Bonus Horror On The Lens: It Conquered The World (dir by Roger Corman)


 

“Man is a feeling creature, and because of it, the greatest in the universe….”

Hell yeah!  You tell ’em, Peter Graves!

In 1956’s It Conquered The World.  Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien.  Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.

This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland.  Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism.  Depending on your politics, you could view the film as either a criticism of communism or McCarthyism.  Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.

Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.

Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.

Here, for your viewing pleasure, is It Conquered The World!

 

Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)


 

Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….

 

Bonus Horror On The Lens: Not Of This Earth (dir by Roger Corman)


 

Today, we have a bonus horror on the Lens, the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

Horror On The Lens: The Terror (dir by Roger Corman, et al)


 

Today, we’ve got a treat!

Who wouldn’t love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?

In Roger Corman’s 1963 film The Terror, New Jersey-accented Jack Nicholson is the least believable 19th century French soldier ever.  However, it’s still interesting to watch him before he became a cinematic icon.  His performance here is rather earnest, with little of the sarcasm that would later become his trademark.  Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual.  Pay attention to the actress playing the mysterious woman.  That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.

Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven.  The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie.  Boris Karloff’s scenes were filmed first, with the other actors performing in front of a body double during their scenes.  Among the many directors who filmed bits and pieces of The Terror: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, Coppola’s roommate Dennis Jakob, and even Jack Nicholson himself!  (Despite this number of directors involved, Corman received the sole directorial credit.)  Perhaps not surprisingly, the final film is a total mess but it does have a definite historical value.

(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets.  In that film, Karloff plays a version of himself, an aging horror actor who watches The Terror and dismisses it as being “terrible.”)

Check out The Terror below!

Horror On The Lens: Little Shop of Horrors (dir by Roger Corman)


Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:

Enter singing.

Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….

When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors.  Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.”  Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage.  And you know what?  The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me.  So there.

Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film.  Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson.  However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage.  Certainly, I understood the film better than that screechy little thing that was playing Audrey.

The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way).  However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.

So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….

 

Horror On The Lens: Not Of This Earth (dir by Roger Corman)


Today’s horror on the lens is the 1957 Roger Corman-directed, sci-fi “epic,” Not of this Earth.

Paul Johnson (Paul Birch) may seems like a strange character, with his stilted way of speaking and his sunglasses and his overdramatic reaction to any and all loud noises.  Paul could us be an eccentric.  Or, he could be …. NOT OF THIS EARTH!  Actually, his habit of draining people of their blood and sending weird, umbrella-like creatures out to attack his enemies would seem to suggest that the latter is probably true.

Listen, it’s not easy being a blood-sucking alien.  I mean, sure, there’s always seems to be people stupid enough to show up at your mansion so that you can drain their bodies.  Paul is lucky that he doesn’t exactly seem to be surrounded by brain surgeons.  But sometimes, things happen.  For instance, someone might show up from your home planet and demand an immediate transfusion!  What is an alien to do?

Watch this low-budget but undeniably entertaining film to find out!  And be sure to especially keep an eye out for the great Dick Miller, who reportedly improvised his role as a vacuum cleaner salesman.  (Before going into acting, Miller actually did sell vacuum cleaners door-to-door.)

 

Horror On The Lens: It Conquered The World (dir by Roger Corman)


“Man is a feeling creature, and because of it, the greatest in the universe….”

Hell yeah!  You tell ’em, Peter Graves!

Today’s Horror on the Lens is 1956’s It Conquered The World.  Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien.  Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.

This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland.  Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism.  Depending on your politics, you could view the film as either a criticism of communism or McCarthyism.  Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.

Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.

Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.

Here, for your viewing pleasure, is It Conquered The World!

 

Horror On The Lens: Teenage Caveman (dir by Roger Corman)


Future serious actor Robert Vaughn made his film debut in 1958’s Teenage Caveman.  Directed by Roger Corman, Teenage Caveman tells the story of a rebellious young man (that’s Robert Vaughn) who chooses to defy his father’s warnings and venture beyond the caves and into “the forbidden zone.”  He’s told that monsters roam in the forbidden zone and indeed, at least one of them does.  However, neither the Teenage Caveman nor his father are prepared for what lies at the heart of the forbidden zone.

(What will he find out there, Dr. Zaius?)

Robert Vaughn later said that, out of all the bad films that he made, this was the worst.  Personally, I think he was being a bit too hard on the film.  It’s not good but it is definitely fun.  Along with watching all of the dinosaur stock footage, you get to wonder how a caveman — especially a teenage caveman! — could possibly have such perfect hair.  Even more importantly, if you stick with it, this film has a twist ending that has to be seen to be believed.

Here is Teenage Caveman:

 

The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent (1958, directed by Roger Corman)


The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent.  That’s the title of this one and it’s far too long for a 67-minute drive-in feature.  Maybe Roger Corman thought he could fool people into thinking the movie was better than it was by giving it a pompous sounding title.

A group of Viking men leave on a voyage and never come back.  After waiting nearly a year, the remaining Viking women vote to set sail and look for them.  Leading them is Desir (Abby Dalton) and she even welcomes the bad-tempted Enger (Susan Cabot) onto their boat.  The last remaining male Viking, Ottar (Jonathan Haze), also joins the quest.

The Viking women (and Ottar) have barely set sail when a “giant” sea serpent rises out of the water and strands them on an island.  The Viking women discover that their men are being held prisoner on the island.  Even if they can rescue their men from King Stark (Richard Devon), the sea serpent still waits for them to try to return.

The Saga of the Viking Women and yadda yadda yadda is a remarkably cheap-looking epic.  A major film about the Vikings was scheduled to be released by United Artists and Corman, determined to get his movie into theaters first, shot the film in ten days and for $65,000.  Irving Block and Jack Rabin, two special effects experts, promised Corman an amazing sea serpent and instead delivered what appeared to be a water-proof puppet.  The Sea Serpent only appears in two scenes and Corman doesn’t allow us a very good view of it.  It looks like something you could have picked up at Toys ‘R Us back in the day.

There’s nothing convincing about the movie, from the costumes to the combat to the serpent.  This was one of Roger Corman’s early misfires though, released on a double bill with the Astounding She-Monster, it still made money.  People love Vikings.

 

Horror On The Lens: The Terror (dir by Roger Corman, et al)


Today, we’ve got a treat!

Who wouldn’t love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?

In Roger Corman’s 1963 film The Terror, New Jersey-accented Jack Nicholson is the least believable 19th century French soldier ever.  However, it’s still interesting to watch him before he became a cinematic icon.  His performance here is rather earnest, with little of the sarcasm that would later become his trademark.  Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual.  Pay attention to the actress playing the mysterious woman.  That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.

Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven.  The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie.  Boris Karloff’s scenes were filmed first, with the other actors performing in front of a body double during their scenes.  Among the many directors who filmed bits and pieces of The Terror: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, Coppola’s roommate Dennis Jakob, and even Jack Nicholson himself!  (Despite this number of directors involved, Corman received the sole directorial credit.)  Perhaps not surprisingly, the final film is a total mess but it does have a definite historical value.

(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets.  In that film, Karloff plays a version of himself, an aging horror actor who watches The Terror and dismisses it as being “terrible.”)

Check out The Terror below!