The American Society of Cinematographers Honors Elvis!


The last of the Oscar precursors, the American Society of Cinematographers, have announced their picks for the best of 2022.

And here they are!

Feature
Roger Deakins, ASC, BSC for “Empire of Light” (Searchlight Pictures)
Greig Fraser, ASC, ACS for “The Batman” (Warner Bros.)
Darius Khondji, ASC, AFC for “Bardo, False Chronicle of a Handful of Truths” (Netflix)
Claudio Miranda, ASC for “Top Gun: Maverick” (Paramount Pictures)
Mandy Walker, ASC, ACS for “Elvis” (Warner Bros.)

Spotlight
Sturla Brandth Grøvlen, DFF for “War Sailor” (DCM Film)

Kate McCullough, ISC for “The Quiet Girl” (Super)
Andrew Wheeler for “God’s Country” (IFC Films)

Documentary
Ben Bernhard and Riju Das for “All That Breathes” (HBO/HBO Max)
Adam Bricker for “Chef’s Table: Pizza” – “Franco Pepe” (Netflix)
Wolfgang Held, ASC for “This Stolen Country of Mine”

Motion Picture, Limited Series, or Pilot Made for Television
Todd Banhazl, ASC for “Winning Time: The Rise of the Lakers Dynasty” – “The Swan” (HBO/HBO Max)
Jeremy Benning, CSC for “Guillermo del Toro’s Cabinet of Curiosities” – “The Outside” (Netflix)
Anastas Michos, ASC, GSC for “Guillermo del Toro’s Cabinet of Curiosities” – “The Autopsy” (Netflix)
C. Kim Miles, ASC, CSC, MySC for “Lost Ollie” – “Bali Hai” (Netflix)
Sean Porter for “The Old Man” – “I” (FX)

Episode of a One-Hour Television Series – Non-Commercial
John Conroy, ASC, ISC for “Westworld” – “Années Folles” (HBO/HBO MAX)
Catherine Goldschmidt for “House of the Dragon” – “The Lord of the Tides” (HBO/HBO MAX)
Alejandro Martinez for “House of the Dragon” – “The Green Council” (HBO/HBO MAX)
M. David Mullen, ASC for “The Marvelous Mrs. Maisel” – “How Do You Get to Carnegie Hall?” (Prime Video)
Alex Nepomniaschy, ASC for “The Marvelous Mrs. Maisel”– “Everything is Bellmore” (Prime Video)
Nikolaus Summerer for “1899” – “The Calling” (Netflix)

Episode of a One-Hour Television Series – Commercial
Marshall Adams, ASC for “Better Call Saul” – “Saul Gone” (AMC)
Jesse M. Feldman for “Interview With the Vampire” – “Is My Very Nature That of the Devil” (AMC)
Christian “Tico” Herrera, CCR for “Snowfall” – “Departures” (FX)
Jules O’Loughlin, ASC, ACS for “The Old Man” – “IV” (FX)
Jaime Reynoso, AMC for “Snowpiercer” – “Bound by One Track” (TNT)

Episode of a Half-Hour Television Series
Adam Bricker for “Hacks” – “The Click” (HBO/HBO MAX)
Carl Herse for “Barry” – “Starting Now” (HB0/HBO MAX)
Stephen Murphy BSC, ISC for “Atlanta” – “New Jazz” (FX)
Ula Pontikos, BSC for “Russian Doll” – “Matryoshka” (Netflix)
Christian Sprenger, ASC for “Atlanta” – “Andrew Wyeth. Alfred’s World.” (FX)

Here Are The 2022 Nominations of the American Society of Cinematographers


The American Society of Cinematographers announced their nominees for the best of 2022 today.  Because this a guild award (as opposed to an awards from regional critics group), the list below is probably a pretty good guide to which films are actually in the Oscar conversation right now.

Here are the nominees.  The winners will be announced on March 5th.

Feature
Roger Deakins, ASC, BSC for “Empire of Light” (Searchlight Pictures)
Greig Fraser, ASC, ACS for “The Batman” (Warner Bros.)
Darius Khondji, ASC, AFC for “Bardo, False Chronicle of a Handful of Truths” (Netflix)
Claudio Miranda, ASC for “Top Gun: Maverick” (Paramount Pictures)
Mandy Walker, ASC, ACS for “Elvis” (Warner Bros.)

Spotlight
Sturla Brandth Grøvlen, DFF for “War Sailor” (DCM Film)
Kate McCullough, ISC for “The Quiet Girl” (Super)
Andrew Wheeler for “God’s Country” (IFC Films)

Documentary
Ben Bernhard and Riju Das for “All That Breathes” (HBO/HBO Max)
Adam Bricker for “Chef’s Table: Pizza” – “Franco Pepe” (Netflix)
Wolfgang Held, ASC for “This Stolen Country of Mine”

Motion Picture, Limited Series, or Pilot Made for Television
Todd Banhazl, ASC for “Winning Time: The Rise of the Lakers Dynasty” – “The Swan” (HBO/HBO Max)
Jeremy Benning, CSC for “Guillermo del Toro’s Cabinet of Curiosities” – “The Outside” (Netflix)
Anastas Michos, ASC, GSC for “Guillermo del Toro’s Cabinet of Curiosities” – “The Autopsy” (Netflix)
C. Kim Miles, ASC, CSC, MySC for “Lost Ollie” – “Bali Hai” (Netflix)
Sean Porter for “The Old Man” – “I” (FX)

Episode of a One-Hour Television Series – Non-Commercial
John Conroy, ASC, ISC for “Westworld” – “Années Folles” (HBO/HBO MAX)
Catherine Goldschmidt for “House of the Dragon” – “The Lord of the Tides” (HBO/HBO MAX)
Alejandro Martinez for “House of the Dragon” – “The Green Council” (HBO/HBO MAX)
M. David Mullen, ASC for “The Marvelous Mrs. Maisel” – “How Do You Get to Carnegie Hall?” (Prime Video)
Alex Nepomniaschy, ASC for “The Marvelous Mrs. Maisel”– “Everything is Bellmore” (Prime Video)
Nikolaus Summerer for “1899” – “The Calling” (Netflix)

Episode of a One-Hour Television Series – Commercial
Marshall Adams, ASC for “Better Call Saul” – “Saul Gone” (AMC)
Jesse M. Feldman for “Interview With the Vampire” – “Is My Very Nature That of the Devil” (AMC)
Christian “Tico” Herrera, CCR for “Snowfall” – “Departures” (FX)
Jules O’Loughlin, ASC, ACS for “The Old Man” – “IV” (FX)
Jaime Reynoso, AMC for Snowpiercer – “Bound by One Track” (TNT)

Episode of a Half-Hour Television Series
Adam Bricker for “Hacks” – “The Click” (HBO/HBO MAX)
Carl Herse for “Barry” – “Starting Now” (HB0/HBO MAX)
Stephen Murphy BSC, ISC for “Atlanta” – “New Jazz” (FX)
Ula Pontikos, BSC for “Russian Doll” – “Matryoshka” (Netflix)
Christian Sprenger, ASC for “Atlanta” – “Andrew Wyeth. Alfred’s World.” (FX)

Here Are The 2021 Nominations of the American Society of Cinematographers!


The American Society of Cinematographers have announced their nominees for the best cinematography of 2021!

I’d say that the big surprise here is the lack of a nomination for West Side Story as this seems like a place where you would normally expect to see a big Spielberg production nominated.  That could indicate a bit of weakness for West Side Story.  (Though, let’s face it — I think we all know that West Side Story isn’t going to be the big Oscar powerhouse that many initially assumed.)  That said, there’s now ten best picture nominees and I’d still be surprised if one of the slots didn’t go to West Side Story.

Anyway, here’s the nominees:

Feature Film
Bruno Delbonnel (ASC, AFC) for THE TRAGEDY OF MACBETH
Greig Fraser (ASC, ACS) for DUNE
Dan Laustsen (ASC, DFF) for NIGHTMARE ALLEY
Ari Wegner (ACS) for THE POWER OF THE DOG
Haris Zambarloukos (BSC, GSC) for BELFAST

Spotlight
Ruben Impens (SBC) for TITANE
Pat Scola for PIG
Adolpho Veloso (ABC) for JOCKEY

Documentary
Jessica Beshir for FAYA DAYI
Isabel Bethencourt and Parker Hill for CUSP
Daniel Schönauer for THE HIDDEN LIFE OF TREES

The American Society of Cinematographers Honor Mank!


For those of you still making out your Oscar predictions, the American Society of Cinematographers handed out their awards earlier today and they honored Mank.  I have feeling the Academy is going to do the same thing.

Here are the film nominees and winners from the ASC:

THEATRICAL RELEASE
Erik Messerschmidt – Mank
Phedon Papamichael – The Trial of the Chicago 7
Joshua James Richards – Nomadland
​Newton Thomas Sigel – Cherry
Dariusz Wolski – News of the World

SPOTLIGHT
Katelin Arizmendi – Swallow
Aurélien Marra – Two of Us
Andrey Naydenov – Dear Comrades!

DOCUMENTARY
Michael Dweck and Gregory Kershaw – The Truffle Hunters
Viktor Kosakovskiy and Egil Håskjold Larsen – Gunda
Gianfranco Rosi – Notturno

Here Are The 2020 American Society of Cinematographers Nominations


The American Society of Cinematographers have announced their nominations for the best cinematography of 2020!  The winners will be announced on April 18th!

Here are the nominees!  Probably the biggest — actually, the only — shock to be found below is that Newton Thomas Sigel was nominated for Cherry instead of Da 5 Bloods.

THEATRICAL RELEASE
Erik Messerschmidt – Mank
Phedon Papamichael – The Trial of the Chicago 7
Joshua James Richards – Nomadland
​Newton Thomas Sigel – Cherry
Dariusz Wolski – News of the World

SPOTLIGHT
Katelin Arizmendi – Swallow
Aurélien Marra – Two of Us
Andrey Naydenov – Dear Comrades!

DOCUMENTARY
Michael Dweck and Gregory Kershaw – The Truffle Hunters
Viktor Kosakovskiy and Egil Håskjold Larsen – Gunda
Gianfranco Rosi – NotturnoNotturno

After Last Night, 1917 is your new Oscar front runner!


There were a lot of very important awards given out last night and suddenly, the Oscar race has become much, much clearer.  Yes, Parasite is a big contender and it’s certainly a big deal that it won at SAG.  It’ll probably win quite a few Oscars.  But, as of right now, the front runner for best picture is clearly 1917.

Not only has 1917 won the PGA award but, last night, Sam Mendes won the DGA.  1917 is coming on strong and it’s late release date is definitely working in its favor.  It came out just in time to wow the Oscar voters but also late enough that there wasn’t time for any sort of backlash to develop against it.  If I had to guess now, I’d say that 1917 is going to win Best Picture and we can at least take comfort in the fact that it’s better than the last Sam Mendes film that won.

Anyway, instead of doing like 30 different posts for each group that met last night, here’s a quick rundown:

The DGA (Director’s Guild of America) — Sam Mendes won Best Director for 1917.  Honey Boy’s Alma Har’el won for Best First Time Director.  The documentary award went to Steven Bogner and Julia Reichert for American Factory.

Annie Awards (Animation) — Klaus won Best Feature.  I Lost My Body won best indie feature.

ASC (American Society of Cinematographers) — Roger Deakins for 1917

USC Scripter Awards (Adapted Screenplay) — Greta Gerwig for Little Women

CAS (Cinema Audio Society) — Best Feature went to Ford v. Ferrari.  Best Animated Feature went to Toy Story 4.  Best Documentary Feature was won by Making Waves: The Art of Cinematic Sound.

So, for all you people making your Oscar bets — well, who knows?  Listen, the Oscars are unpredictable.  GREEN BOOK WON LAST YEAR, PEOPLE!  So, anything’s possible.  One thing to remember is that Best Picture is determined by a preferential voting system so it’s a close race between two films, it could easily be everyone’s second choice that wins.  And that could mean an upset victory for something like Ford v Ferrari or even Little Women.

But, as for right now, 1917 is the front runner.

Here Are The Nominations of the Costume, Make-Up, and Cinematography Guilds!


Oscars

Three more guilds announced their nominees for the best of 2016 last week and while none of them may have gotten as much attention as the DGA or the PGA, they all play in role in our attempts to predict which films will actually be nominated when the Oscar nominations are announced on Tuesday!

So, to help you out when you’re making your bets, here are the guilds!

Costume Designers Guild

Excellence in Contemporary Film

Absolutely Fabulous: The Movie – Rebecca Hale

Captain Fantastic – Courtney Hoffman

La La Land – Mary Zophres

Lion – Cappi Ireland

Nocturnal Animals – Arianne Phillips

Excellence in Period Film

The Dressmaker – Marion Boyce, Margot Wilson

Florence Foster Jenkins – Consolata Boyle

Hail, Caesar! – Mary Zophres

Hidden Figures – Renee Ehrlich Kalfus

Jackie – Madeline Fontaine

Excellence in Fantasy Film

Doctor Strange – Alexandra Byrne

Fantastic Beasts and Where to Find Them – Colleen Atwood

Kubo and the Two Strings – Deborah Cook

Miss Peregrine’s Home for Peculiar Children – Colleen Atwood

Rogue One: A Star Wars Story – David Crossman, Glyn Dillion

American Society of Cinematographers

Make-up And Hairstylists Guild

1. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY MAKE-UP

CAPTAIN FANTASTIC
Make-Up Artists: Karen McDonald, Akemi Hart
LA LA LAND
Make-Up Artists: Torsten Witte, Angel Radefeld-Wright
MANCHESTER BY THE SEA
Make-Up Artists: Liz Bernstrom, Sherryn Smith
NOCTURNAL ANIMALS
Make-Up Artists: Donald Mowat, Malanie J. Romero, Elaine Offers
ZOOLANDER 2
Make-Up Artist: Maurizio Silvi

2. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY HAIR STYLING

LA LA LAND
Hair Stylists: Barbara Lorenz, Jackie Masteran, Frida Aradottir
NOCTURNAL ANIMALS
Hair Stylists: Yolanda Toussieng, Jules Holdren
SULLY
Hair Stylists: Patricia Dehaney, Jose Zamora
THE GIRL ON THE TRAIN
Hair Stylist: Alan D’Angerio
ZOOLANDER 2
Hair Stylist: Aldo Signoretti

3. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER MAKE-UP


DOCTOR STRANGE
Make-Up Artist: Jeremy Woodhead
FANTASTIC BEASTS AND WHERE TO FIND THEM
Make-Up Artists: Fae Hammond, Marilyn MacDonald
HAIL, CAESAR!
Make-Up Artists: Jean Ann Black, Julie Hewett, Zoe Hay
LOVING
Make-Up Artists: Julia Lallas, Katie Middleton
SUICIDE SQUAD
Make-Up Artist: Alessandro Bertolazzi

4. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER HAIR STYLING

FANTASTIC BEASTS AND WHERE TO FIND THEM
Hair Stylists: Fae Hammond, Marilyn MacDonald
FLORENCE FOSTER JENKINS
Hair Stylist: J. Roy Helland
HAIL, CAESAR!
Hair Stylists: Cydney Cornell, Pauletta Lewis-Irwin, Matt Danon
JACKIE
Hair Stylists: Catherine Leblanc-Caraes, Tony Rochetti
LOVING
Hair Stylists: Kenneth Walker, Elizabeth Paschall

5. FEATURE-LENGTH MOTION PICTURE – BEST SPECIAL MAKE-UP EFFECTS

DEADPOOL
Make-Up Artists: Bill Corso, Andrew Clement
DOCTOR STRANGE
Make-Up Artist: Jeremy Woodhead
FANTASTIC BEASTS AND WHERE TO FIND THEM
Make-Up Artist: Fae Hammond
STAR TREK BEYOND
Make-Up Artists: Joel Harlow, Richie Alonzo
SUICIDE SQUAD
Make-Up Artists: Christopher Nelson, Sean Sansom, Greg Nicotero

The American Society of Cinematographers Has Spoken!


Sicario_poster

The American Society of Cinematographers announced their 5 nominees for the best cinematography of 2015 and here they are:

Bridge of Spies – Janusz Kaminski
Carol – Edward Lachman
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

This is Roger Deakins’s 14th ASC nomiantion!  If Sicario scores a best picture nomination, I wouldn’t be surprised if Deakins finally picks up an Oscar as a result.

Though a lot of critics don’t want to admit it (for obvious reasons), the guild awards are actually a far better Oscar precursor than the critic awards.  If you want to know what films are popular with the people who actually make movies, look to the guild awards.

And looking at the guild awards so far, it really does appear that there are quite a few films that have wide industry support.  Interestingly enough, both Sicario and Straight Outta Compton have been making something of a comeback with the guild awards.  (Even though Compton was not nominated by ASC, it has been recognized by the PGA, WGA, and SAG.)  As well, Bridge of Spies and Trumbo have both received more guild support than either has gotten from the critics.

For that matter, both Mad Max: Fury Road and The Big Short have received more guild support than Spotlight.  I know that Sasha Stone and Jeff Wells have pretty much declared Spotlight to be unbeatable but who knows?  Things could still get interesting.

(Correction: Over on Gold Derby, Sasha Stone is now predicting victory for The Big Short.)

Here’s The Latest From The Guilds: WGA, CDG, and ASC


Timothy Spall in Mike Leigh's Mr Turner

Here’s the latest news from Awards Season!  Today, three more guilds announced their nominees for the best of 2014.

First off, the American Society of Cinematographers (ASC) nominated the following five films:

Birdman

The Grand Budapest Hotel

The Imitation Game

Mr. Turner

Unbroken

And then, the Costume Designers Guild (CDG) nominated the following fifteen films:

Excellence in Contemporary Film
Birdman – Albert Wolsky
Boyhood – Kari Perkins
Gone Girl – Trish Summerville
Interstellar – Mary Zophres
Wild – Melissa Bruning

Excellence in Period Film
The Grand Budapest Hotel – Milena Canonero
The Imitation Game – Sammy Sheldon Differ
Inherent Vice – Mark Bridges
Selma – Ruth E. Carter
The Theory of Everything – Steven Noble

Excellence in Fantasy Film
Guardians of the Galaxy – Alexandra Byrne
The Hobbit: The Battle of the Five Armies – Bob Buck, Lesley Burkes-Harding, Ann Maskrey
The Hunger Games: Mockingjay, Part 1 – Kurt and Bart
Into the Woods – Colleen Atwood
Maleficent – Anna B. Sheppard, Jane Clive

(Is anybody else surprised to learn that Interstellar is apparently a contemporary film?)

And finally, here are the Writer’s Guild (WGA) nominations!  As always, the WGA nominations should be taken with a grain of salt as several Oscar front runners — Birdman, Selma, The Theory of Everything, and Mr. Turner, had been ruled ineligible for a WGA nomination.  Over the years, many films that were ineligible for a WGA nomination have gone on to win Oscars for original and adapted screenplay.

ORIGINAL SCREENPLAY
Boyhood, Written by Richard Linklater; IFC Films
Foxcatcher, Written by E. Max Frye and Dan Futterman; Sony Pictures Classics
The Grand Budapest Hotel, Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness; Fox Searchlight
Nightcrawler, Written by Dan Gilroy; Open Road Films
Whiplash, Written by Damien Chazelle; Sony Pictures Classics

ADAPTED SCREENPLAY
American Sniper, Written by Jason Hall; Based on the book by Chris Kyle with Scott McEwen and Jim DeFelice; Warner Bros.
Gone Girl, Screenplay by Gillian Flynn; Based on her novel; 20th Century Fox
Guardians of the Galaxy, Written by James Gunn and Nicole Perlman; Based on the Marvel comic by Dan Abnett and Andy Lanning; Walt Disney Studios Motion Pictures
The Imitation Game, Written by Graham Moore; Based on the book Alan Turing: The Enigma by Andrew Hodges; The Weinstein Company
Wild, Screenplay by Nick Hornby; Based on the book by Cheryl Strayed; Fox Searchlight

DOCUMENTARY SCREENPLAY
Finding Vivian Maier, Written by John Maloof & Charlie Siskel; Sundance Selects
The Internet’s Own Boy: The Story of Aaron Swartz, Written by Brian Knappenberger; FilmBuff
Last Days in Vietnam, Written by Mark Bailey & Kevin McAlester; American Experience Films
Red Army, Written by Gabe Polsky; Sony Pictures Classics

richard-linklaters-boyhood-movie-film-still-ellar-coltrane