Bonus Horror On The Lens: It Conquered The World (dir by Roger Corman)


 

“Man is a feeling creature, and because of it, the greatest in the universe….”

Hell yeah!  You tell ’em, Peter Graves!

In 1956’s It Conquered The World.  Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien.  Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.

This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland.  Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism.  Depending on your politics, you could view the film as either a criticism of communism or McCarthyism.  Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.

Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.

Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.

Here, for your viewing pleasure, is It Conquered The World!

 

Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)


 

Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….

 

Bonus Horror On The Lens: Not Of This Earth (dir by Roger Corman)


 

Today, we have a bonus horror on the Lens, the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

Horror On The Lens: The Terror (dir by Roger Corman, et al)


 

Today, we’ve got a treat!

Who wouldn’t love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?

In Roger Corman’s 1963 film The Terror, New Jersey-accented Jack Nicholson is the least believable 19th century French soldier ever.  However, it’s still interesting to watch him before he became a cinematic icon.  His performance here is rather earnest, with little of the sarcasm that would later become his trademark.  Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual.  Pay attention to the actress playing the mysterious woman.  That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.

Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven.  The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie.  Boris Karloff’s scenes were filmed first, with the other actors performing in front of a body double during their scenes.  Among the many directors who filmed bits and pieces of The Terror: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, Coppola’s roommate Dennis Jakob, and even Jack Nicholson himself!  (Despite this number of directors involved, Corman received the sole directorial credit.)  Perhaps not surprisingly, the final film is a total mess but it does have a definite historical value.

(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets.  In that film, Karloff plays a version of himself, an aging horror actor who watches The Terror and dismisses it as being “terrible.”)

Check out The Terror below!

Horror Film Review: War of the Satellites (dir by Roger Corman)


1958’s War of the Satellites opens with a tragedy.

The United Nations is leading the way in humanity’s attempt to explore space.  Unfortunately, ten manned spaceships (or “satellites” as they’re called in this film) all run into the same problem.  There’s a “space barrier” around the Earth, one that traps any ship that flies into it.  On Earth, Dr. Pol Van Ponder (Richard Devon) is forced to remotely blow up both the ships and the UN’s astronauts.  It looks like the the UN’s space program is coming to an end.

Or, at least, it does until an unseen group of aliens drop a missile on Earth.  The missile, when it’s discovered by two “teenagers” who appear to be in their 30s, doesn’t explode.  Instead, it simply carries a message.  Don’t try to explore space, the message says.  A group of snooty aliens have decided that humanity is not ready to leave the planet.  The message is read at the UN.  In a scene that warmed my heart, the American delegate replies that no one tells humanity what to do.  The aliens don’t want us in space?  Well, guess where we’re going, baby!

(Woo hoo!  I love my country!)

Unfortunately, Dr. Van Ponder is in a serious car accident and is killed.  Or, at least, that’s what everyone believes until he shows up at the UN without a scratch on him.  Van Ponder explains that he miraculously survived the accident and he’s now ready to lead the UN mission into space.  The UN takes his survival as a sign that Van Ponder is meant to take humanity to the stars.

Of course, the truth of the matter is that Dr. Van Ponder actually was killed in that accident and the man at the UN is not Van Ponder but instead just an alien pretending to be him.  A few people notice that Dr. Van Ponder is acting strangely.  He speaks without emotion and uses curious phrases.  When he burns his hand during an experiment, he barely seems to notice.  When he’s alone in his office, he creates a second duplicate Van Ponder so that he can be two places at once.  Everyone who suspects that Van Ponder is actually an alien ends up dead.  Once the satellite takes off, it falls to crewman Dave Boyer (Dick Miller) to not only thwart Van Ponder’s evil scheme but to also convince Sybil Carrington (Susan Cabot) that Van Ponder is no longer the man who she thinks she loves.

Reportedly, a day after the Russians launched Sputnik, Roger Corman met with film producer Steve Broidy and said that, in return for $80,000, he could have a satellite movie ready to go in 90 days.  Broidy asked him what the film would be about and Corman replied, “I don’t know but I will have the picture ready.”  Broidy handed over the money and Corman shot War of the Satellites over the course of ten days.  Corman also said that Broidy was so impressed with the film that he gave Corman an extra $500 to throw a party for the cast and crew.  Corman never threw the party.

As for War of the Satellites, it clearly a rush job.  The interior of the space ship is basically two rooms and a couple of chairs.  The idea of the UN having a space program feels ridiculous today and I imagine it probably felt just as ridiculous in 1958.  (We should have kicked the UN out of New York decades ago)  That said, I have to admit that I really enjoyed this film.  Richard Devon gives an appropriately off-center performance as Dr. Van Ponder and this film actually features Dick Miller in a rare heroic starring role.  Even though he’s playing an astronomer, Miller still comes across like a New York wiseguy and my favorite scenes are the one where he gives Van Ponder a look that just seems to shout, “What are ya talking about, ya putz?”  There’s something really enjoyable about watching scrappy Dick Miller play the type of role that would usually go to someone like Peter Graves or Kenneth Tobey.  In an interview, Miller said that he felt miscast as the hero because he was only 5’5 while Devon was 6’1.  But the fact that Devon is actually so much taller than Miller only makes us rooft for Dick Miller even more.  As played by Dick Miller, Dave Boyar becomes the type of underdog that you can’t help but cheer for.

The best thing about this film is that it loudly declares that no one, no matter how scientifically-advanced or snooty, gets to tell humanity what to do.  You want us to stay on Earth?  We’re coming for the moon!

No one puts us in a corner.

Icarus File #25: 1941 (dir by Steven Spielberg)


In the year 1979, a young Steven Spielberg attempted to conquer comedy in the same way that he previously conquered horror with Jaws and science fiction with Close Encounters of The Third Kind.  Working from a script written by Robert Zemeckis and Bob Gale, Spielberg made a film about the days immediately following Japan’s attack on Pearl Harbor.  The name of the film was 1941 and it remains Steven Spielberg’s only attempt to direct a full-out comedy.  There’s a reason for that.

The film follows a large group of characters over the course of one day and night in 1941.  It’s been six days since Pearl Harbor was attacked and the streets of Los Angeles are full of young men who are preparing to ship out and older man who are paranoid about when the next attack is going to come.  However, Major General Joseph Stilwell (Robert Stack) just wants to see Dumbo at the local theater.  Meanwhile, his womanizing aide (Tim Matheson, giving the same performance here that he did in National Lampoon’s Animal House) just wants to get Stillwell’s aviation-lusting secretary (Nancy Allen) into an airplane.

Elsewhere, Ward Douglas (Ned Beatty) is happy to allow Sgt. Tree (Dan Aykroyd) and his men (including John Candy) to set up on an anti-aircraft gun in his front yard.  Ward’s daughter, Betty (Dianne Kay), is only concerned about entering a dance contest with her friend, Maxine (Wendie Jo Sperber).  Cpl. Sitarski (Treat Williams) and dishwasher Wally Stephens (Bobby D iCicco) both hope to be Betty’s partner and their rivalry leads to a massive (and seemingly never-ending) brawl.

While Ward deals with the gun in his front yard, another concerned citizen — Claude Crumm (Murray Hamilton) — keeps watch from atop of Ferris wheel, along with amateur ventriloquist Herbie Kazlminsky (Eddie Deezen).

But that’s not all!  Susan Backilinie recreates her role from a previous Spielberg film, skinny dipping while the Jaws theme plays in the background and running straight into a submarine that is commanded by Commander Akiro Mitamura (Toshiro Mifune, trying to maintain his dignity).  Mifune decides to attack Hollywood but no one on the submarine is sure where that is.  Christopher Lee appears as an arrogant German who is along for the ride.  Slim Pickens shows up as a lumberjack who is temporarily captured by the Japanese.  John Belushi plays Wild Bill Kelso, who flies his airplane through Los Angeles.  Warren Oates yells and laughs.  Dick Miller, Elijah Cook Jr. and Lionel Stander show up in small roles.

“Since when is Steven funny?”  According to Peter Biskind’s Easy Riders, Raging Bulls, this was the reaction that most of Spielberg’s friends had when he announced that his next film would be a screwball comedy set during World War II.  Watching the film, one gets their point.  The majority of the film’s humor comes from people looking at the camera and screaming.  There’s a lot physical comedy, which would undoubtedly work in small amounts but which grows rather tiring when it’s dragged out to the extent that Spielberg’s drags it out.  (A brawl at a USO show seems like it should be funny but Spielberg allows it to go on for too long and the careful choreography takes away any element of spontaneity.)  The film attempts to duplicate the style of Animal House (and it’s probably not a coincidence that Matheson, Belushi, and director John Landis all have roles in the film) but Spielberg often seems as if he’s trying too hard.  There’s nothing subversive about the humor.  It’s more antic than funny.

A huge problem is that there really isn’t much of a story here.  Spielberg, who is normally one of Hollywood’s best storytellers, attempts to do a loose, Altman-style ensemble film and the result is that none of the characters feel alive and there’s never any sense of narrative momentum.  There are a few performers who manage to make an impression amongst all the explosions and the yelling.  John Belushi has the advantage of not having to share the majority of his scenes with anyone else.  Warren Oates’s manic energy is more than welcome.  Wendie Jo Sperber deserved more screentime.  Murray Hamilton and Eddie Deezen frequently made me laugh.  There’s a wonderful moment where Robert Stack’s intense general cries while watching Dumbo.  But, for the most part, the film never comes together.

That said, 1941 is definitely a Steven Spielberg film.  It received three Academy Award nominations, for Cinematography, Sound, and Visual Effects.  (All three of those categories, not surprisingly, are more associated with spectacle than with comedy.)  The film looks great!  Spielberg’s attention to detail is there in the production design and the costumes.  Watching 1941, you can see Spielberg’s talent while also seeing why he never directed another comedy.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass
  4. Captive State
  5. Mother!
  6. The Man Who Killed Don Quixote
  7. Last Days
  8. Plan 9 From Outer Space
  9. The Last Movie
  10. 88
  11. The Bonfire of the Vanities
  12. Birdemic
  13. Birdemic 2: The Resurrection 
  14. Last Exit To Brooklyn
  15. Glen or Glenda
  16. The Assassination of Trotsky
  17. Che!
  18. Brewster McCloud
  19. American Traitor: The Trial of Axis Sally
  20. Tough Guys Don’t Dance
  21. Reach Me
  22. Revolution
  23. The Last Tycoon

Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)


Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….

 

Horror On The Lens: Not Of This Earth (dir by Roger Corman)


Today’s horror on the lens is the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

Guilty Horror Pleasure #87: The ‘Burbs (dir by Joe Dante)


1989’s The ‘Burbs takes place in …. well, it’s right there in the title.

Welcome to the suburbs!  It’s place with big houses, green lawns, and neighbors who often don’t have much to do other than watch each other and gossip.  Ray Peterson (Tom Hanks) lives with his wife, Carol (Carrie Fisher), and is friends with Art Weingartner (Rick Ducommun) and Mark Rumsfield (Bruce Dern).  Ricky Butler (Corey Feldman) is the local teenager.  It’s a nice neighborhood …. at least, until the Klopeks move in.

The Klopeks are viewed with suspicion from the minute they show up.  They’re from a different country, they always seem to be burying something in their backyard, and Dr. Werner Klopek (Henry Gibson) is oddly stand-offish.  When Walter Seznick (Gale Gordon) disappears and the the Klopeks are seen around Walter’s house and with Walter’s dog, Ray and his friends start to suspect that their new neighbors might be ritualistic murderers!

Oh, how I love The ‘Burbs.  The film’s portrait of the suburbs as being a hotbed of paranoia may be a familiar one but it doesn’t matter when you’ve got actors like Tom Hanks and Bruce Dern throwing themselves into their roles.  As always, Hanks is the glue that holds the film and its disparate parts together, giving a likable performance as a man who goes from being the voice of reason to being convinced that his neighbors are cannibals.  Bruce Dern gleefully sends up his own image as a paranoid Vietnam vet but there’s also a sweetness to Dern’s performance that really makes it stand out.  Dern’s character might be a little crazy but he does truly care about his neighbors.

Just as he did with Piranha and The Howling, Dante balances humor with suspense.  He does such a good job of telling the story and getting good performances from his cast, that even the film’s big twist works far better than one might expect.  It’s an 80s film so, of course, a few things explode towards the end of it.  The film’s character-based humor is replaced with some broader jokes but no matter.  The Burbs is an entertaining trip to the heart of suburban paranoia.

As the saying goes, just because you’re paranoid, that doesn’t mean that they aren’t out to get you.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror At 37,000 Feet

Horror On The Lens: It Conquered The World (dir by Roger Corman)


“Man is a feeling creature, and because of it, the greatest in the universe….”

Hell yeah!  You tell ’em, Peter Graves!

Today’s Horror on the Lens is 1956’s It Conquered The World.  Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien.  Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.

This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland.  Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism.  Depending on your politics, you could view the film as either a criticism of communism or McCarthyism.  Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.

Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.

Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.

Here, for your viewing pleasure, is It Conquered The World!