4 Shots From 4 Films: Special Robert Richardson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to cinematographer Robert Richardson.  It’s time for….

4 Shots From 4 Robert Richardson Films

JFK (1991, dir by Oliver Stone, DP: Robert Richardson)

The Horse Whisperer (1998. dir by Robert Redford, DP: Robert Richardson)

Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)

Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)

Late Night Retro Television Review: 1st & Ten 4.14 “The Irreducible Bottom Line”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the fourth season comes to a close!

Episode 4.14 “The Irreducible Bottom Line”

(Dir by Stan Lathan, originally aired on January 4th, 1989)

The Bulls are going to the championship game, and Joe Namath is hosting a documentary about them. In mockumentary style, Namath and his cameras follow the players around as they prepare for the big game. Quarterback Doug Clayton is told to say, “I’m going to Play Land!” if he wins. Bubba insists on wearing his lucky shirt, no matter how sweat-stained it gets. A decal for a burger chain is placed on all the footballs. The game is as much about big money as it is about victory. In the end, the Bulls win easily, and Coach Denardo finally gets a post-game call from the President.

This is a weird episode. According to IMDb, it ran 26 minutes when it premiered on HBO — the standard running time for 1st & Ten. The version streaming on Prime and Tubi, however, is only 12 minutes long and is full of abrupt jump cuts. Those streaming copies are the syndication edits. Because the series originated on HBO, most episodes included a little nudity and a lot of profanity, all of which was cut for syndication. In this case, about 14 minutes appear to have been removed. One can only assume the Bulls really partied before and after the big game.

Unfortunately, that makes it pretty much impossible to review the episode properly. A few amusing moments still land, mostly the ones that treat sports as a business. It’s also obvious that large stretches of the story were cut. All I can say is that the Bulls finally won the championship, and the rather uneven fourth season of 1st & Ten is over. We’ll start season five next week.

Retro Television Review: The Love Boat 8.8 “Aerobic April/The Wager/Story of the Century”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, a familiar passenger returns.

Episode 8.8 “Aerobic April/The Wager/Story of the Century”

(Dir by Ted Lange, originally aired on November 3rd, 1984)

April Lopez (Charo) is back!

After appearing at least once during each of the The Love Boat‘s first six seasons, Charo was absent during the seventh season.  She finally returns in this week’s episode, which sees April being hired as the ship’s aerobics instructor.

And that’s fine, I guess.  Charo brings a lot of energy to the role, as she did in her previous appearances on The Love Boat.  That said, it feels a bit like everyone is just going through the motions this time.  Previous April stories featured her looking for love, trying to make it as a performer, or helping to raise a family.  This episode basically just features her chasing around the members of the crew and demanding that they exercise.  She does leave the ship with a passenger (played by Gordon Jump) but it’s hard not to feel that the relationship won’t last.  We’ve seen April fall in love many times but she’s always single whenever she returns to the ship.

While April is forcing the crew to exercise, wastrel Brandon Summerville (Ben Murphy) bets his wealthy brother, Clayborn (Charles Siebert), a million dollars that Clayborn will fall in love during the cruise.  And Clayborn does fall in love!  But it turns out that Brandon actually hired Anne Loring (Mary Kate McGeehan) to seduce his brother so that Brandon could win the bet.  Anne really does fall in love with Clayborn and she confesses everything to him.  Clayborn doesn’t care.  He thinks that Anne showed good business sense and now he’s more in love with her than ever.

Finally, journalist Harold Fleming (Ralph Bellamy) is convinced that passenger Sarah Webster (Dorothy McGuire) is actually the long-missing Amelia Earhart.  Sarah insists that she’s not.  Eventually, Harold and Sarah fall in love and agree to disagree.

This was a bit of a silly episode.  None of the stories carried much weight but Ralph Bellamy and Dorothy McGuire were both charming, two old pros giving it their best.  Otherwise, this was a pleasant but fairly forgettable cruise.  Not even Charo could liven things up.

4 Shots From 4 Films: Special Tim Curry Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Rest in Peace, Mr. Tim Curry.

4 Shots From 4 Tim Curry Films

The Rocky Horror Picture Show (1975, dir by Jim Sharman)

Clue (1985, dir by Jonathan Lynn)

Legend (1985, dir by Ridley Scott)

It (1990, dir by Tommy Lee Wallace)

Scenes That I Love: Tim Curry Explains It All In Clue


Yesterday, the great actor Tim Curry passed away at the age of 80.

Though Tim Curry will probably always be best-known for his role in The Rocky Horror Picture Show, my favorite Tim Curry film is 1985’s Clue.  Here he is, in all three of the film’s endings.

Late Night Retro Television Review: Pacific Blue 4.16 “Juvies”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Pacific Blue embraces the melodrama.

Episode 4.16 “Juvies”

(Dir by Jim Davidson, originally aired on February 28th, 1999)

Crazed narcotics officer Perry Marcus (Roger Floyd) is back!

This time, he’s forcing a group of juvenile delinquents to set up the most dangerous drug dealers on the beach. After Adrian (David Scott Lago) and Maurice (a very young Aldis Hodge) convince a dealer to step out of his limo, Marcus guns the man down and then has Maurice plant a gun. Marcus loves to kill drug dealers, but he’s also willing to kill cops who object to his methods.

Jamie is shocked to see her little sister, Jennie (Crystal Celeste Grant), running with Adrian’s gang. Jennie hasn’t seen Jamie since they were in the foster care system together and Jamie shot their abusive stepfather. Jamie wants to save Jennie from the gang life, but she also has to deal with Internal Affairs officer Susan Jessup (Holly Gagnier). Jessup, an insane nymphomaniac who used to date T.C., threatens to reveal that Jamie shot her stepfather unless Jamie helps her build a corruption case against Chris Kelly. Jessup is still in love with T.C. and wants to get his wife in trouble. Jessup is also sleeping with Perry Marcus and warns him that Jamie is threatening to expose all of his extralegal methods.

Got all that?

This episode of Pacific Blue made even less sense than usual, but it was entertaining because Roger Floyd and Holly Gagnier both went totally over the top in their performances. They understood the assignment and left not a single piece of scenery unchewed. While the regular cast is busy trying to look tough while wearing bicycle shorts, Floyd and Gagnier are totally embracing the melodrama, and it’s exactly the approach that this silly episode needed. The end of the episode suggests that Marcus and Susan are going to be recurring villains. I certainly hope so!

One final note: keep an eye out for Greg Grunberg, who shows up as the lawyer who gets the juvie gang out of jail.

Retro Television Review: Saved By The Bell: The New Class 2.15 “A Perfect Lindsay”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, while everyone is dancing, Lindsay is starving.

Episode 2.15 “A Perfect Lindsay”

(Dir by Don Barnhart, originally aired on October 29th, 1994)

TV’s “hottest show,” Club Jam, will be holding a dance contest at the school!

Brian asks Rachel to be his partner and is overjoyed when she says yes.  (As I watched this episode, I had to remind myself that it was supposed to be taking place before the country club episodes, which explained why Rachel and Brian were not dating.)  However, when Rachel sees that Megan is going to be dancing with some guy named Kent (Adam Bonfiant), she says that she and Brian don’t have a hope of winning.

Oh, don’t worry, Rachel.  Brian has a plan!  Brian tells Kent that the way to win the contest is to offer Belding a bribe.  Because Kent is apparently an idiot, he does just that.  Mr. Belding gives Kent detention and Megan dumps Kent as her dance partner.  Fortunately, Bobby needs a partner.  Unfortunately, shortly after asking him to be her partner, Megan discovers that Bobby can’t dance.

Meanwhile, Screech shows up at the Max and demonstrates his dance moves.  It’s extremely cringey but the audience goes nuts.  Dustin Diamond is so spastic and uncoordinated that the whole thing just feels cruel.  I really wanted to step into time machine so I could travel to 1994 and shout, “They’re not laughing with you!”

Lindsay, meanwhile, fears that she’s fat.  When Megan and Rachel mention that the camera adds 40 pounds, Lindsay has a fantasy where she dances with Tommy while wearing a fat suit.  The audience laughs but Lindsay not amused.  She skips a meal, which leads to both Tommy and Rachel theorizing that she has anorexia.  When Tommy says that the dance contest isn’t worth risking her health, Linday dumps Tommy as her partner and instead teams up with Kent.

During the dance contest, Lindsay suddenly starts to feel faint.  She has to go to classroom to rest her head on a desk.  Brian gives up his chance to dance with Rachel and goes with Tommy D to help out Lindsay.  Lindsay says she’s fine and then she faints.

With everyone else in the classroom, Megan and Bobby win the dance contest!  It turns out that Megan only needed a week to teach Bobby how to dance like a pro.  After the contest, a smiling Lindsay apologizes to everyone.  Bobby nods and says, “Go eat something.”  Lindsay happily trots off to do just that….

,,,,which is actually not how anorexia works at all.  I mean, I appreciate the fact that the show was trying to warn its viewers about eating disorders but suggesting that anorexia can be cured by simply telling someone to go eat is really kind of irresponsible.  This episode focuses on Lindsay not eating while ignoring why she stopped in the first place.  Including a fantasy sequence where the audience laughs at Lindsay wearing a fat suit probably did more to promote anorexia than Bobby saying, “Go eat something” did to prevent it.

Oh well.  At least Lindsay didn’t sing I’m So Excited.

Song of the Day: Diamonds Are Forever, performed by Shirley Bassey


Today, on Sean Connery’s birthday, our song of the day is the theme for one of my favorite Bond films.  I know that some people claim that Diamonds are Forever is a lesser Bond film but personally, I think it’s just silly enough to be effective.  James Bond and Las Vegas are a match made in heaven.

Scenes That I Love: James Bond Meets Pussy Galore In Goldfinger


Today’s scene that I love features Sean Connery, born on this day 95 years ago.  In this scene from 1964’s Goldfinger, Connery needs only one simple line — “I must be dreaming,” — to create an iconic moment.

Daniel Craig could never have pulled this off.  Indeed, Craig probably would have found the whole thing beneath him.  Only Sean Connery could have made this scene unforgettable and that’s why Sean Connery will continue to be the Bond to which all others should be compared.

4 Shots From 4 Films: Special Sean Connery Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Sean Connery’s 96th birthday.  It’s time for….

4 Shots From 4 Sean Connery Films

From Russia With Love (1963, dir by Terence Young, DP: Ted Moore)

Goldfinger (1964, dir by Guy Hamilton, DP: Ted Moore)

The Man Who Would Be King (1975, dir by John Huston, DP: Oswald Morris)

Highlander (1986, dir by Russell Mulcahy, DP: Gerry Fisher)