4 Shots From 4 Films: Special Andy Warhol Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 98 years ago, Andy Warhol was born.  Today, we mark this occasion with….

4 Shots From 4 Andy Warhol Films

Empire (1965, dir by Andy Warhol)

Vinyl (1965, dir by Andy Warhol)

Poor Little Rich Girl (1965, dir by Andy Warhol)

Chelsea Girls (1966, dir by Andy Warhol and Paul Morrissey)

Late Night Retro Television Review: 1st & Ten 4.11 “Final Bow”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, yet another new player joins the Bulls.

Episode 4.11 “Final Blow”

(Dir by Stan Lathan, originally aired on December 14th, 1988)

Bubba’s fighting with his wife again!  Maybe Jethro can fix things by sending her a fur coat, along with a card claiming that the coat is a gift from Bubba.  Yes, that really is one of the main storylines on this week’s episode.  If nothing else, you can always count on 1st & Ten to keep things simple.

As for the other storyline, the Bulls have signed Olympic runner Moses Jackson (Peter Parros) to the team.  Moses’s agent (Calvin Lockhart), who is obviously meant to be a stand-in for Don King, announces that Moses is both the fastest man on the planet and also the world’s greatest athlete.  For his part, Moses doesn’t even want to play football.  He’s terrified of getting tackled.

Wide Receiver Coleman King (Richard Lawson) is scared that he’s going to lose his job to Moses.  Even though Coleman had never been seen or mentioned before last week’s episode, he is apparently an old friend of TD Parker (OJ Simpson).  TD is not so secretly in love with Coleman’s wife, Della (Vanessa Bell Calloway).  When a depressed Coleman goes to Bulls Stadium with a gun, it’s up to TD to turn on the charm and convince Coleman that violence is never the answer.  TD tells Coleman that he can’t play forever and he has to start thinking about what he wants to do once his athletic career is over.  Coleman decides that he would like to be a teacher.  TD takes Coleman’s gun and drives Coleman home in his Bronco.

During the next game, Moses turns out to be a bust.  Every time he gets the ball, he gets tackled almost immediately.  It’s not until the final quarter that he finally manages to break free and run for a 60 yard touchdown.  However, Moses then runs into the locker room and refuses to come back out.  The Bull are still down by 6 and their star player has just announced his retirement.  Fortunately, Coleman King is still playing and he manages to make a last-minute, game-winning touchdown.

Yay!  The Bulls remains undefeated.

After the game, TD congratulates Coleman and tells him that he picked a great way to go out.  Coleman laughs and says he’s not going anywhere.  He figures that he has at least another three years to go before retiring.  Teaching can wait!

This was actually not a terrible episode.  A lot of that is due to Richard Lawson’s empathetic performance as Coleman King.  In fact, Lawson turns Coleman King into one of the few interesting characters on the series.  I can’t wait to see what else he does …. oh wait.  According to the imdb, this episode was the last time that either Richard Lawson or Coleman King appeared on 1st & Ten.

Oh well, I guess that’s football for you!

 

Retro Television Review: The Love Boat 8.5 “Only the Good Die Young/Honey Beats the Odds/The Light of Another Day”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you….

Episode 8.5 “Only the Good Die Young/Honey Beats the Odds/The Light of Another Day”

(Dir by Don Weis, originally aired on October 13th, 1984)

This week, Isaac’s friend Lydia (Vernee Watson) boards the boat with her young son, Timmy (Emmanuel Lewis).  Is it time for Isaac to find love?  Not quite.  It turns out that Isaac knew Lydia’s deceased husband.  This trip is the first that Lydia and Timmy have taken since he died.

At first, Timmy is all cute and adorable.  But then he overhears Isaac talking to Lydia.  When Isaac mentions something about the good always dying young, Timmy decides to be bad so that he’ll live longer.  Soon, he’s sneaking out of his cabin, making a mess in the kitchen, and trying to steal stuff from the gift shop.  Finally, Captain Stubing and Isaac explain to him that what Isaac said was just an expression.  All is forgiven!

Oh God, this storyline.  I almost always respond to stories about people dealing with the loss of a parent or spouse.  I did not respond at all to this story, though.  Some of that is because Emmanuel Lewis’s performance as Timmy was way too cutesy.  Even more of it was because this story didn’t really deal with loss in any sort of honest or authentic way.  Instead, it was just some stupid kid who misunderstood something that he heard.  As usual, Ted Lange really poured his heart into his performance but otherwise, this story just fell flat.

Meanwhile, blind Millie Constant (Barbara Parkins) thinks that she has randomly run into Sam Washburn (John Bennett Perry — yes, Matthew’s father).  In college, before she lost her eyesight, she had a crush on Sam.  What she doesn’t know is that Sam is dead and she’s actually met his younger brother, George.  When Millie finally figures out that George is not Sam, how will she react?  Most people, blind or not, would probably be disgusted and go out of their way to avoid George for the rest of the cruise.  Millie, however, falls in love with George because this is The Love Boat!  This story actually featured two good performances.  Both Parkins and Perry did their best with the material they had been given to work with.  But the story itself asks us to suspend our disbelief just a bit too much.

Finally, Honey Mallory (Stephanie Faracy) boards the boat with her boyfriend, bookie Jake Diamond (James Sloyan).  With Jake more interested in making bets than romance, Honey starts to hang out with Miles Metcalf (Jack Riley).  Jake panics when he realizes that he might lose Honey.  He should also panic about the fact that Miles is a federal agent who has been secretly recording all of his conversations with Honey.  This story ends on a weird note.  Honey realizes that she loves Jake but Miles announce that Jake will be getting indicted at the end of the week.

All in all, this was not a memorable cruise.  None of the stories worked that well and, with the exception of Ted Lange, the Love Boat cast didn’t really seem like that they were that into it this week.  This was a pretty forgettable cruise.

Scenes That I Love: The Treasure of the Sierra Madre


Today’s scene that I love comes from John Huston’s 1948 masterpiece, The Treasure of the Sierra Madre.

In this scene, we meet Fred C. Dobbs (played by Humphrey Bogart) and we watch as he begs and scrounges for money.  The man in the white suit is played by John Huston himself.  This was Huston’s first acting role.  He would go on to be nominated for best supporting actor for his role in The Cardinal.  He would also give unforgettable performances in films like The Other Side of the Wind, The Visitor, and Chinatown.

 

4 Shots From 4 Films: Special John Huston Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

120 years ago today, the writer/director/actor John Huston was born in Nevada, Missouri.  Today, we honor his life and films with….

4 Shots from 4 John Huston Films

The Maltese Falcon (1941, dir by John Huston, DP: Arthur Edeson)

The Night of the Iguana (1964, dir by John Huston, DP: Gabriel Figueroa)

The Bible (1966, dir by John Huston, DP: Giuseppe Rotunno)

Under the Volcano (1984, dir by John Huston, DP: Gabriel Figueroa)

Late Night Retro Television Review: Pacific Blue 4.13 “Saving Serenity”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Del Toro returns!

Episode 4.13 “Saving Serenity”

(Dir by Michael Levine, originally aired on January 10th, 1999)

When last we saw former series regular Victor Del Toro (played by Marcos A. Ferraez), he was quitting the force after nearly being indicted for killing the man who killed his fiancée.  In this episode, Victor finally returns to Santa Monica.

Victor has spent the last five months wandering.  He now has bleached blonde hair and a serious drinking problem.  When a robber attempts to hold up the bar where Victor is getting drunk, Victor struggles with him.  The thief ends up getting shot.  Victor grabs the thief’s gun and runs from the bar.

Victor is on the verge of shooting himself on the pier when he sees a woman named Carmen Rios (Angela Alvarado).  Carmen reveals that she’s searching for her daughter, Serenity.  Serenity was taken away by her biological father.  Carmen wants to find her daughter and escape to Mexico with her.  Victor agrees to help.

Victor shows up at the Pacific Blue headquarters and announces that he wants to rejoin the force.  But, in reality, he just wants to steal the files concerning Serenity’s whereabouts.  Later, Victor fakes a bomb threat at the main police station so that he can steal another casefile.  TC, Chris, and Cory all reuses to believe that Victor could be involved in anything illegal.  Bobby Cruz is convinced that Victor is the one who shot the robber at the bar.

And really, Bobby has reason to be concerned about Victor’s desire to return to Pacific Blue.  Victor is a young, handsome Latino who overcame a rough childhood to become a respected bike cop and he’s extremely protective of his younger sister.  Bobby, who was introduced after Victor left the show, is also a young, handsome Latino who overcame a rough childhood to become a respected bike cop and he’s also extremely protective of his younger sister.  Because the show’s writers were too lazy to actually come up with a new character, Bobby basically is Victor.  If Victor returns, the show won’t need Bobby around anymore.

Fortunately, for Bobby, Victor is dead by the end of this episode.  He reunites Carmen and Serenity and then drags Serenity’s father out to the pier.  Holding a gun to the father’s head, Victor forces the man to repeat the serenity prayer.  Cory, TC, and Chris all have their guns drawn.  “No!” they all shout in slow motion before opening fire.  Victor plunges off the pier and hits the sand below.

OH MY GOD, THEY KILLED VICTOR!

Well, it depends on how you look at it.  It turns out that none of them could actually bring themselves to shoot Victor.  They just shot up in the air.  And then Victor …. well, who knows?  The show implies that Victor jumped but, from what I saw, it looks like he was startled and fell backwards.  In other words, his friends may not have shot Victor but he might still be alive if they hadn’t fired.

Victor does indeed die at the end of this episode.  Wow, Pacific Blue got dark!  And I do have to admit that this is actually the best episode of Pacific Blue that I’ve watched so far.  Admittedly, it’s a low bar to clear but the whole episode was just so melodramatic and over-the-top that it actually managed to hold my attention in a way that this show usually doesn’t.  Those three slow motion shots of people shouting, “Noooooo!” in a row really were worth the price of admission.

So, Victor’s dead.  But at least Bobby’s place on the team is secure.

Retro Television Review: Saved By The Bell: The New Class 2.12 “Christmas In July”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, we’re back at that damn country club.

Episode 2.12 “Christmas In July”

(Dir by Don Barnhart, originally aired on October 15th, 1994)

The Palisades County Club is holding its annual Christmas in July celebration.  Along with the employees taking part in Secret Santa, a new Snow Queen will be named.  Again, this episode takes place in July.  There’s no snow on the ground.  The sun is bright.  It’s summer in California.  I can’t help but think that Santa costume that Belding is wearing is going to be getting awfully hot and smelly.  Even stranger, this episode aired in October.

Seriously, Saved By The Bell, why couldn’t you just be normal?

Screech is in a panic about Secret Santa.  After he learns that his girlfriend, Alison, has been given a new car by her father, club owner Big Ed (Frank Bonner), Screech wonders how his gift can possibly compete.  Hey, Screech?  Big Ed is her father.  You’re not supposed to compete with his gifts.  Anyway, Screech sells his never-bef0re-seen Scooter so that he can get Alison something expensive.  Meanwhile, Alison buys Screech a rinky-dink horn for his scooter.  Wow, Alison’s gift really sucked!  Alison’s driving a brand new car and she still couldn’t find Screech a gift that cost more than a dollar?  I guess their relationship must be all about the sex because it’s definitely not about love.

Meanwhile, Megan, Rachel, and Lindsay are competing to be Miss Snow Queen.  The winner gets a scholarship!  Megan is outraged when she discovers that there’s a swimsuit portion of the competition.  She demands that Rachel and Lindsay join her and quit in protest.  Rachel and Lindsay both say that they’re not quitting because they actually need the scholarship.  Megan, who has previously been established as coming from a wealthy family, decides to stay in the pageant so she can give a speech about sexism and keep the two poor girls from going to college.  Megan wins the pageant but she also apologizes for calling Rachel and Lindsay “bimbos” for not dropping out.  It’s good to see that performative activism did not go out of style after Jessie graduated.

This was a dumb episode.  The second season of Saved By The Bell: The New Class is a hundred times better than the first but the country club episodes still suck.

Song of the Day: Rip Her To Shreds by Blondie


She thinks she’s Brenda Starr/her nose job is real atomic….

I love this song.  It makes me regret that I was born to late to experience New York in the 70s.  “She’s do dull …. rip her to shreds,” is a favorite expression of mine, one that gets me strange looks from people who are not familiar with this song.

Oh well.  I can live with the looks!