Sherriff Jeff Conner (Jack Rockwell) is having trouble ridding his town of outlaws so his son, Larry, (Mickey Kuhn) writes a letter to his hero to ask for help. He addresses the letter to “Durango Kid, Texas.” That’s all it takes for Steve Randall (Charles Starrett) and his sidekick, Smiley Burnette, to show up in town.
Steve and Smiley apply to be deputies but Sheriff Conner explains that someone is circulating a petition to get him fired. Steve dresses up as the Durango Kid and pressures the citizens to give the Sheriff another chance. Realizing that the Durango Kid is making them look bad, the outlaws decide to dress up one of their own as Durango and make the Kid look bad. With the town turning on Durango, will Durango and Smiley be able to save Sheriff Conner from an assassination attempt?
This Durango Kid film is different from the rest of the series in that, for once, Steve is hired to be a deputy instead of a sheriff. This really is Sheriff Conner’s story, as he tries to win the respect of the town and keep its citizens safe, even while his own brother (Ed Cassidy) is working with the outlaws. There are all the usual horse chase and shootouts but this time, Durango and Smiley are mostly around to provide support to a man who is trying to do the right thing. B-western fans will enjoy it.
Smiley sings a few songs, as always. This time, musical accompaniment is provided by Merle Travis and his Bronco Busters.
Steve Norris (Charles Starrett) has moved to a new frontier town and is making a good living as a cattle rancher. The sheriff (Ethan Laidlaw) takes a dislike to Steve and even accuses him of being a cattle rustler. Steve is so angered that he plays right into the hands of Decker (Hugh Prosser), a corrupt businessman who secretly puts blanks into Steve’s gun and then tricks Steve into thinking that he has shot and killed the sheriff.
Decker appoints Steve as the new sheriff but demands that Steve do exactly what Decker orders him to do. If Steve actually enforced the law, Decker will turn him in as the first sheriff’s murderer. Steve may not be able to do anything about Decker’s crimes but his alter ego, The Durango Kid, can! As always, working with Steve is his loyal sidekick, Smiley Burnette.
The stand-out set piece of this Durango Kid film is an exciting stagecoach chase, which features the Durango Kid (in the form of legendary stuntman Jock Mahoney) making some thrilling moves. The scene was so exciting and popular that it was used in a dozen other Durango Kid films. These movies were never shy about reusing good scenes, effective stunts, and plot twists. (It’s easy to lose track of how many times Steve has been appointed as sheriff of a town.) This was also neither the first nor the last time that Hugh Prosser and Robert Wilke would play bad guys in a Durango Kid movie. However, this is the only Durango Kid film to feature the Rodeo Rangers providing musical accompaniment to Smiley Burnette’s songs.
Six-Gun Law will be best appreciated by fans of the western genre. Charles Starrett is as tough and authentic a cowboy as always and the storyline has some nice twists and turns. For once, with Steve being blackmailed by Decker, it makes sense that Steve would put on his disguise and solve his problems as the Durango Kid.
On the frontier, everyone has gold fever. People are trying to find gold and steal gold and it falls to brave Treasury agents like Steve Ellison (Charles Starrett) and Smiley Burnette (played by Smiley Burnette) to keep things safe. When Steve needs to find out who is trying steal gold, he puts on his mask and assumes the identity of The Durango Kid.
Near Laredo, a shipment of government gold has been stolen. Dan Parks (Jim Bannon) is arrested after the gold is found in his wagon but Steve knows that the Durango Kid earlier warned Dan about traveling with gold. Durango and Smiley set out to prove that Dan was set up by his business partner, Fenton (Hugh Prosser).
This yet another Durango Kid movie where Steve gets a job working for the bad guy while Durango works to thwart his plans. (Remarkably, no one ever puts two and two together and notices that Steve, Smiley, and Durango always seem to show up in town at the same time.) Fenton is just one of a long line of corrupt businessmen and land barons that Durango has had to deal with. Fenton is not above threatening Dan’s young son (Tommy Ivo) to get Dan to do what he wants. Given that Dan is just trying to make a good life for his family in a rough world, it’s satisfying when Fenton gets his comeuppance.
Almost every Durango Kid film featured at least one good fight scene. In Trail to Laredo, the big fight takes place in a saloon and it’s pretty exciting. Not only does the saloon get trashed but there’s a moment where one of the bad guys actually seem to fly through the air. Even Virginia Maxey, playing Classy the saloon singer, gets in on it.
Both Virginia Maxey and Smiley Burnette get to sing a few songs. As always, there enough gunfights and horse chases to keep fans of the genre happy. Charles Starrett was a great cowboy.
Brock Masters (Mark Roberts) has been awarded a contract to supply the army with horses. Corrupt businessman Grat Hanlon (Clayton Moore) wants that contract for himself so he sends his henchmen to kill Brock. Because Brock has no known relatives, Grat believes that both the horses and the contract will soon be his.
However, Brock does have an heir! He adopted an Indian child named Johnny (Louis Lettieri). Johnny inherits the contract and both the Durango Kid (Charles Starrett) and Smiley Burnett are going to make sure that Johnny is able to deliver the horses. Smiley is also going to find some time to sing some songs that have even less to do with the story than usual.
Cyclone Fury was one of the later entries in the Durango Kid series. By the time it was made, Colombia was no longer willing to spend much money on the series so that majority of the film’s action scenes are lifted from other Durango Kid movies. If you’ve never seen another Durango Kid movie, the action scenes are exciting and feature some impressive stunts. If you have seen another Durango Kid movie, this one is going to seem really familiar.
For western fans, the main appeal here will be seeing Clayton Moore playing a bad guy. Moore had already played The Lone Ranger when he appeared in this movie. At the time Cyclone Fury was made, Moore had been unceremoniously fired from his most famous role and The Lone Ranger was being played by John Hart. Hart would only last a season and Moore would subsequently be invited back to play the role that defined his career. As for Cyclone Fury, Moore is convincing as Grat, though the character himself is just a typical Durango Kid bad guy. The Durango Kid was always going up against seemingly respectable businessmen who were actually outlaws.
One final note: Moore’s Lone Ranger co-star, Jay Silverheels, appears in this film but only in archival footage from an early adventure of The Durango Kid.
When a gang of outlaws starts hijacking freight wagons and then ransoming them back to their owners, government agent Steve Langtry (Charles Starrett) is sent to investigate. He both goes undercover as an inexperienced traveler and as the masked Durango Kid. As always, he is accompanied by Smiley Burnette. In this installment, Smiley tries to invent a machine that can find silver and he also sings a few songs. His backing band, The Lone Star Cowboys, follow him everywhere that he goes but they don’t actually get involved in the action.
This is another Durango Kid movie, with all of the usual horse chases and shootouts. The same action montage that started Phantom Valleyalso starts this movie. As always, Charles Starrett is convincing when riding a horse or shooting a gun.
What sets this Durango Kid movie apart from the others is the main villain. Dr. Middleton (played by a regular member of the Durango Kid stock company, Fred F. Sears) appears to be a kindly man who serves as a middleman between the citizens and the outlaws. Actually, he is working with the outlaws and receives a commission of every ransom that he negotiates. The reason he can get away with it is because he’s drugged the Sheriff (George Cheseboro)! He attempts to drug Durango too but luckily, Smiley drinks the water instead.
While it won’t convert anyone who isn’t already a fan of the genre or the character, this is another entertaining outing for the Durango Kid.
The frontier community of Bonanza Town has been taken over by the corrupt businessman, Krag Boseman (Myron Healey). No one can stand up to Krag because the local judge (Luther Crockett) is under Boseman’s control. The judge’s son (Ted Jordan) writes to the Durango Kid and asks him to come to Bonanza Town and lead a group of vigilantes to overthrow Boseman.
The Durango Kid, whose real name is Steve Ramsay (Charles Starrett) somehow receives the letter and heads into town. As Steve, he gets a job working for Boseman and looks for evidence that Boseman is actually being bankrolled by a notorious outlaw named Henry Hardison (played by the film’s director, Fred Sears). As the masked Durango Kid, he defuses the vigilante’s violent plan and, with the help of Smiley Burnette, he investigates what Boseman has on the judge.
Charles Starrett played the Durango Kid in 131 films. In fact, he appeared in so many movies that the majority of Bonanza Town is made up of flashbacks from 1947’s West of Dodge City. Despite all of the flashbacks, Bonanza Town is one of Starrett’s better films, featuring an interesting story and good performances from both Fred Sears and Luther Crockett. Sears shows some imagination with his staging of the many gunfights and, as always, Starrett is convincing riding a horse and carrying a gun.
Bonanza Town is a fairly serious film and Smiley Burnette’s trademark comedic relief feels out of place but the kids in 1951 probably enjoyed it. While everyone else is shooting guns and committing murder, Smiley is running his barber shop and turning a potato into a musical instrument. While the Durango Kid dispenses frontier justice, Smiley sings a song and leaves his customers bald. They were a good team.
The 1967 film, Tony Rome, is about a detective named …. can you guess it?
That’s right! Tony Rome!
Tony works out of Miami and, because he’s played by Frank Sinatra, you can be sure that he’s a tough guy who knows how to throw a punch but who, at the same time, also knows how to have a good time. He’s got a bottle of liquor in the glove compartment. He’s got his own boat. He’s got a snappy quip for every occasion and a properly cynical sense of humor but at the same time, he also cares about doing the right thing. He says what’s on his mind and if that hurts your feelings, tough. Again, none of this should be a surprise, considering that he’s played by Frank Sinatra and Sinatra could play these type of sentimental tough guys in his sleep.
That’s not to say that Sinatra sleepwalks through the role, of course. Far from it. As played by Sinatra, Tony comes across as an authentic tough guy, as someone who has seen it all and who, as a result, understands that importance of stopping to have a drink and appreciate the world around him. Tony Rome might be a Rat Pack-style private investigator but that doesn’t mean he can’t solve the case and, even while Tony’s having a good time, Sinatra never lets you forget that he takes his job very seriously.
As for the film, it’s a story that beings when Tony is hired to drive a passed out rich girl back to her home. This leads to him investigating a jewelry theft and eventually discovering an extortion plot. Sue Lyon plays the rich girl. Gena Rowlands plays her stepmother while Simon Oakland (the psychologist at the end of Psycho) plays her father. Richard Conte, who played bad gangster Barzini in The Godfather, plays Tony Rome’s best friend on the police force. (Every good private eye has a best friend on the police force.) Jill St. John plays Ann Archer, who helps Tony out with his investigation. Ann is recently divorced. Will Tony claim her heart or will she go back to her husband? It wouldn’t be a Sinatra film without a little heartbreak. (To a large extent, St. John’s performance here feels like a slightly more serious version of the performance she would later give as Tiffany Case in Diamonds are Forever, which is perhaps as close as we’ll ever get to a Rat Pack-style James Bond film.)
The story itself is surprisingly easy to follow. This is not one of those detective stories that will leave you shocked over who turns out to be the bad guy. For a film that often takes something of a light-hearted approach to Tony’s efforts to solve the mystery, it’s also a rather violent film. More than a few people get killed. Tony gets kicked in the ribs at one point and the sound of the 50-something Sinatra groaning in pain is disconcerting. Of course, Tony recovers quickly and immediately gets his revenge. When you watch the scene, you think to yourself that anyone who would try to beat up Frank Sinatra has to be a fool. That’s largely because Tony is Sinatra and Sinatra is Tony.
It’s an entertaining film, one that works well as a time capsule of what it was like to cool and swinging and middle-aged in 1967. Tony Rome is smart enough to focus more on Sinatra’s charisma than on trying to impress the viewers with its own cleverness. If I ever have to hire a private detective, I hope he’s like Tony Rome. I hope he gets the job done. I hope he has a good time while doing it. And I hope he comes with his own Nancy Sinatra-sung theme song. That’s not too much to ask, is it?
The time is the late 19th century and there’s been a murder in the territory of New Mexico. Someone has gunned down Jim Matthews (Steve Welles) and store owner Manuel Alvarez (John Alonzo) has been arrested. Everyone in town says that Jim was fooling around with Manuel’s beautiful wife, Alicia (Lisa Montell). Manuel insists that he’s innocent but Jim was the brother of the town’s most powerful and richest land owner, Ben Matthews (Robert J. Wilke). Ben is already having a gallows built so that Manuel can be hanged in the town square and it doesn’t look like there’s anything that Sheriff John Millard (Alan Hale, Jr. — yes, the Skipper) can do to stop him.
However, Federal Judge Jonas Stone (Hugh Marlowe) is determined to make sure that Manuel gets a fair trial. When it becomes obvious that the Matthews family has no intention of letting that happen, Judge Stone launches his own investigation. Believing Manuel to be innocent, Stone knows that he has to find the real killer before the gallows are built and Manuel is lynched by the mob.
A low-budget western with a 61-minute running time, The Long Rope is a surprisingly adult western, one that comes out strongly and directly against both lynching and the town’s racism. With the Matthews family representing the brutal “old ways,” and Judge Stone representing a more enlightened and fair system of justice, it’s up to the town to decide who they will follow. Hugh Marlowe brings a lot of gravitas to his role as the stern but compassionate Judge Stone while Lisa Montell makes a strong impression as Manuel’s rebellious wife. Robert J. Wilke is an effective villain and even Alan Hale, Jr. gives a good performance once you stop thinking of him as being the Skipper.
One final note of interest: John A. Alonzo, who played Manuel in The Long Rope, went on to become an award-winning cinematographer. Among Alonzo’s credits, as a cinematographer: Harold and Maude, Chinatown, The Bad News Bears, Black Sunday, Scarface, Norma Rae, and Close Encounters of Third Kind.
(I am currently in the process of cleaning out my DVR! I recorded the 1952 best picture nominee, High Noon, off of Retroplex on January 28th. This review is scheduled to posted at 12 noon, central time. Clever, no?)
High Noon is a testament to the power of simplicity.
It’s a famous film, one that continues to be influential and which is still studied today. It’s known for being one of the greatest westerns ever made but it’s also a powerful political allegory. Even people who haven’t seen the film know that High Noon is the moment of the day when someone shows their true character. Just as everyone knows the plot of Star Wars, regardless of whether they’ve actually watched the film, everyone knows that High Noon is about a town marshal who, after the entire town deserts him, is forced to face down a gang of gunmen on his own.
And yet, it really is a surprisingly simple movie. It’s the quintessential western, filmed in black-and-white and taking place in the type of frontier town that you would expect to find hiding on the back lot of an old movie studio. Though wonderfully brought to life by a talented cast, the majority of the characters are familiar western archetypes.
There’s the aging town marshal, a simple man of integrity. Gary Cooper won an Oscar for playing the role of Will Kane. When we first see Will, he’s getting married in a frontier courtroom. All of the town leaders have come to his wedding and all of them wish him luck in the future. Will is retiring and everyone agrees that the town would never have survived and prospered if not for Will Kane. After all, Will is the one who captured the notorious outlaw, Frank Miller. When the news comes that Miller has been pardoned and will be arriving back in town on the noon train, everyone tells Will that he should just leave town and go on his honeymoon. However, the new marshal will not be arriving for another day and Will is not willing to abandon the town. However, the town is more than willing to abandon him.
Will’s new wife is Amy Fowler (Grace Kelly). Amy is a Quaker and a pacifist. Amy begs Kane to leave town but Kane says that he’s never run from a fight. Amy tells him that she’ll be leaving on that noon train, with or without him. Helen Ramirez (Katy Jurado) is the former girlfriend of both Kane and Miller. She is one of the few people in town to call out everyone else’s cowardice but she is still planning to leave before Miller arrives. As she explains it to Amy, she would never abandon Kane if he were her man but he’s not her man anymore.
The townspeople, who first appear to be so friendly and honest, soon prove themselves to be cowards. None of them are willing to stand behind Will. The Mayor (Thomas Mitchell) publicly castigates Will for staying in town and putting everyone else in danger. Deputy Harvey Pell (Lloyd Bridges) says that he’ll only help Will if Will recommends him as his replacement. The town minister (Morgan Farley) is more concerned with why Will was married by the justice of the peace, instead of in the church. The town judge (Otto Kruger) leaves early, saying he can be a judge in some other town. One of the few people to show Will any sympathy is the former marshal (Lon Chaney, Jr.) but, unfortunately, he is too old and crippled by arthritis to provide any help.
Though it all, Frank’s gang sits at the train station and waits for Frank to arrive. One gang member is played be Lee Van Cleef. He looks really mean!
With a brisk running time of 84 minutes, High Noon unfolds in real time. Throughout the film, as Kane grows increasingly desperate in his attempt to find anyone brave enough to stand with him, we see clocks in the background of nearly every scene. We hear the ticking. We know that both noon and Frank Miller are getting closer and closer. We know that, soon, Will will have no other option but to stand on the street by himself and defend a town that doesn’t deserve him.
It’s simple but it’s undeniably powerful.
It’s been said that High Noon was meant to be a metaphor for the blacklist. Frank Miller and his gang were the fascists that, having been defeated in World War II, were now coming back to power. Will Kane was a stand-in for all the men and women of integrity who found themselves blacklisted. The townspeople represented the studio execs who refused to challenge the blacklist. That’s the theory and it’s probably true. But, honestly, the political metaphor of High Noon works because it can be applied to any situation. Will Kane is anyone who has ever had to face down the forces of totalitarianism. He is anyone who has ever had the courage to take a lonely stand while everyone else cowered in the corner.
It’s a powerful metaphor and it’s also a genuinely entertaining movie. The gunfight is thrilling. The romance between Will and Amy feels real. Even the town feels like an actual place, one that has its own history and culture. It’s a simple film but it’s a great film.
Like a lot of great films, High Noon was nominated for best picture. And, like a lot of great films, it lost. In High Noon‘s case, it lost to a film that is almost its exact opposite, The Greatest Show on Earth. However, Gary Cooper did win an Oscar for his unforgettable performance as Will Kane.
I think we tend to take classic films for granted. Don’t do that with High Noon. See it the next chance you get.
Another frontier town is in trouble.
Through the Shattered Lens 