Lisa Marie Takes A Look At The Amazing Race 39.1 “Sorry, Guys, We Used Our Express Pass”

Posted on October 1, 2026 by Lisa Marie Bowman

Of all the reality shows that we watched together, The Amazing Race was always my mom’s favorite. She enjoyed watching the racers as they traveled to different countries and struggled to make their way through new cities without getting eliminated. I’ve always enjoyed it too. If Big Brother is about getting production on your side and Survivor is about strategy, The Amazing Race is often about the importance of just being nice to the people that you meet on your travels. It doesn’t matter how athletic or clever you are. If you tick off your taxi driver by yelling at him, there’s a chance you won’t make it to the next Pit Stop in time to avoid being eliminated.

My mom also always liked Phil Keoghan, the Race’s longtime host. Just as Jeff Probst was once the perfect host for Survivor, Phil is the perfect host for The Amazing Race. Phil is earnest and enthusiastic and, unlike both Probst and Julie Chen Moonves, he seems to actually have a sincere investment in each team of racers. When a team does their best and still gets eliminated, Phil is there to offer comfort. When a team does something sneaky to get to the Pit Stop, Phil is there with a look of disappointment to let them know that they’ve failed to live up to the mission of The Amazing Race.

I think my mom would have enjoyed last night’s season premiere. I know I did. At a time when every long-running reality show is piling on twist after twist, The Amazing Race has thrived by keeping things simple. Even when a twist is introduced, it’s usually a fairly straightforward one. This season, every team is starting out with an Express Pass. The Express Pass can be used only once, and it can only be used through the sixth leg. Also, only one team can use an Express Pass per challenge. So, if the team ahead of you uses their Express Pass to get out of doing a Roadblock, you can’t then use your Express Pass to catch up with them. It’s not a bad idea and, by giving all 13 teams a pass, the show keeps things fair. (That’s the sort of thing that Big Brother has still not figured out how to do.)

The first leg took place entirely in Vancouver and, by the end of it, three teams had already used their Express Pass. Erin and Javi used their Express Pass to get out of the season’s first Roadblock. (Personally, I think they’re going to regret using it that early in the season, especially when they probably could have done the Roadblock fairly easily.) Because the Detour featured two tasks to choose from, two teams were able to use their Express Passes. Dylan and Doug used their pass because Doug was exhausted after the Roadblock. Dafina and Saran used their pass because they realized they were running behind.

Here are my thoughts on each team, in the order in which they arrived at the Pit Stop.

Coming in first were Erin and Javi. Erin and Javi are newlyweds. Erin is the self-described “breadwinner” and Javi… well, who knows? Javi seems kind of useless. This team came on strong during this leg, but they’ve already wasted their Express Pass, and they seem like a couple that’s going to end up fighting as soon as they find themselves running behind.

In second place, we’ve got Conner and Garrett. They’re childhood friends! They both seem kind of obnoxious, but they still came in second without wasting an Express Pass, so I think they’re going to be around for a while.

In third place, it was Michelle and Matthew! Michelle owns an auto parts store, and Matthew says that he’s a former R&B singer. I actually think these two are going to do well in the Race. They both seem to be athletic, they worked well together, and they don’t seem to secretly hate each other like Erin and Javi do.

In fourth place, it was Doug and Dylan! Doug is 72 and his grandson Dylan is 18. I liked Doug from the minute he said, “Oh heck yeah,” during the Roadblock. That said, Doug was moving pretty slowly after that Roadblock, and they had to use their Express Pass to come in fourth. I’m hoping for the best for this wholesome team, but I’m not optimistic.

In fifth place, it was the sisters, Katie and Charlotte. I always support the sister teams because Erin Nicole and I often joked about trying out for The Amazing Race. Otherwise, they didn’t make a huge impression this episode. They seem like a middle-of-the-road team.

In sixth place, it was Anaur and his daughter, Andrea. This is another team that just seemed like they were kind of there. They finished right in the middle of the pack, so it’ll be interesting to see if they move up or if they start moving down.

In seventh place, Anne-Marie and Riley! Anne-Marie and Riley are the mother-daughter team. A mother-daughter team has never won The Amazing Race before, and I have a feeling that it’s not going to happen this season either.

In eighth place, Jody and Jenn! They’re best friends and they’re both moms. They didn’t make much of an impression otherwise. I don’t really see them sticking around for too long.

In ninth place, Dafina and Saran. They’re sisters and they seem nice. They had to use their Express Pass to come in ninth. That’s not really a reason for optimism, but it does seem like, every season, there’s a team that surprises the viewers by surviving a bad first leg and then becoming one of the stronger teams. It wouldn’t surprise me if that happened with Dafina and Saran.

In tenth place, Ali and Joanna. Phil introduced them as being “soccer royalty.” Sorry, Phil. The World Cup is over and I’m back to not caring about soccer. Ali was one of the players who took a knee during the national anthem, so I’m actively rooting for this team to be eliminated.

In eleventh place, we’ve got Cody and Jaime. They are a brother/sister team, and I don’t think they’re going to be around that much longer.

In twelfth place, we’ve got Daisha and Dalton, this season’s dating couple. Again, coming in next-to-last is never a good sign as far as the early legs of the Race are concerned. On the plus side, they’ve still got their Express Pass.

And finally, brothers Zack and Nate were the last to reach the Pit Stop, and they were the first to be eliminated. It’s a shame because they did seem nice, but they were also struggling from the start of the leg to the end of it. As soon as they got a lengthy profile about their lives back in Dallas, I knew Zack and Nate were probably going to be eliminated.

I’m happy The Amazing Race is back! Hearing Phil shout, “Go!” was exactly what I needed to hear. Tomorrow, the Race heads to Spain!

Lisa Marie Takes A Look At Survivor 51.2 “Weaponized Honesty”

Posted on October 1, 2026 by Lisa Marie Bowman

Who doesn’t enjoy a chaotic Tribal Council?

Of course, the interesting thing about last night’s Tribal Council was that it didn’t start out particularly chaotic. It was Savu’s first experience with Tribal, and Jeff Probst guided them through the usual discussion about what was happening at camp. Everyone agreed that the tribe felt like a family. Some people mentioned that they were annoyed with a certain person at camp. (That person was Eric.) Some people mentioned that they weren’t sure they could trust one of their tribemates. (That tribemate was Ana.) We, the viewers, knew that the vote was going to come down to either Eric or Ana, and we knew it would probably be a close one.

Rob, however, did not know that.

Rob, who is a force of chaos if nothing else, went through a remarkable and somewhat implausible transformation this episode. He went from being obsessed with voting Eric out to being obsessed with keeping Eric in the game. Rob told the producers that he felt it was his duty to give someone a second chance at life. (Rob is a bit self-important.) Before Tribal, Rob approached Eric and told him that he couldn’t explain what he was going to do or why, but that Eric had to trust him.

So, what did Rob do? Right before it was time to vote, Rob suddenly asked Probst if he could take Eric to the side and talk to him. As the entire tribe watched, Rob whispered to Eric that everyone was going to vote Eric out and that Eric needed to play his Shot in the Dark. If the Shot in the Dark failed, Rob would use his immunity idol to save Eric. Rob then told the rest of the tribe that he was asking Eric a question to determine whether or not he would vote for him.

When it came time to vote, Rob decided to vote for himself. Presumably, Rob did this so he wouldn’t get on anyone’s bad side during the vote. Production told him that he wasn’t allowed to do that. So Rob instead voted for Eric, the guy he was trying to save.

When it came time to tally the votes, Eric did not play his Shot in the Dark. Rob rolled his eyes and did not play his idol. It turned out, however, that Eric knew more about the vote than Rob did. By a vote of 6-4, Ana was the one voted off the island. Ana looked shocked, despite the fact that she basically spent this entire episode alienating her tribemates by talking about randomly targeting people. Ana was so distrusted that the tribe decided to keep Eric, one of the most socially awkward people to ever play the game, over her.

(In the end, Alexis, Christian, Eric, Kirstin, Linnea, and Sharonda all voted for Ana. Rob, Ana, Ori, and Carter voted for Eric.)

This week’s episode definitely left me smiling. After weeks of unanimous Big Brother votes, it’s always nice to be reminded that anything can happen at a good Tribal Council. Eric, who seemed like a goner, lived to laugh another day. And Rob basically just sabotaged his game for no good reason, because now the most talkative guy on the tribe knows that Rob has an idol.

A few other notes:

“There’s my thumb.” Thanks for sharing, Brady! Actually, for all the hype that Brady’s injury received, hitting his thumb with the axe didn’t seem to slow Brady down at either of last night’s challenges. It was interesting to compare Brady’s reaction to hurting his thumb to Kirstin’s more stoic reaction to spraining her ankle.

The immunity challenge was brutal for the Savu tribe. Jeff Probst loves to say, “You’re still in this!” but it became pretty clear, early on, that Savu was not in it. Savu also lost the reward challenge during this episode. For now, at least, the Toka tribe appears to be working better as a team.

I loved the sight of Probst ranting and yelling at everyone to keep fighting during the immunity challenge. Soaked by the rain, Jeff Probst went from being Survivor’s somewhat goofy host to being an Ahab-like figure, yelling as the tribe tried to move a fake whale through the water. (You probably had to be there.)

Lewis returned from Exile and joined the Toka tribe. Lewis immediately told everyone every single detail about his trip to Exile, including the fact that there’s an immunity idol sitting atop a mast. Lewis — what are you thinking!? Lewis is just trying to be honest, but I could tell that most of the tribe didn’t believe him when he said that he didn’t get the idol. Now he’s got Kilby, of all people, talking about targeting him.

Speaking of idols, Jelly found Toka’s idol. So, as of now, there are three idols in play. Rob has Savu’s idol and, last night, he revealed that fact to Eric. Jelly has Toka’s idol and, so far, only Patt knows that she has it. And the third idol is currently sitting atop a mast on Exile Island.

Finally, the cringiest moment of last night’s episode had to be Eric trying to teach everyone on Savu how to do improv. I kept expecting him to yell, “Michael Scarn — FBI!” To be honest, that was probably enough to justify voting him off the island. I’m actually surprised he survived.

Six Things That I’m Looking Forward To In October

Posted on October 1, 2026 by Lisa Marie Bowman

Welcome to October! October is a big month here at the Shattered Lens. It’s the month when we devote the majority of our time to the horror genre. It’s time for our annual Horrorthon! Last year, we had a record number of Horrorthon posts. I’d love to break that record this year! A thousand posts? Hey, why not? Mostly, though, I just want this year’s Horrothon to be fun for both our writers and our readers!

Here’s what I’m looking forward to this October!

Halloween — This one should really go without saying but I’m going to say it anyway. Halloween is my favorite time of year! The movies, the costumes, the decorations, I love all of it! I remember when I was a kid, I cried when I realized that I was too old to keep trick or treating. But now that I’m adult, I love watching horror movies on the 31st (Night of the Living Dead, baby!) I love the parties. I love how much my sister enjoys giving out candy. The past two years have been tough for us. This year, we’re just looking forward to enjoying the holiday season.
Digger — I’m not really expecting Digger to be that good. Alejandro Inarritu is one of those directors who tends to be way too pleased with himself. But I have to admit that I am kind of hoping that I’ll be proven wrong. Tom Cruise is one of the last true movie stars and I’m interested to see how he’ll do in this film. We’ll find out soon!
Carrie — Do we really need a new version of Carrie? Probably not. But, hey, I look forward debating it with everyone!
The Horror Movies On TCM — TCM never lets me down in October. I can’t wait to binge all of the classic horror that will be aired this month. The truth of the matter is that movies used to be a lot better. Horror movies used to be fun and unapologetic. Elevated horror? Who needs it?
Wicker — Actually, I’m not so much looking forward to Wicker as much as I’m looking forward to other people watching Wicker and reacting to it. As I mentioned in my review of The Roses, I’ve recently realized that Olivia Colman is kind of annoying. But still, how often do you see a film about wicker coming to life? Actually, did anyone ask for this? Eh. We’ll see.
Sense and Sensibility — Jane Austen in October? Call it counterprogramming! I’m actually a big fan of counterprogramming. Releasing this in the middle of horror month is a brilliant move.

October’s going to be a great month and those of us at TSL can’t wait to celebrate it with you! What are you looking forward to in October?

Late Night Retro Television Review: 1st & Ten 5.5 “Love and Marriage”

Posted on September 30, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, OJ Simpson falls for a blonde. Uh-oh.

Episode 5.5 “Love and Marriage”

(Dir by Stan Lathan, originally aired on November 8th, 1989)

TD Parker (OJ Simpson) and Kristy Fullbright (Shannon Tweed) end up working closely together while searching for a new punter. Kristy is in the process of getting a divorce from her husband. TD is already divorced and has been chasing after almost every woman that he sees. Still, TD doesn’t know if he should get involved with someone with whom he works. Kristy, meanwhile, isn’t sure that she isn’t still in love with her husband….

Meanwhile, Zagreb goes on a dating show but is humiliated when his date, Colleen (Mitzi Kapture), says that he was a terrible date whose breath smelled like garlic. The entire team watches the show and starts to chant, “Colleen! Colleen!” Ha hah, everyone hates Zagreb. Later, Colleen approaches Zagreb at the bar and tells him that the show told her to say a lot of negative stuff about Zagreb but, actually, she wants to date him again. Isn’t Zagreb married? I remember that there was a huge storyline about him getting married during the third season.

Finally, Bubba and Jethro are taken to small claims court over an incident that happened at the bar. Jethro decides that he would like to get together with the plaintiff.

But let’s get back to OJ Simpson and Shannon Tweed. I don’t know if I can express just how boring it is to watch two mid actors with zero screen presence fall for each other. Because it’s impossible to look at TD Parker and not see OJ Simpson, I found myself getting very worried as I watched TD obsess on an emotionally fragile blonde. At the end of the episode, it looks like TD and Kristy are finally going to hook up but then Kristy’s husband calls and says he’s not sure if he wants a divorce. Kristy says she’s not sure either. TD leaves Kristy’s house, looking regretful.

As I’ve mentioned before, the presence of OJ Simpson add a subtext to every scene that undoubtedly was not there when this show first aired. OJ is supposed to look wistful as he leaves the house. Instead, I found myself hoping that Kristy would remember to lock all the doors that night and definitely not go out to dinner at Mezzaluna.

I guess the important thing, though, is that Bulls got a new punter.

Retro Television Review: The Love Boat 8.14 “Country Blues/A Matter of Taste/Frat Brothers Forever”

Posted on September 30, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, Adam’s old fraternity brother takes a cruise. He’s got a secret!

Episode 8.14 “Country Blues/A Matter of Taste/Frat Brothers Forever”

(Dir by Jerome Courtland, originally aired on December 8th, 1984)

Simon (Farley Granger) and Valerie (Terry Moore) used to be lovers but now, they’re rival interior designers. They are competing for the chance to redesign that ship’s cabins and, of course, they both end up sabotaging each other. The Captain grows so frustrated that he decides that the cabins are fine just the way they are and I agree. The cabins are functional and bland and they encourage the passengers to spend most of their time in either the lounge or at the pool. As for Simon and Valerie, they realize that they’re still in love. It’s a win-win-win for everyone.

Country singer Billy Bodine (Matt McCoy) falls in love with Arlene Cort (Leah Ayres), little realizing that she’s been bribed by his manager, Cappy (Claude Akins), to break his heart. Billy writes his most popular songs when he’s depressed. After she lies to him about having another lover, Arlene feels terrible, especially after she learns that she’s inspired Billy to write not just one but two songs about how heartbroken he is. Arlene wants to come lean but, if Arlene confesses, she’ll lose her chance to be on the big Kenny Rogers television special. Of course, Arlene does confesse. Love is more important than Kenny. Billy fires Cappy. Cappy doesn’t care. Cappy announces that he’s going to go into the pickle-selling business and make a million dollars. Arlene finds love but she does lose her chance to be a big TV star. So, this one is a win-lose-win.

Finally, Adam’s old frat brother, Buzz (Roy Thinnes), boards the ship with Jim Dolan (Michael McGrady). Buzz says that Jim is his cousin. Adam promises to find dates for both Buzz and Jim. Uhmm, Adam, I don’t think Buzz and Jim are interested in the same dates that you are.

This was the first and only episode of The Love Boat to feature a gay couple and, to my surprise, their story was actually handled with a good deal of sensitivity. Buzz fears that Adam won’t accept that he’s gay but he also doesn’t want to spend the entire cruise living a lie. (Adam keeps trying to set Buzz and Jim up with every single woman on the cruise.) When Buzz does come out to Adam, Adam is surprised but accepting. I appreciated that this episode allowed Adam to have a realistic reaction to Buzz coming out as opposed to turning Adam into some sort of idealized perfect best friend. Instead, Adam has the reaction that you would expect a good-hearted but old-fashioned boomer to have. He’s surprised and, briefly, at a loss for words. The fact that Adam does then accept Buzz for who he is and apologizes for his earlier surprise shows that people can continue to grow and learn, regardless of how old they may be.

Two of the stories were silly but the third one made up for them. This wasn’t a bad cruise.

Late Night Retro Television Review: Pacific Blue 4.21 “Lucky 13”

Posted on September 29, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Pacific Blue explores the dark side!

Episode 4.21 “Lucky 13”

(Dir by Emily Skopov, originally aired on April 18th, 1999)

A murder at an occult shop leaves two witches dead. Another witch is found barely alive on the beach, her body branded with alchemical signs. The bike cops are dumbfounded. I’m confused as to why there aren’t any Homicide detectives around. And Granger …. well, Granger’s freaking out because he’s been having nightmares about his dead friend, Tim.

In this episode, Granger reveals that he knows a lot about occult symbols. When TC demands to know why Granger knows so much (as if it’s any of TC’s business), Granger explains that he used to be into Satanism. Obviously, this means that Granger can’t go undercover in this case. As Cory puts it, it would be like sending a junkie into a drug den. So, Jamie is the one who gets a job working at the occult shop and pretending to be into Satanism.

How bad is Jamie at working undercover? Well, let’s ignore the fact that there’s no way in Hell anyone would ever believe that bland, boring, mild-mannered Jamie is into the occult. Instead, let’s talk about the fact that, at one point, Jamie stands in the middle of an aisle of the occult store, where anyone could hear her, and she calls Granger to tell him everything that she’s overheard. Seriously, she couldn’t step outside to do that? Later, when Granger unexpectedly show’s up at the Witch’s Brew coffeehouse, Jamie confront him by loudly asking, “Are you trying to take my case!?” despite the fact that they’re surrounded by the people that Jamie is supposed to be secretly investigating.

This really is a terrible episode for Jamie. When Granger is feeling guilty over the death of Tim (who died shortly after Granger convinced him to give his soul to the Devil), Jamie tells him to stop it with the “self-pity.” Uhmm, Jamie …. didn’t we just spend two episodes listening to you going on and on about growing up in the foster system? Jamie’s not in a position to talk. Jamie then ends up sleeping with Granger, though the show suggests that Jamie’s actions were largely due to the influence of being around magic.

Anyway, it turns out the Satanists are planning on sacrificing a virgin witch on “Lucifer’s birthday.” Granger knows that he has to stop this sacrifice on his own so he gives his superiors a fake address to go to. Then Granger goes to the real sacrifice. Fortunately, Bobby Cruz follows him and shows up in time to help Granger shoot the bad Satanists and save the virgin’s life.

(For all the slut-shaming that goes on in this country, it’s not the sluts who end up getting sacrificed in stupid occult rituals. Promiscuity can save your life.)

With Bobby’s encouragement, Granger goes to Confession. “It’s been seven years since my last confession….” Uh-oh, this could take a while!

This episode deserves some credit for finally giving Granger a backstory. That said, this episode featured some of the least convincing occultists that I’ve ever seen and some of the lamest metaphysical dialogue this side of Baywatch Nights. Actually, if this had been an episode of Baywatch Nights, it would have been a lot more fun. As it is, it’s hard to buy into the idea that the forces of darkness could be defeated by a bunch of bicycle cops.

At one point, Bobby says that too many people have died because of pentagrams. Monica points at his crucifix and asks, “What about the Crusades?” I always find it funny how people seem to think that bringing up something that happened during the Middle Ages is some sort of flex. Bobby could have just as easily replied, “What about Baal worship, you heathen!?” I’m a little upset that he didn’t. That would have been fun.

Oh well. At least this episode had a horror theme. October is just a day away!

Retro Television Review: Saved By The Bell: The New Class 2.20 “Drinking 101”

Posted on September 29, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.

It’s time for the Bayside Gang to learn a lesson!

Episode 2.20 “Drinking 101”

(Dir by Don Barnhart, originally aired on November 19th, 1994)

It’s school trip time! Mr. Belding, Screech, the Gang, and a bunch of anonymous Bayside students are spending a week at a ski lodge!

Rachel thinks the ski lodge is romantic but Brian doesn’t care about any of that. He just wants to ski. (“I have not skied since I lived in Switzerland,” he says and, for not the first time, I find myself wondering if the show is ever going to explain why he no longer lives in Switzerland.) Lindsay wants to go to a frat party, even if it means lying and saying that she’s a college student. And Mr. Belding …. he just wants to survive.

It won’t be easy because Belding sprains his ankle as soon as he arrives at the ski lodge. “My chief!” Screech yells in an early use of the falsetto that will define his character in later seasons. Belding is supposed to stay off his ankle so, of course, Screech keeps tripping over him and dragging him up the slopes. As a dancer, I more than know the pain of a sprained ankle and the scenes of Screech reinjuring Belding’s ankle did not make me smile.

While Screech throws a party for Mr. Belding, Lindsay, Rachel, and Megan sneak into a frat party so they can meet some boys. (Yes, Rachel is dating Brian but she’s mad because all he wants to do is ski.) Tommy, Bobby, and Brian soon end up at the same party. Lindsay gets drunk. Tommy gets drunk. Tommy rides off on a skimobile and later has an accident.

Lesson learned!

Tommy has a broken leg. His parents could totally sue the school district for not keeping an eye on him during a school trip. Screech trips over Tommy’s cast, causing Tommy incredible pain. Belding tells Lindsay and Tommy that they shouldn’t have been drinking and then he tells Rachel, Brian, Megan, and Bobby that they shouldn’t have let Lindsay and Tommy drink. Hey, Belding, maybe you should have brought along more adults so they could keep an eye on the students.

Myself, I rarely drink because my tolerance for alcohol is pathetically low. Still, I have to say that I found it funny that Lindsay woke up with the “worst hangover ever!” even though she only had two beers. Even with my low tolerance, I’ve never had a hang over. From my experience, it would have been more realistic for Lindsay to throw up and then fall asleep on a yoga mat.

Anyway, this episode ends with Belding and Tommy recovering from their injuries, the rest of the Gang “grounded for the weekend,” and Screech skiing. I was kind of hoping the episode would end with the ski lodge being revealed to be the one that Lorena’s father owned on California Dreams. That would have been a cross-over to remember!

The big problem with this episode — and really, this is something that seem to happen in every Peter Engel-produced teen sitcom — is that the actors were obviously having way too much fun pretending to be drunk. I mean, hangover or not, Lindsay seemed to be having a good time.

Late Night Retro Television Review: CHiPs 6.10 “Fallout”

Posted on September 28, 2026 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, Bobby learns a lesson and the Getraer family has a crisis!

Episode 6.10 “Fallout”

(Dir by Nicholas Sgarro, originally aired on December 19th, 1982)

Ellen Getraer (Lynn-Holly Johnson), the never-before-mentioned daughter of Sgt. Getraer, has fallen in with a bunch of Episcopalians and is planning to protest a nuclear plant with them. The only problem is that the church bus has bad brakes, and it keeps causing accidents on the highway. Personally, I would have thrown that smarmy Rev. Porter (John Elerick) in prison, but instead the Highway Patrol just gives him a ticket at the first accident and, at the second, they help him and the protesters escape from their burning bus. (Ellen helps too.) At the end of the episode, both Porter and Ellen do get arrested while sitting in front of the nuclear plant, but they’re released soon afterwards. Sgt. Getraer is proud of his daughter for sticking up for what she believes in. And I’m sure he’ll probably remove the arrest from her record when no one’s watching.

This episode was actually more about Bobby Nelson learning how to control his temper while performing crowd control. At a training exercise, for instance, he throws a fit when Bruce brings up the name of his ex-girlfriend. All of this probably would have been more effective if we had previously seen any evidence of Bobby having any sort of temper. Ever since he was first introduced, Bobby has come across as something of a mellow airhead. Anyway, Bobby learns how to control that supposedly fearsome temper, and he does a good job at the nuclear protest. He makes his arrests politely and courteously. As a result, the plant workers (one of whom is played by a young Dennis “Mr. Belding” Haskins) can go to work.

The other big storyline was Ponch and Nelson arriving at the scene after young Louis Hindall (Adam Rich) is hit by a car. You would think this would be especially difficult for Ponch, seeing as how his fiancée was hit and killed by a drunk driver just two weeks ago. But Ponch never mentions her. Instead, he gets upset when he sees the bruises on Louis’s back and realizes that the boy is being abused by his mom’s new boyfriend, Hal (Paul Tulley).

Later, at the hospital, Hal overhears Ponch and Bobby talking about how Hal is an abuser, and he promptly takes off in his car. This leads to a high-speed chase and a fairly impressive stunt where Hal’s car somehow goes airborne and rolls across the top of a trailer. It’s kind of amazing that, while being chased by the cops, Hal’s first instinct was to turn into a lot full of cars that he could crash into.

Finally, upon learning that the LAPD has changed their height requirements, mechanic Harlan Arliss (played by 5’2″ Lou Wagner) puts in for a transfer. Unfortunately, he fails the physical because his eyesight isn’t 20/20. Ponch tells him that with the LAPD, he would have just been another cop. But with the Highway Patrol, he’s the world’s greatest mechanic. Awwww!

At one point, Ponch opens his locker and the inside of it is covered with pictures of women. But there’s no picture of his dead fiancée. Have you no heart, Ponch!?

Retro Television Review: Crime Story 1.21 “Ground Zero”

Posted on September 28, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!

This week, the first season comes to a close.

Episode 1.21 “Gound Zero”

(Dir by Peter Medak, originally aired on March 13th, 1987)

In Las Vegas, the media is focused on two things: the upcoming atomic bomb test at Yucca Flats and the trial of Ray Luca.

Pauli, the star witness, is being kept in an underground bunker at an Air Force base. Danny comments on the fact that, if America and Russia do go to war and an atomic missile hits Nevada, Pauli would probably be the only survivor. It would be up to Pauli to repopulate the planet. Torello eventually allows Pauli’s girlfriend, Donna (Audrey Matson), to start visiting him. Donna says she loves Pauli. Torello shrugs.

Pauli keeps his end of the deal. He testifies against Luca. However, Frank Holman gives an interview outside the courtroom and tells the press that Luca was the king of organized crime in Las Vegas. The next day, the headline of the local newspaper announces that Luca was the “king of crime.” Disguising himself as the waiter assigned to deliver room service to the sequestered jury, Holman makes sure that the jurors see the headline. The trial judge has no choice but to declare a mistrial. As he walks out of the courtroom, Luca stops in front of Pauli and tells him, “You did what you had to do,” and apologizes for raping Donna.

In Vegas, Luca is upset to discover that gangster Nat Martino (James Russo) is moving in on his territory. Luca is prepared to go to war, but Manny Weisbrod informs Luca that he is to work with Martino. Weisbrod no longer has any confidence in Luca’s abilities. At the same time, Torello learns that Martino is actually an informant. Torello arranges for that information to get leaked to Luca. When Luca heads over to Martino’s favorite brothel, Torello and the other members of the MCU are waiting for him.

Breaking into Martino’s room, Luca manages to shoot and kill Martino before taking several bullets himself. Wounded, Luca escapes through a back window. Pauli, having decided that his place is with Luca, is there to pick him up and drive him out of town.

The next day, a bandaged Luca discovers that Pauli has driven him out to his latest hideout, a seemingly abandoned house in the desert. The house is full of mannequins. Luca looks at a chair and sees that it is the property of the Atomic Energy Commission. Realizing that they’re at Yucca Flats, Pauli and Luca run out to Pauli’s car. As they drive through the desert, a mushroom cloud blossoms in the distance.

And the episode ends!

Did Luca and Pauli escape the nuclear test? Hopefully, we’ll find out next week. I hope they did because it’s hard to imagine Crime Story without them. They were a great pair of villains.

The first season was good, if uneven. The pilot was outstanding, but some of the subsequent Chicago episodes seemed to lose their focus. Torello’s domestic drama was never as interesting as the show wanted it to be, and it took me a while to really warm up to David Abrams and his abrasive idealism. The other members of the MCU often felt like ciphers. (Even after 21 episodes, I still don’t feel like I know much about any of them beyond their almost cult-like loyalty to Torello.) But when the show moved to Vegas, things improved immeasurably. The glitz of Vegas worked perfectly for the show’s hyperreal style, and Stephen Lang’s performance in the role of David Abrams improved as well.

That said, Dennis Farina was the main strength of the first season. Farina played Torello as being intense, ruthless, and maybe just a little unhinged. The only real difference between Luca and Torello is that Torello carries a badge and Luca doesn’t have the Constitution holding him back. Otherwise, Luca really does represent Torello’s own dark side. In his pursuit of Luca, Torello isn’t just trying to enforce the law. He’s also trying to destroy the man that, had Torello not joined the police force, he could have become.

Next week, we’ll start the second season!

The Adventures of a History Nerd: Season Finale: The Unexpected Rise and Fall of the WB and UPN by Susanne Daniels and Cynthia Littleton

Posted on September 28, 2026 by Lisa Marie Bowman

I miss the WB.

The so-called fifth television network launched in 1995 and ceased operations in 2006. That’s when the WB merged with the sixth television network, UPN, and became known as the CW. (The CW still exists, even though I haven’t watched it since they canceled Dynasty in 2022.) The WB never got much respect from the critics, even though some very important shows aired on the network. Buffy the Vampire Slayer was a WB show. So were Angel, Charmed, Felicity, One Tree Hill, Supernatural, Gilmore Girls, 7th Heaven, Roswell, Smallville, and What I Like About You. Most critics usually considered those shows the exception to the rule. They were the shows that aired in between stuff like Beauty and the Geek and Nick Freno: Licensed Teacher. Well, that’s fine. For those of us of a certain age, it didn’t matter that the WB aired a lot of shows that only lasted a few weeks. What mattered is that the network was home to the shows we planned our nights around.

Critically, UPN got even less respect than the WB. I associated the channel with Star Trek and professional wrestling, neither of which held much appeal for me in the aughts. However, when Buffy switched from the WB to UPN, I followed it to its new network. I watched Veronica Mars and idolized the title character. I watched America’s Next Top Model and cheered for any model who had the guts to talk back to the judges.

The 2006 merger between the two networks hit me harder than it probably should have. I had grown up with the WB and UPN as scrappy rivals, two networks that were continually battling for fifth place. They were the networks that aired shows that seemed to actually speak to what I was going through in my life at the time. It almost felt like a sacrilege to have the two networks come together. Even though some of my favorite shows continued on the CW, things just never felt the same. If the WB and UPN felt like cocky upstarts, the CW seemed like something that had been born out of defeat.

First published in 2007, Season Finale: The Unexpected Rise and Fall of the WB and UPN is a look at the short but colorful history and rivalry of the WB and UPN. Co-author Susanne Daniels was the president of entertainment at the WB, so it’s not surprising that the book tends to go into more detail about the WB’s operations than UPN’s. It makes for an entertaining read. Daniels writes like someone who truly loves television, and the book has plenty of behind-the-scenes information about the shows I grew up with. If nothing else, the WB sounds like it was a fun place to work. UPN, meanwhile, sounds like it was a place where everyone was continually jealous of the WB and also stressed over having to defend programming like Shasta McNasty and The Secret Diary of Desmond Pfeiffer.

The book is only 19 years old, but there are times when it feels like an artifact from a distant age. It was written before #MeToo, before woke, even before the rise of streaming. When I recently reread it, I found myself cringing when I reached the section about the creation and casting of 7th Heaven. The original choice for the role of the saintly Reverend Camden was Beau Bridges, but Bridges turned out to be too expensive. When an executive mentions Stephen Collins, the response is: “I’ve always liked him.”

AGCK!

Of course, today that’s not something anyone would voluntarily say about Stephen Collins. But in 2007 he still had that image of being the type of nice, down-to-earth guy you’d be happy to have as a neighbor. Reading the book reminded me of just how shocked almost everyone was when Collins’s ex-wife first released the tapes of him admitting to inappropriately touching a minor. At the time, I think a lot of people assumed Collins was somehow being set up because that just wasn’t the image he had at all. Of course, Collins himself later admitted it was true.

The book is full of people who have since fallen from grace, and as such it becomes very tempting to try to read between the lines. Joss Whedon is described as being talented but intense, and reading about him reminded me of just how much some of us used to really respect Whedon and his shows. (For the record, I grew disenchanted with Whedon in December of 2016 when he tweeted that it was offensive to say “Happy holidays” because, for him, “they won’t be.” Get over yourself, Joss.) Les Moonves shows up toward the end of the book, and there are frequent references to his reputation for being a hard-driving boss. Even Harvey and Bob Weinstein make a cameo appearance, sending two of their goons down to basically hold Dawson’s Creek creator Kevin Williamson hostage until he finished a rewrite on Scream 2. Reading about Collins, Whedon, and Moonves serves to make you appreciate people like Williamson, Amy Sherman-Palladino, and even Aaron Spelling, all of whom come across as relatively well-adjusted creative people.

Toward the end of the book, Susanne Daniels writes about going to the Emmys with her husband, producer Greg Daniels. The Office wins its only Emmy for Outstanding Comedy Series and Suzanne watches as Greg joins his college friend Conan O’Brien on stage. It’s a sweet moment but also one that, when read today, reminds us of just how much things have changed over the past two decades. Network shows no longer win Emmys. The Office fell apart after NBC boss Jeff Zucker (in a move that feels like it could have been lifted from the early days of UPN) decided not to offer Steve Carell a new contract. The Office was eventually rediscovered when it started streaming on Netflix, and even today people are more likely to remember it as a show they binged online than one they watched every week on NBC. When the book first came out, I shared Susanne Daniels’s frustration over the WB becoming the CW. Today, when I read it, I feel bad for whoever decided to launch a new network right on the edge of the streaming era.

Season Finale is a compulsively readable portrait of the way things once were. Thanks for the memories.