Monday Live Tweet Alert: Join Us For Assault On Dome 4!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Assault on Dome 4!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube and hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The  watch party community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon!

Late Night Retro Television Review: Degrassi: The Next Generation 2.17 “Relax”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015!  The series can be streamed on YouTube and Tubi.

This week, it’s all about uniforms and palms.

Episode 2.17 “Relax”

(Dir by Laurie Lynd, originally aired on August 8th, 2003)

Eh, it’s a Liberty episode.

Liberty is upset when she doesn’t make the girls’ hockey team.  However, she is appointed to be their equipment manager and, as was always the case with Liberty, she immediately allows the least bit of power and responsibility to go to her head.  Realizing that the girls need new uniforms, Liberty goes to Joey Jeremiah and asks him to sponsor them.  Joey is willing …. except, he’s already sponsoring the boys’ team and he can’t afford to sponsor both.  Liberty challenges the boys’ team to a game.  The winner gets Joey’s sponsorship.

Needless to say, Coach Liberty (she puts on a cape to make sure everyone knows that she’s in charge) pushes the girls too hard and forgets that sports should be fun.  At halftime, the girls tell Liberty that they’ll only continue playing if Liberty isn’t out on the court.  Liberty agrees.  The girls don’t win but Joey is so impressed with their determination that he sponsors them anyway.  It would be nice to say that Liberty learns a lesson from all this but I’ve binged Degrassi enough times to know that Liberty never learns a lesson from anything.

Meanwhile, Terri freaks out when she misreads Paige’s palm and becomes convinced that Paige is going to die.  Paige takes advantage of the situation.  Good for Paige.  Terri has never been particularly intelligent but this episode takes the proverbial cake.

Retro Television Review: Homicide: Life On The Street 5.10 “Blood Wedding”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Pembleton gets his first case as the primary.

Episode 5.10 “Blood Wedding”

(Dir by Kevin Hooks, originally aired on December 13th, 1996)

A robbery at a bridal store leave public defender Meryl Hansen (Delanie Yates) dead.  Meryl was the fiancée of State’s Attorney Ed Danvers.  Danvers was with her when she was shot and he’s now obsessed with getting justice.  He is not happy when he discovers that Pembleton is the primary on the case.  Pembleton is still recovering from a stroke.  In fact, this is his first case as primary since he returned to active duty.  Meanwhile, Pembleton is not happy with the way Danvers keeps trying to tell him how to do his job.

Meanwhile, Giardello meets with the former members of Kellerman’s squad and asks them if they are planning on naming Kellerman to the Grand Jury.  Everyone says that they’re not going to name him …. except for one former detective who explains that, if he names Kellerman, his own sentence will be reduced.  Giardello even goes to the police commissioner (Al Freeman, Jr.) in search of help.  The Commissioner resents Giardello’s independent streak.  He’s not only not going to help, he’s also going to actively make Giardello’s life difficult.

As for Kellerman, he spends his time either sitting on his boat or drinking at the Waterfront or bothering his new lover, Dr. Cox, at work.  When he’s informed that the Grand Jury has been delayed until the end of January, it’s another weight on his shoulders.

In the end, Pembleton does find the man who shot Meryl Hansen but, by the time the Julius Cummings (R. Emery Bright) is captured, he’s already disposed of the gun used in the crime.  There’s enough evidence to put Cummings away for an unrelated robbery but not for murder.  Danvers suddenly wonders if he’s been to quick to compromise as a prosecutor.  After Danvers goes to the jail and tells Cummings that he will spend the rest of his life proving that Cummings is guilty of murder, Cummings hangs himself in his cell.

I have to admit that, for once, I actually found the Kellerman stuff to be more compelling than the main story.  Don’t get me wrong.  Andre Braugher and Kyle Secor were both great.  Zeljko Ivanek was excellent and he had a few good scenes with Melissa Leo, who has been rather underused this season.  But the main storyline felt more like something one would find on Law & Order than Homicide.  Pembleton’s very first case as primary turning out to be a red ball?  It was a bit too much of a coincidence to be effective.

The Kellerman stuff, however, gave Yaphet Kotto a chance to do something more than just give out orders.  Watching him go from detective to detective and slyly ask them if they were going to name Kellerman was a joy.  The scene between him and Al Freeman, Jr. was well-played by both actors.

That said, let’s hope this Kellerman thing gets resolved soon.  Lewis needs his partner!

Scenes I Love: Bill Paxton and Helen Hunt In Twister


Bill Paxton would have been 71 years old today.  As a lover of both films and eccentric Texans, I still miss Bill Paxton.

Today’s scene that I love comes from Twister and it features Bill Paxton showing off some wonderful chemistry with Helen Hunt.  One of the great things about Bill Paxton is that he was equally at home in both big blockbusters like Twister and Titanic and low-budget indies like Near Dark.  He was an artist who also happened to be a star.

4 Shots From 4 Films: Special Dennis Hopper Edition


Dennis Hopper (1936–2010)

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

90 years ago, Dennis Hopper was born in Dodge City, Kansas.

It seems rather appropriate that one of America’s greatest cinematic outlaws was born in a town that will be forever associated with the old west. Dennis Hopper was a rebel, back when there were actual consequences for being one. He started out acting in the 50s, appearing in films like Rebel Without A Cause and Giant and developing a reputation for being a disciple of James Dean. He also developed a reputation for eccentricity and for being difficult on set and he probably would have gotten completely kicked out of Hollywood if not for a somewhat improbable friendship with John Wayne. (Wayne thought Hopper was a communist but he liked him anyways. Interestingly enough, Hopper later became a Republican.) Somehow, Hopper managed to survive both a raging drug addiction and an obsession with guns and, after a mid-80s trip to rehab, he eventually became an almost universally beloved and busy character actor.

Hopper, however, always wanted to direct. He made his directorial debut with 1969’s Easy Rider, a film that became a huge success despite being an infamously chaotic shoot. The success of Easy Rider led to the Hollywood studios briefly trying to produce counter-culture films of their own. Hopper was given several million dollars and sent to Peru to make one of them, the somewhat dangerously titled The Last Movie. Unfortunately, The Last Movie, was such a bomb that it not only temporarily derailed Hopper’s career but it also turned Hollywood off of financing counter culture films. Hopper spent a decade in the Hollywood wilderness, giving acclaimed performances in independent films like Tracks and The American Friend, even while continuing to increase his reputation for drug-fueled instability. Hopper would eventually return to directing with his masterpiece, 1980’s Out of the Blue. (Out of the Blue was so controversial that, when it played at Cannes, Canada refused to acknowledge that it was a Canadian production. It played as a film without a country. Out of the Blue, however, is a film that has stood the test of time.) Unfortunately, even after a newly cleaned-up Hopper was re-embraced by the mainstream, his directorial career never really took off. He directed 7 films, of which only Easy Rider and Colors were financially successful. Contemporary critics often didn’t seem to know what to make of Dennis Hopper as a director. In recent years, however, Hopper’s directorial efforts have been reevaluated. Even The Last Movie has won over some new fans.

Today, on his birthday, we honor Dennis Hopper’s directorial career with….

4 Shots From 4 Dennis Hopper Films

Easy Rider (1969, dir by Dennis Hopper, DP: Laszlo Kovacs)
The Last Movie (1971, dir by Dennis Hopper, DP: Laszlo Kovacs)
Out of the Blue (1980, dir by Dennis Hopper, DP: Marc Champion)
The Hot Spot (1990, dir by Dennis Hopper, DP: Ueli Steiger)

Late Night Retro Television Review: Saved By The Bell 2.3 “Save The Max”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Tubi!

This week, Bayside Radio is on the air!

Episode 2.3 “Save The Max”

(Dir by Don Barnhart, originally aired on September 22nd, 1990)

Uh-oh!  Max is about to lose The Max!  The land that the Max is sitting on belongs to the school board and, if Max the owner can’t come up with $10,000 in back rent, he’s going to lose the restaurant.  As Jessie puts it, “our favorite hang-out is going to become a parking lot!”

Here’s the thing — so what?  I mean, seriously, is it that hard to find a place to get a hamburger in California?  For the most part, the Max has always come across as being a fairly tacky place.  It’s hard for me to imagine anyone over the age of eleven thinking that Max’s magic tricks were worth watching.  Even more importantly, why didn’t Max pay his rent?  Max is an adult.  He’s a grown man.  Why does it fallon a group of teenagers to take care of Max’s problems?  Pay your own damn bills, Max!

Fortunately (I guess), Zack has recently re-launched the school radio station.  This is the episode where Zack and Screech discover the radio station in the school basement and Mr. Belding appears in a flashback as a 40 year-old hippie high school student with a thick mustache.  I’m not really sure to whom the radio station is supposed to appeal.  Zack pretending to be “Wolfman Zack” is cringe city.  Screech’s mystery theater is embarrassing.  Lisa’s gossip show would probably lead to multiple lawsuits today.  Aren’t these people supposed to be in class?  Are the other students actually okay with Zack and his friends being the only ones who actually get to do anything interesting at school?

The best thing about this episode is that it gives Slater a showcase.  This is the first episode to feature Slater as a guy who is always confident until he’s either talking into a microphone or looking at video camera.  Whenever he knows he’s being recorded, Slater suddenly freezes up.  Slater’s awkwardness is actually pretty endearing and it makes him a more compelling character than Zack.  With Zack automatically being good at everything, it’s actually kind of nice to get to watch Slater conquer his doubts and prove himself.

Do the kids — and Mr. Belding — go on the air for 24 hours in an attempt raise enough money to save the Max?  You bet they do!  But it’s not until Slater grabs the microphone and talks about how the Max was the first place that he ever felt as if he really belonged that the money starts to come in.  I think one reason that the Gang was having trouble raising money is that all of the Bayside students were at the Max for the telethon.  Seriously, I’m really not sure who was donating all that money at the end of this episode.  I guess Slater has groupies.  Hey, why not?  He’s earned them.

Seriously, though — couldn’t Max have just paid his rent!?  What a deadbeat!

Lisa Marie’s Week In Television: 5/10/26 — 5/16/26


Hollywood Demons (HBOMax)

This week’s episode took a look at prescription drug abuse in Hollywood.  It really didn’t have anything new to say about the subject.

Kyōryū Sentai Zyuranger (Shout TV)

I watched three more episodes of this odd series on Friday night.  The monsters were even more trippy than usual!

The N.Y. Friars Club Roast of Chevy Chase (YouTube)

On Sunday, I watched this infamous roast from 2003.  Chevy Chase was roasted by a few people who knew him and by a lot of people who didn’t.  Stephen Colbert made an early name for himself with his no-holds barred set.  I knew this is something that we’re not supposed to admit nowadays but, as I watched the roast, I actually found myself feeling a little sorry for Chase.  It’s one thing to be insulted by your friends.  It’s another thing to be insulted by strangers who genuinely seem to despise you.  At least Paul Shaffer appeared to be having fun as Chevy’s roast master.

Ronda Rousey vs. Gina Carano (Netflix)

17 seconds?  After all the hype, it’s impossible not to be disappointed with the actual fight.  That said, I’ve always felt that Gina Carano was not treated fairly by Disney so I’m glad she appears to be making a comeback of sorts.

Saved By The Bell (Tubi)

My review of Saved By The Bell will be dropping soon, assuming I don’t fall asleep before I can write it.

Watched and Reviewed:

  1. 1st & Ten,
  2. Baywatch,
  3. CHiPs,
  4. Crime Story,
  5. Decoy,
  6. Freddy’s Nightmares,
  7. Hunter,
  8. The Love Boat,
  9. Pacific Blue,
  10. Saved By The Bell: The New Class,
  11. St. Elsewhere

Retro Television Review: Baywatch 2.4 “Money, Honey”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week is pretty pointless.

Episosde 2.4 “Money, Honey”

(Dir by Monte Markham, originally aired on October 7th, 1991)

When Mitch and Eddie are hired to serve as lifeguards at a Hollywood party, film producer Dita (Leslie Easterbrook) is impressed when she sees Mitch respond to a boating accident.  She decides to make Mitch into a movie star.  Everyone knows that Mitch can swim and run in slow motion but can he deliver scripted lines?  Dita doesn’t care.  She just wants to sleep with him.  That goes against Mitch’s ethics so his film career ends before it even begins.  Meanwhile, Shauni puts together a benefit to protect a sea lion habitat.  At first, it looks like Shauni won’t be able to raise the money but then Mitch donates his movie paycheck to the cause.

This was a montage episode of Baywatch.  There really wasn’t much of a plot but there certainly were a lot of montages.  Watch as Mitch nervously sits in the makeup chair.  Watch as a bunch of bikini-clad beachgoers gather for Shauni’s benefit.  Listen to the music.  Watch the images.  Don’t worry about a thing….

In short, this was a pretty pointless episode.  That said, the sea lions were cute and the scene where Captain Thorpe tried to teach Mitch how to audition did make me smile.  It’s interesting that it took only four episodes for the syndicated version of Baywatch to fall into the pattern that would definite it for the next ten years.