2021’s Amityville Cop does not take place in Amityville.
Actually, as far as I can remember, we never learn the name of the city where this movie is supposed to be taking place. But it definitely is a city and it’s not on Long Island so we can safely assume that it’s not Amityville. It’s not even New York City, which would have at least made the film somewhat Amityville-adjacent.
Amityville Cop also does not feature the infamous house. Nor does it feature a recreation of the DeFeo murders or any conversations about the Lutz hauntings or any of the other nonsense that we typically expect from an Amityville film.
In fact, there’s really no reason for this film to be called Amityville Cop, beyond the fact that Amityville is a recognized brand.
Instead, this is yet another remake of Maniac Cop. This time, the cop in question was a rookie who was either sacrificed by a Satanic cult or who voluntarily chose to be possessed by a demon. It’s a bit hard to follow exactly what happened, to be honest. The head of the cult is played by Laurene Landon, who also appeared in two of Maniac Cop films. Her role is brief but she’s around long enough to ensure that Officer Wilson (Lovie Johnson) will come back to life as a demon who wanders around in the city in his policeman’s uniform and who kills people for the least little infraction. (“No loitering,” he says, before killing one unfortunate homeless man.)
Meanwhile, the non-possessed cops are pretty much useless. Benson (Jason Toler) and his partner, Val (Nicole D’Angelo) are both infamous for roughing up suspects. Tom (Leonard Zhang) is socially awkward and never hangs out with the other cops while off-duty because he’s always too busy taking care of his mother. Cooper (Chris Spenelli) is boring. Lewis (Craijece Danielle) is inexperienced. Detective Clawson (Lisa London) always seems like she’s more interested in going after her fellow cops than the actual criminals. And Chief Benson (Jeffrey Moon) is more concerned with throwing a New Years Party at the station house than actually solving any crimes.
Yes, the entire police force appears to be gathered at the station, partying and dancing as the New Year approaches. It kind of makes you wonder just who exactly is on patrol in the city. Then again, it is New Years Eve. It’s not as if that’s a time of the year that’s associated with people getting drunk and disorderly. Anyway, the important thing that Officer Wilson eventually shows up for the party and soon, the killings start and Tom starts to consider which side he wants to be on.
Where to start with all this? It’s not a very good movie. You probably already guessed that. The awkward dialogue is stiffly delivered, the kills are largely uninspired, and the characters themselves are not particularly interesting. Benson, our nominal hero, literally bullies Tom to the extent that Tom is willing to sacrifice his soul to get revenge but the film never calls him out on it. No one ever says, “Gee, Benson, maybe you went too far when you made fun of his mom.” On the plus side, Officer Wilson is occasionally intimidating. There was one scene where he suddenly comes running down a hallway and, for a few seconds, the film came to life. But it’s hard not to feel that, in our cultural moment, Amityville Cop missed the chance to be something truly subversive. At a time when many people are asking whether we need the police at all, this film asks whether we actually need any more Amityville films.
Previous TSL Amityville Reviews:
Through the Shattered Lens 