Let’s Play With The Do-It-Yourself Giallo Kit!


Have I ever mentioned how much I enjoy playing with the Random Giallo Generator over at Braineater.com?  It’s a lot of fun — you just click on one link and you’re automatically given a randomly generated giallo film, complete with a properly evocative title and an intriguing plot description!  For lovers of Italian film, it’s a lot of fun.  And for writers, it can actually serve as a great way to come up with plots of your own.

I just spent a few minutes playing with the generator and here’s six of the results that I got!

Evidence of a Violent Struggle on a Frozen Landscape
Directed by
Alfredo Toretelloni

A surgeon who has been accused of a crime vanishes and is presumed dead for twenty years. A girl seems to know a little too much about the the disappearance; and after discovering an old painting, she kills the maniac in self-defense, but is mistakenly identified as the culprit and killed by a relative of the victim seeking revenge.

Three Dead on the Velvet Tapestry
Directed by
Stefano Stefani

A young nurse is found dead (presumably a suicide) in a train station. An English actor accidentally steps into the middle of the police investigation of the the murder. Despite several false leads, he must use supernatural assistance to determine the identity of the perpetrator.

Death is a Dark Figure with Teeth of Glass
Directed by
Umberto Umberti

A playwright who has been accused of a crime vanishes. A girl overhears a conversation about the disappearance. She kills the maniac in self-defense, but is mistakenly identified as the culprit and killed by a relative of the victim seeking revenge.

The Secret Lies Hidden in a Woman’s Hands
Directed by
Ruggero Ruggeri

A corrupt priest is butchered in the style of a killer who has been dead for many years. A young child believes he may have seen something that would explain the the crime. When another person is found murdered, he finds himself implicated deeper and deeper in the crime, with no apparent way out.

The Madman Screams Helplessly in a Silver Casket
Directed by
Stefano Giocomonte

An aging policewoman has her throat cut in the style of a killer who terrorized the neighborhood many years ago. Her best friend overhears a conversation about the crime; and despite several false leads, he is killed before he can solve the mystery; his mother then steps in to try to finish the investigation, only to find that the killer is in fact the policewoman, who wasn’t the real victim after all.

Your Heart is a Sphinx with One Red Eye
Directed by
Nanni Nonni

An American girl finds a human torso which has been hacked up in a church. Her father is accused of the crime. After several bloody murders, he is on the verge of solving the mystery when he is killed by the real culprits: a secret society made up of the people he most trusted.

Why not give the Do-It-Yourself Giallo Kit a try for yourself?

Hallmark Review: June in January (2014, dir. Mark Griffiths)


IMG_4327

I doubt that people who read my Late Night Cable reviews are the same people who read my Hallmark reviews, but there’s a connection here. There’s an actor named Frankie Cullen who is in a bunch of the movies that wind up on late night cable. The thing is he’s too good for those movies. He really isn’t a bad actor at all and usually raises the quality of the movie by being in them. June in January is the second Hallmark movie i’ve seen with actor Wes Brown and he also raises the quality of the movie just by being in it. I also saw him in Love Under The Stars where he always conveyed a deep sadness and concern for his daughter simply without saying a word. In fact, his words were usually upbeat, but he always made sure we knew what was going on underneath without spelling it out for us. He does that kind of thing in this movie too. Just like Frankie Cullen, Wes Brown is too good for these movies in my opinion.

This is also the second film i’ve seen with actress Brooke D’Orsay and she is pretty good here too just like she was in How To Fall In Love. She is possibly one of the few actors i’ve seen on Hallmark that can play against type. She naturally fits the irresponsible ditz, but is good enough to convincingly play other characters despite what her appearance tells us she should be. How To Fall In Love was also directed by Mark Griffiths.

With that out of the way, we start off the movie with D’Orsay and Brown getting ready to go somewhere seeing as they are dressing up. They are doing it in two different places. And as usual the woman in the movie tries on several dresses and always goes with a dress I don’t like.

IMG_4335

Oh, and that’s her mom who was frozen in the picture by evil witches and can only be released when her daughter has the perfect wedding. Just kidding, it’s her dead mom who will be a guiding spirit for D’Orsay through voiceover and flashbacks. Now D’Orsay and Brown go to a party and D’Orsay feels out of place because these are upper-crust people and she’s just a lowly nurse practitioner. Those non practitioner nurses are even worse. They just always sat around doing nothing on ER all the time. Someone actually left a review on IMDb complaining how this film bashes nurse practitioners and more specifically regular nurses even though the villains of the movie say it, but she stands up for herself and we see her helping people in her job.

This is when a Hallmark banner popped up to tell me they have a cannibalism related Valentine’s Day movie coming in February.

IMG_4340

Should be more interesting than The Cabin (2011) which I did watch, but since it didn’t have the Hallmark seal on it before the title card, among other things, I don’t think it is a real Hallmark movie and won’t be reviewing it. Also, it was pretty lousy and felt edited.

Anyways, we now meet Brown’s parents.

IMG_4353

That’s Marilu Henner who will be our Jaclyn Smith from Bridal Wave for this film. D’Orsay is always nervous around her because she feels like she’s always “auditioning for her.”

Meanwhile, this guy is eating a pizza in a bedroom.

IMG_4360

Back at the party, we meet the bitch played by Chelsea Hobbs.

IMG_4369

She just by coincidence also played the bitch in The Nine Lives Of Christmas. Yes, that is the best word to use. Even my Mom who has become rather conservative about cursing as of late started referring to her as such near the end of the film.

IMG_8178

The Nine Lives Of Christmas (2014, dir. Mark Jean)

Also by coincidence, this movie was shot in Fort Langley, British Columbia, Canada just like The Nine Lives Of Christmas. I know that because of this shot.

IMG_5156

What’s hilarious is that if you go to Google Maps Street View right now that building has a big Canadian flag hanging from it.

Anyways, after D’Orsay squats…

IMG_4423

she pulls out a book complete with her dream wedding flowers in it and a flashback to her talking with her mother. Then D’Orsay comes out to show her father herself wearing her mother’s wedding dress. This is probably as good a time as any to tell you that the father’s are both really decent guys in this movie.

Then we cut to D’Orsay at work to see just how damn incompetent nurse practitioners are when she is able to help a man who turns out to have Seasonal Affective Disorder without having to consult a doctor. Totally useless I tell you.

After a few things that are just there to remind us of the importance of their wedding, Brown drops a bomb on D’Orsay. He tells her that he’s actually named Luke McDonald and is a member of an anti-vampire church.

IMG_4500

Actually he’s there to tell her that since her character’s name is June and the film is called June in January, they are going to have to move to Cleveland for a new job he just received and have the wedding now in January. Why they couldn’t move to Cleveland and still have the wedding in June, I have no idea. Luckily, this is not a Hallmark movie that sends the message that her having her dream wedding is more important than marrying someone she loves. That’s extremely refreshing.

Meanwhile, the bitch has been assigned by Marilu Henner to do something about the upcoming wedding. Got to admit, I really thought she was Brown’s sister until late in the movie where she states she is just a friend of the family and works for Henner at her “design” business. Then Brown and D’Orsay check out some of the worst places possible to hold a reception…

IMG_4569

before settling on having the ceremony at Marilu Henner’s place. I say both reception and ceremony in there because while we do see the ceremony at the house in the end, but the places they visit look like where you would hold a reception so I’m not really sure.

Now it’s time to go back to find out that D’Orsay somehow, i’m sure by complete luck, cured the poor guy who was suffering from Seasonal Affective Disorder. Believe it or not, that is one of those things that is terrible to have, but is surprisingly easy to fix. Simply having a special light bulb shine on you for a certain amount of time each day stops it. Rather remarkable. He will actually repay her by saving the day at the end of the film.

Oh, and it’s discovering I have taken screenshots like this that make writing these reviews for you worth it.

IMG_4653

No idea what was going on here.

At this point, the film kind of goes on autopilot. You have D’Orsay starting to panic, but quickly realizing that it’s marrying someone she loves that makes the wedding special. Her mother even left a note after her death for D’Orsay to make sure she remembers that. The fathers do there part to comfort D’Orsay and bring Henner down to Earth. Oh, and this happens.

IMG_4924

IMG_4939

During this scene the bitch tries one last attempt to ruin the marriage by telling Brown that she has a crush on him. Look at Brown’s face. Without saying a word he could have simply gotten up and left and we would have completely understood his feelings on what she was saying. Surprise followed by disgust followed by sheer amazement that she would actually stoop this low. I’m surprised they actually had him say anything. Brown is good enough with his acting to convey everything with his face and body language. And a prenup gets thrown in at the last minute, but that goes nowhere just like any of the normal Hallmark speed bumps which just lead the characters to a better understanding of their love for each other rather than stupid panic.

But the bitch has one last trick up her sleeve after being fired by Henner. She tells the revered that the wedding is off so he won’t show up for the ceremony. However…

IMG_5198

that guy who D’Orsay cured by pure chance has a friend who can marry them and they live happily ever after.

IMG_5256

My summary thoughts on the movie are as these: It’s one of the best Hallmark movies i’ve watched especially considering it’s just about a rushed wedding, Wes Brown is a good actor, D’Orsay is no slouch herself, nurse practitioners and regular nurses deserve a lot of respect, and I carried that one joke on way too long.

Note: I’m aware that the IMDb reviewer’s main point was that the film can appear like it’s saying you have to be a nurse practitioner instead of a regular nurse in order to be taken seriously. I get the same impression from people when I tell them i’m transgender, but not on hormones so I can understand why it bothered her. My jokes still stand though because my point is that it’s ridiculous to look down on nurses as if they aren’t to be taken seriously and the film never really does that.

In Praise of Alan Rickman: The January Man (1989, directed by Pat O’Connor)


JanuarymanposterLast week, when the world first learned of the death of the actor Alan Rickman, it was shocking to realize just how many great roles he had played.  He made his feature film debut as Hans Gruber in Die Hard.  He played Colonel Brandon in Sense and Sensibility, Severus Snape in the Harry Potter movies, the Sheriff of Nottingham in Robin Hood: Prince of Thieves, Hilly Kristal in CGBG and Marvin the Paranoid Android in Hitchhiker’s Guide to the Galaxy.  He even played Leonard Nimoy Alexander Dane in Galaxy Quest.  But the first time I ever saw Alan Rickman, he was playing Ed the Painter in The January Man.

As The January Man begins, the new year is barely a day old and already Manhattan is in a panic.  Over the past 11 months, a serial killer has terrorized the city, killing one woman per month.  His latest victim, Allison Hawkins (Faye Grant) was murdered on New Year’s Eve.  Now, it’s January and everyone in New York City is waiting for the killer to strike again.

Mayor Flynn (Rod Steiger, bellowing his lines as only an Oscar-winning “great” actor can) is upset because Allison was a friend of his daughter, Bernadette (Mary Elizabeth Mastrantonio).  Flynn orders the police commissioner, Frank Starkey (Harvey Keitel), to put his brother on the case.  Nick Starky (Kevin Kline) was the best detective in New York but Frank framed him on corruption charges.  Now, Nick is working as a fireman and does not want to return to police work.  However, Nick tells Frank that he will investigate the murders on one condition: Nick wants to make dinner for Frank’s wife (and Nick’s former lover), Christine (Susan Sarandon).

After cooking an octopus for Christine, Nick works the case.  His unorthodox methods get on the nerves of Capt. Alcoa (Danny Aiello, bellowing almost as much as Rod Steiger) but also wins him the heart of Bernadette.  Helping him investigate the case (and repainting his office) is his neighbor, Ed (Alan Rickman).  Ed is not only a painter but he’s also a computer expert who figures out exactly where the killer is going to strike next.

The January Man was Alan Rickman’s second film and followed his debut in Die Hard.  Other than sharing a similarly sarcastic sense of humor, Ed the Painter is the exact opposite of Hans Gruber.  Gruber was a murderer who would do anything for money.  Ed is an artist who wants only to paint and hang out with Nick Starkey.

When I first saw The January Man, I was seven years old and I was on an airplane flying to London.  I was too young to really understand what was happening in the movie but I knew that Ed was my favorite character because he was the one who got all the funny lines and he spoke with a British accent.  When he told one of his models “Don’t molest anything,” I thought it was hilarious even though I did not really understand what he was talking about.  (Years later, I would watch The January Man on HBO and I would discover that Ed made his living painting nudes and that Bernadette and Nick were having sex, all information that was edited out of the airplane version.)

After I heard that Rickman had died, I rewatched The January Man for the first time in years.  I discovered that The January Man is a terrible movie that tries to unsuccessfully to mix slapstick comedy with brutal serial killer action but Alan Rickman still gives a really good performance, the best in the film.  (A close second would be Mary Elizabeth Mastrantonio, whose smile lights up every scene in which she appears.  She married the movie’s director so at least she got something good out of appearing in The January Man.)  That Alan Rickman is one of the film’s few bright spots is a testament to his talent as an actor.  Alan Rickman was such a great actor that he even made The January Man watchable.

Alan Rickman

RIP, Alan Rickman.

Following The Amazon Prime Recommendation Worm #2: Secret Travel (2013), One Thing She Doesn’t Have (2014), Kiss Me, Kill Me (2009), Love Me Not (2006)


Secret_Travel-p1

Secret Travel (2013, dir. Park Chang-Jin) – The plot of this film is that a guy starts a suicide club after a female prostitute gets into his cab who is obviously very depressed. Based on that plot would you think this movie is a comedy? Would you think that by looking at that poster? This movie also goes under the title Secret Confessions. Either title tell you it’s a comedy? Only the third title called Wish Taxi betrays that this might be a comedy. No wonder it also uses this as it’s poster.

url

Now that tells you it’s a comedy! The best way I can give you a feel for it is to take Ferris Bueller’s Day Off (1986) and cross it with The Breakfast Club (1985). The guy meets the girl in his cab and decides a way to get close to her is take up her apparent interest in killing herself. Rather morbid. He puts up a post online and two other girls along with her show up. There’s the perky one who is pictured on the right of that poster. The prostitute in the middle who is in the middle as far as depression goes. Then there’s the girl on the far left who in the movie you can tell is actually in danger of offing herself. The idea is that they are going to fulfill their bucket lists before killing themselves together. Again, rather morbid, but it all plays out like a comedy. I would compare it to the film The Bucket List, but I haven’t seen that one yet and it really is like a bunch of kids taking a day off of school who would normally not hang out together, but then get to know each other by having a good time in the city, thus becoming life long friends. In other words, Ferris Bueller’s Day Off crossed with The Breakfast Club.

Overall, I enjoyed it. I’ve said it several times already, but it is kind of morbid considering it’s a suicide club and all. Also, they all end up having sex with him. That’s really not much of a spoiler. One could read a little too much into it and think that having sex with him solves their problems. It really doesn’t. You can also look at it as a guy who gets sex by preying on three emotionally disturbed girls. I think that’s not giving the girls enough credit. He never really takes advantage and they all know what they are doing. It’s easier to argue that The Twilight Saga is about a pedophile considering the entire story can be stripped to a 100+ year old man who gets into a relationship with a teenage girl and freezes her at a young age.

I recommend this one.

MV5BMTUzNjQyMjcwMV5BMl5BanBnXkFtZTgwNzg4ODExNzE@._V1_SY317_CR12,0,214,317_AL_

One Thing She Doesn’t Have (2014, dir. Yu Jeong-Hwan) – This one on the other hand, I can’t recommend. The one thing this film doesn’t have is focus. One minute it wants to be a screwball comedy. Then it’s 8 1/2 (1963). Then it’s Soapdish (1991). Next it’s All About Eve (1950). Next it’s trying to be clever about how sex tapes affect the careers of actors. The cult of celebrity. It’s all over the place. Speaking of Soapdish.

The movie is about an actress whose career is on the downswing. Nobody is taking her seriously. On the other hand, you have a director who is also not doing so good. He is going to do a, what I thought was a movie, but it turns out to be a play. A rather racey play that has pole dancing in it. The actress’ production company encourages her to do it so she does…sort of. Do I have to tell you she’s a total diva? Well, she is. The film is about this play coming together, her using a body double for the pole dancing stuff, and a scandal. I think it fancies itself to be insightful and clever, but it isn’t. It’s all over the place.

Case in point, early in the movie the actress and a friend all but date rape the director to take pictures of him in sexual positions while he is heavily drugged so she can get her way. That is played as if it’s all light and funny. However, later in the film a sex tape gets out of the actress, which the director had nothing to do with, but it’s suddenly something we are supposed to take very seriously. It’s fake too by the way while the pictures are very real. So, the all but date rape is perfectly fine, but this sex tape of someone who is already doing a play where she is pole dancing almost entirely naked is supposed to be meaningful and tragic? Sorry, it doesn’t work. Yes, I know they try to explain this away with her little tale about her early acting career, but I’m sorry, swap the genders of that drugging and people would scream bloody murder. When you can swap gender and suddenly you feel repulsed, then it wasn’t right in the first place.

I don’t recommend this one.

Kiss-me-kill-me

Kiss Me, Kill Me (2009, dir. Yang Jon-Hyeon) – First things first. I can’t possibly be the only one who looks at that poster and thinks of the game Lethal Enforcers with the pink gun.

51v1ELDeHGL._SX425_

Well, with that out of the way. Ever wanted to see Branded To Kill (1967) sorta reworked into a romance between a hitman and a suicidal woman? Neither did I, but that’s essentially what you have here. For those of you who haven’t seen Branded To Kill, then stop reading this and go watch it. You’re in for a bizarre treat. Oh, and here’s the trailer for Branded To Kill which will explain nothing…

because you can’t really make a trailer to Branded To Kill that explains it. I can barely explain it and I’ve seen it. Also, you have probably seen it referenced in other movies. From something like Ghost Dog: The Way Of The Samurai (1999) to that really short-lived trans woman British contract killer TV show Hit & Miss. Yep, Chloë Sevigny with a penis. That’s something that exists in that show. I mean they actually show it several times. What also exists in both that movie, that TV show, and this movie are direct references to the famous butterfly sniper rifle scene. In Branded To Kill the lead played by Jô Shishido misses his target because a butterfly lands on his rifle. In this movie, it’s a leaf that happens to pass in front of the lead’s scope. This causes him to screw up a hit.

The movie starts out by introducing us to the suicidal girl as we see her jump onto the tracks while an oncoming subway train approaches. She lands on the tracks next to the tracks that the train is on before getting up and running away. Comedy? Anyways, she winds up at the scene where the hit is going to go down. There is actually a funny moment here when our contract killer goes to setup his gun on top of a building and notices a police sniper already there on the neighboring roof. The two just kind of acknowledge each other, then our killer goes somewhere else to setup. The girl happens to be there, but he doesn’t really meet her yet.

He’s then hired to kill a guy who is just going to be lying in his bed sleeping. Of course it turns out it’s her and she has hired him to kill her. He doesn’t do it though recognizing she’s suicidal and that’s not his thing. This is when he becomes romantically linked with her by basically just moving in with her. He still is going around killing, but he’s now sort of living with her and I believe his mother too. It reminded me of when the #1 Yakuza killer moves in with the lead in Branded To Kill. There’s even a shot of them just both sitting looking dead at some park like I remember the two killers doing on a couch in Branded To Kill.

Oh, and yes, I know him being hired to kill a woman could also be a reference to Murder By Contract (1958). So here’s that trailer too. Worth seeing even if the ending of the film is disappointing.

Ultimately, the movie has a neat setup, and I kind of like the actor playing the contract killer, but then it just settles into a soap opera. And yes, I’m well aware that soap operas are uber popular in South Korea. If I had forgotten, then the next film I’ll talk about sure reminded me of that fact. I didn’t like it. I kind of wish they had just gone all out and simply remade Branded To Kill. Oldboy (2003) proved the Koreans have what it takes to remake something so bat shit crazy. Unfortunately, after watching the movie I couldn’t satisfy my Jô Shishido fix since I don’t own any of his films. So I had to settle for the final scene from A Colt Is My Passport (1967). Enjoy!

Lovemenot

Love Me Not (2006, dir. Cheol-ha Lee) – It doesn’t look like Amazon Prime is going to let me out of South Korea anytime soon. This makes 6 of them in a row. This one is a straight up Old Hollywood 1950’s weepie. Even has sections with strong use of color that you would expect from a Douglas Sirk movie. Although, the main guy also wears an all white suit at times during some scenes with strong use of color so for all I know that was a reference to Tokyo Drifter (1966). Might as well have two movies in a row that reference a Seijun Suzuki film. Also, this one appears to reference Citizen Kane. I actually took a couple of screenshots here.

IMG_4323

IMG_4324

The plot here is that they needed an excuse to have a conman spend time with a blind woman who can appear as if she has just lost her sight even though she lost it a long time ago. To do this, they have a guy that suddenly needs massive amounts of money to pay back a debt he owes. He is going to go and pose as the blind woman’s long lost brother in order to get her inheritance since her father recently passed away. We get her acting as if she just went blind because the movie tells us she never left the house after losing her sight. That is until he shows up, then it’s time for the two to go out on the town so we can see her acting pathetic and him growing to love her.

There is seriously nothing else to this. This would have made a perfectly okay 1950s Hollywood romance film. Maybe Cary Grant or Robert Mitchum as the conman and maybe Ingrid Bergman as the blind woman. Actually, Audrey Hepburn is probably a better choice seeing as she was awesome playing blind in Wait Until Dark (1967). That or I needed an excuse to include the trailer for Wait Until Dark here.

I only recommend seeing Love Me Not if you know that Old Hollywood weepies really are your thing, and even more so if you already know the two leading actors: Geun-young Moon and Ju-hyuk Kim. If so, I can tell you that you will most likely enjoy this movie. It’s average, but I didn’t enjoy it because I am really not the intended audience.

And here’s some scenes from Wait Until Dark because I can. You’re welcome! Call it adding a “Scenes That I Love” section to a “Roundup” post.

4 Shots From 4 Films — In Memory of Alan Rickman


4 Shots From 4 Films

Die Hard (1988, directed by John McTiernan)

Die Hard (1988, directed by John McTiernan)

Closet Land (1991, directed by Radha Bharadwaj)

Closet Land (1991, directed by Radha Bharadwaj)

Galaxy Quest (1999, directed by Dean Parisot)

Galaxy Quest (1999, directed by Dean Parisot)

Harry Potter and the Prisoner of Azbakan (2004, directed by Alfonso Cuaron)

Harry Potter and the Prisoner of Azbakan (2004, directed by Alfonso Cuaron)

Rest in peace, the great Alan Rickman.

Here Are The Oscar Nominees!


Oscars

I am so happy that Mad Max, Brooklyn, and Room were nominated but considering how many great films were released in 2015, it’s hard not to be disappointed with the nominees for Best Picture.  No Carol.  No Ex Machina.  No Sicario or Inside Out.  No Straight Out Of Compton, Creed, or Beasts of No Nation.  Is The Martian the only best picture winner to even have more than one African-American prominently featured in the cast?  10 years from now, when people can see past the politics and concentrate on the filmmaking, The Big Short will be recognized as one of the worst best picture nominees of all time.

As for other snubs, I am so sad to see that Kristen Stewart and Benicio Del Toro were not nominated in the supporting races.  For that matter, Rooney was the lead in Carol and that’s where she should have been nominated.  It’s also interesting to note that Mark Ruffalo was nominated for giving the worst performance in Spotlight.

I know that Spotlight is the official front runner but, looking at the nominations, I wouldn’t be surprised to see The Revenant win.  Or maybe even (bleh!)  The Big Short.

Best Picture
“The Big Short”
“Bridge of Spies”
“Brooklyn”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Room”
“Spotlight”

Best Director
Lenny Abrahamson, “Room”
Alejandro Gonzalez Inarritu, “The Revenant”
Tom McCarthy, “Spotlight”
Adam McKay, “The Big Short”
George Miller, “Mad Max: Fury Road”

Best Actor
Bryan Cranston, “Trumbo”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Michael Fassbender, “Steve Jobs”
Eddie Redmayne, “The Danish Girl”

Best Actress
Cate Blanchett, “Carol”
Brie Larson, “Room”
Jennifer Lawrence, “Joy”
Charlotte Rampling, “45 Years”
Saoirse Ronan, “Brooklyn”

Best Supporting Actor
Christian Bale, “The Big Short”
Tom Hardy, “The Revenant”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

Best Supporting Actress
Jennifer Jason Leigh, “The Hateful Eight”
Rooney Mara, “Carol”
Rachel McAdams, “Spotlight”
Alicia Vikander, “The Danish Girl”
Kate Winslet, “Steve Jobs”

Best Original Screenplay
“Bridge of Spies”
“Ex Machina”
“Inside Out”
“Spotlight”
“Straight Outta Compton”

Best Adapted Screenplay
“The Big Short”
“Brooklyn”
“Carol”
“The Martian”
“Room”

Best Cinematography
“Carol”
“The Hateful Eight”
“Mad Max: Fury Road”
“The Revenant”
“Sicario”

Best Costume Design
“Carol”
“Cinderella”
“The Danish Girl”
“Mad Max: Fury Road”
“The Revenant”

Best Film Editing
“The Big Short”
“Mad Max: Fury Road”
“The Revenant”
“Spotlight”
“Star Wars: The Force Awakens”

Best Makeup and Hairstyling
“Mad Max: Fury Road”
“The 100-Year-Old Man Who Climbed out the Window and Disappeared”
“The Revenant”

Best Production Design
“Bridge of Spies”
“The Danish Girl”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”

Best Score
“Bridge of Spies”
“Carol”
“The Hateful Eight”
“Sicario”
“Star Wars: The Force Awakens”

Best Song
“Fifty Shades of Grey” – “Earned It”
“The Hunting Ground” – “Til it Happens to You”
“Racing Extinction” – “Manta Ray”
“Spectre” – “Writing’s on the Wall”
“Youth” – “Simple Song #3”

Best Sound Editing
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Sicario”
“Star Wars: The Force Awakens”

Best Sound Mixing
“Bridge of Spies”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Visual Effects
“Ex Machina”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

Best Animated Feature
“Anomalisa”
“Boy and the World”
“Inside Out”
“Shaun the Sheep Movie”
“When Marnie Was There”

Best Documentary Feature
“Amy”
“Cartel Land”
“The Look of Silence”
“What Happened, Miss Simone?”
“Winter on Fire: Ukraine’s Fight for Freedom”

Best Foreign Language Film
“Embrace of the Serpent”
“Mustang”
“Son of Saul”
“Theeb”
“A War”

Best Animated Short
“Bear Story”
“Prologue”
“Sanjay’s Super Team”
“We Can’t Live without Cosmos”
“World of Tomorrow”

Best Documentary Short
“Body Team 12”
“Chau, Beyond the Lines”
“Claude Lanzmann: Spectres of the Shoah”
“A Girl in the River: The Price of Forgiveness”
“Last Day of Freedom”

Best Live Action Short
“Ave Maria”
“Day One”
“Everything Will Be Okay (Alles Wird Gut)”
“Shok”
“Stutterer”

Hallmark Review: Murder, She Baked: A Peach Cobbler Mystery (2016, dir. Kristoffer Tabori)


IMG_2012

I know he probably didn’t, but seeing as Ron Oliver and David S. Cass Sr. have seen some of my reviews of their Hallmark films, I am going to just assume director Kristoffer Tabori read my reviews of Love On The Air and Murder, She Baked: A Plum Pudding Mystery. I say this because he fixed the problems with the way he shot those two films, but still kept some of the style he seems to be going for with his recent Hallmark movies. He still has a fondness for mirrors.

IMG_2118

IMG_2756

Still doing some framing.

IMG_2225

IMG_2360

The obstructionist stuff in front of the camera is drastically reduced. I’d say it’s only there when it actually does add something to the shot like these parts.

IMG_2431

IMG_2910

Thankfully, there was no repeat of the blinded by the light shot from Love On The Air and Murder, She Baked: A Plum Pudding Mystery. The good framing and composition in depth are used sparingly. It’s not something that seems to have been just thrown into every shot like it was before. That alone makes this way better than the previous Murder, She Baked film. I honestly don’t know why Tabori chose to do it this way this time, but I want to thank him for it.

IMG_2021

The movie starts off with Hannah (Alison Sweeney) discovering a body in a kitchen after a little film noir voiceover from her. I liked that it chose to open up that way. Then it cuts to a title card telling us: “Two Days Earlier”. This is when the movie reintroduces us to Hannah, the bakery, and the town of Eden Lake. Do I even have to say it anymore? Yes? Okay. And by Eden Lake, they mean Squamish, British Columbia, Canada. I know this because of this shot.

IMG_2503

However, kudos to the production crew for knowing this shot of her cellphone would be onscreen for an extended period of time so they simply removed the SIM card.

IMG_3112

Of course, the rest of the time it’s just Minnesota license plates where the film is supposed to take place.

A competing bakery has opened up across the street and is run by Melanie and her sister Vanessa both played by actress Michelle Harrison.

Vanessa

Vanessa

IMG_2314

Melanie

I thought the two sisters looked awfully similar to each other while watching it, but I wasn’t sure they were supposed to be twins. I don’t think the film ever says they are twins. I think they had the same actress play both sisters for the convenience of the murder mystery plot. Can’t give away too much, but having the same actress play both sisters makes it easier to swallow the resolution of the mystery. However, it is a little confusing and provides a red herring that I’m not sure they were going for. Melanie is the one who is murdered. Since both sisters are played by the same actress it’s perfectly reasonable for the viewer to think that the one sister killed the other and swapped places with her. Especially since they don’t seem to like each other. Not sure if that was something the filmmakers intended or not. Something tells me they did though because the reason Melanie has her hair up in that shot above like her sister is because Hannah puts it up that way under the guise of protecting it while she bakes.

For reasons that don’t matter, Melanie and Hannah end up in a cook off to see who can bake the best Peach Cobbler. It doesn’t even matter who wins either. All that matters is that Hannah discovers Melanie doesn’t know how to bake because she bought her Peach Cobbler at a store. This is how the film gets Hannah to know Melanie as Hannah tries to teach her how to bake and introduces us to Melanie’s mean sister Vanessa. She’s nasty. Then Melanie dies.

Now here’s something I didn’t notice in the previous film, but it sure was an issue for me this time around. Both this and the previous film have Mike played by Cameron Mathison and Norman played by Gabriel Hogan in them. The problem is that both actors bare a strong resemblance to each other in this movie. I kept confusing the two of them. It really doesn’t affect the movie, but it was part of my experience watching it, so I am passing it on.

Gabriel Hogan

Gabriel Hogan

Cameron Mathison

Cameron Mathison

With Melanie dead, Hannah, her mom, and her sister, AKA The Blonde Brigade, begin to work towards solving the mystery. Or better put, Hannah works towards solving the mystery while the other two blondes are around playing their roles in the story. One of the episodes of Murder, She Wrote that I remember the most is when Jessica Fletcher was really suspected as the murderer. That happens here to Hannah. Something else that I know everyone who has watched Murder, She Wrote thinks is that if Jessica comes to town, then RUN!!!! When Hannah discovers the body it’s:

IMG_2518

And this isn’t all there is. Hallmark is well aware that people know they film a lot of this stuff in Canada. I mean it’s spelled out all over the credits for crying out loud. However, it wasn’t until this film that I actually saw them make a joke about it.

IMG_2661

In that scene, she tries to tell Hannah to make a run for it by going to Canada. Of course the in-joke is that they are already in Canada.

There are also some well done computer screens and Tabori reuses the technique of overlaying some of the computer stuff onto the shot like he did in Love On The Air.

IMG_2634

It’s nice, modern, and has the effect of showing both what’s important on the screen and the character’s reaction to it in the same shot. That helps to keep us engaged rather than having things broken with every cut from the screen to the character and back again.

I also appreciated the scene near the end where Hannah, then Norman, try to social engineer some information out of some people. For me it harkens back to movies like Sneakers (1992) and WarGames (1983), but since this is a murder mystery. It also made me think of The Rockford Files. Rockford socially engineered people all the time and in some episodes even carried around a little printing press to make fake business cards. It’s no wonder that even Kevin Mitnick mentioned The Rockford Files in his autobiography. She also does some dumpster diving.

So with all that babble out of the way, you are probably wondering if the mystery is any good. I could reasonably follow it which is a good thing. However, a section of it is quite obvious. The fact that the other part may be obscured from you till the end doesn’t change that you think you have figured it out from the start, and you basically have. Nevertheless, this installment has changed my opinion on this particular Hallmark mystery franchise. I could go for another one. Even Alison Sweeney who I felt didn’t pull off playing the good character in the previous films finally seemed to settle into the role. That may just be me or that I’ve seen her play the same role three times now, but her performance worked for me. I’d say give this one a shot, but for all the other things I mentioned aside from how well crafted the mystery itself is.

What If Lisa Had All The Power And Picked The Oscar Nominees: 2015 Edition


oscar trailer kitties

With the Oscar nominations due to be announced tomorrow, now is the time that the Shattered Lens indulges in a little something called, “What if Lisa had all the power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the many of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are starred and listed in bold.

(You’ll also note that I’ve added four categories, all of which I believe the Academy should adopt — Best Voice-Over Performance, Best Casting, Best Stunt Work, and Best Overall Use Of Music In A Film.)

(Click on the links to see my nominations for 2014, 2013, 2012, 2011, and 2010!)

best picture

Best Picture
Brooklyn
*Carol*
Clouds of Sils Maria
Ex Machina
The Final Girls
Inside Out
Mad Max: Fury Road
Room
Sicario
Straight Outta Compton

George Miller

Best Director
John Crowley for Brooklyn
Alex Garland for Ex Machina
F. Gary Gray for Straight Outta Compton
Todd Haynes for Carol
*George Miller for Mad Max: Fury Road*
Denis Villeneuve for Sicario

Jacob Tremblay

Best Actor
John Cusack in Love & Mercy
Gerard Depardieu in Welcome To New York
Johnny Depp in Black Mass
Leonardo DiCaprio in The Revenant
Michael B. Jordan in Creed
*Jacob Tremblay in Room*

alicia vikander

Best Actress
Katharine Isabelle in 88
Brie Larson in Room
Rooney Mara in Carol
Saoirse Ronan in Brooklyn
Amy Schumer in Trainwreck
*Alicia Vikander in Ex Machina*

Del Toro

Best Supporting Actor
Michael Angarano in The Stanford Prison Experiment
Paul Dano in Love & Mercy
*Benicio Del Toro in Sicario*
Idris Elba in Beasts of No Nation
Arnold Schwarzenegger in Maggie
Sylvester Stallone in Creed

MA

Best Supporting Actress
*Malin Akerman in The Final Girls*
Elizabeth Banks in Love & Mercy
Cate Blanchett in Carol
Jessica Chastain in Crimson Peak
Jennifer Jason Leigh in The Hateful Eight
Kristen Stewart in Clouds of Sils Maria

amyp

Best Voice Over Performance
Jon Hamm in Minions
Richard Kind in Inside Out
Jason Mantzoukas in The Regular Show Movie
*Amy Poehler in Inside Out*
James Spader in Avengers: The Age Of Ultron
Steve Zahn in The Good Dinosaur

EM

Best Original Screenplay
Clouds of Sils Maria
*Ex Machina*
The Final Girls
Inside Out
Sicario
Trainwreck

mara_blanchett_carol

Best Adapted Screenplay
Brooklyn
*Carol*
The End of the Tour
Love & Mercy
Room
The Walk

Inside_Out_(2015_film)_poster

Best Animated Film
*Inside Out*
The Good Dinosaur
Minions
The Peanuts Movie
The Regular Show Movie
Shaun The Sheep

Amy_Movie_Poster

Best Documentary Feature:
3 ½ Minutes 10 Bullets
*Amy*
Going Clear: Scientology and the Prison of Belief
Lost Soul: The Doomed Journey of Richard Stanley’s The Island of Dr. Moreau
Prophet’s Prey
The Wolfpack

The_Tribe_poster

Best Foreign Language Film
The Connection
Gloria
The Mafia Only Kills In Summer
Misunderstood
A Pigeon Sat On A Branch Contemplating Existence
*The Tribe*

Brooklyn

Best Casting
*Brooklyn*
Carol
Mad Max: Fury Road
Sicario
Straight Outta Compton
Star Wars: The Force Awakens

Sicario

Best Cinematography
Carol
Clouds of Sils Maria
The Green Inferno
Mad Max: Fury Road
The Revenant
*Sicario*

carol3

Best Costume Design
Brooklyn
*Carol*
Cinderella
Ex Machina
Star Wars: The Force Awakens
Suffragette

MMedit

Best Editing
Carol
Ex Machina
*Mad Max: Fury Road*
Room
Sicario
Straight Outta Compton

Arnold-Schwarzenegger-in-Maggie

Best Makeup and Hairstyling
Black Mass
Brooklyn
Carol
Mad Max: Fury Road
*Maggie*
Star Wars: The Force Awakens

bl

Best Original Score
*Carol*
The Hateful Eight
It Follows
Mad Max: Fury Road
The Revenant
Star Wars: The Force Awakens

Spy2015_TeaserPoster

Best Original Song
“Love Me Like You Do” from Fifty Shades of Grey
“See You Again” from Furious 7
“Better When I’m Dancing” from The Peanuts Movie
“Flashlight” from Pitch Perfect 2
“Feels Like Summer” from Shaun the Sheep
*“Who Can You Trust” from Spy*

Compton 2

Best Overall Use Of Music
Furious 7
The Hateful Eight
Joy
Love & Mercy
The Martian
*Straight Outta Compton*

cp

Best Production Design
*Crimson Peak*
Ex Machina
The Final Girls
Mad Max: Fury Road
Star Wars: The Force Awakens
Unfriended

sicario-emily-blunt-trailer

Best Sound Editing
Avengers: Age of Ultron
Furious 7
The Revenant
*Sicario*
Star Wars: The Force Awakens
Straight Outta Compton

Compton

Best Sound Mixing
Avengers: Age of Ultron
Furious 7
The Revenant
Sicario
Star Wars: The Force Awakens
*Straight Outta Compton*

MM Stunt

Best Stunt Work
Furious 7
Kingsman: The Secret Service
*Mad Max: Fury Road*
Mission Impossible: Rogue Nation
Spy
Star Wars: The Force Awakens

star-wars-force-awakens-official-poster

Best Visual Effects
Ant-Man
Avengers: The Age of Ultron
Ex Machina
Mad Max: Fury Road
*Star Wars: The Force Awakens*
The Walk

Films By Number of Nominations:
11 Nominations – Carol
10 Nominations – Mad Max: Fury Road
9 Nominations – Sicario, Star Wars: The Force Awakens
8 Nominations – Ex Machina
7 Nominations – Brooklyn, Straight Outta Compton
5 Nominations – Furious 7, Inside Out, Love & Mercy, The Revenant, Room
4 Nominations – Avengers: The Age of Ultron, Clouds of Sils Maria, The Final Girls
3 Nominations – The Hateful Eight
2 Nominations – Black Mass, Creed, Crimson Peak, The Good Dinosaur, Maggie, Minions, The Peanuts Movie, The Regular Show Movie, Shaun the Sheep, Spy, Trainwreck, The Walk
1 Nomination – 3 ½ Minutes 10 Bullets, 50 Shades of Grey, 88, Amy, Ant-Man, Beasts of No Nation, Cinderella, The Connection, The End of The Tour, Gloria, Going Clear, The Green Inferno, It Follows, Joy, Kingsman: The Secret Service, Lost Soul: The Doomed Journey of Richard Stanley’s The Island of Dr. Moreau, The Mafia Only Kills in Summer, The Martian, Mission Impossible: Rogue Nation, Misunderstood, A Pigeon Sat On A Branch Reflecting On Existence, Pitch Perfect 2, Prophet’s Prey, The Stanford Prison Experiment, Suffragette, The Tribe, Unfriended, Welcome to New York, The Wolfpack

Films By Number of Oscars Won:
4 Oscars – Carol
3 Oscars – Mad Max: Fury Road, Sicario
2 Oscars – Ex Machina, Inside Out, Straight Outta Compton
1 Oscar – Amy, Brooklyn, Crimson Peak, The Final Girls, Maggie, Room, Spy, Star Wars: The Force Awakens, The Tribe

Will the Academy be smart enough to agree with me on these picks?  We will find out on Thursday!

Lisa and Evelyn at the Oscars

Lisa and Evelyn at the Oscars

Here Are The Dorian Award Nominees!


Carol_(film)_POSTER

The Dorian Awards are handed out by the Gay and Lesbian Entertainment Film Critics Association.  Here are their film nominations for 2015.

FILM OF THE YEAR
The Big Short / Paramount, Regency
Brooklyn / Fox Searchlight
Carol / The Weinstein Company
Mad Max: Fury Road / Warner Bros., Village Road Show
Spotlight / Open Road, Participant, First Look

DIRECTOR OF THE YEAR
(Film or Television)
Sean Baker, Tangerine / Magnolia Pictures
Todd Haynes, Carol / The Weinstein Company
Alejandro Gonzalez Iñárritu, The Revenant / Fox
Tom McCarthy, Spotlight / Open Road, Participant, First Look
George Miller, Mad Max: Fury Road / Warner Bros., Village Road Show

PERFORMANCE OF THE YEAR — ACTRESS
Cate Blanchett, Carol / The Weinstein Company
Brie Larson, Room / A24
Rooney Mara, Carol / The Weinstein Company
Charlotte Rampling, 45 Years / Sundance Selects
Saoirse Ronan, Brooklyn / Fox Searchlight

PERFORMANCE OF THE YEAR — ACTOR
Matt Damon, The Martian / Fox
Leonardo DiCaprio, The Revenant / Fox
Michael Fassbender, Steve Jobs / Universal
Tom Hardy, Legend / Universal, Cross Creek
Eddie Redmayne, The Danish Girl / Focus, Working Title

LGBTQ FILM OF THE YEAR
Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Freeheld / Summit
Grandma / Sony Pictures Classics
Tangerine / Magnolia Pictures

FOREIGN LANGUAGE FILM OF THE YEAR
The Assassin / Central Motion Pictures, Well Go USA
Mustang / Cohen Media Group
Phoenix / Sundance Selects
Son of Saul / Sony Pictures Classics
Viva / Magnolia Pictures

SCREENPLAY OF THE YEAR
Emma Donoghue, Room / A24
Phyllis Nagy, Carol / The Weinstein Company
Charles Randolph and Adam McKay, The Big Short / Paramount, Regency
Josh Singer & Tom McCarthy, Spotlight / Open Road, Participant, First Look
Aaron Sorkin, Steve Jobs / Universal

DOCUMENTARY OF THE YEAR
(theatrical release, TV airing or DVD release)
Amy / A24
Best of Enemies / Magnolia Pictures, Magnet
Going Clear: Scientology and the Prison of Belief / HBO
Making a Murderer / Netflix
What Happened, Miss Simone? / Netflix

VISUALLY STRIKING FILM OF THE YEAR
(honoring a production of stunning beauty, from art direction to cinematography)
Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Mad Max: Fury Road / Warner Bros., Village Road Show
The Martian / Fox
The Revenant / Fox

UNSUNG FILM OF THE YEAR
The Diary of a Teenage Girl / Sony Pictures Classics
Ex Machina / A24
Grandma / Sony Pictures Classics
Me and Earl and the Dying Girl / Fox Searchlight
Tangerine (Magnolia)

CAMPY FLICK OF THE YEAR
The Boy Next Door
Fifty Shades of Grey
Magic Mike XXL
Jupiter Ascending
Stonewall