Late Night Retro Television Review: Hunter 2.3 “The Biggest Man In Town”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and McCall investigate a murder!  Yes, another one.

Episode 2.3 “The Biggest Man In Town”

(Dir by Bob Bravler, originally aired on October 5th, 1985)

When Charles Lattimer (Gregory Itzin), a man with no criminal record, is found executed gangland-style, Hunter and McCall suspect that it was more than just random California violence.  After they find out that Lattimer was last seen alive while having a tense lunch at an expensive French restaurant, they decide to go undercover in Lattimer’s home town, an exclusive resort full of rich people and women in bikinis.

Hunter, pretending to be an oceanographer, meets Lattimer’s girlfriend, librarian Amy Lauton (Nana Visitor).  McCall, pretending to be an aspiring singer, meets the biggest man in town, insurance tycoon Raymond Bellamy (Stuart Whitman).

Now, we already know that Bellamy is the one who ordered Lattimer’s death.  Bellamy is the man with whom Lattimer had his final lunch.  Lattimer was blackmailing Bellamy over a case of insurance fraud.  We also know that the execution was carried out by Sheriff Johnson (Don Stroud).  We know all this because we saw it at the beginning of the episode.  There’s no real mystery here.

Then again, this episode isn’t about mystery.  It’s about Hunter and McCall getting away from Los Angeles for a while.  It’s about McCall getting to sing three songs at the resort’s premier nightclub.  It’s about Hunter getting distracted every time a woman in a bikini walks by.  Mostly, it’s just about the chemistry between Hunter and McCall.  It doesn’t matter how many people die, they’ve always got a quip to trade.

Actually, not that many people die in this episode. Lattimer dies.  His father is murdered.  But otherwise, this episode is almost peaceful by Hunter standards.  For once. Hunter and McCall arrest the bad guys instead of killing them.  Getting out of Los Angeles must have mellowed them.

This episode was entertaining but forgettable.  The story was nothing special but the Hunter/McCall chemistry was enjoyable.  Hunter and McCall are solving crimes and having fun!  Good for them.

Retro Television Review: The Best Of Times


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  This Thursday, I will be reviewing The Best Of Times, which aired its only episode on ABC in 1981.  The show can be found on YouTube!

Episode 1.1 “Pilot”

(Dir by Don Mischer, originally aired on July 31st, 1981)

The Best of Times opens with a teenage Crispin Glover in his bedroom. Looking straight at the camera, he introduces himself as “Crispin.” His unseen mother starts to yell at him about cleaning his room. Crispin smiles nervously and then introduces us to the kids he hangs out with. There’s Jill Schoelen, Julie Piekarski, Kevin Cortes, Lisa Hope Ross, David Rambo, Janet Robin, and “my friend” Nicolas Coppola.

Nicolas Coppola, of course, would soon be better known as Nicolas Cage. Both Cage and Glover made their screen debuts in The Best of Times. While Glover spends his time talking directly to the camera and smiling awkwardly, Cage spends his time exercising at the beach and talking about sports. The big school dance is coming up, and all of Crispin’s friends are either trying to find dates or the perfect pair of jeans or else they’re trying to join a band. Nicolas Cage, however, isn’t worried about any of that. He’s confident and smooth.

The plot of The Best of Times is not easy to summarize. The show was executive-produced by George Schlatter, the creator of Laugh-In, and it tries to imitate that classic show’s format, just with teenagers in the ’80s. There are quick blackout sketches. There’s a lot of corny one-liners. There’s a surprisingly large number of musical numbers. Crispin Glover puts on a pair of jeans, and all the girls in the cast start singing “Heartbreaker.” “Special guest star” Jackie Mason plays Mr. O’Reilly and rolls his eyes about the kids nowadays. Crispin looks at the camera and tries to explain why teenagers get a little crazy sometimes. “Try to remember,” he tells the parents watching, “when you were our age.”

There’s one dramatic moment. Nicolas Cage stands on the beach and gives a dramatic monologue about how, if war breaks out in El Salvador, he’ll serve his country. His father served in Korea and still suffers from PTSD. Nic hopes that there isn’t a war, but if there is, he’ll be there.

The Best of Times is energetic and relentless, and it’s also rather corny and predictable. It may have been made by the guy behind Laugh-In, but it feels more like a lesser episode of MADtv. (“Tonight, Mad TV looks at teenagers!”) With the exception of Crispin Glover and Nicolas Cage, most of the members of the cast are interchangeable. This show features not one but two dorky guys who can’t get dates to the big dance. That might be realistic, but it still feels like overkill.

That said, it is a pilot starring a young Nicolas Cage. Compared with the actor he would become, Cage is fairly restrained here. He’s likable, but he’s also clearly an actor carefully following direction. The only time he really gets to let loose is at the school dance. His moves are killer.

The Best of Times was not turned into a regular series. Nicolas, Crispin, and Jill Schoelen went on to become beloved cult actors. As for the rest of the cast, David Rambo is now an award-winning playwright, and Janet Robin is an acclaimed composer and guitarist. I doubt any of them remember much about this pilot, but I’m glad they’ve gone on to live the best of times.

Join #TubiThursday For Rambo III!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1988’s Rambo III!

You can find the movie on Tubi and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!

Scenes That I Love: Coyote Shivers and Renee Zellweger perform “Sugar High” in Empire Records


It’s not Rex Manning Day but it is Coyote Shivers’s birthday!

Here, he and Renee Zellweger do their part to save the store by performing Sugar High on the roof.

4 Shots From 4 Films: Special Bert I. Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens celebrates would have been the 104th birthday of director Bert I. Gordon!  Known as Mr. BIG, both because of his initials and the fact that his films often dealt with things becoming bigger than they should, Gordon made his directorial debut in 1954 and continued to work all the way through 2014.  And that means that it’s time for….

4 Shots From 4 Bert I. Gordon Films

King Dinosaur (1955, dir by Bert I. Gordon, DP: Gordon Avil)

Beginning of the End (1957, dir by Bert I. Gordon, DP: Jack A. Marta)

Village of the Giants (1965, dir by Bert I. Gordon, DP: Paul Vogel)

The Mad Bomber (1973, dir by Bert I. Gordon, DP: Bert I. Gordon)

Lisa Reviews Survivor 51 Episode 1 “Permanent Uncertainty”


Considering how much time I’ve spent complaining about the direction Survivor has taken in the post-COVID era, I was really happy with last night’s premiere of Survivor 51. There were no returning players. The castaways seem like a good mix of personalities. There are some people I can already tell I’m going to hate (Devin) and some I’m now definitely rooting for (Lewis, Jenna). So far there are only two idols floating around, and only one of them has actually been claimed. (Congratulations, Rob.) After three months of watching the Big Brother houseguests pretend to be time travelers, there was something genuinely gratifying about watching people compete in a real immunity challenge.

Of course I wouldn’t be me if I didn’t have something to complain about. “Permanent uncertainty” is almost as dumb a slogan as “Expect the unexpected,” and I found it strange that Jeff Probst seemed to think this was a new concept. Every season of Survivor, people have been uncertain about their place in the game and whether they were going to survive that night’s tribal council. Probst’s speech about this being “the open era” of Survivor went on forever and didn’t add up to anything. Basically he said any twist from a past season could happen again. And how is that a new thing? I wondered.

Finally, Probst tried to defend the firemaking challenge, which is one of the worst things that ever happened to Survivor. He even gave the castaways a chance to do away with it, but he insisted the vote had to be unanimous. Of course it wasn’t. The players know the firemaking challenge is there to rescue people who couldn’t get themselves into the final three on their own. The whole vote felt like Probst taunting those of us who prefer old-school Survivor and who know the only reason firemaking was introduced was so Ben Driebergen could limp into the final three in season 36 despite a terrible social game.

But enough complaining. There were enough good moments and interesting personalities last night to make up for anything Jeff Probst said.

First off, Kilby losing all of his tribe’s equipment in a thumb war was a classic Survivor moment. When it happened, my immediate thought was that Kilby was doomed. I was surprised no one brought it up at camp or at tribal council, so I can only assume Kilby must be the most likable man on Earth.

Secondly, I really cannot stand Devin, and I think the rest of Toka is eventually going to turn on him. He comes across as fake. Even more importantly, his crusade to vote out Jenna rubbed me the wrong way. Even if Jenna were lying about being a wedding photographer (she isn’t), that wouldn’t change the fact that she worked hard in the challenge and hadn’t been causing trouble at camp. Devin went into tribal feeling very smug, but by the end of it he saw he didn’t have nearly as much power as he thought.

I hated that Jenna was essentially being targeted for being shy. One of the things that bugs me about that later seasons of Survivor is that the castaways always want to talk about their personal lives and take it personally if someone doesn’t want to share. That Jenna survived tribal made me happy. That there was so much genuine suspense reminded me of just how good Survivor can still be.

I feel terrible for Lewis. He did all that work chopping down the mast to get the idol. What’s sad is that whoever goes to Exile Island next will probably face the same challenge and have a much easier time because of the work Lewis already did. He basically exhausted himself for someone else. I really like Lewis and I hope he does well.  I assume he’ll be joining the Toka Tribe.

As for Savu, Rob found an immunity idol. I don’t know how I feel about that, because I’m not a huge Rob fan. He spent the episode trying too hard to be a classic reality-show villain. Eric talks too much and I’d probably have a hard time living on a beach with him, but Rob’s obsession with getting him voted out felt like a bit much. Just from last night, I get the feeling Eric is being set up for a redemption arc.

Tribal council was exciting. Personally I was happy Aaliyah went home, if only because it means Devin has one less ally. It looks like the show is setting up a massive Devin/Brady rivalry. Of course, judging from the preview of next week, Brady might also have chopped off one of his fingers, so we’ll see.

Are you glad Survivor’s back? I’m glad it’s back.  When I was growing up, I always watched Survivor, Big Brother, and The Amazing Race with my mom.  I’ve struggled a bit with the post-COVID era direction of Survivor.  The fact that everyone suddenly had a sob story always bugged me because, to me, Survivor should only be about what happens on the Island.  (It also didn’t help that Jeff Probst lost a bit of his edge as host.  The season where he asked the castaways whether it was okay for him to keep saying, “Come on in, guys!” might as well have been hosted by Henry Winkler and a shark.)  I missed the previous few seasons of Survivor but, with Big Brother being such a bust this year, I decided to give Survivor another chance.  Last night’s episode felt like a return to the show that I grew up watching.

Late Night Retro Television Review: 1st & Ten 5.4 “Mind Games”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, the Bulls sign a new player!

Episode 5.4 “Mind Games”

(Dir by Stan Lathan, originally aired on November 1st, 1989)

The Bulls have signed college phenom Achilles Byron (Ronald William Lawrence) to the roster.  However, in order to his name on the dotted line, they also have to sign his loud-mouthed, wheelchair-bound father (Ron O’Neal).  Mr. Byron is tough taskmaster who constantly yells at Achilles and forces him to do extra drills.  Denardo isn’t happy about Mr. Byron’s presence on the sidelines.  Quite rightly, he explains to TD Parker and Kristy that there can only be one coach on the field.

Fortunately, Achilles scores the game-winning touchdown in his first game and Mr. Byron announces that Achilles no longer needs him.  Mr. Byron also reveals that he was driving drunk on the night that he crashed his car, injured his spine, and killed Achilles’s mother.  Wow, that’s a lot to dump on a kid who just won a football game.  Luckily, Achilles had already figured out all of that on his own.  Achilles is like No hard feelings and I’m going to say, “Ouch,” on the behalf of the deceased Mrs. Bryon.

Denardo, as a sign of respect, rolls Mr. Byron out of the locker room.  Denardo also threatens to roll Mr. Byron down a flight of stairs.  Mr. Byron suddenly starts laughing.

1st & Ten has this weird habit of tossing new characters into the mix and expecting us to get emotionally invested in them despite the fact that we’ve never seen them before and we’ll never seem them again.  I’ve already checked with the IMDb.  This is the only appearance of the character of Achilles Byron on the show.  The Bulls agreeing to let Mr. Byron sit on the sidelines never made any sense and the final revelation about the night he was driving drunk came out of nowhere.  It almost felt like a parody of badly-done melodrama.

While all of that was going on, Dr. Death was briefly brainwashed by a cult.  It doesn’t look like he’ll ever get his killer instinct back!  But then an opposing player calls Dr. Death a “pinhead” and he snaps out of it.  He scores a viscous tackle that leaves the other player so dazed that that he wanders over to the wrong sideline.  Obviously, he has a concussion but the laugh track tells us not to worry about it.

Dr. Death getting brainwashed actually was kind of funny.  Ron O’Neal, best known for starring in Superfly, does a lot of yelling as Mr. Byron.  It’s not exactly a good performance but one gets the feeling that was more the fault of the script than O’Neal.  This was another curiously insubstantial episode of 1st & Ten.

Retro Television Review: The Love Boat 8.13 “Paying the Piper/Baby Sister/Help Wanted”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  We’re expecting you….

Episode 8.13 “Paying the Piper/Baby Sister/Help Wanted”

(Dir by Richard Kinon, originally aired on December 1st, 1984)

Cheryl Enicker (Rue McClanahan) is sick of her husband, button manufacturer Harold (Donald O’Connor), taking her for granted.  When she gives him a watch that cost $1,200, Harold points out that, since she gets all of her money from him, he basically bought the watch himself.  Cheryl gets upset and hands Harold an invoice, listing everything that she’s done as a wife and mother for 25 years and demanding that Harold pay her half a million dollars.  That’ll show him!  After the episode, I was kind of of curious as to why the invoice was only for half a million dollars.  It seems like it should have been more.  I did some calculations and discovered that $520,00 in 1980 was the equivalent of $2,000,000 today.  Wow!

Recent high school graduate Patty Springer (Dana Plato) can’t understand why her much older sister, Eleanor (Jaime Lynn Bauer), is freaking out about Patty hanging out with Peter Barkan (Christopher Knight).  Eleanor goes as far as to kiss Peter in order to make Patty think that Peter is cheating on her.  Patty’s mother, Eve (Vera Miles), suggests that Eleanor should tell Patty the truth.  Eleanor isn’t actually Patty’s sister.  Eleanor is …. Patty’s mother!  And Eve is actually Patty’s grandmother.  Needless to say, Patty is shaken by this news but she accepts it by the time the cruise ends.  The Love Boat was only an hour show so most cases of generational trauma had to be resolved fairly quickly.

Kim Carlisle (Michelle Johnson) is the niece of a friend of Captain Stubing’s.  Kim shows up, saying that her uncle said Stubing would find something for her to do on the ship.  Kim goes from department-to-department, screwing things up.  She removes all of the labels from the wine bottles so she can wash them.  She snaps a picture of a man cheating on his wife.  However, when she starts doing aerobics, several passengers join her.  Kim is hired to be the new recreation director and — WAIT A MINUTE!  I thought that was Charo’s job!  Well, apparently, Charo is out and Kim is in.

This cruise was pleasant but forgettable, which seems to be becoming the norm for season 8.  It didn’t take me long to guess the big twist about Eleanor being Patty’s mother.  Poor Dana Plato.  Knowing what I now know about her life and what the future had in store for her adds a definite melancholy feel to this episode.

Song of the Day: Do It To Me (Once More) by Riz Ortolani


The House on the Edge of the Park (1980, dir by Ruggero Deodato)

Today’s song of the day is a deathless little disco song that comes from the soundtrack of Ruggero Deodato‘s legendarily tacky film, The House On The Edge Of The Park.  This was one of many songs composed by Riz Ortolani, the John Williams of Italian exploitation cinema.

(This is also the song that Giovanni Lombardo Radice was dancing to in today’s scene that I love.)