Rachael Carpani | Through the Shattered Lens

Jack Cunningham (Ben Affleck) used to be a star. When he was in high school, he was a brilliant basketball player. He led his high school, Bishop Hayes, to multiple championships. Everyone expected Jack to have a bright figure but …. well, times change.

Decades later, Jack is a construction worker. He spends every night at the neighborhood bar. He wakes up every morning with a hangover. He starts his day by drinking and he ends it by passing out. He’s separated from his wife, Angela (Janina Gavankar), and he can’t even enjoy a nice Thanksgiving dinner without everyone getting on his back about his drinking.

When he gets a phone call from his old high school, he’s shocked to learn that he’s being offered a job. The school’s basketball coach has had a heart attack. Father Devine (John Aylward) wants to know if Jack would be interested in filling in for the rest of the school year. Though at first reluctant and perhaps not wanting to be reminded of the future he once had, Jack eventually agrees.

The team, it turns out, is not particularly impressive. The school hasn’t gone to the playoffs since Jack graduated and basketball is such a low priority that the team only has 6 players. When Jack takes over, the team that has only won a single game. The team is undisciplined and so used to being losers that they can’t even imagine what it’s like to be a winner. You know what type of team I’m talking about because, even if you weren’t an athlete in school, you’ve probably seen a movie or two about underestimated high school teams that, under the leadership of a new coach, ended up shocking everyone by making it to the playoffs.

Working with assistant coach Dan (Al Madrigal), Jack struggles to turn the team into winners. He’s a strict coach and, at first, the students resent him and his methods. When he kicks one of the best players off the team for showing up late to practice, everyone thinks that Jack’s gone too far. However, when the team actually starts to show signs of improvement, the team and the school rallies around their new head coach….

Of course, Jack still has his problems. He’s too quick to lose his temper. He curses a bit too often. Despite caring about the team, he’s still weary about getting too close to them. He’s emotionally damaged as the result of an abusive childhood and the death of his son. A winning season isn’t going to magically change that. However, Jack’s main problem is that he’s still an alcoholic. To the film’s credit, it doesn’t try to sugarcoat Jack’s addictions. Jack doesn’t magically become sober just because he’s found a purpose in life. Even when he briefly cuts back on his drinking, the temptation is still there. And when Jack finally does end up returning to his neighborhood bar and has too much to drink, the film is honest about the consequences of his actions.

The Way Back took me by surprise. It started out as a well-made but rather predictable underdog sports story but it takes a turn during the third act and reveals that it’s actually a character study of a well-meaning but immature man who cannot escape his demons. The film is honest about Jack’s problems and, to its credit, it doesn’t pretend like there are any easy solutions. It’s going to take more than just coaching his team to the playoffs for Jack to make peace with himself and his past. The film ends on a note that’s hopeful yet ambiguous. Jack has a long way to go and you’re not totally convinced that he’s ever going to truly complete his journey. But, at the same time, you’re happy that he finally got a chance to do something good with his life.

Ben Affleck was the perfect choice to play Jack and he gives the best performance that I’ve ever seen him give. Affleck has been open about his own struggles with alcoholism but beyond that, it’s easy to see Jack’s struggles as a metaphor for Affleck’s own up-and-down career. Like Jack, Affleck won a championship when Argo won the Oscar for Best Picture but it sometimes seems as if he’s struggled since then. His directorial follow-up, Live By Night, was a critical and commercial failure. His turn as Batman was appreciated by some but ridiculed by others. When he stepped down from directing The Batman, he was the subject of the same type of uncharitable gossip that follows Jack as he coaches his team. In the role of Jack, Ben Affleck gives a poignant, vulnerable, and honest performance. He’s willing to be unsympathetic. He doesn’t shy away from showing us that Jack, even at his best, can be a massive fuckup. And yet, he holds onto our sympathy even while Jack does some very stupid things. It’s Affleck’s performance that elevates The Way Back from being just another sports film to being something far more touching.

The Way Back may not be quite strong enough to be called a great film (though it’s certainly a good one) but Ben Affleck gives a great performance.

(Hi, everyone! I’ve been cleaning out my DVR and reviewing the films that I’ve recorded. Here’s my final review of the day. I recorded The Rachels off of Lifetime on January 29th!)

I want to tell you about The Rachels but it’s not going to be easy because, at the same time, I don’t want to tell you too much. The Rachels is a whip-smart and wonderfully snarky little satire and, because of the non-linear narrative style that the first half of the film employs, there’s very little I can tell you about the plot without spoiling the movie.

Don’t be put off by its origins as a Lifetime film. Don’t judge the film just because the title was obviously inspired by Heathers. How good is The Rachels? It’s so good that I’m tempted to call it nifty. That’s how good it is.

It tells the story of two teenage girls named Rachel. They’ve been best friends forever. They do the morning announcements together, always ending things by reminding the school, “We’re the Rachels.” Rachel Nelson (Madison Iseman) is blonde and popular, a track star who is loved by everyone. Rachel Richards (Caitlin Carver) is brunette and she’s slightly less popular than Rachel Nelson. Rachel Richards is almost always in the shadow of Rachel Nelson. While Rachel Nelson is praised by her track coach, Rachel Richards is consistently told that she could do better. And then there’s Roxie (Daniela Bobadilla), a photographer who seems to be slightly obsessed with Rachel Nelson but is disliked by Rachel Richards. Roxie claims that she was once one of the Rachels but she is continually told, by one of the Rachels (I can’t reveal which one), that she was never really a Rachel.

At a late night party, one of these three girls will fall off of the roof and plunge to her death, the result of an apparent suicide. The film, in its non-linear fashion, holds off an immediately revealing which one of them fell from the roof and I will do the same. What I can tell you is that the entire school soon becomes a shrine to the dead girl and the two survivors both use her death to their own advantage. Both of them, by linking themselves to the now sainted dead girl, become very different types of celebrities.

It makes for a very sharp satire, one that perfectly skewers today’s culture of instant fame and internet grieving. All three of the main actresses — Maidson Iseman, Caitlin Carver, and Daniela Bobadilla — are perfectly cast and give pitch perfect performances. This is one of those films where no one turns out to be exactly who you thought they would be. Well-written, well-directed, and wonderfully acted, The Rachels keeps you thinking and guessing.

That’s really all I can say about the movie without giving away too much. Keep an eye out for it.