Maniac Cop III: Badge of Silence (1992, directed by William Lustig)


Despite finally getting his burial with honors at the end of Maniac Cop 2, Matt Cordell (Robert Z’Dar) returns for one last outing.  Raised from the dead by a voodoo houngan (Julius Harris), Cordell invades a hospital to seek vengeance for a comatose policewoman named Katie Sullivan (Gretchen Baker).  In a coma due to the wounds she received while thwarting a convenience store robbery, Katie is being framed by unscrupulous reporters and attorneys who claim that Katie was a bad cop who killed a clerk in cold blood.  Cordell sees Katie as being a fellow victim of anti-cop bias and he is not going to let anyone treat her with disrespect, which is something that two doctors (Robert Forster and Doug Savant) are unfortunate enough to discover.  Sean McKinney (Robert Davi) and Dr. Susan Lowery (Caitlin Dulany) try to figure out how to bring peace to the souls of both Cordell and Katie.

As opposed to the first two films, Maniac Cop III had a troubled production.  Lustig and screenwriter Larry Cohen wanted to set the film in a Harlem hospital and bring in an African-American detective to investigate Cordell’s activities.  The film’s Japanese producers insisted that Robert Davi return as the lead, even though the script’s lead character had little in common with the way Sean McKinney was portrayed in Maniac Cop 2.  Larry Cohen then refused to do any rewrites on the script unless he was paid more.  William Lustig filmed what he could and ended up with a 51-minute movie.  Extra scenes were directed by one of the film’s producers and the film was also padded out with outtakes from Maniac Cop 2.

The film is disjointed and there’s too much time devoted to Jackie Earle Haley playing a character who has much in common Leo Rossi’s serial killer from the second film.  (Haley’s performance is fine but the character feels superfluous).  But the movie’s hospital setting leads to some interesting kill scenes and Z’Dar and Davi both give good performances as two different types of maniac cops.  The supporting cast is full of good character actors like Haley, Forster, Savant, Julius Harris, Bobby Di Cicco, and Paul Gleason.  Despite the film’s flaws, Maniac Cop III is a solid ending for the trilogy.

Cinemax Friday: The Last Hour (1991, directed by William Sachs)


Because Eric (William Sachs) is a wealthy stockbroker who has just stolen five million dollars from the mafia, mob boss Lombardi (Bobby Di Cicco) sends a group of his enforcers to get both Eric and the moeny.  However, when they arrive at Eric’s home, they discover that he’s not there but his wife, Susan (Shannon Tweed), is!  After they kidnap Susan, they take her to an abandoned skyscraper and they wait for Eric to show up with the money.  However, Susan’s ex-husband, Jeff (Michael Pare), is a tough cop who is not going to let anyone get away with holding his ex-wife hostage.  After reluctantly teaming up with Eric, Jeff infiltrates the skyscraper and takes on the kidnappers, one-by-one.

What do we have with this movie?  We’ve got an abandoned skyscraper.  We’ve got a group of flamboyant hostage takers.  We’ve got a beautiful woman being held prisoner.  We’ve got a hero who is a tough cop and who loses his shirt early in the movie.  You probably think this is a Die Hard rip-off but consider this!  In Die Hard, the main bad guy was a European terrorist.  In The Last Hour, he’s an American mafioso.  Otherwise, this is totally a Die Hard rip-off.  It’s Die Hard with a much lower budget and with a wooden Michael Pare serving as an unconvincing stand-in for Bruce Willis.

However, The Last Hour does have two things that Die Hard could have used.  First off, it’s got Danny Trejo as one of the hostage takers.  Any movie with Danny Trejo is going to automatically be cooler than any movie without Danny Trejo.  Of course, this movie asks us to pretend that Michael Pare vs Danny Trejo would be a fair fight but we all know that, in the real world, Danny would totally win that battle.  The other thing that this movie has that Die Hard doesn’t is Shannon Tweed.  Shannon doesn’t get to do a lot.  If you want to see a Die Hard rip-off where Shannon really gets to show what she can do, watch No Contest.  Still, just as with Danny Trejo, any film with Shannon Tweed is automatically better than any film without her.

The Last Hour is no Die Hard, no matter how much it tries.  But if brings together Danny Trejo and Shannon Tweed and for that, late night Cinemax viewers everywhere give thanks.

A Movie A Day #321: The Baby Doll Murders (1993, directed by Paul Leder)


Naked women are turning up murdered in Los Angeles.  The only clue that the crimes are connected: the baby doll that is left beside each body.  Can detectives Louis (Jeff Kober) and Larry (Bobby Di Cicco) solve the case while also dealing with issues in their own private life?  Louis’s girlfriend (Melanie Smith) is worried that Louis is becoming obsessed with is work and that he is not willing to commit to their relationship. Larry is upset because he suspects his wife is keeping a secret from him.  Their chief (John Saxon) wishes they would just solve the case, especially when the killer targets his own daughter.  The problem is that Louis is so driven and prone to violence that he has managed to get himself suspended from the force.  Why does that always happen to good cops?

The Baby Doll Murders is a straight-to-video thriller that used to be popular on cable, back in the Skinemax days.  Probably the most memorable thing about the film is the absurd lengths it goes to find an excuse for every woman in the film to have at least one topless scene before being attacked by the baby doll murderer.  Otherwise, it is a predictable movie with a better than average cast.  A talented character actor, Jeff Kober gets a rare lead role here and Bobby Di Cicco has some good moments as his neurotic partner.  Any film that features John Saxon as an authority figure can not be considered a total loss.  Saxon does not get much screen time but he does get all of the best lines.  When Kober theorizes that the murderer might have a political agenda, Saxon snaps back, “Now, wait a minute, Louis,” a lot of people have the same beliefs as the baby doll murderer and, “not all of them are killers!”  Saxon delivers his lines like a champ.