4 Shots From 4 Films: Special Sean Connery Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Sean Connery’s 96th birthday.  It’s time for….

4 Shots From 4 Sean Connery Films

From Russia With Love (1963, dir by Terence Young, DP: Ted Moore)

Goldfinger (1964, dir by Guy Hamilton, DP: Ted Moore)

The Man Who Would Be King (1975, dir by John Huston, DP: Oswald Morris)

Highlander (1986, dir by Russell Mulcahy, DP: Gerry Fisher)

 

Late Night Retro Television Review: CHiPs 6.5 “Speedway Fever”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we meet the future of the Highway Patrol.

Episode 6.5 “Speedway Fever”

(Dir by Chuck Bail, originally aired on November 7th, 1982)

This week, we meet Bobby’s younger brother, Bruce Nelson (Bruce Penhall). Bruce is both a world motorcycle speedway champion and a student at the Highway Patrol Academy. He hopes soon to be riding a motorcycle in the name of the law, just like Bobby and Ponch.

Unfortunately, Bruce has a hard time following orders. He likes to show off when he’s riding his motorcycle. He’s a good driver and a good shooter, but he’s struggling at the Academy. And when things start to get too tough for him, he decides to walk away from it. It’s an impulsive decision that he regrets. Can Ponch and Bobby talk the head of the Academy into giving Bruce a second chance? Of course they can! Ponch and Bobby can do anything.

Bruce Penhall was a real-life speedway champion. The footage of Bruce Nelson winning his race is actually taken from one of Penhall’s actual races. Judging from this episode, Penhall was a likable, if somewhat stiff, actor. In fact, watching this episode, I couldn’t help but notice that Bruce Penhall had better chemistry with Erik Estrada than Tom Reilly did. One gets the feeling that the purpose of this episode was to introduce Penhall as a potential replacement for Reilly. If nothing else, Penhall brought a good deal of earnest energy to his performance and provided quite a contrast to Tom Reilly’s rather spacey acting style.

This episode wasn’t entirely taken up with scenes of Penhall racing. There were two storylines. The more annoying one featured three 16-year-old girls (one of whom was played by Moon Unit Zappa) who would hitchhike and then use a water pistol to rob whoever picked them up. The girls introduced themselves as being from the Valley and spent the entire episode saying stuff like “For sure!” and “Gag me with a spoon!” (I’m not kidding; they said that more than once.) Frank Zappa’s “Valley Girl” played on the soundtrack whenever the girls showed up. It was kind of embarrassing all around. Between this episode, the Moloch episode, and the UFO episode, this season appears to have found CHiPs desperately struggling to stay culturally relevant.

As for the other storyline, it featured two motorcycle-riding thieves who were robbing couriers on the highway. One of the thieves was Bruce’s best friend, Ray (Robert Romanus). What a coincidence! Romanus, of course, played Mike Damone in Fast Times at Ridgemont High, which was probably still in theaters when this episode aired. He gives pretty much the same performance here that he gave in Amy Heckerling’s film. In the end, this episode left you wondering just how Mike Damone eventually ended up going so bad.

The episode ends with Bruce not only winning the world speedway championship but also returning to the Academy. It looks like the Highway Patrol is getting some new blood, and not a minute too soon!

Retro Television Review: Crime Story 1.16 “The Kingdom of Money”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

This week, the show changes locations.  We’re going to Vegas and we’re getting new opening credits!

Episode 1.16 “The Kingdom of Money”

(Dir by James A. Contner, originally aired on January 30th, 1987)

Welcome to Las Vegas!

Ray Luca is very happy to be in Vegas. Along with Max Goldman, Pauli, and Steve Kordo (Jay O. Sanders), Ray has taken over a casino and is pushing his way into the local rackets. He gives a speech to the casino’s employees, telling them that from now on everything in the casino will be run honestly and that anyone who steals any money will be fired. He then has a meeting with Max in which they discuss all the ways to skim the profits.

Luca’s wife, Cori (Johann Carlo), isn’t happy about the move. She misses Chicago, so instead of hanging out around the house, Luca goes out and hires a prostitute named Jackie (Debra Feuer). Luca tells Jackie that she will be working exclusively for him from now on. Jackie points out that she already has a “manager.” Luca smirks.

The only problem for Luca is that Mike Torello is in Vegas, and now he’s working for the Justice Department. Luca and his team are headquartered in a small Vegas motel. When David Abrams sees that someone has brought a bowl of Justice Department matchbooks into the motel, he tells Torello’s men to throw them out. “We’re not a recruiting station,” Abrams says.

Torello decides that the best way to get Luca is to go after one of Luca’s Vegas associates, a loan shark named Al (Mike Starr). They visit a diner owner (Graham Beckel) who owes Al money. They convince him to call Al and say that he has Al’s money. When Al comes to collect, Torello will arrest him. Sound like a good plan, right?

Unfortunately, someone is dumb enough to leave behind the bowl of Justice Department matchbooks in the diner. Additionally, it doesn’t occur to Torello to have someone watching the diner 24/7. When Al shows up early and discovers the matchbooks, he guns down not only the owner of the diner but also his wife and 5-year-old son.

Torello’s angry. Well, Torello should be angry. He should also be feeling guilty, seeing as how he and his men basically got the diner owner killed through their own incompetence. Torello decides to go undercover as someone who needs a loan. He and his men even set up a fake strip club where Torello and Al can meet to discuss the terms of the loan. Torello’s attempt to arrest Al falls apart when one of Al’s men pulls a gun and starts firing. Danny takes a bullet in the arm before killing the gunman. As for Al, he runs through the streets of Vegas before Torello guns him down.

Abrams looks down at Al’s body and says that he doesn’t think Al is going to be testifying.

This was a good episode. If the previous Chicago-based episodes emphasized the professionalism of Torello and the impulsivity of Luca, the roles are reversed in Vegas. Luca is in his element, and Torello and his men are the ones who are now having to adjust to a new city. If the previous Chicago-based episodes tended to be cold and gray, this Vegas episode is visually defined by neon and excess. The sallow, grim-faced Torello looks out of place here. This is Luca’s world.

I’m looking forward to seeing how the rest of season one plays out.

Join #MondayMania For Watch Your Back!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for Watch Your Back!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Song of the Day: Little People Blues by Vincent & Pesci


Today’s song of the day is an instrumental that was recorded and released in 1972.  Frank Vincent is playing the drums.  Joe Pesci is on guitar.  Even if not for the celebrity connection, I would love this song.  It’s really good!

 

4 Shots From 4 Films: Special Dante Spinotti Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to the legendary cinematographer, Dante Spinotti!  It’s time for….

4 Shots From 4 Dante Spinotti Films

Manhunter (1986, dir by Michael Mann, DP: Dante Spinotti)

Heat (1995, dir by Michael Mann, DP: Dante Spinotti)

L.A. Confidential (1997, dir by Curtis Hanson, DP: Dante Spinotti)

Public Enemies (2009, dir by Michael Mann, DP: Dante Spinotti)

Monday Live Tweet Alert: Join Us for Mutant Hunt!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be Mutant Hunt!

If you want to join this watch party, just hop onto Mastodon, pull up Mutant Hunt on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Retro Television Review: Homicide: Life On The Street 5.22 “Strangers And Other Partners”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, season 5 comes to a close.

Episode 5.22 “Strangers And Other Partners”

(Dir by Kenneth Fink, originally aired on May 16th, 1997)

It’s all hands on deck as the Homicide squad investigates the murder of Beau Felton.  This episode opens with Giardello announcing that Pembleton will be the primary and that they will all be working with Detective Falsone (Jon Seda) of the auto squad and Detective Gharty (Peter Gerety) of Internal Affairs.

“I ain’t working with anyone from IID!” Falsone snaps.

Hey, Falsone — you’re a guest star.  Shut up and do what you’re told, you prick.

The fifth season finale is a mess.  Some of that is because Beau Felton was never a strong enough a character for his death to have the emotional kick that it’s obviously meant to have.  Felton was not Crosetti.  Felton wasn’t some sort of beloved icon.  Felton was a jerk whose storylines were usually the least interesting of the show’s first three seasons.

An even bigger problem is that the emphasis is not on the detectives who we all know and love but instead on Falsone and Gharty.  Falsone and Gharty go from being at each other’s throats to teaming up to use a shared informant to get the evidence they need to go after Felton’s murderer.  Peter Gerety does a good job as Gharty.  It helps that Gharty has a compelling storyline.  He’s a cop that many people have dismissed as being a coward.  He’s trying to prove himelf.

Falsone, on the other hand …. seriously, what is the deal with this douchebag?  He spends this episodes strutting around in his stupid leather jacket, threatening to beat up people.  I get that he’s supposed to be a tough cop but he just comes across like a jackass with anger management issues.  It doesn’t help that actor Jon Seda gives a one-note performance in the role.

This whole episode is basically an introduction for Gharty and Falsone.  The other Homicide cops are pushed to the side so that these two can grab some legitimacy before becoming regular characters during season 6.  Gharty seems like he’ll be an okay addition to the ensemble.  Falsone, on the other hand, should be allowed nowhere near a show like Homicide.

While all of that is going on, Kellerman and Cox are both struggling with their drinking.  I’m a little bit tired of Kellerman and Cox, to be honest.  Kellerman, at least, has a compelling storyline with the Luther Mahoney shooting.  Dr. Cox, on the other hand, is starting feel superfluous.  No one from the Homicide squad can step into a bar without running into Dr. Cox.

Finally, Pembleton and Mary meet and agree to give their marriage another try.  Good.

This episode (and the season) ends with Felton’s murderer still on the run.  Giardello announces that the Baltimore police department is instituting a new policy in which detectives will rotate from unit to unit.  “In three months,” he tells the detectives, “none of us may be here.”

Season 5 was pretty good so it’s unfortunate that the finale was a mess.  The strength of Homicide has always been its ensemble of quirky, flawed, and heart-breakingly human cops.  Using the final episode of the season to focus on a one-note character like Paul Falsone almost feels insulting to the rest of the cast.

Next week, we start season 6!