4 Shots From 4 Horror Films: October 23rd


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Films: October 23rd

The Evil Dead (1981, dir by Sam Raimi, DP: Tim Philo)

Army of Darkness (1992, dir by Sam Raimi, DP: Bill Pope)

The Gift (2000, dir by Sam Raimi, DP: Jamie Anderson)

Drag Me To Hell (2009, dir by Sam Raimi, DP: Peter Deming)

4 Shots From 4 Horror Films: October 22nd


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Films

The Trip (1967, dir by Roger Corman, DP: Archie Dalzell)

Blue Sunshine (1978, dir by Jeff Lieberman, DP: Don Knight)

Piranha (1978, dir by Joe Dante, DP: Jamie Anderson)

The Dead Zone (1983, dir by David Cronenberg, DP: Mark Irwin)

 

Late Night Retro Television Review: Pacific Blue 5.2 “The Naked Truth”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, everyone’s going undercover!

Episode 5.2 “The Naked Truth”

(Dir by Sara Rose, originally aired on July 25th, 1999)

When a wealthy sorority girl is found dead on the beach with her head caved in, it falls to the bicycle patrol to solve the case.  Where are the Homicide detectives?  We know that the Santa Monica PD has a homicide division because Chris keeps talking about transferring there.  I know I bring this up every episode but it simply doesn’t make sense for the bike cops to be the ones investigating all of these crimes.  I mean, essentially, they’re traffic cops.  In the real world, they’re job would be to secure the crime scene and wait for the real detectives to show up.

Anyway, when Monica sees that the dead girl was wearing a sequined bikini, she immediately deduces that she was working as a stripper.  (I’m not sure that logic would hold hope in court but whatever.)  Why would a rich sorority girl be working at a strip club?  Monica and Chris go undercover to find out.  Chris is the new housemother at the sorority house.  Monica is a new pledge.  It turns out that working at the strip club started as a hazing ritual but now, all of the girls are being blackmailed (via email, we’re specifically told) into doing it.

Who is the blackmailer?  That mystery is solved when Chris catches the local handyman going through her underwear.  The handyman explains that he’s not a murderer, he’s just a pervert.  He also says that all of the girls have expensive underwear except for one who owns “K-mart panties.”  Because that girl is poor and a computer science major, Monica and Chris decide that she’s the blackmailer.  (Again, I’m not sure that logic would hope up in court but whatever.  I’m too tired to argue with this stupid show.)  I guess the lesson here is to spend money on quality panties.  Well, don’t worry, Pacific Blue!  I buy and wear only the best!

As for the murderer, it turns out to be a cowboy with a country accent who is always hanging out at the strip club and requesting a private dance.  It really wasn’t that much of a shock.

Pacific Blue always talks a big game about how women shouldn’t be objectified but then every episode opens with random bikini shots and this episode looked for every possible excuse to put Monica in a school girl outfit.  I’d have more respect for Pacific Blue if it was just honest about what it is was doing as opposed to having the characters constantly spouting a lot of cliches about empowerment that the show itself doesn’t seem to take all that seriously.

The good thing about this episode is that it ends with Chris telling TC that they need some time apart.  I agree!  You can do better, Chris!

4 Shots From 4 Films: Special Hollywood Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to Hollywood with 4 shots from 4 films!

4 Shots From 4 Films About Hollywood

Beyond The Valley Of The Dolls (1970, dir by Russ Meyer, DP: Fred J. Koenekamp)

Hollywood Boulevard (1976, dir by Allan Arkush and Joe Dante, DP: Jamie Anderson)

Mulholland Drive (2001, dir by David Lynch, DP: Peter Deming)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

4 Shots From 4 Films: Special Allan Arkush Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 76th birthday of Allan Arkush, the director who started his career with Roger Corman and who went on to direct some of the best cult films of the 70s.  Though Hollywood never quite figured out what to do with Arkush and his quirky sensibility, he still had a long career as a television director and, thankfully, he lived long enough to see several of his films rediscovered and appreciated by movie lovers.

It’s time for….

4 Shots From 4 Allan Arkush Films

Hollywood Boulevard (1976, dir by Allan Arkush and Joe Dante, DP: Jamie Anderson)

Deathsport (1978, dir by Allan Arkush, DP: Gary Graver)

Rock and Roll High School (1979, dir by Allan Arkush, DP: Dean Cundey)

Get Crazy (1983, dir by Allan Arkush, DP: Thomas Del Ruth)

4 Shots From 4 Horror Films: Special Sam Raimi Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: Sam Raimi!

4 Shots From 4 Sam Raimi Films

The Evil Dead (1981, dir by Sam Raimi, DP: Tim Philo)

Evil Dead II (1987, dir by Sam Raimi, DP: Peter Deming)

Army of Darkness (1992, dir by Sam Raimi, DP: Bill Pope)

The Gift (2000, dir by Sam Raimi, DP: Jamie Anderson)

4 Shots From 4 Horror Films: Special Joe Dante Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This month, we’re using 4 Shots from 4 Films to honor some of our favorite horror filmmakers!  Today, we honor the one and only Joe Dante!

4 Shots From 4 Joe Dante Films

Piranha (1978, dir by Joe Dante, DP: Jamie Anderson)

The Howling (1981, dir by Joe Dante, DP: John Hora)

Gremlins (1984, dir by Joe Dante, DP: John Hora)

Burying The Ex (2014, dir by Joe Dante, DP: Jonathan Hall)

6 Shots From 6 Horror Films: 1978


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at a very important year: 1978.

6 Shots from 6 Horror Films: 1978

Halloween (1978, dir by John Carpenter, DP: Dean Cudney)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Piranha (1978, dir by Joe Dante, DP: Jamie Anderson)

Martin (1978, dir by George Romero, DP: Michael Gornick)

Blue Sunshine (1978, dir by Jeff Lieberman, DP: Don Knight)

The Grapes of Death (1978, dir by Jean Rollin)