A Movie A Day #142: The Meanest Men In The West (1978, directed by Sam Fuller and Charles S. Dubin)


The Meanest Men In The West may “star” Charles Bronson and Lee Marvin and Sam Fuller may be credited as being one of the film’s two directors but don’t make the same mistake that I made.  Don’t get too excited.

There was once a TV western called The Virginian.  Starring James Drury as a ranch foreman, The Virginian ran for nine seasons on NBC.  A 1962 episode, which was written and directed by Sam Fuller, featured Lee Marvin as a sadistic outlaw who kidnapped The Virginian’s employer, a judge played by Lee J. Cobb.  Five years later, another episode features Charles Bronson as a less sadistic outlaw who kidnapped the Judge’s daughter.

The Meanest Men In The West mixes scenes from those two episode with western stock footage, a bank robbery that originally appeared in The Return of Frank James, an intrusive voice-over, and an almost incoherent prologue, all in order to tell an entirely new story.  Now, Charles Bronson and Lee Marvin are brothers and rivals.  After Marvin snitches on Bronson’s plan to rob a bank, Bronson blames his former friend, The Virginian.  In order to get the Virginian to come to his hideout, Bronson kidnaps Cobb’s daughter.  The Virginian manages to convince Bronson that he didn’t betray him, just to arrive back at the ranch and discover that Cobb has been kidnapped.  Meanwhile, Bronson and his gang set off after Marvin and his gang.  It ends with Charles Bronson, in 1967, shooting at Lee Marvin, who is still in 1962.

The Meanest Men In The West is so clumsily edited that the same shot of Charles Bronson holding a gun is spliced into a dozen different scenes.  Filmed on different film stocks, the Bronson scenes and the Marvin scenes look nothing alike and, since the two episodes were filmed five years apart, James Drury literally ages backwards over the course of the film.

The Meanest Men In The West is for Charles Bronson and Lee Marvin completists only.  I think Bronson and Marvin are two of the coolest individuals who ever existed and even I had a hard time making it through this one.  If you do watch it, keep an eye out for a young Charles Grodin, thoroughly miscast as a tough outlaw.

A Movie A Day #141: Breakheart Pass (1975, directed by Tom Gries)


California.  The 1870s.  Sheriff Pearce (Ben Johnson) boards a train with his prisoner, an alleged outlaw named John Deakin (Charles Bronson).  The train is mostly full of soldiers, under the command of Major Claremont (Ed Lauter), who are on their way to Fort Humboldt.  The fort has suffered a diphtheria epidemic and the soldiers are supposedly transporting medical supplies.

However, it’s not just soldiers on the train.  There’s also Gov. Fairchild (Richard Crenna) of Nevada, his fiancée (Jill Ireland), the Reverend Peabody (Bill McKinney), and a conductor named O’Brien (Charles Durning).  As the train continues on its journey, it becomes obvious that all is not as it seems.  People start to disappear.  A man is thrown from the train.  Two cars full of soldiers are separated from the train and plunge over a cliff.  There is also more to Deakin than anyone first realized and soon, he is the only person who can bring the murderers to justice.

In both real life and the movies, Charles Bronson was the epitome of a tough guy, so it’s always interesting to see him playing a more cerebral character than usual.  There are some exciting and surprisingly brutal action scenes, including a scene where Bronson fights a cook (played by former professional boxer Archie Moore) on top of the speeding train, but Breakheart Pass is more of a murder mystery than a typical action film.  If Louis L’Amour and Agatha Christie had collaborated on a story, the end result would be much like Breakheart Pass.  Bronson spends as much time investigating as he does swinging his fists or shooting a gun.  It’s not a typical Bronson role but he does a good job, showing that he could think as convincingly as he could kill.  Acting opposite some of the best character actors around in the 70s, Bronson more than holds his own.

Apparently, back in 1975, audiences were not interesting in watching Bronson think so Breakheart Pass was a disappointment at the box office and it is still not as well known as Bronson’s other films.  However, even if you’re not already a fan of the great Bronson, Breakheart Pass is worth discovering.

Special Memorial Day Edition: THE FIGHTING SULLIVANS (20th Century-Fox 1944)


gary loggins's avatarcracked rear viewer

War is hell, not only on the participants, but on those left home waiting for word on their loved ones, dreading the inevitable. THE FIGHTING SULLIVANS is based on the true story of five brothers who served and died together as shipmates, and their family. It’s a story of patriotism, of grief and loss, and its penultimate moment will rip your heart out. Finally, it’s an American story.

The Sullivans are a proud, close-knit Irish Catholic family living in Waterloo, Iowa. Patriarch Tom (played by Thomas Mitchell ) is a loyal railroad man whose five sons (George, Frank, Joe, Matt, and Al) climb the water tower every day to wave goodbye as the train pulls out. Mother Alleta (Selena Royale) keeps the family fires burning, with the help of daughter Gen. The scrappy brothers are a pint-sized version of the Dead End Kids, getting into mischief like a Donnybrook with neighborhood kids on little…

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A Movie A Day #140: The Rescue (1988, directed by Ferdinand Fairfax)


A group of Navy SEALs enter North Korea on a mission to destroy a submarine that has fallen into Kim Il-sung’s hands.  They destroy the submarine but are captured before they can safely cross the border back into South Korea.  With the SEALs facing a show trial and probable public execution, Admiral Rothman (James Cromwell) draws up a plan to rescure them.  The U.S. government, not wanting to escalate the situation, shoots down the plan.  (Americans giving up?  Is Carter still president?)  However, Rothman’s nerdy son, Max (Marc Price), gets a hold of the plan.  Before you can say “Why didn’t anyone else think of this?”, he and the children of the SEALs are sneaking into North Korea and rescuing their fathers!

This is a pure 1980s film.  Like Red Dawn, it shows that America is such a great country that even our teenagers are stronger than the average well-armed communist.  Of the actors playing the rescuers, the best known is Kevin Dillon.  He plays the rebel who smokes cigarettes and rides a motorcycle.  Though their relationship may be strained, his father (Edward Albert) is still happy when Dillon suddenly shows up in North Korea.  Soon, father and son are working together to blow up America’s enemies.  This movie’s about as dumb as they come and it’s another example of Hollywood presenting North Korea as just being the junior varsity version of China but it’s also undeniably entertaining, especially if you don’t care about things like plausibility.  Watch it the next time that Kim Jong-un threatens to blow you up.  Who needs Chuck Norris when you’ve got Kevin Dillon?

 

Here’s What Won At Cannes!


Here’s what won at this year’s Cannes Film Festival!  As always, the list is full of intrigue and surprises.

Also, as always, it’s debatable whether any of this will actually effect that Oscar race.  To be honest, other than The Tree of Life, it’s hard to think of any recent Oscar nominee that was undeniably helped by a victory at Cannes.  During the Festival, both Robert Pattinson and Adam Sandler (yes, Adam Sandler) started to receive some Oscar buzz but neither of them — nor their films, Good Time or The Meyerowitz Stories — were honored.

(As enjoyably weird as it would be for Adam Sandler to become an Oscar nominee, I imagine The Meyerowitz Stories will be ignored come Oscar time because it’s a Netflix film.  If the Academy couldn’t even give one nomination to the previous Netflix contender — the powerful and important Beasts of No Nation — I doubt that they’re going to surrender their bias for a film starring Adam Sandler and Ben Stiller.)

That said, I am very, very happy to see that one of my favorite artists, Sofia Coppola, was honored!  I can’t wait to see The Beguiled!

Here’s the winners:

2017 Main Competition winners: 

Palme d’Or: The Square (Ruben Ostlund)
Gran Prix: “BPM (Beats Per Minute)” (Robin Campillo)
Jury Prize: “Loveless” (Andrey Zvyagintsev)
Best Director: Sofia Coppola — The Beguiled
Best Actor: Joaquin Phoenix — You Were Never Really Here
Best Actress: Diane Kruger — In The Fade
Best Screenplay: “The Killing of a Sacred Deer” (Yorgos Lanthimos, Efthimis Filippou) and “You Were Never Really Here” (Lynne Ramsay)

OTHER PRIZES

Camera d’Or: “Jeune femme” (Montparnasse-Bienvenüe) (Léonor Serraille)

Short Films Palme d’Or: “Xiao Cheng Er Yue” (Qiu Yang)

Short Films Special Mention: “Katto” (Teppo Airaksinen)

Golden Eye Documentary Prize: “Faces Places” (Visages Villages) (Agnès Varda, JR)

Ecumenical Jury Prize: “Radiance” (Naomi Kawase)

2017 Un Certain Regard winners: 

Un Certain Regard Prize: Mohammad Rasoulof – A Man of Integrity
Best Actress: 
Jasmine Trinca – Fortunata
Best Poetic Narrative:
 Mathieu Amalric – Barbara
Best Direction: 
Taylor Sheridan – Wind River
Jury Prize:
 Michel Franco – April’s Daughter

2017 International Critics Week winners:

Nespresso Grand Prize: Emmanuel Gras – Makala
France 4 Visionary Award: Fellipe Gamarano Barbosa – Gabriel and the Mountain
Leica Cine Discovery Prize for Short Film: Laura Ferrés – Los Desheredados
Gan Foundation Support for Distribution Award: Fellipe Gamarano Barbosa – Gabriel and the Mountain
SACD Award: Léa Mysius – Ava
Canal+ Award: Aleksandra Terpińska – The Best Fireworks

2017 Director’s Fortnight winners:

Art Cinema Award: Chloé Zhao – The Rider
SACD Award: Claire Denis – Let the Sunshine In, Philippe Garrel – Lover for a Day
Europa Cinemas Label Award: Jonas Carpignano – A Ciambra
Illy Prize for Short Film: Benoit Grimalt – Back to Genoa City

A Movie A Day #139: Operation C.I.A. (1965, directed by Christian Nyby)


Saigon, South Vietnam.  A CIA agent stands on a street corner when a young man parks his scooter in front of him.  The young man runs away and the scooter explodes, killing the agent.  Another agent, Mark Andrews (Burt Reynolds), is sent to Saigon to find out why the first agent was killed.  From the minute he arrives, Mark finds himself in the middle of a web of betrayal, intrigue, double agents, and a communist plot to assassinate the American ambassador.  Only Mark can prevent the assassination but first, he is going to have to survive a series of death traps.  He will also have to wrestle a boa constrictor.  If you have ever wanted to see Burt Reynolds wrestle a boa constrictor, this is the movie for you.

This low-budget James Bond rip off would be forgotten if not for three reasons.

First, this was one of the few American films to be made about the Vietnam War during the time of America’s involvement in that conflict.  Operation C.I.A. was released in September, a month after the passage of the Gulf of Tonkin Resolution.  Soon, the Vietnam War would become so unpopular that very few mainstream movies would even acknowledge it.  Originally, Operation C.I.A. was going to be filmed on location but, because of the rising hostilities, filming was instead done in Thailand, with Bangkok filling in for Saigon.  That Bangkok and Saigon had absolutely nothing in common was not considered to be a problem.

Secondly, this was one of the few films to be directed by Howard Hawks’s longtime editor, Christian Nyby.  Nyby is credited as directing The Thing, though many assume that Hawks actually directed that film.  Post-Thing, Nyby had an undistinguished directorial career, working mostly in television.  The black-and-white Operation C.I.A. has little in common with The Thing but it could pass for an episode of I Spy.

Finally, Operation C.I.A. was Burt Reynolds’s first starring role.  Burt is miscast as an American James Bond and he spends the majority of the movie looking stiff and uncomfortable.  The first time that Sean Connery left the role of James Bond, Burt Reynolds was one of the actors considered to replace him.  Judging from Operation C.I.A., everyone should be happy that George Lazenby got the role instead.

Especially Burt.

Happy Birthday Vincent Price: THE FALL OF THE HOUSE OF USHER (AIP 1960)


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I’ve covered Vincent Price’s film work 17 times here, which must be some kind of record. Can you tell he’s one of my all-time favorite actors? Vincent Leonard Price, Jr. was born May 27, 1911 in St. Louis, Missouri. The elegant, eloquent Price was also an avid art collector and gourmet cook of some note. He’s justifiably famous for his film noir roles, but Price etched his name in cinematic stone as one of filmdom’s Masters of Horror.

Price starred in his first fright film way back in 1940 with THE INVISIBLE MAN RETURNS . But it wasn’t until 1953’s 3-D outry HOUSE OF WAX that he became tagged as a horror star. Later in that decade, he made a pair of gimmicky shockers for director William Castle ( THE HOUSE ON HAUNTED HILL , THE TINGLER), and in 1960 began his collaboration with Roger Corman on movies based (loosely, mind you) on the works of Edgar Allan Poe. The first…

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4 Shots From 4 Films: Special Twin Peaks Edition


Look, I’m just going to admit the truth.

I am obsessed.

Right now, I am totally obsessed with Twin Peaks.  Even as I spent the last few days watching movies off the DVR and writing the reviews that I posted on this site today, I still found my thoughts continually returning to Twin Peaks.

So, in honor of that obsession, here’s a special edition of 4 Shots From 4 Films.

It is happening again.

4 Shots From 4 Films

Twin Peaks 1.1 — The Pilot (dir by David Lynch)

Twin Peaks 2.22 “Beyond Life and Death” (dir by David Lynch)

Twin Peaks: Fire Walk With Me (dir by David Lynch)

Twin Peaks: The Return Part 3 (dir by David Lynch)

Here’s The Trailer for Wind River!


Here’s the trailer for Wind River, a crime thriller that has gotten good reviews at both Sundance and Cannes.

Here are a few things to know about Wind River:

First off, a lot of people are pointing out that it stars two members of the MCU, Jeremy Renner and Elizabeth Olsen.  At this point, however, the MCU is so big — with the movies and Netflix and the tv shows — that it’s hard to think of a recent or upcomng film that doesn’t feature at least one actor from the MCU.  At this point, MCU actors running into each other in non-MCU movies is no longer as big a surprise as it may have once been.  It’s kind of unavoidable.

For me, the most intriguing thing about Wind River is that it is the directorial debut of Taylor Sheridan, who previously wrote the amazing screenplays for both Sicario and Hell or High Water.  I’ll be curious to see if Sheridan is as good and unpredictable a director as he is a writer.

Here’s the trailer!

Lisa Cleans Out Her DVR: The Rachels (dir by Michael Civille)


(Hi, everyone!  I’ve been cleaning out my DVR and reviewing the films that I’ve recorded.  Here’s my final review of the day.  I recorded The Rachels off of Lifetime on January 29th!)

I want to tell you about The Rachels but it’s not going to be easy because, at the same time, I don’t want to tell you too much.  The Rachels is a whip-smart and wonderfully snarky little satire and, because of the non-linear narrative style that the first half of the film employs, there’s very little I can tell you about the plot without spoiling the movie.

Don’t be put off by its origins as a Lifetime film.  Don’t judge the film just because the title was obviously inspired by Heathers.  How good is The Rachels?  It’s so good that I’m tempted to call it nifty.  That’s how good it is.

It tells the story of two teenage girls named Rachel.  They’ve been best friends forever.  They do the morning announcements together, always ending things by reminding the school, “We’re the Rachels.”  Rachel Nelson (Madison Iseman) is blonde and popular, a track star who is loved by everyone.  Rachel Richards (Caitlin Carver) is brunette and she’s slightly less popular than Rachel Nelson.  Rachel Richards is almost always in the shadow of Rachel Nelson.  While Rachel Nelson is praised by her track coach, Rachel Richards is consistently told that she could do better.  And then there’s Roxie (Daniela Bobadilla), a photographer who seems to be slightly obsessed with Rachel Nelson but is disliked by Rachel Richards.  Roxie claims that she was once one of the Rachels but she is continually told, by one of the Rachels (I can’t reveal which one), that she was never really a Rachel.

At a late night party, one of these three girls will fall off of the roof and plunge to her death, the result of an apparent suicide.  The film, in its non-linear fashion, holds off an immediately revealing which one of them fell from the roof and I will do the same.  What I can tell you is that the entire school soon becomes a shrine to the dead girl and the two survivors both use her death to their own advantage.  Both of them, by linking themselves to the now sainted dead girl, become very different types of celebrities.

It makes for a very sharp satire, one that perfectly skewers today’s culture of instant fame and internet grieving.  All three of the main actresses — Maidson Iseman, Caitlin Carver, and Daniela Bobadilla — are perfectly cast and give pitch perfect performances.  This is one of those films where no one turns out to be exactly who you thought they would be.  Well-written, well-directed, and wonderfully acted, The Rachels keeps you thinking and guessing.

That’s really all I can say about the movie without giving away too much.  Keep an eye out for it.