Retro Television Review: Homicide: Life On The Street 6.9 “Closet Cases”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

Finally, it’s time for another Bayliss/Pembleton episode!

Episode 6.9 “Closet Cases”

(Dir by Leslie Libman and Larry Williams, originally aired on January 2nd, 1998)

Finally, we’ve got another Pembleton/Bayliss episode!

Well, don’t get too excited.  It’s not perfect.  We still have to sit through some scenes of Falsone arguing with his wife and complaining about not having custody of his kids.  And the Georgia Rae Mahoney storyline is continuing to drag on.  This week, she sends Kellerman a videotaped message in which she explains that there is no tape of Kellerman murdering Luther.  She just told Kellerman that to see how he would react.  And since Kellerman reacted like a murderer, Georgia has decided that she is going to eventually kill Kellerman.  “You won’t see it coming!” she says.  Whatever.

As for Bayliss and Pembleton, they investigate the murder of a gay businessmen who was left in dumpster, clad in lingerie.  Gay nightclub owner Chris Rawls (Peter Gallagher) helps out with the investigation, introducing Pembleton and Bayliss to the community.  What’s interesting about this storyline is that, for once, the roles of Pembleton and Bayliss are reversed.  Bayliss is fascinated by Baltimore’s gay community while Pembleton is the one who keeps saying things like, “I don’t need to see two men dancing.”  Usually, Pembleton is the open-minded one while Bayliss is the one who is uptight.

In fact, it’s such a role-reversal that it doesn’t always ring true.  In the past, Bayliss has been so uncomfortable around any type of non-straight, non-missionary position sex that it feels very out of character for him to suddenly marvel about how how everyone at a gay bar is having a good time.  To the show’s credit, Pembleton does mention this.  Bayliss replies that he hasn’t been happy for a long time and he’s wondering if maybe he needs to change his outlook.  He points out that the murder victim was in a relationship for 12 years.  That’s longer than any relationship that Bayliss has ever had.

(This episode opens with Bayliss and Dr. Cox breaking up which — eh.  I never bought them as a couple to begin with.)

The murderer turns out to be sociopathic male sex worker, who taunts Bayliss in the Box, saying that he can tell that Bayliss is attracted to him.  Bayliss smirks.  The suspect offers to confess if Bayliss tells him that he likes his ass.  Bayliss slowly repeats the suspect’s words back at him.  The suspect confesses.  It’s an odd scene.  I’m kind of preferred it when the detectives would actually have to put some effort into tricking their suspects into saying the wrong.  So far, in season 6, everyone is just confessing.

At the end of the episode, Rawls asks Bayliss to come to a wine testing with him and Bayliss says yes.  Pembleton is shocked and tells Bayliss that Chris was asking him on a date.  Bayliss says he understands that.  He adds, “I’m not gay” before then saying that he finds Chris Rawls to be witty and intelligent.

And here’s the thing.  As always, Andre Braugher and Kyle Secor totally sell it.  Even though Bayliss’s words and actions seem totally out-of-character after everything we’ve seen over the past five seasons, Kyle Secor makes it work.  Bayliss deserves some happiness.

And I deserve some more Bayliss/Pembleton episodes.  Seriously, this season has been so Falsone-centric that I was starting to forget just what a great team Andre Baugher and Kyle Secor truly were.

Retro Television Review: Homicide: Life On The Street 6.6 “Birthday”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, it’s yet another Falsone episode.

Episode 6.6 “Birthday”

(Dir by Alison MacLean, originally aired on November 7th, 1997)

This episode is an example of the good, the bad, and the ugly.

The good part of the episode is that Mary Pembleton finally goes into labor and gives birth to a son.  Andre Braugher was so intense on this show that it was always nice to see an episode where Frank could just be happy.

The bad is that Georgia Rae Mahoney has surveillance camera footage of Kellerman killing Luther Mahoney.  The Mahoney stuff is just getting dragged out.  As Luther Mahoney, Erik Todd Dellums was a magnificent villain.  Hazelle Goodman is considerably less compelling as Georgia Rae but, then again, the writers aren’t doing her any favor by having Georgia Rae always talk like a comic book villain.

The ugly is that the main storyline is yet another Falsone story.  This time, Falsone, Lewis, and Stivers investigate the rape and violent assault of a woman named Grace Riviera (Allison Folland).  As you might expect, Falsone takes the case — wait for it — PERSONALLY!  When one suspect doesn’t give Falsone the answers that he wants in the box, Falsone beats him up.  He guarantees Giardello that he will close the case.  Giardello responds that he likes Falsone.  Well, good for Giardello, I guess.

As I’ve said before, there’s several problems with Falsone’s character.  The biggest one is that Falsone doesn’t really have much depth, especially when compared to characters like Pemblton, Bayliss, or even Lewis.  He’s a collection of cop show cliches.  He’s the epitome of everything that Homicide was supposed to be against.  Jon Seda’s one-note performance is jarring when compared to the rest of the cast.  Callie Thorne’s Laura Ballard may not be a particularly interesting addition to the ensemble but at least Thorne can show a hint of emotion.

The biggest problem with Falsone is the way that this season keeps trying to force him on the viewer.  If a viewer wants to watch Pembelton, Bayliss, Munch, or any of other other detective solve a murder, they’re out of luck.  It’s the Falsone show!

This episode ends with Falsone going to the hospital to tell Grace that he’s arrested the man who attacked her, just to discover that Grace died.  It’s not the shocking moment that the show meant it to be.  And emotionally, it falls flat because it’s a Falsone moment.

Homicide is the series that I want to review.  I have no interest in The Falsone Show.