Steve Harmon (Charles Starrett) rides again! This time, he’s investigating the murder of a Pony Express rider. The murderer is outlaw leader Claw Hawkins (Bud Geary), who is working with rancher Kirby Garvey (Steve Barclay) to cheat the local homesteaders out of their land.
When local newspaper editor Jake Parker (Emmett Lynn) is attacked for trying to expose Claw Hawkins, Steve puts on a mask and dark clothing and, as the Durango Kid, he moves Jake to the carpentry shop owned by Durango’s old friend, Smiley Burnette. While Jake continues to spread the word to the homesteaders, Durango works to prevent Claw and Kirby from taking all of the land for themselves.
This is a typical Durango Kid film. This is not the first time that I’ve seen the Durango Kid protect the rights of homesteaders and, as usual, the main villain is not the outlaw that everyone fears but the respectable citizen who is controlling him. Along with the usual gunfights and horse chases, Landrush has an exciting sequence where Durango and the homesteaders have to deal with a series of fires that have been set by Claw to keep the homesteaders from reaching their land. Charles Starrett is as authentic a cowboy as ever. Unfortunately, Bud Geary and Steve Barclay aren’t very interesting as the villains. People who have watched several Durango Kid films will regret that series regulars Frank Fenton and Jock Mahoney weren’t cast in the roles.
As usual, Smiley Burnette provides comedy relief and sings two songs. This time, he’s accompanied by Ozie Waters and His Colorado Rangers.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1988’s Broken Angel! It can be viewed on YouTube.
Chuck Coburn (William Shatner) has a nice house in the suburbs, a nice job, a nice car, and a nice Bruins jacket. He’s hoping that he can once against have a nice marriage with his wife (Susan Blakely), despite the fact that she cheated on him and she still thinks that he spends too much time at work.
Chuck is proud of his teenage daughter, Jaime (Erika Eleniak). Jaime seems like the perfect suburban and angelic teenager. But then Jaime goes to prom and her best friend, Jenny (Amy Lynne), is gunned down in front of her. Jaime runs from the scene and vanishes. As Chuck searches for his daughter, he is stunned discover that Jaime, Jenny, and their boyfriends were all a part of a gang! His perfect daughter was smoking weed, doing cocaine, selling crack, and taking part in rumbles with a rival Asian gang. Even worse, Jaime’s gang was called …. LFN!
LFN? That stands for Live For Now. The Live For Now Gang. Whenever we see the members of the gang preparing to get into a fight with another gang, they all chant, “LFN! LFN!” LFN is a gang of white suburban teenagers and they look just as dorky as they sound. I mean, I think it would be bad enough to discover that your child is in a gang but discovering they were in a dorky gang would probably make it even worse.
The majority of Broken Angel is made up of scenes of Chuck searching the mean streets of Los Angeles. He partners with a social worker (Roxann Dawson) who is herself a former gang member. Chuck discovers that his daughter’s street name was — *snicker* — Shadow. He also befriend a member of the LFN’s rival Asian gang and tries to encourage her to go straight. This leads to scene in which he is attacked by Al Leong. Somehow, middle-aged William Shatner manages to beat up Al Leong. That, in itself, is worth the cost of admission.
Broken Angel deals with a serious issue but it does so in such an overwrought and melodramatic fashion that most viewers will be moved not to tears but to laughter. In Broken Angel, William Shatner gave the type of overly dramatic and self-serious performance that he routinely pokes fun at today. If you’re one of those people who enjoys listening as Shatner emphasize random syllables and takes meaningly pauses, this movie will give you a lot to enjoy. In every scene, Shatner seems to be saying, “Notice me, Emmy voters! Notice me!” Of course, it wouldn’t be until Shatner learned how to laugh at himself that the Emmy voters would finally notice him.
The film ends on an abrupt note but with the promise of better days ahead. Just remember — keep an eye out for the LFN!
A young man named Eric (Allen Williamson) enlists as a combat medic and is sent to Afghanistan. Eric truly thinks that he’s going to help to make the world a better place but, what he sees and experiences in Afghanistan, leaves him shaken and haunted by memories of the dead and wounded.
Upon returning home, Eric tries to keep himself busy helping his family’s winery recover from the latest round of California wildfires but he still finds himself tormented by his experiences. Suffering from PTSD, Eric discovers that his country is more than willing to send young men overseas to fight but it’s less willing to provide them with the support that they need when they return. With the help of his mother (Elizabeth Gast), his girlfriend (Cayla Black), and a fellow veteran (Stephen Wesley Green), Eric tries to find his place in the world.
Scars is an undeniably low-budget film. If you’re looking for a war film that is full of epic battle scenes and which will leave you feeling as if you actually are in the middle of Afghanistan, Scars is not the film to go with. Indeed, it took me a while to realize that Eric was in Afghanistan because Afghanistan looked exactly like California. As well, towards the end of the film, there’s a few moments of clumsy melodrama that feel as if they were added solely so that this rather talky film could be sold as a thriller.
But you know what? In the end, those flaws don’t matter. Scars is a heartfelt film, featuring an excellent lead performance from Allen Williamson, playing a man who is burdened by guilt but who never lets go of hope. Scars is a film about the pain that people carry with them and the struggle that men like Eric have when it comes to opening up about that pain. (Not all of the scars in the film are physical.) It’s an indictment of a society that, far too often, pushes the needs of veterans to the side. That’s especially true if that veteran served in an unpopular war, like the ones in Vietnam, Iraq, and Afghanistan. Considering that we still don’t know how many people were left behind when we left Afghanistan, Scars is a film that feels all too relevant.
And yes, Eric Roberts is in Scars. Playing a sympathetic doctor, he has about a minute of screentime towards the end of the film. It’s always a good idea to put your Eric Roberts cameo at the end of your movie, just to make sure that audiences stick around for the entire film.
Previous Eric Roberts Films That We Have Reviewed:
For years, outlaws have controlled the frontier town of Dusty Gulch but now their power is threatened by the homesteaders who are moving into the area. Led by the crusading Rev. Tex Harding, the homesteaders are being progress and reform to the frontier.
Duke (Ethan Laidlaw) and his gang have launched a campaign of intimidation against the new arrivals. Luckily, the Durango Kid (Charles Starrett) rides into town to protect the homesteaders. Duke’s boss, businessman Blaze Howard (John Calvert), decides that the town needs a sheriff to go after the Kid. Blaze offers the job to newcomer Steve Ranson, not realizing that Steve is not only the Durango Kid but also the brother of the former sheriff, who was murdered by Blaze’s men.
Lawless Empire is one of the few Durango Kid films not to feature Smiley Burnette as Durango’s sidekick. Instead, Durango rides into town with Bob Wills and his Texas Playboys and, while Willis does perform a song or two, there’s still considerable less singing than in the films that featured Burnette. The role of comic relief is provided by Dub Taylor in the role of Cannonball. Cannonball gets a job sweeping up Blaze’s saloon and he feeds whatever information he learns back to Durango. When Blaze figures out what’s going on, he deliberately supplies Cannonball with bad information but it doesn’t make any difference. The Durango Kid is always one step ahead of the bad guys.
Lawless Empire is a little more serious than the other Durango Kid films. Steve is not only trying to clean up the town but he’s also seeking to avenge his brother so there’s not as much room for as much comedy as usual. Lawless Empire does have all of the usual gunfights and horse chases and the film gets off to an exciting start with Durango making his first appearance with his gun already drawn so that he can disarm Duke and his men. Even without Smiley around to help him out, Durango brings law to a lawless empire.
The year is 1964. Kennedy is dead and Johnson is president. American troops are in Vietnam but the American public is not yet concerned with that conflict. Instead, it’s the British Invasion that has intrigued the youth of America. People know that times are changing but they have no idea just how much change is waiting for them in the future.
Jim Goodwin (Zachary Quninto) is a meek animal trainer who is driving across the country with his chimpanzee, Spanky. At one time, Spanky was a celebrity. He ice skated with the stars. He appeared on the Ed Sullivan Show. Everyone loved Spanky but now, it appears that his time has passed. People are more interested in Beatles than chimps. With Spanky no longer in demand, Jim’s marriage is failing and he’s struggling to pay the bills.
At a Nevada gas station, Jim sees a young man named Bobby Falls (Jacob Elordi) trying to hitch a ride. Assuming that Bobby is a college student and wanting someone to talk to during the long drive to Chicago, Jim offers him a ride. Bobby is reluctant at first and demands to know if Jim has some sort of sinister motive for picking him up. After Jim promises that he doesn’t, Bobby gets in the truck with him.
What Jim doesn’t know, but eventually learns, is that Bobby is a criminal. Using a derringer, Bobby has been robbing gas stations and executing the gas station attendants. Their journey becomes a rather macabre road trip, with Jim and Bobby bonding despite the fact that Jim is scared of Bobby and Bobby always seems to be one step away from snapping. Bobby encourages Jim to stop being such a wimp and Jim encourages Bobby to maybe not be such a violent sociopath. Though Bobby and Jim come from different worlds, they both have one thing in common. They really like the chimpanzee.
I have to admit that I liked the chimpanzee as well. Bobby’s a killer so it’s impossible for me to like him. Jim is a wimp who fails to take advantage of several opportunities to escape so it’s impossible for me to respect him. But Spanky is an innocent animal who likes to eat apples and who sincerely cares about both his owner and the hitchhiker who keeps losing his temper. I watched the film dreading that something bad would happen to Spanky. In fact, the only reason I stuck with the film for its entire running time was because I wanted to make sure Spanky survived.
(SPOILER ALERT: He did. Whatever other flaws this film may have, there is no deliberate animal cruelty.)
I have to admit that I have mixed feelings about this movie. There was a lot that I didn’t like about the film. I never bought the relationship between the two main characters (though I should also acknowledge that the film is loosely based on a true story and ends with an interview with the real life model for Jim). The performances felt a bit one-note. And, to be honest, I’m a bit bored with movies about people who spend the majority of their time killing other people. At the same time, the film looked great. Visually, it really captured the arid beauty of the American desert. And the film’s final twist was just bizarre enough to make me smile. Tragically, director Jeffrey Darling died shortly after completing production of this film. (It was his feature directorial debut.) And while I didn’t care much for the film, there were moments where I could see the talent of the director peeking through. I would have liked to have seen what Darling’s second film would have been.
As for He Went That Way, it’s not a disastrous film but it’s also not one that I will probably ever feel like rewatching.
Steve Norris (Charles Starrett) has moved to a new frontier town and is making a good living as a cattle rancher. The sheriff (Ethan Laidlaw) takes a dislike to Steve and even accuses him of being a cattle rustler. Steve is so angered that he plays right into the hands of Decker (Hugh Prosser), a corrupt businessman who secretly puts blanks into Steve’s gun and then tricks Steve into thinking that he has shot and killed the sheriff.
Decker appoints Steve as the new sheriff but demands that Steve do exactly what Decker orders him to do. If Steve actually enforced the law, Decker will turn him in as the first sheriff’s murderer. Steve may not be able to do anything about Decker’s crimes but his alter ego, The Durango Kid, can! As always, working with Steve is his loyal sidekick, Smiley Burnette.
The stand-out set piece of this Durango Kid film is an exciting stagecoach chase, which features the Durango Kid (in the form of legendary stuntman Jock Mahoney) making some thrilling moves. The scene was so exciting and popular that it was used in a dozen other Durango Kid films. These movies were never shy about reusing good scenes, effective stunts, and plot twists. (It’s easy to lose track of how many times Steve has been appointed as sheriff of a town.) This was also neither the first nor the last time that Hugh Prosser and Robert Wilke would play bad guys in a Durango Kid movie. However, this is the only Durango Kid film to feature the Rodeo Rangers providing musical accompaniment to Smiley Burnette’s songs.
Six-Gun Law will be best appreciated by fans of the western genre. Charles Starrett is as tough and authentic a cowboy as always and the storyline has some nice twists and turns. For once, with Steve being blackmailed by Decker, it makes sense that Steve would put on his disguise and solve his problems as the Durango Kid.
The Painter tells the rather predictable story of Peter.
Orphaned by a terrorist attack when he was a child, Peter (Charlie Webber) was raised by a CIA agent named Byrne (Jon Voight). Realizing that the attack had left Peter with superhearing, Byrne raised Peter to be a CIA assassin. But after a failed mission led to the shooting his pregnant wife, Elena (Rryla McIntosh), an embittered Peter retired from the agency. Now, going by the name of Mark, he paints!
Why do retired CIA agents always end up living in a cabin and obsessively pursuing only one hobby? This feels like the 100th film that I’ve seen about a former assassin living in a cabin. Some retired agents keep bees. Some become bricklayers. Some become painters. Oddly, none of them seem to become both bricklayers and painters.
Anyway, Peter is happy with his isolated life but then, everything is upended when a 17 year-old girl named Sophia (Madison Bailey) follows him to his cabin and claims to be his daughter. She says that Elena has vanished and she needs Peter’s help to find her. Peter insists that his name is Mark until his superhearing picks up the sound of heavily armed men gathering outside of his cabin.
This is another one of those action films where the main character is someone who kills without the slightest hesitation and who has trouble showing his emotions. Naturally, there’s a conspiracy inside the CIA and this leads to several scenes of people saying stuff like, “Copy that.” The only fictional character who ever sounded cool saying, “Copy that,” was Kiefer Sutherland on 24. All the rest of these people are just pretenders.
The Painter is pretty stupid. It won’t take you long to guess who the main villain is going to turn out to be and it also won’t take you long to guess how the final showdown is going to go. The action scenes are so haphazardly edited that it’s difficult to keep track of who is actually fighting who and, even if you did know who was fighting who, you wouldn’t really care because none of these people are particularly compelling.
In general, if your main character is going to be remorseless killer, it’s a good idea to cast a charismatic actor in the lead role. Audiences will forgive a lot as long as their watching someone with a compelling screen presence. Unfortunately, both Charlie Webber and Madison Bailey give rather bland performances and neither Peter nor Sophia are particularly likable characters. In particular, Peter drags one innocent computer store owner into his mess and then doesn’t seem to be particularly upset when the poor guy ends up with a bullet in his brain. It’s one thing to be an assassin. It’s another thing to be a jerk about it.
On the plus side, Jon Voight is enough of an old pro to understand that this is a movie that does not reward subtlety and he gives a performance that is totally over-the-top but which is also more than appropriate for the material with which he’s working. (Voight is still a talented actor and it’s a shame that, due to voting for different candidates than the majority of Hollywood, he’s pretty much going to end his career appearing in movies like this.) As well, Max Montesi gives such a cheerfully bizarre performance as a rival assassin that he actually bring the movie to life whenever he’s on the screen.
Unfortunately, the lunacy of Voight and Montesi is not enough to save The Painter. At one point, someone dismisses Peter’s paintings as being “derivative.” They could have been talking about this film as a whole.
Steve Landry (Charles Starrett) rides into another town and is once again named the new sheriff. Luckily, Steve’s old friend Smiley Burnette is working as the town’s blacksmith. Steve makes Smiley his deputy and then sets about trying to break up a gang of cattle rustlers. When Steve learns that his jurisdiction does not extend beyond the city limits, he dons the disguise of his alter ego, The Durango Kid, to go after the outlaws.
Has Steve met his match in Belle (Phyllis Adair), the saloon owner who is the secret leader of the outlaws? She notices that The Durango Kid’s boot tracks are the same as Steve’s boot tracks. I’m surprised that no one has ever noticed that before. Steve went through a lot of trouble to disguise himself as Durango but he never bothered to change his boots.
This entry in the Durango Kid series features a lot of Smiley Burnette so your enjoyment on the film will depend on how much tolerance you have for Smiley’s songs and his style of humor. Each film featured Smiley being followed around by a different group of musicians. In this one, Smiley is accompanied by The Trailsman. When Smiley accidentally locks himself in a jail cell, the Trailsman stand on the other side of the bars and sing a song about how Smiley can’t get out of the cell. Smiley does eventually get out but, later on, he’s knocked out cold during an attempted jail break. Smiley’s not much of a help in this one.
This has all of the typical Durango Kid elements, including the stock footage of the stampeding cattle that appeared in nearly all of his films. There’s another saloon fight and a gunfight towards the end. Durango rides out of town alone, leaving Smiley behind, but we know they’ll soon be reunited in another adventure.
Johansen (Dolph Lundgren) is a San Diego cop who remains on the force despite the fact that most of his old friends and former partners have retired. When he’s filmed beating up a Mexican man on the highway, he becomes the latest target of the Defund The Police movement. It doesn’t matter that the man was a human trafficker who was driving truck full of kidnapped women. Johansen has become an embarrassment.
Normally, you would think this would lead to Johansen being fired or, at the very least, suspended. Instead, his bosses decide to send him to Mexico to escort two prisoners back to the United States. Rosa (Christina Villa) and Leticia (Daniela Soto-Brenner) are two sex workers who witnessed the murder of a group of DEA agents. Their testimony could be key to identifying the killers. Despite his friend and former partner, Brynner (Kelsey Grammer), telling him that he should just retire rather than allow the police department to continually push him around, Johansen heads down to Mexico.
It turns out that bringing the women back to the United States is not going to be easy. A roadside ambush leaves Leticia dead and Johansen severely wounded. Though Rosa’s initial instinct is to abandon Johansen in the desert, she eventually takes him to the home of her cousin, a police officer named Miguel (Rocko Reyes). As Johansen recovers, he discovers that the people who want Rosa dead are not going to give up and that he cannot trust anyone.
Let’s give some credit where credit is due. Dolph Lundgren knows how to direct an efficient B-movie. He has an adequate visual eye, he makes good use of the arid desert setting, and he gets believable performances out of the majority of his cast. Christina Villa especially does a good job as the tough but ultimately kind-hearted Rosa. The movie has a bit more going on underneath the surface than the typical B-action film. Johansen is forced to reconsider his own prejudices while the film’s villains argue that they were forced into their actions by a society that refuses to take care of those who are expected to risk their lives to protect the status quo. It’s not a dumb movie, though it does feature a lot of characters doing rather dumb things and the big twist demands that the viewer accept one too many coincidences.
Lundgren not only directed but co-wrote the script. Apparently, he first came up with the idea of the film in 2006. Interestingly, it’s obvious that the film went into production when Defund The Police was still a strong and powerful political movement and the film itself ultimately suggests that the police should be, if not defunded, at least massively reformed. Of course, by the time the film was released in January, the Defund movement was considerably less powerful and was being blamed for the sharp increase in crime across the nation. Chants of “Defund the police” have been replaced by cries of “Fund the police, for the love of God!” That’s the danger which trying to make a film with a political subtext in an age with a 24-hour news cycle. What was popular when a film goes into production will often be a spent force by the time the film actually gets released.
As for Wanted Man, it’s an efficient B-movie that gets the job done. If nothing else, the sight of Dolph Lundgren and Kelsey Grammer playing best friends is just weird enough to keep things watchable.
Steve Godfrey (Charles Starrett) is in trouble again. He has been accused of stealing another payroll and the only man who can clear his name has just been murdered. Steve thinks that he is being set up by outlaws who want to take control of the dead man’s ranch, which is now owned by Mary Ann Jarvis (Adele Roberts).
Luckily, Steve’s old friend, Smiley Burnette, is working as a cook at the Jarvis Ranch. When Smiley isn’t singing songs with the Colorado Hillbillies, he tries to help Steve clear his name. He explains that Mary Ann Jarvis won’t listen to Steve but maybe she’ll listen to Steve’s alter ego, The Durango Kid!
Durango rides again in this movie, though, the majority of the hour runtime is made up of Smiley Burnette singing songs and making jokes. Smiley Burnette is not for everyone. I enjoy the broad humor he brought to these films but I can understand why others might not. Whenever Smiley sings a song, it does bring the action to a halt but that’s true of every Durango Kid film. If you’re a fan of the series, you either like Smiley or you can at least tolerate him. Smiley does do more than just sing in this movie. He also throws black pepper in the eyes of one of the bad guys.
Even with all of the attention paid to Smiley, The Desert Horseman delivers all of the expected horse chases and gunfights. The story is a little more interesting than usual. Steve has been framed for not one but two crimes that he didn’t commit and that adds some urgency to the proceedings. Charles Starrett, as always, is a believable western hero and he takes the role seriously.
Steve Harmon (Charles Starrett) rides again! This time, he’s investigating the murder of a Pony Express rider. The murderer is outlaw leader Claw Hawkins (Bud Geary), who is working with rancher Kirby Garvey (Steve Barclay) to cheat the local homesteaders out of their land.
