Hallmark Review: The Sweeter Side of Life (2013, dir. Michael Damian)


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I remember sitting in a theater back in 1995 watching Clueless for the first time. I really enjoyed it and can still enjoy it today. Cher was certainly pampered, rich, and a bit of ditz, but she never lost her lovability. We could always tell there was a smart and wonderful person just underneath her exterior. We understood and believed her transformation from the superficial to the person we could see from the beginning waiting to spring forth from just under her persona. Even in the poor man’s Clueless that came out last fall on Hallmark called Harvest Moon they created a character that we could find endearing on some level. The Sweeter Side of Life does none of these things.

Just before showing that title card we are introduced to our main character named Desiree Harper (Kathryn Morris). We see her turn off her fancy alarm clock with a fancy watch sitting just next to it. Then we see that she not only sleeps with a sleep mask on but a pillow of sorts that wraps around her neck. Something someone uses for pain problems, but here is supposed to show just how rich she is. Then the typical walk-in closet scene happens while a maid cleans the New York City apartment where she lives. But she’s not unlikable enough yet.

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That’s why we get this scene with her friends at the gym looking at an overweight woman while debating the maximum weight allowed for wearing latex. This is followed by the shopping montage before she sits down at a lunch with her friends. One of them is seeing a guy named Renaldo who they just found out has three kids and a wife back in Argentina. Another friend says, “Who cares as long as his family stays over there, right?” Our lead who is already unbearable says she’d care. That’s the one hint at this point that there might be a decent person in there. I know I can’t really get across how she manages to be so darn unpleasant already, but take a look at her.

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Actress Kathryn Morris may be the nicest person in the world in real life, but her appearance combined with the way she acts in only these first few minutes makes it really hard to warm up to her. She goes home and finds her husband missed their anniversary for a last minute surgery so she gets drunk for the night. Couldn’t care less at this point.

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The next morning she finds her husband at the dinner table and we see that they have a giant hand sculpture in the house. That’s interesting. Now we find out that her husband is going to leave her for his 20 year-old acupuncturist Olive. Here’s my requisite joke that he has also been sticking her with a little needle too. Couldn’t let that go. Now we get to the best character of the film.

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This is her somewhat slimy, comical, and lovable lawyer. If they could make his character this way, then why couldn’t they write her the same way? He’s here to remind her she signed a prenuptial agreement. The movie will never bring up whether the agreement had anything in it about adultery which is weird. He also reminds the audience that her family bent over backwards to send her to Columbia where she obtained an MBA which she never used. She says that the interview would ask her about job experience and that all she has experience in is shopping. There are jobs where that actually is a skill, but they don’t bring that up even though I have seen a Hallmark movie with a personal shopper (12 Gifts of Christmas). He asks her where the girl he knew in elementary school went. However, he doesn’t give us any details which would have been really important so we could see beyond her nasty exterior.

Now of course her credit card is taken away from her, she gets hit by a car, and she wakes up in New Jersey with her dad. Her family hasn’t changed her room since she was little. That’s nice. Her father even has breakfast ready so what are some of those first words out of her mouth?

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Oh, and the fact that the husband said she shouldn’t drink so much dairy before dumping her doesn’t make this line any more digestible. She moans and groans including that she was a good wife. Could have been helpful for us to see something that hinted at her being a good wife. All I saw was body shaming and shopping. She wonders how she is going to support herself. The father reminds her that she knows how to bake. He runs a bakery. Since she hasn’t been shell shocked enough, we need to have her do some deliveries using the local florist’s car. This really only exists so she can meet a love interest. Yes, this movie will ask us to buy that this guy…

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should have any reason to want to be with her, despite only being in a couple of scenes together. He’s rich too. Of course their first meeting has her hitting and knocking down his bird house.

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I think the screenwriters may have seen Clueless. Here she was looking at someone getting into a chopper and saying she wants the rich life back before hitting the bird’s nest. Love?

She makes it back alive and we get a proper introduction to the florist. She is also a reasonably likable character especially because we find out she’s smart and cultured even when it comes to rap music.

Now we get a weird scene. The movie will never follow this scene up either to really explain it. There’s a black kid who works at the bakery. She catches him presumedly stealing from the register, but covering it up by saying that it has just been popping out on it’s own. This is never followed up on even though he asks if he can take on more duties than just cleaning up and that his family needs the money. Is the film saying he was going to steal and that she is helping him or not? And the fact that someone immediately comes up to the register, the drawer pops open, and he says it’s doing that again and needs to be fixed doesn’t help. Was this supposed to say that Desiree was racist? It doesn’t make sense. Especially when we will see her help a black policewoman by giving her one of her outfits a little later. A character that will come around at the end of the film in a relationship with the lawyer. Honestly, the movie would have made a lot more sense had she ended up with the lawyer who bends over backwards for her and has an affection for her. Also, remember Cher’s father was a lawyer in Clueless. I’m sure it’s just a coincidence.

Anyways, it’s time to learn that Desiree is still stuck up because she wants to straighten her hair? I don’t get that at all. But what I really don’t get is why her hair dryer is shaped like a gun.

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Then in case we didn’t know the dad is really supposed to be, dare I say, clueless, he apparently had no idea that some clothes have to be hung to dry and has shrunk one of her dresses. What? He raised her and isn’t gay or anything so he was a married to a woman. Not that there aren’t men’s clothes that aren’t supposed to be put in the dryer as well. It’s just a really stupid scene that just tells us she still hasn’t changed and her dad is supposed to be so different because he is an idiot. Actually, this scene exists just so that the next ridiculous thing can happen on her way to meet with lawyers in the city.

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She has to wear the same clothes she wore when she lived with her father back in the 1980s cause she’s wearing the early Madonna clothes. Not funny, and nor did I feel sorry for her when one of her friends brushes her off because of her fall from riches. Oh, and when they have her walking through the crowded sidewalks they do it in slow motion with upbeat I’m going to show them music, but why? She hasn’t changed at all. She shrieked at the reality of having to wear the clothes and just finished complaining about her hair dryer as well as her father’s incompetence. Why use this type of shot that is normally reserved for someone full of confidence? Makes no sense.

Oh, and small complaint, but her former friend tells her the 80’s have come and gone twice after looking at her outfit. Can someone please tell that to all the woman I see with off the one shoulder tops in modern movies? This lady is right. It’s not the 1980s all over again. While we’re here. One of the things that made Clueless so good is that part of Cher’s transformation is to stop seeing and treating her friends as superficial and start to appreciate the good and special things about them. Why is it necessary to lump all her former friends in the trashcan for characters as deep as a puddle who we are supposed to accept as better simply because they live in New Jersey?

She now goes in to meet with her husband’s lawyer and you know why nothing is brought up in her defense? Like the adultery for example. It’s because the lawyer comes in and is stoned after a dental visit. Yep. The only thing of value here is that we find out Olive is pregnant.

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After a kitchen accident which isn’t funny, it’s time to insult the black kid who shows up on a pink scooter. He’s wearing pink too. Just in case we thought this was a meaningless little joke it immediately cuts to two guys at the counter where one says to the other “I want the fruity one” to which the other replies “I pointed to it first.” Yeah, that’s great. They do come across as if they are supposed to be a couple. Wouldn’t have been an issue if they hadn’t just harassed the kid about the pink. In fact, it would have made them seem progressive seeing as they don’t seem to have any reaction to these two guys. If you think I might be reading too much into this, then go watch the Hallmark movies Nearlyweds with it’s really gay stereotype hair dresser or Strawberry Summer where the singer has to assure the country folk that he doesn’t come from “those parts” of New York City but “the good parts.”

After people talk behind Desiree’s back, she gives them a piece of her mind, and a nun pops out of nowhere for comedy, the florist sits down with her to have a heart to heart. And by heart to heart, I mean insult her for standing up for herself. She even says that while they may have deserved it, her father certainly didn’t. Oh, that’s nice except nothing she said was directed at her father, he was there to hear their insults, and he doesn’t defend her after she stormed out, but simply asked who’s next. She then insults her for her supposed lousy work ethic. Really? When? When she did her father’s deliveries even though she knew she was out of practice driving or maybe when she tried baking even though she really has no experience in it. That and covering the counter for him. Yes, lousy work ethic indeed. By the way, Desiree still manages to be unlikable even though she doesn’t deserve this from the florist. We also discover that her father’s business isn’t doing so well. She says she had no idea since why would she. The florist tells her because she didn’t even bother asking. Somewhere during this, when even the audience is given no reason to believe his business is in trouble, she was supposed to ask him about it while also dealing with all these other things. I don’t like her, but cut her a little slack for crying out loud.

Now she seems to take an interest in her father’s business. That’s nice, but now bird house boy named Benny/Benoit stops by. We find out that he’s rich. Yep, she’s going to go from a rich guy in the city to a rich guy in the “suburbs”/”country” of New Jersey. During this scene he hands her a check to settle his account for the month. He’s a major chef and the scene leads us to believe he’s buying his stuff from them seeing as he is giving them a check. Why is the father’s business in trouble? Is this meant as a handout? He asks for her phone number here so is he trying to buy her or lure her to him with his money?

I keep bringing these things up because this movie keeps doing stupid things throughout it. She’s still rather insufferable too.

Now out of nowhere she is suddenly making these lovely little pastries that will be called Paddycakes after her father Paddy even though only a few minutes ago she was a disaster in the kitchen. Yes, these paddycakes will be the savior of the bakery. That’s because of this lady.

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She is very impressed, and of course will turn out to be a newspaper writer later on.

After stupid dancing and shtick, the lawyer shows up again to remind us he really is the only character we enjoy in this movie. Oh, but before that we need to get in another homophobic bit.

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At least the guy says he knows but still likes coffee in a cup like that to which the father responds, “good grief”. The rich guy again shows up to get her phone number and the instant she says he still can’t call her, he just walks away.

When the lawyer shows up, the joint is apparently doing really well now. Those must be some paddycakes. A few scenes, then the article comes out in the newspaper! Just look!

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The bakery is so great that it had to repeat “In Flamington New Jersy, life just got sweeter, and it’s all thanks to a little slice of nirvana, called Paddy’s Bakery” three times! But what is the rest of the article here? I’m telling you, Darcy from A Gift Of Miracles is everywhere and she can shapeshift into other people too.

-The “Old men nurse cups of coffee, police officers linger over pastries and families…” come from a New York Times article by Rebecca Flint Marx.

-The “I saw something of my own childhood, albeit a decade’s remove, in Colson Whitehead’s memoir of growing up in the seventies with low-budget, low-esteem science-fiction movies. He writes, ‘If I was lucky, I’d come home from elementary school to find WABC’s…” comes from a New Yorker article written by Richard Brody.

-The “But the bakery swallowed its umbrage long enough to see an upside: it put up signs about Cookiegate, changed its outgoing phone message to mention…” comes from a New York Times article by Michael Barbaro.

The second one makes sense…sort of…since the magazine the article is in is supposed to be The New Yorker.

Now it’s off to dinner with Benny. She even fixed his birdhouse. This is when something weird happens yet again. Her and Benny are going down a hallway to have some privacy when she notices an open door with an office inside. He quickly closes it saying she doesn’t want to look at it which she responds with an odd “okay”. Now we find out for sure he’s single. Then they make out. Now she notices this painting as she is pinned against the wall being kissed.

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He says it’s his great uncle. What was all that about? Is this supposed to imply his family was involved with the Nazis via the Vichy regime? I don’t really recognize the uniform. What was the point of the office and painting? It doesn’t make sense and is never brought up again.

After we have a stupid conversation about waiting three days before calling up Benny, the lawyer calls to tell her he has a deal to “franchise the bakery”. The father just sends her. Doesn’t come along at all. I know I can’t possibly get this across, but the movie really hasn’t given us any reason for this. He even corrects her when she says it’s not his bakery, but their bakery. Then doesn’t that mean he should be there even more? I know it’s supposed to show he trusts his daughter, but we don’t have any real reason too as the audience.

Of course big city folks meddling in small businesses are usually portrayed as evil, so she turns down their deal.

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You’ll have to take my word for it, but these are the only lines in this that she delivers that are done right. They make sense, we feel that she really believes in what she is saying, and we finally see some believable change in her character. Why couldn’t this have been going on throughout the movie? I don’t get it.

She goes home when the husband shows up. No reason given for why he shows up other than that Olive dumped him and the pregnancy was fake. That’s nice, but the only thing we saw Desiree do prior to being dumped is spend his money in the short time we spent with her prior to the breakup and we could hardly stand her afterwards. Again, it doesn’t make sense. We just are supposed to believe from their really short little exchange that she brought something to the marriage that he would want back. Just a simple scene where we at least see her being used as a trophy wife would have gone a long way.

Obviously she shuts him out, she winds up with Benny, the lawyer shows up with the policewoman from earlier, they dance out the door of the bakery, Desiree and Benny kiss, etc.

This movie sucked. Plain and simple. In the end, she has changed, but it’s too late at that point. Go watch Clueless or Harvest Moon instead.

Now a tribute to the best character in the entire film: the lawyer played by Steve Varnom.

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The First Western: Edwin S. Porter’s THE GREAT TRAIN ROBBERY (1903)


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THE GREAT TRAIN ROBBERY is considered the world’s first Western. Film pioneer Edwin S. Porter made this little gem in the wilds of New Jersey, with additional scenes at Thomas Edison’s studio. It’s the first film to have some kind of narrative, and features in it’s cast future cowboy star Broncho Billy Anderson. Crude by today’s standards, this history making ten minute short was a technical marvel in its time,  with Porter was the first to introduce cross-cutting and panning to the screen. So without further ado, enjoy  1903’s THE GREAT TRAIN ROBBERY:

4 Shots From 4 Films: The Elephant Man, Blue Velvet, Twin Peaks: Fire Walk With Me, Mulholland Drive


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Happy birthday, David Lynch!

4 Shots From 4 Films

The Elephant Man (1980, directed by David Lynch)

The Elephant Man (1980, directed by David Lynch)

Blue Velvet (1986, directed by David Lynch)

Blue Velvet (1986, directed by David Lynch)

Twin Peaks: Fire Walk With Me (1992, directed by David Lynch)

Twin Peaks: Fire Walk With Me (1992, directed by David Lynch)

Mulholland Drive (2000, directed by David Lynch)

Mulholland Drive (2000, directed by David Lynch)

 

 

Blast From the Past: A Day In The Death of Donny B (dir by Carl Fick)


Just a few hours earlier, I was going through my DVR and I discovered that I had recorded, off of TCM, a film called A Day In The Death of Donny B.  That title immediately caught my attention (and I imagine that the title is probably what inspired me to record the film in the first place).  A Day In The Death of Donny B sounds like the title of something that would have come out of Andy Warhol’s Factory in the late 60s, maybe starring Joe Dallesandro as Donny B and Edie Sedgwick as herself.

So, of course, I simply had to watch it to discover just who Donny B was and how many days it would take him to die.  Add to that, I also noticed that the film only lasted 15 minutes, making it the perfect viewing experience for someone, like me, who has absolutely no attention span.

Anyway, I watched it and I discovered that it’s not a Warhol film.  However, it was filmed in 1969 and it contains a lot of cinéma vérité-style footage of the slums of New York City, which means that it takrd place in roughly the same world as some of Warhol’s films.  It turns out that The Death of Donny B was produced by the Substance Abuse and Mental Health Services Administration.  It’s an anti-drug film, obviously designed to speak to young and black audiences.

The film follows an African-American addict named Donny B as he wanders through the shadows of New York City and tries to scrounge up enough money to buy heroin.  While we watch him go about his day, we listen to voice overs from former addicts and some of Donny’s family members.  They all agree that Donny is basically a huge loser.  Donny B. is credited as playing himself and he has a definite screen presence, even if he looks a bit too healthy for someone who, we’re told, shoots heroin several times a day.

The film itself is shot in harshly beautiful black-and-white and the soundtrack features a droning song (credited to someone named Harry Holt) that, for the most part, consists lyrically of: “It’s a day in the death of Donny B…” and trust me, that song will get stuck in your head.  Today, of course, the main appeal of The Death of Donny B is that it’s a time capsule of when it was made.  For those of us who might be curious as to what New York was like back in the dangerous 1960s, The Death of Donny B is our time machine.

And you can watch it below!

And if you happen to be Donny B, leave a comment below because we would love to hear from you!

Here’s the latest trailer for Suicide Squad!


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I have to be honest.  Up until this point, I haven’t had much enthusiasm for seeing The Suicide Squad and it’s always going to bother me that Jared Leto chopped off all of his beautiful hair.  However, the latest Suicide Squad trailer is actually pretty entertaining!  If the very least, it deserves some credit for its use of Bohemian Rhapsody…

 

Carol Wins at The GALECA Awards!


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Carol may not have gotten a best picture nomination from the Academy but that doesn’t mean that it’s not winning awards!  Yesterday, it swept the Gay And Lesbian Entertainment Critics Association awards!  You can check out the GALECA nominations here and the winners below!

Film of the Year
“Carol”

Director of the Year
Todd Haynes, “Carol”

Film Actor of the Year
Leonardo DiCaprio, “The Revenant”

Film Actress of the Year
Cate Blanchett, “Carol”

LGBTQ Film of the Year
“Carol”

Foreign Language Film of the Year
“Son of Saul”

Screenplay of the Year
“Carol”

Documentary of the Year
“Amy”

Visually Striking Film of the Year
“Mad Max: Fury Road”

Unsung Film of the Year
“Tangerine”

Campy Flick of the Year
“Magic Mike XXL”

Hallmark Review: Flower Shop Mystery: Mum’s the Word (2016, dir. Bradley Walsh)


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And look at all those American flags!!! Wow! I had no idea that North Bay, Ontario, Canada had a United States appreciation day where they take down all the Canadian flags that normally line the street to put up Old Glory. Actually, the city behind the title card is Littleton, New Hampshire, but the movie was done in North Bay, Ontario, Canada. However, they did take down the Canadian flags that normally line that city’s Main Street. Unfortunately, I don’t know the city they show just before the title card. Only so much I can do.

This time it was really easy to figure out. While they do make sure the license plates are Illinois…

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and American flags are even in the windows of motels…

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they left plenty of local business names just lying around.

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They even directly reference this coffee house and it really exists on 473 Fraser Street North Bay, Ontario.

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Figuring out Littleton, New Hampshire goes to the Hunkins & Eaton Insurance Agency, Inc. sign that just barely shows for a second before the camera pans up to the shot at the beginning of this review.

With that out of the way for now. This is Hallmark’s new mystery series. It takes place in the small town of New Chapel, Illinois, which is only about 4,000 km by car from Eden Lake, Minnesota where Hannah Swenson runs her bakery.

It starts off by introducing us to a dead man walking named Elvis. Abby Knight, played by Brooke Shields, once knew the man who has since run on hard times.

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After speaking in exposition dialog to introduce us to her, the flower shop called Bloomers, and her employee, Brooke sits down to have a talk with her daughter. A daughter who, I kid you not, is attending Mills College. Mills College which, according to Brooke’s flower shop friend, is “far enough away to live on campus, but close enough for Mom to drop in.” I had no idea Mills College had moved from the Bay Area to near Illinois, Ontario, Canada.

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Oh, and just in case we thought she was on vacation and not in the middle of classes.

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This scene only exists to tell us that Brooke used to be a lawyer, but stopped when her husband died and opened a flower shop instead because “none of it just seemed as important.” In other words, her husband died so that the character will be able to be a detective and Beth Davenport from The Rockford Files at the same time. Works out because her neighbor Marco Salvare, played by Brennan Elliott, shows up next at the flower shop. He owns a bar and was a PI. Oh, and Brooke’s car got hit by another car that may have been involved with the murder that happens soon.

And by soon, I mean now. Someone turns up dead at the Canadian American flag waving motel, Elvis is a suspect, and Brooke and Brennan are on the case. Not for any real good reason. They are really just busy body snoops, which is one of the reasons I kind of like this series already. Normally that would drive me nuts, but it makes them made for each other in this series. I liked that.

With Brooke on the case, she goes on her iPad to read a screenshot of a newspaper article about the murder, which apparently took place on November 2nd, 2016.

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Then she goes to the family album of her photos on the iPad where we see a picture of her husband who may have died the day before during a fishing trip. Either that or she only got around to importing her family photos onto her tablet the day before on November 1st, 2016.

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Next we are introduced to this series’ version of Norman from Murder, She Baked, but he barely exists in this movie. Then there’s a little girl talk back at the flower shop that I’m pretty sure has no customers that come into it. This is followed by a scene where Brooke sits down with a woman who wants a divorce so that we make sure we still remember she was a lawyer. Oh, and something plot related about a Green Thumb Nursery. I couldn’t care less about the plot because just like watching The Big Sleep (1946), you are watching for the Brooke and Brennan back and forth, not the plot. Also, Beau Bridges is in this as a sounding board and in case we need more exposition. Whatever is needed, you can count on Beau. I mean the man got the scroll weapon and he almost beat mega turtle at the end of level three in Teenage Mutant Ninja Turtles for the NES back in 1989. He can do anything.

Time to hit the “Internet” running locally at file:///C:/Users/Mike/Desktop/sc20-Chicago-GreenTumb/results1.html AKA ExploreNet to look up the Green Thumb Nursery.

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The local URL’s keep popping up in the lower left hand corner as a tooltip while she continues to browse the local filesystem for info on the nursery. I wonder who this Mike is? Did she take actor Michael Vincent Dagostino’s laptop? He plays a detective in the movie.

Anyhow, after Brooke reminds us again she was once a lawyer, she walks pass some street signs to make sure we know this shot took place at the intersection of McIntyre Street and Plouffle Street.

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Then Brooke and Brennan visit the Green Thumb Nursery to forward the plot and have some more back and forth. Might as well mention now that Brooke has some weird pseudo-feminist lines in this. You know those lines somebody who thinks they are a feminist, but really are just looking for any excuse to pick a fight over say. There’s only a couple of them, but it’s kind of weird. Maybe she can argue with Calista Flockhart about the semantics of calling her Supergirl.

Now they go on a stakeout! By that I mean they have some humorous lines and talk in exposition dialog. Who cares! All you need to know is that with a little more work they could be fun as a mystery solving couple in this franchise. And no, despite being written by Gary Goldstein, there will be no mention of Brooke’s feet. More plot and dead flowers left for Brooke, then finally Elvis is charged with second degree murder.

Plot, plot, plot. Nursery looks awfully shady and we know that’s where the mystery is going to lead us. Now Brooke and Flower Shop Norman take a trip to Partners Billards & Bowling Center on 361 Main St East.

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After more talking between characters, an inspector shows up and shuts down Brooke’s flower shop. Now it’s personal! I know this because I have almost run out of screenshots. Luckily, I have two more funny things to show before I close up this review. Also, Elvis is found hung dead in his cell. Winding down now.

At the nursery, Brooke noticed that one of the guys carried a gun. She asked him why and he gave a lame answer. No joke, I immediately said to my Dad that he should have said that they carry rare orchids and people try to steal them. So of course she figures out that an orchid bulb is hidden inside a pot of Mum flowers. Yep. This is also when Hallmark popped up to tell us that if we don’t like this series then not to worry cause it can go the way of Wedding Planner Mystery if necessary.

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And now the final goof, and it’s a whopper. She goes online to read an article about expensive orchids. Take a good look.

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And here are the excerpts taken to make that article from an SF Gate article from 1995 by staff writer Jim Doyle:

“U.S. inspectors broke the Kolopaking case in 1993, when they discovered he had sent 60 boxes of rare orchids into the United States via the West Coast clearinghouse for international mail in Oakland.”

“Fisher said the biggest threat to orchids is loss of habitat: Each year, millions of acres of rain forest, where billions of orchids live, are cut or burned down for mining, timber, farming and development.

He added that orchids taken from the wild are now growing in greenhouses and new plants including hybrids are made from them. ‘There are a lot of species in greenhouses that don’t exist in the wild any more due to habitat loss.’

Law enforcement officials insist that smuggling can hasten the death of a species. They contend that over-collection often takes place when a rare orchid’s habitat is nearly destroyed.”

I think Brooke Shields should contact Brooke Burns of the SFPD. Her and The Gourmet Detective should get right on this. This clearly means that Darcy from A Gift Of Miracles who plagiarized her PhD research pitch from an actual WWF report was writing under the pseudonym of Samson O’Doyle three years before the events of that film.

Obviously Brooke does figure it all out and brings the criminals to justice. The mystery is okay at best. It’s not too difficult to follow. Take the fact that the majority of this review is made up of jokes to tell you how enthralling the plot is. There’s a fair amount of setup here so don’t expect to escape a lot of those types of scenes and the exposition dialog that comes with them. The promise here is the stuff between Brooke Shields and Brennan Elliott. I really have a feeling this one is heading for the same bin as My Gal Sunday, Wedding Planner Mystery, and The Mystery Cruise, but if not, then I hope they really polish up the dialog and just drop the unnecessary extra guy. That kind of works on Murder, She Baked, but here I didn’t feel it added anything. Just have Abby and Marco hook up so we can enjoy them being screwball comedy murder mystery solvers. Otherwise, I am not looking forward to a poor man’s Murder, She Baked with touches of The Gourmet Detective.

Remembering Chuck Wepner: The Real Rocky (2011, directed by Jeff Feuerzeig)


The Real RockyDuring his professional boxing career, Chuck Wepner had more than a few nicknames.  Some people called him “The Bayonne Brawler,” because he was from Bayonne, New Jersey and he was a street fighter.  After a 1970 loss to Sonny Liston, Wepner became known as “The Bayonne Bleeder” because of the amount of blood that he shed in the ring.  However, after 1976, most people knew Chuck Wepner as “the real Rocky.”

In 1975, the largely unknown and little-regarded Chuck Wepner was given the opportunity to challenge Muhammad Ali for the world’s Heavyweight title.  For the fight, Ali was paid $1.5 million while Wepner received only $10,000.  For Ali, it was supposed to be an easy title defense.  For Wepner, it was not only his biggest payday but also his chance to prove that he belonged in the ring with the champ.

During the fight, Wepner shocked everyone by holding his own.  In the ninth round, Wepner knocked Ali down and it briefly looked as if the Bayonne Bleeder was about to become the world’s Heavyweight champion.  Returning to his corner, Wepner told his manager, “Start the car. We’re going to the bank. We are millionaires!”

His manager replied, “You better turn around.  He’s getting back up and he looks pissed off.”

When Ali got back on his feet, he came at Wepner with everything he had.  Despite getting decisively outboxed and getting his nose broken during the final rounds, Wepner still went 15 rounds with Ali before the referee stopped the fight and declared Ali to be the winner by technical knockout.

CW

Sitting in a bar and watching the Ali/Wepner fight was a struggling actor named Sylvester Stallone.  A few days after the fight, Stallone wrote the first draft of his screenplay for Rocky and the rest is history.  However, when Wepner would later try to get paid for inspiring one of the biggest box office hits of all time, Stallone claimed that Wepner had not provided any inspiration at all.  Eventually, Wepner took Stallone to court and the case was settled for an undisclosed account.

ESPN Film’s The Real Rocky is an hour-long documentary about Chuck Wepner and his life both before and after Rocky.  Featuring extensive interviews with Wepner himself and a group of veteran boxing journalists, The Real Rocky attempts to answer the two questions that haunt Wepner’s career: Was Chuck Wepner the real Rocky and did Wepner really knock down Muhammad Ali?

After the fight, Muhammad Ali claimed that Wepner did not knock him down but instead that Wepner had tripped him.  In the documentary, Wepner continues to insist that he did knock Ali down and even says that, if asked, Ali will back him up.  However, the documentary features a close-up of a photo that appears to show Wepner throwing a punch while standing on Ali’s foot, which would mean that Ali was right and Wepner did trip him.  The Bayonne Bleeder knocking down Muhammad Ali is a great story but it probably did not happen.

As for whether or not Wepner was the real Rocky, the documentary leaves little doubt that he was.  Along with the obvious parallels between Wepner vs. Ali and Balboa vs. Creed, the documentary reveals that Wepner later fought an exhibition match with wrestler Andre the Giant, a match that was later recreated in Rocky III.  Even after the first movie, Stallone was still borrowing from Wepner’s life.

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After his retirement from the ring, Wepner struggled with drug addiction and briefly did some time in prison.  In the documentary’s most bittersweet moment, Wepner talks about being locked up in East Jersey State Prison, just to discover that Stallone was also at the prison, shooting a movie where he played a prisoner.  After being released, Wepner went back to his job as a liquor salesman, a job that he still holds today.

The Real Rocky is an engrossing documentary that allows Wepner to tell his story in his own words.  With Stallone on the verge of winning an Oscar for his latest (and probaly) last performance as Rocky Balboa, now is a great time to watch this documentary and spare a few thoughts for the real Rocky, Chuck Wepner.

Here Are The 21st Annual Critics’ Choice Awards Winners!


The show was definitely a bit on the dull and overlong side but at least Mad Max: Fury Road won a lot of awards.  Check out a full list of nominees here!

FILM:

BEST PICTURE – “Spotlight”

BEST ACTOR – Leonardo DiCaprio, “The Revenant”

BEST ACTRESS – Brie Larson, “Room”

BEST SUPPORTING ACTOR – Sylvester Stallone, “Creed”

BEST SUPPORTING ACTRESS – Alicia Vikander, “The Danish Girl”

BEST YOUNG ACTOR/ACTRESS – Jacob Tremblay, “Room”

BEST ACTING ENSEMBLE – “Spotlight”

BEST DIRECTOR – George Miller, “Mad Max: Fury Road”

BEST ORIGINAL SCREENPLAY – Josh Singer and Tom McCarthy, “Spotlight”

BEST ADAPTED SCREENPLAY – Charles Randolph and Adam McKay, “The Big Short”

BEST CINEMATOGRAPHY – Emmanuel Lubezki, “The Revenant”

BEST PRODUCTION DESIGN – Colin Gibson, “Mad Max: Fury Road”

BEST EDITING – Margaret Sixel, “Mad Max: Fury Road”

BEST COSTUME DESIGN – Jenny Beavan, “Mad Max: Fury Road”

BEST HAIR & MAKEUP – “Mad Max: Fury Road”

BEST VISUAL EFFECTS – “Mad Max: Fury Road”

BEST ANIMATED FEATURE – “Inside Out”

BEST ACTION MOVIE – “Mad Max: Fury Road”

BEST ACTOR IN AN ACTION MOVIE – Tom Hardy, “Mad Max: Fury Road”

BEST ACTRESS IN AN ACTION MOVIE – Charlize Theron, “Mad Max: Fury Road”

BEST COMEDY – “The Big Short”

BEST ACTOR IN A COMEDY – Christian Bale, “The Big Short”

BEST ACTRESS IN A COMEDY – Amy Schumer, “Trainwreck”

BEST SCI-FI/HORROR MOVIE – “Ex Machina”

BEST FOREIGN LANGUAGE FILM – “Son of Saul”

BEST DOCUMENTARY FEATURE – “Amy”

BEST SONG – “See You Again”, Charlie Puth and Wiz Khalifa, “Furious 7”

BEST SCORE – Ennio Morricone, “The Hateful Eight”

4 Shots From 4 Films: James Earl Jones Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Happy Birthday to the man with the imposing presence: James Earl Jones

4 SHOTS FROM 4 FILMS

The Hunt for Red October (dir. by John McTiernan)

The Hunt for Red October (dir. by John McTiernan)

The Bingo Long Traveling All-Stars & Motor Kings (dir. by John Badham)

The Bingo Long Traveling All-Stars & Motor Kings (dir. by John Badham)