Retro Television Reviews: What She Doesn’t Know (dir by Kevin James Dobson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1992’s What She Doesn’t Know!  It  can be viewed on YouTube!

Molly Kilcolin (Valerie Bertinelli) has graduated from law school!

In fact, she’s not only graduated from law school but she’s graduated from Harvard Law School, the most prestigious and most expensive law school out there.  And she’s graduated at the top of her class.  She’s the one who gets to give the speech at graduation, where she says that everything she knows about justice she learned from her father.

It’s really quite an accomplishment when you consider that Molly isn’t even from a rich family.  She’s from a family of blue collar, New York City cops.  Her father, Jack Kilcoin (George Dzundza), certainly never had a chance to go to Harvard.  How did Molly even afford to go to Harvard?  Apparently, her tuition was paid out of a trust fund that her aunt set up for her when she was a child.  Seriously, that must have been a helluva trust fund because Harvard is not cheap or easy to get into.

Unfortunately, Molly disappoints her father when she tells him that she will not be accepting a job with a high class law firm but instead, she plans to work for the District Attorney’s office.  Her fellow prosecutors are skeptical of her as well.  Why does she want to go from Harvard to making next to no money in the trenches?  Someone asks her if she has political ambitions but no, Molly just wants to do the right thing.  She grew up in the neighborhood, don’t you know.  She knows the people who are getting caught up in the Mafia’s schemes.

After Molly convinces a young mobster named Joey Mastinelli (Peter Dobson) to testify against his boss, she is shocked to discover that over half of the NYPD is on the Mob’s payroll.  She is even more shocked to discover that her father is one of those dirty cops.  For years, her father has been taking bribes and hiding the money away in Molly’s trust fund.  Molly’s Harvard education was paid for by the Mafia!

As you can probably guess, family dinners are about to get awkward!

I usually enjoy films like What She Doesn’t Know because I’m always interested in the Mafia and there was a time when I briefly thought it might be fun to grow up and go to law school.  I don’t know if I would have wanted to become a prosecutor, of course.  Unlike Molly, I probably would have taken that ritzy law firm offer.  The idea behind What She Doesn’t Know had potential but it was let down by the execution.  Valerie Bertinelli tries hard but she’s just not convincing as a tough-as-nails Harvard grad.  George Dzundza is a bit more believable as an aging New York cop but he’s still a bit on the dull side.  (It would have been nice if this film could have been made a few years later, with Mira and Paul Sorvino in the lead roles.)

The film’s biggest flaw is that it portrays Molly as being so totally clueless about her father’s activities that it makes her seem to be impossibly naïve.  I mean, did she never wonder how she could possibly afford to go to Harvard?

Seriously, Harvard’s expensive!

Retro Television Reviews: The Seduction of Gina (dir by Jerrold Freedman)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1984’s The Seduction of Gina.  It  can be viewed on Tubi!

Gina (played by Valerie Bertinelli) is bored.

She’s a 20 year-old newlywed who spends her days going to college and her nights sitting in a tiny apartment and waiting for her husband, David (Fredric Lehne), to come home.  David is an intern at a hospital.  He works the nightshift and, as a result, he’s usually exhausted and not particularly communicative.  Unlike her husband, Gina comes from a wealthy family and she’s due to inherit a good deal of money as soon as she turns 21.  However, David stubbornly refuses to use any of Gina’s money to make either of their lives better.  He gets angry when Gina even mentions the possibility.  He’s prepared to spend the next ten years living in a crummy apartment and working terrible hours.  Once he establishes himself as a doctor, he says that he and Gina can start to think about starting a family.  Are you getting the feeling that David has control issues?  Because that’s definitely the feeling that I got from him.

Bored and frustrated, Gina turns to gambling.  Who can blame her?  Not only is it a way to make some money and bring some excitement into her life but it’s also something that she’s really good at!  She starts out just putting bets on horse races.  (The owner of a nearby bodega is also a bookie.)  She uses the money to buy a new television set, which David totally freaks out about.  Soon, Gina is sneaking off to Lake Tahoe.  While David works at the hospital, Gina hits the blackjack table and spins the roulette wheel.  She even attracts the eye of Keith Sindell (Michael Brandon), a handsome lawyer who loans her money and obviously has an interest in her that goes beyond card games.  Every morning, she jumps in her car and rushes back to San Francisco, arriving at her apartment before David gets home and lying to David about what she’s been doing all night.

It starts out well but this wouldn’t be a TV movie if there wasn’t a bit of drama.  Unfortunately, Gina’s luck starts to change and she soon finds herself in debt.  The owner of that bodega is a lot less nice when he’s demanding his money.  And Keith might be willing to cheat on his wife with her but he still expects her to pay back the money that he’s given her.  The world of gambling turns out to be harsh and unforgiving.  Gina is forced to find ways to get the money.  If that means lying to her husband, her father (played by Ed Lauter), and her accountant, so be it.  She might even have to — gasp! — get a job as a cocktail waitress!

It’s obvious from the start that Gina is going to get into trouble, or at least it’s obvious to everyone but Gina.  And really, isn’t that the way life is sometimes?  Usually, the only person who can’t see the walls closing in is the person who is about to get crushed.  The Seduction of Gina is melodramatic and predictable but Valerie Bertinelli is likable in the role of Gina and the scenes in casino are enjoyably gaudy and a little bit sordid.  It’s an entertaining movie, a Lifetime film that came out before Lifetime.  The film’s message is not to gamble but The Seduction of Gina makes winning look like so much fun that it probably inspired more people to hit the casinos than to stay at home and balance the checkbook.  In the classic DeMille fashion, this film offers both sin and a hint of salvation but it understands that sin is more entertaining to watch.

Insomnia File #58: The Haunting of Helen Walker (dir by Tom McLoughlin)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or Netflix? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have gotten on YouTube and watched 1995’s The Haunting of Helen Walker!

What’s it about?  Read on but stop me if this sounds familiar.

In Victorian-era England, a somewhat neurotic young woman is hired to serve as the governess for two children who live in a foreboding estate. Once the governess arrives, she discovers that the children — especially little Miles — can be a handful. She also discovers that there was a governess hired before her, a governess who died under mysterious circumstances. At night, the new governess hears strange noises and soon, she becomes convinced that she’s seen the ghosts of both her predecessor and the old governess’s lover, Peter Quint. Everyone else may think that the new governess has allowed the isolation of the estate to get to her but she’s convinced that the ghosts have possessed the children! She becomes determined to save the children, even at the risk of their own lives….

If that sounds familiar, then you’ve either read Henry James’ Turn of the Screw or you’ve seen one of the several movies that were based on his novella. The Haunting of Helen Walker, which was made-for-television and initially broadcast in 1995, reimagines James’s unnamed governess as Helen Walker, an American woman played by Valerie Bertinelli. The Haunting of Helen Walker also differs from its source material in that it leaves little doubt about the fact that the ghosts are real and the children have been possessed. While the novella is deliberately unclear about whether the governess is correct or if she’s just hallucinating, The Haunting of Helen Walker has little use for such ambiguity.

Still, if you can accept the changes to the source material, The Haunting of Helen Walker is an entertaining and atmospheric ghost story. Director Tom McLoughlin doesn’t waste any time getting to the action and Christopher Guard makes for an appropriately brooding and dangerous Peter Quint. At first, it’s a bit jarring to hear Valerie Bertenelli’s American accent in what is essentially the epitome of a British ghost story but she gets better as the film progresses and she does an especially good job during the film’s dramatic climax. Finally, Diana Rigg does a great job playing the estate’s intimidating housekeeper, Mrs. Grose. She’s skeptical of Helen from the minute she arrives and the fact that Helen says she can see ghosts doesn’t do much to improve Mrs. Grose’s opinion.

In the end, this is an entertaining, if hardly definitive, take on Henry James’s novella. Having been made for 90s television, it actually has to be rather restrained in its shocks but that actually works to the film’s advantage, forcing the movie to rely on atmosphere over jump scares. The Haunting of Helen Walker is currently on YouTube and it’s fine viewing for a rainy night.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster

Horror On The Lens: The Haunting of Helen Walker (dir by Tom McLoughlin)


Stop me if this sounds familiar.

In Victorian-era England, a somewhat neurotic young woman is hired to serve as the governess for two children who live in a foreboding estate. Once the governess arrives, she discovers that the children — especially little Miles — can be a handful. She also discovers that there was a governess hired before her, a governess who died under mysterious circumstances. At night, the new governess hears strange noises and soon, she becomes convinced that she’s seen the ghosts of both her predecessor and the old governess’s lover, Peter Quint. Everyone else may think that the new governess has allowed the isolation of the estate to get to her but she’s convinced that the ghosts have possessed the children! She becomes determined to save the children, even at the risk of their own lives….

If that sounds familiar, then you’ve either read Henry James’ Turn of the Screw or you’ve seen one of the several movies that were based on his novella. The Haunting of Helen Walker, which was made-for-television and initially broadcast in 1995, reimagines James’s unnamed governess as Helen Walker, an American woman played by Valerie Bertinelli.

Now, The Haunting of Helen Walker does take some liberties with Henry James’s source material.  The novella was a masterpiece of ambiguity.  The Haunting of Helen Walker is …. less so.  Let’s just say this version doesn’t leave much doubt as to whether or not there’s actually ghosts in the mansion.  That said, it’s still an entertaining made-for-TV movie.

Check out my full review here and watch the film below.

Enjoy!

A Movie A Day #308: Number One With A Bullet (1987, directed by Jack Smight)


Number One With A Bullet is the story of two cops.  Nick Barzack (Robert Carradine) is so crazy that the all criminals have nicknamed “Beserk.”  (Who says criminals aren’t clever?)  Nick’s partner, Frank Hazeltine (Billy Dee Williams) is so smooth that jazz starts to play whenever he steps into a room.  Nick keeps a motorcycle in his living room, wants to get back together with his wife (Valerie Bertinelli), and has an overprotective mother (Doris Roberts).  Hazeltine is Billy Dee Williams so all he has to worry about is being the coolest man on Earth.  Their captain (Peter Graves!) may want them to do things by the book but Nick and Hazeltine are willing to throw the book out if it means taking down DaCosta, a so-called respectable citizen who they think is actually the city’s biggest drug lord.

It is natural to assume that, because of the whole crazy white cop/centered black cop storyline, this movie was meant to be a rip-off of a well-known film starring Mel Gibson and Danny Glover but actually, Number One With A Bullet was released a week before Lethal Weapon.  As well, while Carradine’s Nick is almost as crazy as Mel Gibson’s Riggs, it is impossible to imagine Billy Dee Williams ever saying that he’s “too old for this shit.”  Williams is having too good a time listening to jazz and picking up women.  Whenever Hazeltine shows up, Number One With A Bullet feels like a Colt 45 commercial that somehow costars Robert Carradine.  Whenever the film is just Carradine, it feels like an unauthorized sequel to Revenge of the Nerds where Lewis gets really, really pissed off.

Number One With A Bullet is a Cannon film and entertaining in the way that most late 80s Cannon films are.  There is a lot of action, a little skin, and some dated comedy, much of it featuring Robert Carradine having to dress in drag.  There is also a mud wrestling scene because I guess mud wrestling was extremely popular back in the 80s.  They may not be Gibson and Glover but Carradine and Williams still make a good team and they both seem to be having a ball.  For fans of cheap 80s action films, there is a lot to enjoy in Number One With A Bullet.