May The Fourth Be With You: Looking Back At Star Wars


Today is Star Wars Day.  (It’s May 4th.  May the Fourth Be With You!  I’ll stop now.)  Five years ago, I ranked all of the Star Wars feature films that had been released up until that point from best to worst.  Here’s how I ranked them:

  1. The Empire Strikes Back
  2. Rogue One
  3. New Hope
  4. The Force Awakens
  5. Revenge of the Sith
  6. Return of the Jedi
  7. Solo
  8. The Rise of Skywalker
  9. The Last Jedi
  10. Attack of the Clones
  11. The Phantom Menace

Since that was a while ago, I decided to take a look back and see if I still felt the same way.  Here are my brief thoughts on each film, in order of release.

Star Wars: Episode IV — A New Hope (1977, directed by George Lucas) — A New Hope may not be the best Star Wars film but it’s still the most entertaining, even if George Lucas doesn’t seem to realize that.  A tribute to the serials and space operas that Lucas grew up with, A New Hope features great action scenes, special effects that hold up well despite not being as slick as modern CGI, and great performances from Alec Guinness and Harrison Ford.  Mark Hamill would eventually become a much better actor, though you might not guess just from his performance here.  Watching New Hope today, I really appreciate that the movie doesn’t get bogged down in overexplaining things.  We don’t need to know what the Clone Wars were specifically about or what the Kessel Run actually was.  They sound cool and that’s all that was really required.  Despite what some claim, there is absolutely no evidence that Darth Vader was meant to be Luke’s father in this move.

Star Wars Holiday Special (1978, directed by Steve Binder) — Only aired once, I debated whether to include it here or not.  I eventually did just because it features the debut of Boba Fett.  It’s as bad as you’ve heard but the special’s real since is that it’s incredibly boring.  Harrison Ford still looks happier here than he did in Return of the Jedi.

Star Wars: Episode V — The Empire Strikes Back (1980, directed by Irvin Kershner) — The best of the original trilogy, this installment was surprisingly dark, downbeat, and violent.  Mark Hamill finally started to show some signs of growth as an actor while Harrison Ford’s Han Solo continued to be the coolest rebel in the universe.  Combining the more thoughtful scenes with Yoda with the action-orientated scenes on Cloud City made this the most intelligent of the Star Wars films.  The battle on Hoth remains one of the best action scenes ever.  I think every kid who saw this movie wanted an AT-AT Walker.  I know I did.

Star Wars: Episode VI — Return of the Jedi (1983, directed by Richard Marquand) — It’s not quite as bad as its reputation, largely due to the opening with Jabba the Hutt’s court.  Jabba is so grotesque and evil in this movie that it’s hard not to regret that the subsequent films made him into more of buffoon than a crime lord.  Brining back the Death Star made this film feel like a retread.  The Ewoks were created to sell toys but so was everything else in this movie.  Harrison Ford looks particularly grouchy at the end.

The Ewok Adventure (1984, directed by John Korty) and Ewoks: The Battle For Endor (1985, directed by Jim and Ken Wheat) — I guess if these had been successful, there would have been an Ewok television show.  The Ewok Adventure feels childish and features a narrator.  Battle for Endor is surprisingly violent for a movie about teddy bears.  Both films are more bland than truly bad.

Star Wars: Episode I — The Phantom Menace (1999, directed by George Lucas) — There’s been some revisionism about this film.  Some people actually defend it now.  Not me.  It’s still pointless.  This movie started the trend of every popular film having to have an in-depth “mythology” behind it.  It turns out that the Evil Empire was all about trade routes and tariffs.  Jake Lloyd gets more blame than he deserves.  Overexplaining the Force was a sign of things to come.  This movie would feature Natalie Portman’s worst performance if not for…

Star Wars: Episode II — Attack of the Clones (2o02, directed by George Lucas) — As painfully generic as its title, this movie was responsible for Hayden Christensen having an undeserved reputation for being a bad actor.  I doubt any actor, no matter how talented, could make Lucas’s dialogue feel natural.

Star Wars: Episode III — Revenge of the Sith (2005, directed by George Lucas) — The only one of the prequels that actually added anything to what we already knew, Revenge of the Sith is dark, violent, and it doesn’t have as many slow spots as the other prequels.  Ewan McGregor finally gets a chance to act and Hayden Christensen and Natalie Portman are finally given actual characters to play.  Today, some people say it’s the best of the Star Wars films.  They’re wrong but it’s still pretty good.

The Clone Wars (2008, directed by Dave Filoni) — The only animated Star Wars film doesn’t get much attention and it does get bogged down in the mythology of the of the prequels.  No one really cares about the specifics of the Clone Wars.  The fact that it’s animated and clearly marketed at kids makes the dialogue easier to tolerate.

Star Wars: Episode VII — The Force Awakens (2015, directed by J.J. Abrams) — When this first came out, a lot of people (including myself) were so happy to have a new Star Wars film that we overrated it.  It’s hard to watch today without thinking about how bad things got after it was released but it does still hold up well as a space adventure, though Daisy Ridley’s blandness is more apparent on subsequent viewings.  The performances of Adam Driver and John Boyega still hold up.  The main attraction, though, is Harrison Ford returning as Han Solo.

Rogue One: A Star Wars Story (2016, directed by Gareth Edwards) — The first stand-alone live action Star Wars feature film is a thrilling space adventures that holds up on subsequent viewings and works because the stakes actually feel real.  For the first time since New Hope, the Death Star is actually frightening.  This remains one of the best films in the franchise and it’s not surprising that it led to the best of the Star Wars television shows.

Star Wars: Episode VIII — The Last Jedi (2017, directed by Rian Johnson) — The haters are right about much of this film.  For all the complaints about Disney not allowing their Marvel directors much freedom, the Star Wars sequels shows what happens when a franchise isn’t sure where it wants to go.  Rian Johnson tries to bring Star Wars down to Earth but that’s not where we want Star Wars.  Rose Tico was an annoying character and her line about saving what we love deserves all of the mockery it received but Kelly Marie Tran still didn’t deserve to be run off of social media.  Turning Luke into a bitter old man was this film’s greatest sin.

Solo: A Star Wars Story (2018, directed by Ron Howard) — That this wasn’t a box office hit was the a clear warning sign that audiences were getting bored with Star Wars.  This Han Solo origin story isn’t bad.  Ron Howard could direct a film like this in his sleep.  It just feels unnecessary.  Alden Ehrenreich does his best but no one can replace Harrison Ford as Han Solo.

Star Wars: Episode IX — The Rise of Skywalker (2019, directed by J.J. Abrams) — J.J. Abrams tries to undo everything that Rian Johnson did in his film.  I don’t blame Abrams because Johnson’s film wasn’t great but just shrugging it all off doesn’t really work either.  The sequel trilogy, which started with such high hopes, ends with a whimper.  Daisy Ridley’s boring performance doesn’t help.

My rankings, as of 2025, are below:

  1. The Empire Strikes Back
  2. Rogue One
  3. New Hope
  4. Revenge of the Sith
  5. Return of the Jedi
  6. Force Awakens
  7. Solo
  8. Rise of Skywalker
  9. The Last Jedi
  10. Ewoks: Battle for Endor
  11. The Clone Wars
  12. The Ewok Adventure
  13. Holiday Special
  14. Phantom Menace
  15. Attack of the Clones

Here Are The 90th Oscar Nominations!


You know that I’ve had a busy Tuesday when I’m only now getting around to posting the 90th Annual Oscar nominations!

Here they are.  Nominees in bold appear on both the Academy’s list and my list of the films that I would have nominated if I was the one solely in charge!

Best Picture:

Call Me By Your Name,

Darkest Hour,

Dunkirk,

Get Out,

Lady Bird,

Phantom Thread,

The Post,

The Shape of Water

Three Billboards Outside Ebbing Missouri

Best Director

Paul Thomas Anderson for Phantom Thread

Guillermo Del Toro for The Shape of Water

Greta Gerwig for Lady Bird

Christopher Nolan for Dunkirk

Jordan Peele for Get Out

Best Actor

Timothee Chalamet in Call Me By Your Name

Daniel Day-Lewis in Phantom Thread

Daniel Kaluuya in Get Out

Gary Oldman in Darkest Hour

Denzel Washington in Roman Israel Esq.

Best Actress

Sally Hawkins in Shape of Water

Frances McDormand in Three Billoards Outside Ebbing Missouri

Margot Robbie in I, Tonya

Saoirse Ronan in Lady Bird

Meryl Streep in The Post

(At this point, I got tired of typing out all of the nominees myself and I did a cut and paste from the list of nominees posted at Awards Watch.  Please thank Awards Watch by visiting their wonderful site.)

Actor in a Supporting Role

WILLEM DAFOE
The Florida Project
WOODY HARRELSON
Three Billboards outside Ebbing, Missouri
RICHARD JENKINS
The Shape of Water
CHRISTOPHER PLUMMER
All the Money in the World
SAM ROCKWELL
Three Billboards outside Ebbing, Missouri

Actress in a Supporting Role

MARY J. BLIGE
Mudbound

ALLISON JANNEY
I, Tonya
LESLEY MANVILLE
Phantom Thread
LAURIE METCALF
Lady Bird
OCTAVIA SPENCER
The Shape of Water

Writing (Original Screenplay)

THE BIG SICK
Written by Emily V. Gordon & Kumail Nanjiani
GET OUT
Written by Jordan Peele
LADY BIRD
Written by Greta Gerwig
THE SHAPE OF WATER
Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Written by Martin McDonagh

Writing (Adapted Screenplay)

CALL ME BY YOUR NAME
Screenplay by James Ivory
THE DISASTER ARTIST
Screenplay by Scott Neustadter & Michael H. Weber
LOGAN
Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold
MOLLY’S GAME
Written for the screen by Aaron Sorkin
MUDBOUND
Screenplay by Virgil Williams and Dee Rees

Animated Feature Film

THE BOSS BABY
Tom McGrath and Ramsey Naito
THE BREADWINNER
Nora Twomey and Anthony Leo
COCO
Lee Unkrich and Darla K. Anderson
FERDINAND
Carlos Saldanha
LOVING VINCENT
Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

Foreign Language Film

A FANTASTIC WOMAN
Chile
THE INSULT
Lebanon
LOVELESS
Russia
ON BODY AND SOUL
Hungary
THE SQUARE
Sweden

Documentary Feature

ABACUS: SMALL ENOUGH TO JAIL
Steve James, Mark Mitten and Julie Goldman
FACES PLACES
Agnès Varda, JR and Rosalie Varda
ICARUS
Bryan Fogel and Dan Cogan
LAST MEN IN ALEPPO
Feras Fayyad, Kareem Abeed and Søren Steen Jespersen
STRONG ISLAND
Yance Ford and Joslyn Barnes

Documentary (Short Subject)

EDITH+EDDIE
Laura Checkoway and Thomas Lee Wright
HEAVEN IS A TRAFFIC JAM ON THE 405
Frank Stiefel
HEROIN(E)
Elaine McMillion Sheldon and Kerrin Sheldon
KNIFE SKILLS
Thomas Lennon
TRAFFIC STOP
Kate Davis and David Heilbroner

Music (Original Score)

DUNKIRK
Hans Zimmer
PHANTOM THREAD
Jonny Greenwood
THE SHAPE OF WATER
Alexandre Desplat
STAR WARS: THE LAST JEDI
John Williams
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Carter Burwell

Music (Original Song)

MIGHTY RIVER
from Mudbound; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson
MYSTERY OF LOVE
from Call Me by Your Name; Music and Lyric by Sufjan Stevens
REMEMBER ME
from Coco; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
STAND UP FOR SOMETHING
from Marshall; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren
THIS IS ME
from The Greatest Showman; Music and Lyric by Benj Pasek and Justin Paul

Film Editing

BABY DRIVER
Paul Machliss and Jonathan Amos
DUNKIRK
Lee Smith
I, TONYA
Tatiana S. Riegel
THE SHAPE OF WATER
Sidney Wolinsky
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
Jon Gregory

Cinematography

BLADE RUNNER 2049
Roger A. Deakins
DARKEST HOUR
Bruno Delbonnel
DUNKIRK
Hoyte van Hoytema
MUDBOUND
Rachel Morrison
THE SHAPE OF WATER
Dan Laustsen

Production Design

BEAUTY AND THE BEAST
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
BLADE RUNNER 2049
Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
DARKEST HOUR
Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
DUNKIRK
Production Design: Nathan Crowley; Set Decoration: Gary Fettis
THE SHAPE OF WATER
Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

Costume Design

BEAUTY AND THE BEAST
Jacqueline Durran
DARKEST HOUR
Jacqueline Durran
PHANTOM THREAD
Mark Bridges
THE SHAPE OF WATER
Luis Sequeira
VICTORIA & ABDUL
Consolata Boyle

Makeup and Hairstyling
DARKEST HOUR
Kazuhiro Tsuji, David Malinowski and Lucy Sibbick
VICTORIA & ABDUL
Daniel Phillips and Lou Sheppard
WONDER
Arjen Tuiten

Sound Mixing

BABY DRIVER
Julian Slater, Tim Cavagin and Mary H. Ellis
BLADE RUNNER 2049
Ron Bartlett, Doug Hemphill and Mac Ruth
DUNKIRK
Mark Weingarten, Gregg Landaker and Gary A. Rizzo
THE SHAPE OF WATER
Christian Cooke, Brad Zoern and Glen Gauthier
STAR WARS: THE LAST JEDI
David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

Sound Editing

BABY DRIVER
Julian Slater
BLADE RUNNER 2049
Mark Mangini and Theo Green
DUNKIRK
Richard King and Alex Gibson
THE SHAPE OF WATER
Nathan Robitaille and Nelson Ferreira
STAR WARS: THE LAST JEDI
Matthew Wood and Ren Klyce

Visual Effects

BLADE RUNNER 2049
John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
GUARDIANS OF THE GALAXY VOL. 2
Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
KONG: SKULL ISLAND
Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus
STAR WARS: THE LAST JEDI
Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
WAR FOR THE PLANET OF THE APES
Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

Short Film (Animated)

DEAR BASKETBALL
Glen Keane and Kobe Bryant
GARDEN PARTY
Victor Caire and Gabriel Grapperon
LOU
Dave Mullins and Dana Murray
NEGATIVE SPACE
Max Porter and Ru Kuwahata
REVOLTING RHYMES
Jakob Schuh and Jan Lachauer

Short Film (Live Action)
DEKALB ELEMENTARY
Reed Van Dyk
THE ELEVEN O’CLOCK
Derin Seale and Josh Lawson
MY NEPHEW EMMETT
Kevin Wilson, Jr.
THE SILENT CHILD
Chris Overton and Rachel Shenton
WATU WOTE/ALL OF US
Katja Benrath and Tobias Rosen

Congratulations to all the nominees!

Here Are The 2017 Nominations From The Chicago Independent Film Critics!


The Chicago Independent Film Critics Circle should not be mistaken for the Chicago Film Critics Association.  However, since they’re both in Chicago, that does give me an excuse to once again use this picture of Al Capone.

Here are the nominees!

THE 10 BEST INDEPENDENT FILMS (in alphabetical order):

The Big Sick, Call Me By Your Name, The Florida Project, Get Out, A Ghost Story, Lady Bird, Lucky, Mudbound, The Shape of Water, Three Billboards Outside Ebbing, Missouri

THE 10 BEST STUDIO FILMS (in alphabetical order):

Baby Driver, Blade Runner 2049, Dunkirk, Logan, The Lost City of Z, mother!, Phantom Thread, The Post, Star Wars: The Last Jedi, Wonder Woman


The complete list of nominees for the 2017 CIFCC Awards:

BEST INDEPENDENT FILM

BEST STUDIO FILM

BEST FOREIGN FILM

  • Raw
  • The Square
  • Thelma

BEST DOCUMENTARY

  • Faces Places
  • Jane
  • Whose Streets?

BEST ANIMATED FILM

BEST DIRECTOR

  • Greta Gerwig, Lady Bird
  • Christopher Nolan, Dunkirk
  • Jordan Peele, Get Out

BEST ORIGINAL SCREENPLAY

  • The Big Sick– Emily V. Gordon and Kumail Nanjiani
  • Get Out- Jordan Peele
  • Lady Bird- Greta Gerwig

BEST ADAPTED SCREENPLAY

  • Call Me By Your Name- James Ivory
  • The Disaster Artist- Scott Neustadter and Michael H. Weber
  • Mudbound– Dee Rees and Virgil Williams

BEST ACTOR

  • Timothée Chalamet, Call Me By Your Name
  • Daniel Kaluuya, Get Out
  • Gary Oldman, Darkest Hour

BEST ACTRESS

  • Sally Hawkins, The Shape of Water
  • Frances McDormand, Three Billboards Outside Ebbing, Missouri
  • Saoirse Ronan, Lady Bird

BEST SUPPORTING ACTOR

  • Willem Dafoe, The Florida Project
  • Richard Jenkins, The Shape of Water
  • Sam Rockwell, Three Billboards Outside of Ebbing, Missouri
  • Michael Stuhlbarg, Call Me By Your Name

BEST SUPPORTING ACTRESS

  • Tiffany Haddish, Girls Trip
  • Allison Janney, I, Tonya
  • Laurie Metcalf, Lady Bird

BEST ENSEMBLE CAST

  • Get Out
  • Mudbound
  • The Post
  • The Shape of Water
  • Three Billboards Outside Ebbing, Missouri

BEST CINEMATOGRAPHY

  • Blade Runner 2049– Roger Deakins
  • Dunkirk- Hoyte van Hoytema
  • The Shape of Water– Dan Laustsen

BEST PRODUCTION DESIGN

  • Blade Runner 2049– Dennis Gassner
  • mother!- Philip Messina
  • The Shape of Water- Paul D. Austerberry

BEST EDITING

BEST COSTUME DESIGN AND MAKEUP

  • Darkest Hour– Jacqueline Durran (costumes), Kazuhiro Tsuji, Lucy Sibbick and David Malinowski (makeup)
  • Phantom Thread– Mark Bridges (costumes), Paul Engelen (makeup)
  • The Shape of Water– Luis Sequeria (costumes), Jordan Samuel and Paula Fleet (makeup)

BEST ORIGINAL SCORE

BEST VISUAL EFFECTS


TRAILBLAZER AWARD

  • Sean Baker, The Florida Project
  • Jordan Peele, Get Out
  • Dee Rees, Mudbound

IMPACT AWARD

  • Greta Gerwig, Lady Bird
  • Patty Jenkins, Wonder Woman
  • Jordan Peele, Get Out

Here Are The 2017 Nominations of The Florida Film Critics!


Oddly, the Florida Film Critics showed very little love to The Florida Project.  The acclaimed film only received one nomination, for Willem DaFoe.

BEST PICTURE

  • “Call Me By Your Name”
  • “Dunkirk”
  • “Get Out”
  • “Lady Bird”
  • “The Shape Of Water”
  • “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR

  • Christopher Nolan – “Dunkirk”
  • Greta Gerwig – “Lady Bird”
  • Guillermo del Toro – “The Shape of Water”
  • Jordan Peele – “Get Out”
  • Martin McDonagh – “Three Billboards Outside Ebbing, Missouri”

BEST ACTOR

  • Daniel Kaluuya – “Get Out”
  • Gary Oldman – “Darkest Hour”
  • James Franco – “The Disaster Artist”
  • Robert Pattinson – “Good Time”
  • Timothée Chalamet – “Call Me By Your Name”

BEST ACTRESS

  • Cynthia Nixon – “A Quiet Passion
  • Frances McDormand – “Three Billboards Outside Ebbing, Missouri”
  • Margot Robbie – “I, Tonya”
  • Sally Hawkins – “The Shape of Water”
  • Saoirse Ronan – “Lady Bird”

BEST SUPPORTING ACTOR

  • Armie Hammer – “Call Me By Your Name”
  • Barry Keoghan – “The Killing of A Sacred Deer”
  • Michael Stuhlbarg – “Call Me By Your Name”
  • Sam Rockwell – “Three Billboards Outside Ebbing, Missouri”
  • Willem Dafoe – “The Florida Project”

BEST SUPPORTING ACTRESS

  • Allison Janney – “I, Tonya”
  • Holly Hunter – “The Big Sick”
  • Hong Chau – “Downsizing”
  • Laurie Metcalf – “Lady Bird”
  • Mary J. Blige – “Mudbound”

BEST ENSEMBLE

  • “Dunkirk”
  • “Get Out”
  • “I, Tonya”
  • “Lady Bird”
  • “The Big Sick”
  • “The Shape Of Water”
  • “Three Billboards Outside Ebbing, Missouri”

BEST ORIGINAL SCREENPLAY

  • “Get Out”
  • “Lady Bird”
  • “The Big Sick”
  • “The Shape Of Water”
  • “Three Billboards Outside Ebbing, Missouri”

BEST ADAPTED SCREENPLAY

  • “Call Me By Your Name”
  • “Marjorie Prime”
  • “Molly’s Game”
  • “The Disaster Artist”
  • “The Lost City of Z”
  • “Wonderstruck”

BEST CINEMATOGRAPHY

  • “Blade Runner 2049”
  • “Dunkirk”
  • “Personal Shopper”
  • “The Post”
  • “The Shape of Water”
  • “Wonderstruck”

BEST VISUAL EFFECTS

BEST ART DIRECTION/PRODUCTION DESIGN

  • Blade Runner 2049”
  • “Dunkirk”
  • “Phantom Thread”
  • “The Shape of Water”
  • “Wonderstruck”

BEST SCORE

  • “Blade Runner 2049”
  • “Dunkirk”
  • “Phantom Thread”
  • “The Shape of Water”
  • “Three Billboards Outside Ebbing, Missouri”

BEST DOCUMENTARY

  • “Dawson City: Frozen Time”
  • “Ex Libris: New York Public Library”
  • “Faces Places”
  • “Jane”
  • “Joan Didion: The Center Will Not Hold”
  • “Kedi”

BEST FOREIGN LANGUAGE FILM

  • “BPM”
  • “First They Killed My Father”
  • “Loveless”
  • “The Ornithologist”
  • “The Square”

BEST ANIMATED FILM

BEST FIRST FILM

BREAKOUT AWARD

  • Barry Keoghan
  • Greta Gerwig
  • Jordan Peele
  • Millicent Simmonds
  • Timothée Chalamet

Finally, Here Are The Winners From The Indiana Film Journalists Association!


Okay, one final precursor to share with everyone today.  The Indiana Film Journalists Association announced their picks for the best of 2017 on Monday.  They really liked Lady Bird and The Shape of Water.  They also liked Harry Dean Stanton for his final film role.

Best Film

Winner: “Lady Bird”
Runner-up: “The Shape of Water”

Other Finalists (listed alphabetically):

“Blade Runner 2049”
“Brigsby Bear”
“Dunkirk”
“The Florida Project”
“Get Out”
“The Post”
“Star Wars: The Last Jedi”
“Three Billboards Outside Ebbing, Missouri”

Best Animated Feature

Winner: “Coco”
Runner-Up: “Loving Vincent”

Best Foreign Language Film

Winner: “Faces Places”
Runner-Up: “BPM (Beats Per Minute)”

Best Documentary

Winner: “Let It Fall: Los Angeles 1982-1992”
Runner-Up: “Liyana”

Best Original Screenplay

Winner: Greta Gerwig, “Lady Bird”
Runner-up: Jordan Peele, “Get Out”

Best Adapted Screenplay

Winner: Scott Frank, James Mangold and Michael Green, “Logan”
Runner-up: Hampton Fancher and Michael Green, “Blade Runner 2049”

Best Director

Winner: Greta Gerwig, “Lady Bird”
Runner-up: Guillermo del Toro, “The Shape of Water”

Best Actress

Winner: Saoirse Ronan, “Lady Bird”
Runner-up: Sally Hawkins, “Maudie”

Best Supporting Actress

Winner: Laurie Metcalf, “Lady Bird”
Runner-up: Allison Janney, “I, Tonya”

Best Actor

Winner: Harry Dean Stanton, “Lucky”
Runner-up: Gary Oldman, “Darkest Hour”

Best Supporting Actor

Winner: Willem Dafoe, “The Florida Project”
Runner-up: Doug Jones, “The Shape of Water”

Best Vocal/Motion Capture Performance

Runner-up: Sean Gunn & Bradley Cooper, “Guardians of the Galaxy, Vol. 2”

Best Ensemble Acting

Winner: “The Florida Project”
Runner-up: “The Post”

Best Musical Score

Winner: Alexandre Desplat, “The Shape of Water”
Runner-up: Hans Zimmer and Benjamin Wallfisch, “Blade Runner 2049”

Breakout of the Year

Winner: Timothée Chalamet, “Call Me by Your Name” and “Lady Bird”
Runner-up: Kogonada, “Columbus”

Original Vision Award

Winner: “Loving Vincent”
Runner-up: “Brigsby Bear

The Hoosier Award

Winner: “Columbus”
(As a special award, no runner-up is declared in this category.)

The Las Vegas Film Critics Society Announces Their Picks For The Best of 2017!


The Las Vegas Film Critics Society has announced their picks for the best of 2017!

And what did they choose?

Look below to find out!

Best Picture
Three Billboards Outside Ebbing, Missouri

Best Actor
Daniel Kaluuya – Get Out

Best Actress
Frances McDormand – Three Billboards Outside Ebbing, Missouri

Best Supporting Actor
Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Best Supporting Actress
Laurie Metcalf – Lady Bird

Best Director
Guillermo Del toro – The Shape of Water

Best Screenplay (Original)
Three Billboards Outside Ebbing, Missouri

Best Screenplay (Adapted)
Call Me By Your Name

Best Cinematography
Blade Runner 2049

Best Film Editing
Baby Driver

Best Score
The Shape of Water

Best Song
“Remember Me” – Coco

Best Action Film
Star Wars: The Last Jedi

Best Animated Film
Coco

Best Foreign Film
First They Killed My Father

Best Costume Design
Blade Runner 2049

Best Art Direction
Blade Runner 2049

Best Visual Effects
Blade Runner 2049

Best Comedy
The Big Sick

Best Horror / Sci-Fi
Get Out

Best Family Film
Coco

Best Ensemble
Three Billboards Outside Ebbing, Missouri

Best Documentary
Jane

Breakout Filmaker
Jordan Peele – Get Out

Youth in Film
Brooklyn Prince – The Florida Project

William Holden Lifetime Achievement Award
Lois Smith

Here Are The Ten Semi-Finalists For The Best Visual Effects Oscar!


The Academy has announced the ten semi-finalists for the Best Visual Effects Oscar.  And here they are!

“Alien: Covenant”

“Blade Runner 2049”

“Dunkirk”

“Guardians of the Galaxy Vol. 2”

“Kong: Skull Island”

“Okja”

“The Shape of Water”

“Star Wars: The Last Jedi”

“Valerian and the City of a Thousand Planets”

“War for the Planet of the Apes”

Here Are The 20 Semi-Finalists For The Best Visual Effects Oscar!


On December 4th, the Academy announced the 20 semi-finalists who are in the running for the Best Visual Effects Oscar!

And here they are:

Kylo, Rey, Leia, and Luke: The Trailer for Star Wars: The Last Jedi


“I need someone to show me my place in all this.”

After watching this trailer ten times and seeing everything from Luke’s robot hand to Kylo apparently about to open fire on his mother’s ship to the new pilot of the Millennium Falcon and finally, to Kylo extending his hand to Rey, all I can say is take my money now!

Is Rey a Kenobi?  Supporters of this theory have been pointing out that Rey and Ben Kenobi both have the same fighting stance:

It would make sense.  Star Wars has always been the story of the Skywalkers and a Kenobi.  With Kylo being a Skywalker and a Solo, Ben Kenobi is the only major Star Wars character to not have a descendant involved in the sequels, unless it is Rey.  Just as a Kenobi once taught a Skywalker will a Skywalker now teach a Kenobi?

Will Luke survive The Last Jedi?  Up until two years ago, I would have said there was no way that a Star Wars film would kill off a major character like Luke Skywalker,  Then Han Solo died and the universe no longer made sense.

December 15th can not get here soon enough.

You’ve Watched The Trailer. Now check out this new Last Jedi poster from Lucasfilm!


Along with a trailer, Lucasfilm released a new poster for The Last Jedi earlier today.  It’s half Luke and half Kylo Ren with Rey firmly in the middle, assuming the stance of a warrior.

Should we read into anything about how her light saber starts out as blue before turning red towards the top?  Some say that red is the color of the dark side so what should we make of the entire poster being tinted crimson?  Has Luke gone over to the dark side or are we just reading too much into a poster?