4 Shots From 4 Films: Special Christopher Lee Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

98 years ago today, the greatest actor of all time, Christopher Lee, was born in London!  Today, we honor a legacy of iconic performances, in films that were both good and bad.  Lee worked with everyone from Terence Fisher to Peter Jackson to Martin Scorsese to Laurence Olivier to John Huston to ….. well, if they were an important director, they probably made at least one movie with Christopher Lee!  He was Dracula.  He was Saruman.  He was one of the best Bond villains and it’s been rumored that, during World War II, Lee was a bit of a James Bond himself.

Today, we honor a brilliant career with….

4 Shots From 4 Films

Dracula A.D. 1972 (1972, dir by Alan Gibson)

The Man With The Golden Gun (1974, dir by Guy Hamilton)

Lord of the Rings: The Fellowship of the Ring (2001, dir by Peter Jackson)

Hugo (2011, dir by Martin Scorsese)

Christopher Lee, R.I.P.


Jinnah

The picture above is Christopher Lee in the 1998 film Jinnah.  In this epic biopic, Lee played Muhammad Ali Jinniah, the founder of modern Pakistan.  Up until yesterday, I had never heard of Jinnah but, after news of Lee’s death broke, Jinnah was frequently cited as being Lee’s personal favorite of his many roles and films.

Consider that.  Christopher Lee began his film career in the 1940s and he worked steadily up until his death.  He played Dracula.  He played The Man with the Golden Gun.  Christopher Lee appeared, with his future best friend Peter Cushing, in Laurence Olivier’s Oscar-winning Hamlet.  He played Seurat in John Huston’s Moulin Rouge.  He appeared in both The Lord of the Rings and the Hobbit trilogies.  He appeared in several films for Tim Burton.  He even had a small role in Martin Scorsese’s Hugo.  He appeared in two Star Wars prequels.  He appeared in the original Wicker Man (and reportedly considered it to be his favorite of his many horror films).  He appeared in Oscar winners and box office hits.  And, out of all that, Christopher Lee’s personal favorite was Jinnah, a film that most people have never heard about.

Unless, of course, you live in Pakistan.  When I did a google search on Christopher Lee, I came across several Pakistani news sources that announced: “Christopher Lee, star of Jinnah, has died.”

And really, that somehow seems appropriate.  Christopher Lee was the epitome of an international film star.  He worked for Hammer in the UK.  He worked with Jess Franco in Spain and Mario Bava in Italy.  He appeared in several movies in the United States.  And, in Pakistan, he played Jinnah.  And I haven’t seen Jinnah but I imagine he was probably as great in that role as he was in every other role that I saw him play.  Over the course of his long career, Christopher Lee appeared in many good films but he also appeared in his share of bad ones.  But Christopher Lee was always great.

It really is hard to know where to begin with Christopher Lee.  Though his death was announced on Thursday, I haven’t gotten around to writing this tribute until Friday.  Admittedly, when I first heard that Lee had passed away, I was on a romantic mini-vacation and had promised myself that I would avoid, as much as possible, getting online for two days.  But, even more than for those personal reasons, I hesitated because I just did not know where to start when it came to talking about Christopher Lee.  He was one of those figures who overwhelmed by his very existence.

We all know that Christopher Lee was a great and iconic actor.  And I imagine that a lot of our readers know that Lee had a wonderfully idiosyncratic musical career, releasing his first heavy metal album when he was in his 80s.  Did you know that Lee also served heroically during World War II and, after the war ended, helped to track down fleeing Nazi war criminals?  Did you know that it has been speculated that Lee may have served as one of the role models for James Bond?  (Ian Fleming was a cousin of Lee’s and even tried to convince Lee to play Dr. No in the first Bond film.)  Christopher Lee lived an amazing life, both on and off the screen.

But, whenever one reads about Christopher Lee and his career or watches an interview with the man, the thing that always comes across is that, for someone who played so many evil characters, Christopher Lee appeared to be one the nicest men that you could ever hope to meet.  Somehow, it was never a shock to learn that his best friend was his frequent screen nemesis, Peter Cushing.

Christopher Lee is one of those great actors who we assumed would always be here.  The world of cinema will be a sadder world without him.

Legends together

Legends together

Here is a list of Christopher Lee films that we’ve reviewed here on the Shattered Lens.  Admittedly, not all of these reviews focus on Lee but they do provide a hint of the man’s versatility:

  1. Airport ’77
  2. Dark Shadows
  3. Dracula A.D. 1972
  4. Dracula Has Risen From The Grave
  5. Dracula, Prince of Darkness
  6. Hercules in the Haunted World
  7. The Hobbit
  8. The Hobbit: Battle of the Five Armies
  9. Horror Express
  10. The Horror of Dracula
  11. Hugo
  12. Jocks
  13. The Man With The Golden Gun
  14. The Satanic Rites of Dracula
  15. Scars of Dracula
  16. Scream and Scream Again
  17. Season of the Witch
  18. Starship Invasions
  19. Taste The Blood of Dracula
  20. The Wicker Tree

Sir Christopher Lee was 93 years old and he lived those 9 decades in the best way possible.  As long as there are film lovers, he will never be forgotten.

Horror Film Review: Dracula A.D. 1972 (dir by Alan Gibson)


(I originally wrote and posted this on February 5th, 2011.  Seeing as how we’ve been taking a look at the other Hammer Dracula films, I figured I might as well repost it for Halloween!)

Dracula A.D. 1972 opens in 1872 with a genuinely exciting fight on a runaway carriage that ends with the death of both Count Dracula (Christopher Lee) and his nemesis, Prof. Van Helsing (Peter Cushing).  However, as Van Helsing is buried, we see one of Dracula’s disciples (played by Christopher Neame, who had an appealingly off-kilter smile) burying Dracula’s ashes nearby.  The camera pans up to the clear Victorian sky and, in a sudden and genuinely effective jumpcut, we suddenly see an airplane screeching across the sky.

Well, it’s all pretty much downhill from there.  Suddenly, we discover that a hundred years have passed and we are now in “swinging” London.  The city is full of red tourist buses, hippies wearing love beads, and upright policemen who always appear to be on the verge of saying, “What’s all this, then?”  We are introduced to a group of hippies that are led by a creepy guy named Johnny Alculard (also played — quite well, actually — by Christopher Neame). One of those hippies (Stephanie Beacham) just happens to be the great-great-granddaughter of Prof. Van Helsing.  Apparently, she’s not really big on the family history because she doesn’t notice that Alculard spells Dracula backwards.  Then again, her father (played by Peter Cushing, of course) doesn’t either until he actually writes the name down a few times on a piece of a paper.

Anyway, the film meanders about a bit until finally, Alculard convinces all of his hippie friends to come take part in a black mass.  “Sure, why not?” everyone replies.  Well, I don’t have to tell you how things can sometimes get out-of-hand at black mass.  In this case, Dracula comes back to life, kills a young Caroline Munro, and eventually turns Johnny into a vampire before then setting his sights on the modern-day Van Helsings.

Poor Caroline Munro

Dracula A.D. 1972 was Hammer’s attempt to breathe some new life into one of its oldest franchises and, as usually happens with a reboot, its critical and (especially) commercial failure ended up helping to end the series.  Among even the most devoted and forgiving of Hammer fans, Dracula A.D. 1972 has a terrible reputation.  Christopher Lee is on record as regarding it as his least favorite Dracula film.  And the film definitely has some serious flaws.  Once you get past the relatively exciting pre-credits sequence, the movie seriously drags.  There’s a hippie party sequence that, honest to God, seems to last for about 5 hours.  As for the hippies themselves, they are some of the least convincing middle-aged hippies in the history of fake hippies.  You find yourself eagerly awaiting their demise, especially the awkward-looking one who — for some reason — is always dressed like a monk.  (Those crazy hippies!)  But yet…nothing happens.  All the fake hippies simply vanish from the film.  Yet, they’re so annoying in just a limited amount of screen time that the viewer is left demanding blood.  Add to that, just how difficult is it to notice that Alculard is Dracula spelled backwards?  I mean, seriously…

To a large extent, the charm of the old school Hammer films comes from the fact that they’re essentially very naughty but never truly decadent.  At their heart, they were always very old-fashioned and actually quite conservative.  The Hammer films — erudite yet campy, risqué yet repressed — mirrors the view that many of my fellow Americans have of the English.  For some reason, however, that Hammer naughtiness only works when there’s the sound of hooves on cobblestone streets and when the screen is populated by actors in three-piece suits and actresses spilling out of corsets.  Dracula A.D. 1972 did away with the support of the corset and as a result, the film is revealed as a formless mess with all the flab revealed to the world.

The Party Scene

Still, the film isn’t quite as bad as you may have heard.  First off, the film — with its middle-aged hippies — has a lot of camp appeal.  It’s the type of film that, once its over, you’re convinced that the term “groovy” was uttered in every other scene even though it wasn’t.  As with even the worst Hammer films, the film features a handful of striking images and Christopher Neame is surprisingly charismatic as Alculard.

As with the majority of the Hammer Dracula films, the film is enjoyable if just to watch the chemistry between Christopher Lee and Peter Cushing.  Both of these actors — so very different in image but also so very stereotypically English — obviously loved acting opposite of each other and whenever you see them on-screen together, it’s difficult not to enjoy watching as each one tried to top the other with a smoldering glare or a melodramatic line reading.  As actors, they brought out the best in each other, even when they were doing it in a film like Dracula A.D. 1972.  In this film, Cushing is like the father you always you wished you had — the stern but loving one who protected you from all the world’s monsters (both real and cinematic).

Christopher Lee as Dracula

As for Lee, he’s only in six or seven scenes and he has even fewer lines but, since you spend the entire film wondering where he is, he actually dominates the entire movie.  Lee apparently was quite contemptuous of the later Hammer Dracula films and, oddly enough, that obvious contempt is probably why, of all the Draculas there have been over the years, Lee’s version is the only one who was and is actually scary.  F0rget all of that tortured soul and reluctant bloodsucker crap.  Christopher Lee’s Dracula is obviously pissed off from the minute he first appears on-screen, the embodiment of pure destructive evil.  And, for whatever odd reason, the purity of his evil brings a sexual jolt to his interpretation of Dracula that those littleTwilight vampires can only dream about.  Even in a lesser films like Dracula A.D. 1972, Christopher Lee kicks some serious ass.

So, in conclusion, I really can’t call Dracula A.D. 1972 a good film nor can I really suggest that you should go out of your way to see it..  I mean, I love this stuff and I still frequently found my mind wandering whenever Cushing or Lee wasn’t on-screen.  However, it’s not a terrible movie to watch if you happen to find yourself trapped in the house with 90 minutes to kill.

Dracula A.D. 1972

 

Film Review: Dracula A.D. 1972 (dir. by Alan Gibson)


If you’re following the news then you probably heard that Dallas got hit with like a 100 inches of snow yesterday.  Seriously, more snow fell yesterday than has even fallen in recorded history (or, at the very least, in my recorded history).  You want to talk about Snowmageddon?  Well, we had a Snowpocalypse.

The neighborhood on Friday morning (picture taken by Erin Nicole Bowman)

So, I spent most of yesterday cooped up inside with my sister and our cat and once we got over the whole fun of being able to go outside and scream, “SNOW DAY!” at the top of our lungs, there really wasn’t much to do.  So, in an attempt to fight off cabin fever, I raided my DVD collection and we ended up watching one of the old Christopher Lee-as-Dracula-films from Hammer Studios.  Specifically, we ended up watching Dracula A.D. 1972.

The film opens in 1872 with a genuinely exciting fight on a runaway carriage that ends with the death of both Count Dracula (Christopher Lee) and his nemesis, Prof. Van Helsing (Peter Cushing).  However, as Van Helsing is buried, we see one of Dracula’s disciples (played by Christopher Neame, who had an appealingly off-kilter smile) burying Dracula’s ashes nearby.  The camera pans up to the clear Victorian sky and, in a sudden and genuinely effective jumpcut, we suddenly see an airplane screeching across the sky.

Well, it’s all pretty much downhill from there.  Suddenly, we discover that a hundred years have passed and we are now in “swinging” London.  The city is full of red tourist buses, hippies wearing love beads, and upright policemen who always appear to be on the verge of saying, “What’s all this, then?”  We are introduced to a group of hippies that are led by a creepy guy named Johnny Alculard (also played — quite well, actually — by Christopher Neame). One of those hippies (Stephanie Beacham) just happens to be the great-great-granddaughter of Prof. Van Helsing.  Apparently, she’s not really big on the family history because she doesn’t notice that Alculard spells Dracula backwards.  Then again, her father (played by Peter Cushing, of course) doesn’t either until he actually writes the name down a few times on a piece of a paper.

Anyway, the film meanders about a bit until finally, Alculard convinces all of his hippie friends to come take part in a black mass.  “Sure, why not?” everyone replies.  Well, I don’t have to tell you how things can sometimes get out-of-hand at black mass.  In this case, Dracula comes back to life, kills a young Caroline Munro, and eventually turns Johnny into a vampire before then setting his sights on the modern-day Van Helsings.

Dracula A.D. 1972 was Hammer’s attempt to breathe some new life into one of its oldest franchises and, as usually happens with a reboot, its critical and (especially) commercial failure ended up helping to end the series.  Among even the most devoted and forgiving of Hammer fans, Dracula A.D. 1972 has a terrible reputation.  Christopher Lee is on record as regarding it as his least favorite Dracula film.  And the film definitely has some serious flaws.  Once you get past the relatively exciting pre-credits sequence, the movie seriously drags.  There’s a hippie party sequence that, honest to God, seems to last for about 5 hours.  As for the hippies themselves, they are some of the least convincing middle-aged hippies in the history of fake hippies.  You find yourself eagerly awaiting their demise, especially the awkward-looking one who — for some reason — is always dressed like a monk.  (Those crazy hippies!)  But yet…nothing happens.  All the fake hippies simply vanish from the film.  Yet, they’re so annoying in just a limited amount of screen time that the viewer is left demanding blood.  Add to that, just how difficult is it to notice that Alculard is Dracula spelled backwards?  I mean, seriously…

To a large extent, the charm of the old school Hammer films comes from the fact that they’re essentially very naughty but never truly decadent.  At their heart, they were always very old-fashioned and actually quite conservative.  The Hammer films — erudite yet campy, risqué yet repressed — mirrors the view that many of my fellow Americans have of the English.  For some reason, however, that Hammer naughtiness only works when there’s the sound of hooves on cobblestone streets and when the screen is populated by actors in three-piece suits and actresses spilling out of corsets.  Dracula A.D. 1972 did away with the support of the corset and as a result, the film is revealed as a formless mess with all the flab revealed to the world.

Still, the film isn’t quite as bad as you may have heard.  First off, the film — with its middle-aged hippies — has a lot of camp appeal.  It’s the type of film that, once its over, you’re convinced that the term “groovy” was uttered in every other scene even though it wasn’t.  As with even the worst Hammer films, the film features a handful of striking images and Christopher Neame is surprisingly charismatic as Alculard. 

As with the majority of the Hammer Dracula films, the film is enjoyable if just to watch the chemistry between Christopher Lee and Peter Cushing.  Both of these actors — so very different in image but also so very stereotypically English — obviously loved acting opposite of each other and whenever you see them on-screen together, it’s difficult not to enjoy watching as each one tried to top the other with a smoldering glare or a melodramatic line reading.  As actors, they brought out the best in each other, even when they were doing it in a film like Dracula A.D. 1972.  In this film, Cushing is like the father you always you wished you had — the stern but loving one who protected you from all the world’s monsters (both real and cinematic). 

As for Lee, he’s only in six or seven scenes and he has even fewer lines but, since you spend the entire film wondering where he is, he actually dominates the entire movie.  Lee apparently was quite contemptuous of the later Hammer Dracula films and, oddly enough, that obvious contempt is probably why, of all the Draculas there have been over the years, Lee’s version is the only one who was and is actually scary.  F0rget all of that tortured soul and reluctant bloodsucker crap.  Christopher Lee’s Dracula is obviously pissed off from the minute he first appears on-screen, the embodiment of pure destructive evil.  And, for whatever odd reason, the purity of his evil brings a sexual jolt to his interpretation of Dracula that those little Twilight vampires can only dream about.  Even in a lesser films like Dracula A.D. 1972, Christopher Lee kicks some serious ass.

So, in conclusion, I really can’t call Dracula A.D. 1972 a good film nor can I really suggest that you should track down a copy of the DVD.  I mean, I love this stuff and I still frequently found my mind wandering whenever Cushing or Lee wasn’t on-screen.  However, it’s not a terrible movie to watch if you happen to find yourself trapped in the house by a mountain of snow.