Colin Farrell – THE BANSHEES OF INISHERIN

Best Lead Actress
Cate Blanchett – TÁR

Best Supporting Actor
Ke Huy Quan – EVERYTHING EVERYWHERE ALL AT ONCE

Best Supporting Actress
Janelle Monáe – GLASS ONION: A KNIVES OUT MYSTERY

Best Ensemble Cast
GLASS ONION: A KNIVES OUT MYSTERY

Best Screenplay
Martin McDonagh – THE BANSHEES OF INISHERIN

Best Documentary
FIRE OF LOVE

Best Foreign Language Film
RRR

Best Animated Film
GUILLERMO’ DEL TORO’S PINOCCHIO

Best Cinematography
Claudio Miranda – TOP GUN: MAVERICK

Best Original Score
Michael Giacchino – THE BATMAN

Best Stunt Work
TOP GUN: MAVERICK

Best Breakthrough Performer
Austin Butler – ELVIS

Best First Feature Film
Charlotte Wells – AFTERSUN

The New York Film Critics Circle Honors TAR, Cate Blanchett, Colin Farrell, Ke Huy Quan, Keke Palmer, and S.S. Rajamouli!


And awards season is here!

Today, the New York Film Critics Circle announced their picks for the best of 2022!  The NYFCC is one of the many critics groups that will be announcing their picks over the upcoming weeks.  The NYFCC is considered to be one of the better precursors out there so a win is definitely a big deal.  (Last year, for instance, the NYFCC started the movement that eventually led to Drive My Car picking up a Best Picture nomination.)

Here are the NYFCC winners for 2022:

Best Picture: TAR

Best Director: S. S. Rajamouli, RRR
Best Actress: Cate Blanchett, TAR
Best Actor: Colin Farrell, After Yang and The Banshees of Inisherin
Best Screenplay: Martin McDonagh, The Banshees of Inisherin
Best International Film: EO
Best Cinematography: Claudio Miranda, Top Gun: Maverick
Best Supporting Actress: Keke Palmer, Nope
Best Supporting Actor: Ke Huy Quan, Everything Everywhere All at Once
Best Non-Fiction Film: All the Beauty and the Bloodshed
Best Animated Feature: Marcel the Shell With Shoes On
Best First Film: Aftersun

SPECIAL AWARD 1: Jake Perlin, curator, distributor, publisher, in recognition of his indispensable contributions to film culture.

SPECIAL AWARD 2: dGenerate Films, For their invaluable work bringing independent films from China to a wider audience

SPECIAL AWARD 3: Jafar Panahi, for his dogged bravery as an artist, and for the humanity and beauty of a body of work created under the most oppressive circumstances.