Live Tweet Alert: Join #FridayNightFlix for Captain America!


 

Captain America (1990, dir by Albert Pyun, DP: Philp Alan Waters)

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1990’s Captain America!

No, it’s not the MCU Captain America.  Instead, this is the Captain America that was directed by Albert Pyun and which stars J.D. Salinger’s son!  Captain America battles not only the Red Skull but also climate change!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Captain America is available on Prime!  See you there!

The Eric Roberts Collection: Amityville Death House (dir by Mark Polonia)


Eric Roberts is The Warlock!

If you’re specifically watching the 2015 film, Amityville Death House, because of the presence of Eric Roberts (and seriously, who could blame you?), Roberts appears about four minutes into the film.  His first scene lasts about 50 seconds.  He pops up a few more times throughout the film and, each time, he’s onscreen for, at most, 20 seconds.  Every time that he appears, he is sitting in a room that has been decorated to look like a dungeon.  He never interacts with anyone in the cast and, indeed, it’s easy to tell that this is another one of these films where he did all of his scenes in one day and probably didn’t even have to leave his house.  He wears a mask throughout the entire film but there’s no mistaking his voice.

Amityville Death House takes place in the town of Amityville, New York and it features a house that looks like a smaller version of the infamous haunted house that appears in most of the other Amityville films.  That said, there’s not any reference to the supposed hauntings or the DeFeo murders or any of the other usual Amityville plot points.  Instead, this film deals with the spirit of a 17th century witch named Abigail, who was lynched by the inhabitants of Amityville.  Eric Roberts plays the Warlock who, for reasons that are never quite clear, hopes to bring Abigail’s spirit back into the realm of the living.

When Tiffany (Kyrsten St. Pierre) comes up to Amityville to check in on her grandmother (Yolie Canales), she finds Abigail’s old diary and realizes that her grandmother lives in Abigail’s former home.  Tiffany even reads aloud from the diary, which is not good news for her friends, Aric (Michael Merchant), Bree (Cassandra Hayes), and Dig (Houston Baker).  Her friends were just traveling with Abigail to help her out at her grandmother’s place.  They certainly weren’t expecting to end up under a witch’s curse thanks to Tiffany’s stupidity.

Even with a running time of just 75 minutes, Amityville Death House is a painfully slow film.  Scenes play out with no sense of pace or suspense and the characters are all paper thin.  The final ten minutes of the film are enjoyably weird, with the characters suffering from hallucinations, one person turning into a spider, and dialogue like, “She has the witch’s teats!”  But it takes such a long time for the movie to reach that point and there’s so much unnecessary padding on the way that many viewers will probably check out before getting to experience any of that.

On the plus side, though, Eric Roberts at least sounded like he was having fun.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Dark Angel (1996)
  9. Doctor Who (1996)
  10. Most Wanted (1997)
  11. Mr. Brightside (2004)
  12. Six: The Mark Unleased (2004)
  13. Hey You (2006)
  14. In The Blink of an Eye (2009)
  15. The Expendables (2010) 
  16. Sharktopus (2010)
  17. Deadline (2012)
  18. Miss Atomic Bomb (2012)
  19. Lovelace (2013)
  20. Self-Storage (2013)
  21. This Is Our Time (2013)
  22. Inherent Vice (2014)
  23. Road to the Open (2014)
  24. Rumors of War (2014)
  25. A Fatal Obsession (2015)
  26. Stalked By My Doctor (2015)
  27. Joker’s Poltergeist (2016)
  28. Stalked By My Doctor: The Return (2016)
  29. The Wrong Roommate (2016)
  30. Stalked By My Doctor: Patient’s Revenge (2018)
  31. Monster Island (2019)
  32. Seven Deadly Sins (2019)
  33. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  34. The Wrong Mommy (2019)
  35. Free Lunch Express (2020)
  36. Her Deadly Groom (2020)
  37. Top Gunner (2020)
  38. Just What The Doctor Ordered (2021)
  39. Killer Advice (2021)
  40. The Poltergeist Diaries (2021)
  41. My Dinner With Eric (2022)

Previous TSL Amityville Reviews:

  1. The Amityville Horror (1979)
  2. Amityville II: The Possession (1981)
  3. The Amityville Cure (1990)
  4. The Amityville Haunting (2011)
  5. Amityville: The Awakening (2017)
  6. The Amityville Murders (2018)
  7. Amityville Cop (2021)
  8. Amityville Emanuelle (2023)

The TSL Grindhouse: Amityville Cop (dir by Gregory Hatanaka)


2021’s Amityville Cop does not take place in Amityville.

Actually, as far as I can remember, we never learn the name of the city where this movie is supposed to be taking place.  But it definitely is a city and it’s not on Long Island so we can safely assume that it’s not Amityville.  It’s not even New York City, which would have at least made the film somewhat Amityville-adjacent.

Amityville Cop also does not feature the infamous house.  Nor does it feature a recreation of the DeFeo murders or any conversations about the Lutz hauntings or any of the other nonsense that we typically expect from an Amityville film.

In fact, there’s really no reason for this film to be called Amityville Cop, beyond the fact that Amityville is a recognized brand.

Instead, this is yet another remake of Maniac Cop.  This time, the cop in question was a rookie who was either sacrificed by a Satanic cult or who voluntarily chose to be possessed by a demon.  It’s a bit hard to follow exactly what happened, to be honest.  The head of the cult is played by Laurene Landon, who also appeared in two of Maniac Cop films.  Her role is brief but she’s around long enough to ensure that Officer Wilson (Lovie Johnson) will come back to life as a demon who wanders around in the city in his policeman’s uniform and who kills people for the least little infraction.  (“No loitering,” he says, before killing one unfortunate homeless man.)

Meanwhile, the non-possessed cops are pretty much useless.  Benson (Jason Toler) and his partner, Val (Nicole D’Angelo) are both infamous for roughing up suspects.  Tom (Leonard Zhang) is socially awkward and never hangs out with the other cops while off-duty because he’s always too busy taking care of his mother.  Cooper (Chris Spenelli) is boring.  Lewis (Craijece Danielle) is inexperienced.  Detective Clawson (Lisa London) always seems like she’s more interested in going after her fellow cops than the actual criminals.  And Chief Benson (Jeffrey Moon) is more concerned with throwing a New Years Party at the station house than actually solving any crimes.

Yes, the entire police force appears to be gathered at the station, partying and dancing as the New Year approaches.  It kind of makes you wonder just who exactly is on patrol in the city. Then again, it is New Years Eve.  It’s not as if that’s a time of the year that’s associated with people getting drunk and disorderly.  Anyway, the important thing that Officer Wilson eventually shows up for the party and soon, the killings start and Tom starts to consider which side he wants to be on.

Where to start with all this?  It’s not a very good movie.  You probably already guessed that.  The awkward dialogue is stiffly delivered, the kills are largely uninspired, and the characters themselves are not particularly interesting.  Benson, our nominal hero, literally bullies Tom to the extent that Tom is willing to sacrifice his soul to get revenge but the film never calls him out on it.  No one ever says, “Gee, Benson, maybe you went too far when you made fun of his mom.”  On the plus side, Officer Wilson is occasionally intimidating.  There was one scene where he suddenly comes running down a hallway and, for a few seconds, the film came to life.  But it’s hard not to feel that, in our cultural moment, Amityville Cop missed the chance to be something truly subversive.  At a time when many people are asking whether we need the police at all, this film asks whether we actually need any more Amityville films.

Previous TSL Amityville Reviews:

  1. The Amityville Horror (1979)
  2. Amityville II: The Possession (1981)
  3. The Amityville Cure (1990)
  4. The Amityville Haunting (2011)
  5. Amityville: The Awakening (2017)
  6. The Amityville Murders (2018)
  7. Amityville Emanuelle (2023)

Insomnia File #60: Project Kill (dir by William Girdler)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have always hopped on Tubi and watched the 1976 “thriller,” Project Kill!

In Project Kill, Leslie Nielsen stars as John Trevor, an intelligence agent who has spent six years training a group of men who are regularly given injections of a super soldier serum.  As the film begins, Trevor confesses to his second-in-command, Lassiter (Gary Lockwood), that he worries that the men are actually being used as assassins and that the serum is being used as a mind-control drug.  Yikes!

When Trevor flees from his secret government base and heads to the Philippines, Lassiter is assigned to track him down and bring him back before he can reveal any government secrets.  A crime boss named Alok Lee (Vic Diaz) wants to track down Trevor and learn his mind-control techniques.  Trevor, meanwhile, would rather just spend all of his time in bed with Lee Su (Nancy Kwan).  Unfortunately, because Trevor took a few doses of the serum himself, he soon finds himself losing control and becoming more and more violent.  Lassiter comes to realize that he may not be able to bring back Trevor alive.

Sounds really exciting, doesn’t it?

Well, not quite.  I mean, don’t get me wrong.  There are plenty of fight scenes and there’s a car chase and the film ends with Trevor and Lassiter having a confrontation on a loading dock that’s about as exciting as a fight between two middle-aged, obviously out-of-shape men could be.  Leslie Nielsen’s stunt double puts on a gray hairpiece and shows off some rudimentary karate moves.  To give credit where credit is due, the end of the movie features nearly perfect use of slo mo of doom.

(What is slo mo of doom?  It’s when the action starts moving in slow motion because someone is about to enter a world of pain.  Slo Mo of doom works best when it involves a roundhouse kick and someone yelling, “Noooooooooooooooo!”  Admittedly, that doesn’t happen in Project: Kill but still, the movie’s slo mo of doom works well.)

Unfortunately, in between the occasional action sequences, there are endless shots of people just wandering around.  The film features so much padding that one almost gets the feeling that the film itself was made up on the spot and director William Girdler’s one direction was, “Keep walking until we get enough footage to push this out to 90 minutes.”  As for the plot, I was never quite sure what John Trevor was trying to accomplish in the Philippines.

That said, I think most people are probably going to watch this movie specifically because it was one of the movies that Leslie Nielsen made before he became a beloved comedic icon.  This film is from the era when Leslie Nielsen was a dramatic actor.  The serious intentions don’t matter though.  Nielsen essentially gives the same performance that he gave in The Naked Gun films and it’s impossible not to laugh with him, regardless of how many people he kills.  Nielsen plays the role with a straight face, which, of course, was his comedic trademark.  Even when he faces off against Lassiter, you expect him to say, “Good luck.  We’re all counting on you.”

Project Kill is one of those films where the unintentional laughs save the film.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit

Monday Live Tweet Alert: Join Us For Project Kill and Dead Again!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1976’s Project Kill I picked it so you know it’ll be good.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1991’s Dead Again!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Project Kill on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Dead Again, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

 

Retro Television Reviews: What She Doesn’t Know (dir by Kevin James Dobson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1992’s What She Doesn’t Know!  It  can be viewed on YouTube!

Molly Kilcolin (Valerie Bertinelli) has graduated from law school!

In fact, she’s not only graduated from law school but she’s graduated from Harvard Law School, the most prestigious and most expensive law school out there.  And she’s graduated at the top of her class.  She’s the one who gets to give the speech at graduation, where she says that everything she knows about justice she learned from her father.

It’s really quite an accomplishment when you consider that Molly isn’t even from a rich family.  She’s from a family of blue collar, New York City cops.  Her father, Jack Kilcoin (George Dzundza), certainly never had a chance to go to Harvard.  How did Molly even afford to go to Harvard?  Apparently, her tuition was paid out of a trust fund that her aunt set up for her when she was a child.  Seriously, that must have been a helluva trust fund because Harvard is not cheap or easy to get into.

Unfortunately, Molly disappoints her father when she tells him that she will not be accepting a job with a high class law firm but instead, she plans to work for the District Attorney’s office.  Her fellow prosecutors are skeptical of her as well.  Why does she want to go from Harvard to making next to no money in the trenches?  Someone asks her if she has political ambitions but no, Molly just wants to do the right thing.  She grew up in the neighborhood, don’t you know.  She knows the people who are getting caught up in the Mafia’s schemes.

After Molly convinces a young mobster named Joey Mastinelli (Peter Dobson) to testify against his boss, she is shocked to discover that over half of the NYPD is on the Mob’s payroll.  She is even more shocked to discover that her father is one of those dirty cops.  For years, her father has been taking bribes and hiding the money away in Molly’s trust fund.  Molly’s Harvard education was paid for by the Mafia!

As you can probably guess, family dinners are about to get awkward!

I usually enjoy films like What She Doesn’t Know because I’m always interested in the Mafia and there was a time when I briefly thought it might be fun to grow up and go to law school.  I don’t know if I would have wanted to become a prosecutor, of course.  Unlike Molly, I probably would have taken that ritzy law firm offer.  The idea behind What She Doesn’t Know had potential but it was let down by the execution.  Valerie Bertinelli tries hard but she’s just not convincing as a tough-as-nails Harvard grad.  George Dzundza is a bit more believable as an aging New York cop but he’s still a bit on the dull side.  (It would have been nice if this film could have been made a few years later, with Mira and Paul Sorvino in the lead roles.)

The film’s biggest flaw is that it portrays Molly as being so totally clueless about her father’s activities that it makes her seem to be impossibly naïve.  I mean, did she never wonder how she could possibly afford to go to Harvard?

Seriously, Harvard’s expensive!

June Positivity: Online (dir by Kevan Otto)


The 2013 film, Online, opens with a bunch of male co-workers going out for pizza.  They’re celebrating the promotion of John Wild (Morgan Ayers), who has gone from being a preacher’s kid to being the youngest executive at their company.  Before they dig into the pizza, one of the older men says a quick blessing over it….

Yes, it’s one of those films!

John has a well-paying job, a big house, and a beautiful and supportive wife named Mary (Kelsey Sanders).  For most people, that would probably be enough to be happy for at least a few years but not for John!  John finds himself thinking about his high school girlfriend, Adrianna (Esseri Holmes).  John was in love with Adrianna, or at least he thought he was.  But then, one day, she told him that her father’s company was forcing them to relocate to France.  Both John and Adrianna were heart-broken.

(My family moved around a lot when I was growing up.  Whenever my Dad got a new job, we moved to a new town and often a new state.  Personally, I would happily trade that month in Tulsa for a few years in France.)

Despite the fact that he’s happily married and he knows that he shouldn’t, John decides to look Adrianna up online.  He uses a site called SocialFriends.com because everyone knows better than to run the risk of getting sued by Facebook.  (My favorite Facebook’s substitute was Degrassi‘s Facerange.)  It turns out that Adrianna has not only returned to America but she also lives nearby!

Unfortunately, Adrianna is married now.  Even more unfortunately, her husband is a French cosmetics heir named Pierre (Byron Herlong).  Pierre spends all of his time complaining about Americans being materialistic and arrogant.  Adrianna replies that, if it wasn’t for those “arrogant Americans,” he would “be speaking German right now.”  Boom!  You tell him, girl!  Pierre doesn’t have a snarky reply for that!

John reaches out to Adrianna.  They have dinner at a fancy restaurant.  They talk.  They catch up on old times.  They eventually share one kiss.  Of course, John doesn’t bother to tell his wife about any of this and instead, he just tells a lot of lies about having to work late.  However, Mary’s not dumb.  She knows that there is something her husband isn’t telling her, especially after the credit card bill comes in and she discovers how much he’s been spending on dinner.  Mary’s mother, who has never gotten over being cheated on by her own husband, hires a private detective to follow John around.

John’s mistake, one of his co-workers explains, wasn’t just that he reached out to Adrianna and then lied to his wife about it.  John’s mistake is that he allowed himself to dine alone with another woman to begin with!

Online is one of those low-budget indie films that really makes you appreciate directors and editors who know how to keep the action moving at a steady pace because the film was filled with so many slow spots that it was next to impossible for me to really focus on it.  My mind kept wandering as I watched the film.  I also got a bit annoyed that, while John was given a chance at redemption, Adrianna was not.  If John was portrayed as being someone who, in the midst of a mid-like crisis, made a mistake than Adrianna was essentially portrayed as just being a brazen homewrecker.  That said, the film did feature Pierre being put in his place and I appreciated that.  Arrogant Americans for the win!

Live Tweet Alert: Watch The Oak Room with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Tim Buntley will be hosting 2020’s The Oak Room!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Live Tweet Alert: Join #FridayNightFlix for Robocop!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1987’s Robocop!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Robocop is available on Prime and Tubi!  See you there!

Lisa Marie’s Early Oscar Predictions For May


Here are my Oscar predictions for May!

Well, for once, Cannes has helped the Oscar picture to come into focus.  The triumphant premiere of Killers of the Flower Moon not only cemented the film’s status as an early front runner but it also confirmed that Leonardo DiCaprio will be in the running for Best Actor and Lily Gladstone for either Best Actress or Supporting Actress.  It also sound like Robert De Niro could receive another nomination.  (Despite the importance of his role, Jesse Plemons’s screen time is apparently limited.)

The other Oscar contender to come out of Cannes would appear to be Jonathan Glazer’s The Zone of Interest.  There is some talk that the film itself could be a bit too chilly for the Academy and, being familiar with Glazer’s work, that would not necessarily surprise me.  But, for now, The Zone of Interest is among my predicated Best Picture nominee.  I’m also going to continue to predict that Oppenheimer will be nominated and, after seeing the trailer, I’m a bit more confident that The Color Purple will be nominated as well.  And I’m still going to toss in Barbie because why not?

That said, the year isn’t even halfway over yet and there’s a lot of films to come.  It’s entirely possible that the majority of the best picture nominees are going to be films that haven’t even shown up on anyone’s radar yet.

Below are my predictions for May.  Be sure to also check out my predictions for March and April!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Best Actress

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Ryan Gosling in Barbie

Samuel L. Jackson in The Piano Lesson

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers