Lisa Marie’s Oscar Predictions For September


Well, it’s that time of the month again!  Here are my Oscar predictions for September!  The festival season has brought along a host of new contenders.

For instance, American Fiction made a splash at the Toronto International Film Festival and it looks like both it and Jeffrey Wright are going to emerge as legitimate contenders come awards season.  In the past, a film like Dream Scenario would probably be considered too strange for the Academy but, after A24’s success with Everything Everywhere All At Once, it seems like anything’s possible.  If nothing else, A24 knows how to sell a film.

Personally, I’d love it if Richard Linklater’s Hit Man picked up a few nominations, even though I haven’t seen it yet and I’m not even sure when Netflix is going to release it.  (Linklater is the patron saint of Texas filmmaking, so I’ll always hope the best for anything he’s involved with.)

There’s still quite a ways to go until the year ends and the race is very much in flux but we are finally at the point where we can look at a few films and say, with more than a little confidence, “That’s going to be nominated.”

Below are my predictions for September.  Be sure to also check out my predictions for March and April and May and June and July and August!

Best Picture 

Air

American Fiction

Barbie

The Bikeriders

The Holdovers

Killers of the Flower Moon

Oppenheimer

Poor Things

Rustin

The Zone of Interest

Best Director

Greta Gerwig for Barbie

Jonathan Glazer for The Zone of Interest

Cord Jefferson for American Fiction

Christopher Nolan for Oppenheimer

Martin Scorsese for Killers of the Flower Moon

Best Actor

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Jeffrey Wright in American Fiction

Best Actress

Jodie Comer in The Bikeriders

Natalie Portman in May December

Margot Robbie in Barbie

Cailee Spaeny in Priscilla

Kate Winslet in Lee

Best Supporting Actor

Willem DaFoe in Poor Things

Robert De Niro in Killers of the Flower Moon

Robert Downey, Jr. in Oppenheimer

Ryan Gosling in Barbie

Dominic Sessa in The Holdovers

Best Supporting Actress

Emily Blunt in Oppenheimer

Lily Gladstone in Killers of the Flower Moon

Sandra Huller in Zone of Interest

Julianne Moore in May December

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Oscar Predictions For August


Well, it’s that time of the month again!  Here are my Oscar predictions for August!

This month, the biggest development in the Oscar race was Dune Part Two being moved to a 2024 release.  With no end in sight for the SAG/AFTRA strike, it wouldn’t surprise me if more big productions — like The Color Purple — ended up following Dune to 2024.  (One film that will not be moving back is Killers of the Flower Moon, as everyone knows that Martin Scorsese is the true star of that film.)  With so many films potentially moving back, this Oscar race could end up paralleling the 2020 race, in which a lot of movie that might otherwise not be nominated moved into the slots that would have otherwise been reserved for the big studio productions.  (Regardless of their individual strengths, both Nomadland and CODA owed a bit of their victory to the way COVID disrupted their Oscar races.)

Below are my predictions for August.  Be sure to also check out my predictions for March and April and May and June and July!!

Best Picture 

Air

Barbie

The Color Purple

Ferrari

The Holdovers

The Killer

Killers of the Flower Moon

Maestro

Oppenheimer

The Zone of Interest

Best Director

Greta Gerwig for Barbie

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Best Actress

Helen Mirren in Golda

Carey Mulligan in Maestro

Natalie Portman in May December

Margot Robbie in Barbie

Kate Winslet in Lee

Best Supporting Actor

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Robert Downey, Jr. in Oppenheimer

Ryan Gosling in Barbie

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Emily Blunt in Oppenheimer

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Julianne Moore in May December

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Oscar Predictions For July


Well, it’s that time of the month again!  Here are my Oscar predictions for July!

Probably the biggest development in the race is that both Barbie and Oppenheimer opened with a bang and established themselves as bona fide contenders, along with Scorsese’s Killers of the Flower Moon.  I think people were expecting that as far as Oppenheimer was concerned whereas the critical acclaim (and criticism) received by Barbie was a bit more of a surprise.  At this point, the debate over whether or not Barbie has a message can only work to the film’s advantage.  Working against it is the same thing that kept the Lego movies from showing up in the Best Animated Feature category.  For all the discussion about what Barbie means, there’s still the risk of certain members of the Academy viewing it as being an extended commercial.  Still, for now, I think both films have to be considered strong contenders.

(What about Sound of Freedom? some may be asking.  Regardless of the film’s box office success and what other qualities the film may or may nor have, there’s no way the Academy is going to consider a film about and starring an outspoken Trump supporter.)

If there’s anything that could truly upend the Oscar race, it’s how the studios are going to deal with the SAG/AFTRA strike.  For instance, there’s been speculation that some contenders — like The Color Purple — will be pushed back until the strike is settled so that their casts will be able to do publicity for them.  It’s totally possible that some of the big contenders that we’re expecting to see in November and December could instead be pushed back to 2024.  We’ll see what happens.

Below are my predictions for July.  Be sure to also check out my predictions for March and April and May and June!!

Best Picture 

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

The Zone of Interest

Best Director

Greta Gerwig for Barbie

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Best Actress

Greta Lee in Past Lives

Helen Mirren in Golda

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Robert Downey, Jr. in Oppenheimer

Ryan Gosling in Barbie

Best Supporting Actress

Emily Blunt in Oppenheimer

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Julianne Moore in May December

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Early Oscar Predictions For June


It’s time for my Oscar predictions for June!

With the year almost halfway over, the Oscar race still feels pretty fluid, though I think things will come a bit more into focus next month with the release of Oppenheimer and Barbie.  Obviously, Oppenheimer feels more like an Oscar picture than Barbie but you never know what could happen.  The Academy appears to really like Greta Gerwig.  Of course, both of those film have received so much hype that the true test could be just living up to expectations.  Killers of the Flower Moon manage to pass that test at Cannes and, as a result, it’s the current Oscar front runner.

Below are my predictions for June.  Be sure to also check out my predictions for March and April and May!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Robert Downey Jr. in Oppenheimer

Ryan Gosling in Barbie

Best Supporting Actress

Viola Davis in Air

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Julianne Moore in May/December

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Early Oscar Predictions For May


Here are my Oscar predictions for May!

Well, for once, Cannes has helped the Oscar picture to come into focus.  The triumphant premiere of Killers of the Flower Moon not only cemented the film’s status as an early front runner but it also confirmed that Leonardo DiCaprio will be in the running for Best Actor and Lily Gladstone for either Best Actress or Supporting Actress.  It also sound like Robert De Niro could receive another nomination.  (Despite the importance of his role, Jesse Plemons’s screen time is apparently limited.)

The other Oscar contender to come out of Cannes would appear to be Jonathan Glazer’s The Zone of Interest.  There is some talk that the film itself could be a bit too chilly for the Academy and, being familiar with Glazer’s work, that would not necessarily surprise me.  But, for now, The Zone of Interest is among my predicated Best Picture nominee.  I’m also going to continue to predict that Oppenheimer will be nominated and, after seeing the trailer, I’m a bit more confident that The Color Purple will be nominated as well.  And I’m still going to toss in Barbie because why not?

That said, the year isn’t even halfway over yet and there’s a lot of films to come.  It’s entirely possible that the majority of the best picture nominees are going to be films that haven’t even shown up on anyone’s radar yet.

Below are my predictions for May.  Be sure to also check out my predictions for March and April!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Best Actress

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Ryan Gosling in Barbie

Samuel L. Jackson in The Piano Lesson

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Way Too Early Oscar Predictions For April


Here are my Oscar predictions for April!  As always, when it’s this early in the year, I recommend taking all of these with a grain of salt.  At this point, the only thing that anyone knows for sure is that it’s safe to remove Jonathan Majors and Magazine Dreams from any list of predictions.

Check out my predictions for March by clicking here!

Best Picture

The Actor

Barbie

The Color Purple

Dumb Money

Dune: Part Two

Flint Strong

The Holdovers

Killers of the Flower Moon

Oppenheimer

Rustin

Best Director

Blitz Bazawule for The Color Purple

Rachel Morrison for Flint Strong

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Anthony Hopkins in Freud’s Last Session

Best Actress

Fantasia Barrino in The Color Purple

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Brian Tyree Henry in Flint Strong

Samuel L. Jackson in The Piano Lesson

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Way Too Early Oscar Predictions For March


Now that the 2022 Oscars are over with, it’s time to move on to the 2023 Oscars!

Needless to say, there’s probably nothing more pointless than trying to guess which films are going to be nominated a year from now.  I can’t even guarantee that all of the films listed below are even going to be released this year.  And, even if they are released this year, I can’t guarantee that they’ll actually be any good or that the Academy will show any interest in them.  I mean, Martin Scorsese always seems like a safe bet but we all remember what happened with Silence.  For months, everyone said Silence would be the Oscar front runner.  Then it was released to respectful but not ecstatic reviews.  Audiences stayed away.  The film ended up with one technical nomination.

My point is that no one knows anything.  As much as I hate quoting William Goldman (because, seriously, quoting Goldman on a film site is such a cliché at this point), Goldman was right.

So, you may be asking, how did I come up with the nominees below?  For the most part, I guessed.  A few of them I went with because of the people who made the film.  Though shooting has wrapped, Ferrari might not even be released this year but it’s a Michael Mann film that stars Adam Driver so, for now, I have to include it.  Of course, I had to include Scorsese and Killers of the Flower Moon.  Asteroid City is there because the Academy embraced Wes Anderson once and it could always happen again.  Fair Play and Magazine Dreams‘s Jonathan Majors are listed because the Sundance Film Festival is still a recent memory.  Maestro is there because the Academy seems like to Bradley Cooper.  Dune Part Two and Oppenheimer are there because Film Twitter is convinced that they will be.

In other words, there’s no real science to these predictions.  It’s too early in the year to do anything but guess.  And for now, these are my guesses.  A year from now, they’ll be good for either bragging rights or a laugh.  Hopefully, they’ll be good for both.

Best Picture

Asteroid City

The Color Purple

Dune Part Two

Fair Play

Ferrari

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Rustin

Best Director

Chloe Domont for Fair Play

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Denis Villeneuve for Dune Part Two

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Jonathan Majors in Magazine Dreams

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Carey Mulligan in Maestro

Da’Vine Joy Randolph in The Holdovers

Julia Roberts in Leave the World Behind

Teyana Taylor in A Thousand and One

Best Supporting Actor

Mahershala Ali in Leave The World Behind

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Ethan Hawke in Strange Way Of Life

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Emily Blunt in Oppenheimer

Tantoo Cardinal in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Florence Pugh in Oppenheimer

Tilda Swinton in Asteroid City

Lisa Marie’s Way Too Early Oscar Predictions For February


Is it too early to start talking about next year’s Oscar race?

Of course, it is!  But I’m going to do it anyway.

Below, you’ll find the installment of my monthly list of Oscar predictions, not for what will win at the end of March but instead for what we’ll see nominated next year.  Obviously, there’s a lot that we don’t know about what’s going to happen later this year.  Only a few of the movies listed below have firmly set release dates.  Needless to say, I haven’t seen any of the films below and, as a result, I’m largely going on instinct.  Who knows if the films will be as good as their plot descriptions?  As much as I hate the overused quote from William Goldman, right now, no one knows anything.  Indeed, it’s not really until Festival Season hits that we really start to get even a vaguely clear picture of the Oscar race and we’ve got a long way to go until Cannes.

(And really, it’s debatable how much of a factor Cannes really is.  If the Oscar nominations were determined by Cannes, Red Rocket and The French Dispatch would be battling it out for best picture right now.)

The predictions below are, for the most part, just random guesses.  Most of them involve people who have won Oscars in the past.  The Fabelmans is there because it’s a Spielberg film, just as Killers of the Flower Moon makes the list because it’s directed by Martin Scorsese and it stars Leonard DiCaprio and Robert De Niro.  And, of course, a lot of the predictions are just the result of wishful thinking on my part.  I think it would be kind of fun if David Lynch got an acting nomination for his role in The Fabelmans, whatever that role may be.  I also think it would be nice if Brendan Fraser got a nomination to go along with his recent comeback.  I don’t know much about The Whale, beyond the fact that Fraser plays a 600-pound man trying to reconnect with his daughter.  For now, that’s enough.

So, without further ado, here are my way too early Oscar predictions!  As always, take them with a grain of salt.

Best Picture

Babylon

The Fabelmans

The Holdovers

Killers of the Flower Moon

Kitbag

Maestro

She Said

TAR

White Noise

The Woman King

Best Director

Damien Chazelle for Babylon

Gina Prince-Bythewood for The Woman King

Martin Scorsese for Killers of the Flower Moon

Ridley Scott for Kitbag

Steven Spielberg for The Fabelmans

Best Actor

Bradley Cooper in Maestro

Brendan Fraser in The Whale

Paul Giamatti in The Holdovers

Ryan Gosling in The Actor

Brad Pitt in Babylon

Best Actress

Naomi Ackie in I Wanna Dance With Somebody

Ana de Armas in Blonde

Viola Davis in The Woman King

Cate Blanchett in TAR

Carey Mulligan in Maestro

Best Supporting Actor

Bobby Cannavale in Blonde

Robert De Niro in Killer of the Flower Moon

John Boyega in The Woman King

Tom Hanks in Elvis

David Lynch in The Fabelmans

Best Supporting Actress

Tantoo Cardinal in Killers of the Flower Moon

Laura Dern in The Son

Li Jun Li in Babylon

Da’Vine Joy Randolph in The Holdovers

Michelle Williams in The Fabelmans

Lisa Reviews An Oscar Nominee: Sideways (dir by Alexander Payne)


I’ve never really gotten the obsession that some people have with wine.

Some of that may be because I hardly ever drink.  I’m not quite a teetotaler but I seem to be getting closer with each passing year.  But, beyond that, I just don’t get the whole culture that’s sprung up around wine snobbery.  I don’t get the people who sit around and say, “Oh, this is an amazing Australian wine and, someday, my great-great grandchilden will get to open it when they’re 90 and on their deathbeds.”  Everything that I’ve seen about wine tastings annoys me, from the overdramatic sniffing to the big bowls of spit-out wine.  (I’m not a big fan of spitting in general.)

The 2004 film Sideways is a film that’s all about wine snobs.  It follows two friends as they take a week-long vacation in the Santa Barbara wine country.  Miles (Paul Giamatti) is a depressed English teacher who loves wine and who has never gotten over his divorce.  He’s also a writer, though a remarkably unsuccessful one.  He’s waiting to hear back on his latest manuscript, an autobiographical novel that he fears might not be commercial enough.  Jack (Thomas Haden Church) was Miles’s college roommate and they’ve remained friends, despite Miles feeling that they have nothing in common.  Jack is a former semi-successful actor who now works as a voice over artist.  Jack knows little about wine.  He’s just looking for a chance to indulge in some meaningless, commitment-free sex before getting married.

Miles attempts to teach Jack to appreciate wine.  Jack attempts to get Miles to actually enjoy life for once.  Together …. THEY SOLVE CRIMES!

Actually, they don’t solve crimes.  That’s not the type of film that Sideways is.  This is an Alexander Payne film, which means that it’s essentially a road film in which two different characters consider their own mortality and question whether or not there’s more to life than just what they see around them.  The difference between the two characters is that Miles obsesses on the meaning of it all while Jack doesn’t exactly ignore Miles’s concerns but he’s much better at shrugging them off and blithely moving from one experience to another.  Miles wears his neurosis on his sleeve while Jack is slightly better at hiding them.

During their week-long excursion into wine country, Miles and Jack fall for two women who undoubtedly deserve better.  Maya (Virginia Madsen) is a waitress who is working on her master’s degree in horticulture.  Maya shares Miles’s love of wine and is one of the few people to show any genuine interest in Miles’s book.  Stephanie (Sandra Oh) is as much of a free spirit as Jack and, after spending two days with her and her daughter, Jack starts talking about canceling (or, at the very least, delaying) his upcoming wedding.  Miles, meanwhile, is falling in love with Maya but there’s a problem.  Jack lied to Maya and told her that Miles’s book is about to be published and Jack has failed to tell Stephanie that he’s engaged….

And really, it would be very easy to be dismissive of both Miles and Jack if they were played by anyone other than Paul Giamatti and Thomas Haden Church.  If you ever need a movie to cite as an example of how perfect casting can inspire you to forgive characters who do rotten things and make stupid mistakes, Sideways would be a good film to go with.  Thomas Haden Church brings an unexpected sincerity to the role of Jack, one that keeps him from coming across as being malicious but instead suggests that he just can’t help himself.  If nothing else, Haden Church’s concern for Miles comes across being genuine.  (“I guess because you were wearing your seat belt.”)  Meanwhile, in the role of Miles, Paul Giamatti again proves that he’s one of those rare actors who can take a rather annoying character and somehow make him totally sympathetic.  It help that Giamatti brings a lot of self-awareness to the role.  Yes, Miles can be whiny and self-absorbed but at least he knows that he’s whiny and self-absorbed and he’s just as annoyed with himself as we often are.

The actors even manage to make all of the wine talk palpable for non-wine people like me.  During Virginia Madsen’s lengthy monologue about why she loves wine, I found myself thinking, “That’s why I love movies.”  Just as wine tastes different depending on who is drinking it and when they opened the bottle, how one experiences a movie can change from time to time and depending on each individual viewing experience.  Just as the best wine was cultivated over time, the same can be said of movies, many of which are not recognized for their greatness until years after they were first produced.  Just as Maya thinks about all the people who played a part in creating the perfect bottle of wine, I think about all the people who played a part in creating the movies that I love.  You don’t have to love wine to enjoy Sideways.  You just have to love something.

Sideways was nominated for Best Picture but it lost to Million Dollar Baby.  Amazingly, Paul Giamatti was not nominated for Best Actor.

I Watched The Phenom


The Phenom is a movie that really took me by surprise.

It’s about a pitcher named Hopper Gibson (Johnny Simmons), a kid just out of high school who has a 100 mile fastball and a big future in major league baseball.  However, after a promising start, Hopper is struggling.  He has control issues.  He’s throwing wild pitches.  He’s losing games.  The team finally sends Hopper to see Dr. Mobley (Paul Giamatti), a sports psychologist who say that he can help Hopper regain his focus.

Hopper has a lot to deal with.  He’s still just a teenager but he feels like he has the weight of the world on his shoulders.  He promised his mom that he’d buy her a new house and, at the same time, the press is constantly hounding him and demanding that he give them a good quote every time that he loses a game.  Meanwhile, Hopper’s father (Ethan Hawke), who has always put tremendous pressure on his son, is failed ball player himself and a drug dealer.  Hopper finds himself torn between two philosophies, his father’s belief that winning is the only thing that matter and Dr. Mobley’s more gentle approach to the game.  The problem is that, with everyone wanting someone from him, Hopper doesn’t know who he can trust.

The Phenom is a baseball movie and the main character is a pitcher but hardly any of the action takes place on the mound.  Instead, most of the movie takes place in either Dr. Mobley’s office or in Hopper’s head.  The Phenom does a good job of showing the type of daily pressure that Hopper is living under.  All of his life, everyone has told Hopper that he has a special gift and now, he’s so scared of not living up to his potential that he can’t get the ball across the plate.  At the same time, the film is also critical about the the emphasis that society puts on celebrities and professional athletes.  While Hopper goes into the major leagues straight out of high school, his valedictorian girlfriend struggles to pay for college.  Because Hopper can throw a fastball, no one has ever cared about whether or not he actually got an education.  But what’s going to become of Hopper and all the professional athletes like him when they can no longer play the game?  Hopper is a kid who was always told that he would never have to grow up and now, he’s expected to make adult decisions about the rest of his life.

Johnny Simmons does a really good job playing Hopper and the film really makes you think about the pressure that society puts on professional athletes to constantly win.  Most people can get away with having a bad day but, if a pitcher or a quarterback does it, the whole world wants their head.  The next time I want to yell at whoever’s pitching for the Rangers, I’m going to remember Hopper and this movie.

The Phenom was directed and written by Noah Buschel and it is currently streaming on Netflix.