Maniac Cop 2 (1990, directed by William Lustig)


Maniac Cop 2 picks up where the first Maniac Cop ended.

The NYPD thinks that the undead maniac cop Matt Cordell (Robert Z’Dar) has been destroyed but he is actually still alive and killing civilians and cops in New York.  He has even teamed up with a serial killer named Steven Turkell (Leo Rossi, ranting and raving like a pro).  Jack Forrest (Bruce Campbell) and Theresa Malloy (Laurene Landon) both return from the first film but both of them are killed by Cordell before the movie is even halfway over.  Maniac Cop 2 is not playing around.

With Jack and Theresa gone, it falls to Detective Sean McKinney (Robert  Davi) and Officer Susan Riley (Claudia Christian) to discover what the rest of the audience already knows, that Cordell is seeking revenge against the system that abandoned him in prison.  The new police commissioner, Ed Doyle (Michael Lerner), is determined to cover up what happened but Cordell is even more determined to have his vengeance.  Working with Turkell, Cordell heads to the prison where he was unjustly incarcerated and murdered.

Maniac Cop 2 is a marked improvement on the first film.  Cordell is no longer a lumbering and slow monster.  He is now a ruthless, Terminator-style executioner who, in the film’s best-known scene, wipes out an entire police precinct in a matter of minutes.  Cordell is so ruthless that he won’t even stop when he’s on fire.  His partnership with Turkell adds a new twist to the Maniac Cop saga.  Turkell views Cordell as his partner-in-crime but Cordell is only interested in getting his revenge.  (Turkell was originally meant to be Frank Zito, the main character from Lustig’s Maniac.  When Maniac star Joe Spinell died before shooting began, the role was changed to Leo Rossi’s Steven Turkell.)

Stepping into the shoes of the main investigation, Robert Davi gives one of his best performances.  As opposed to the boring heroes of the first film (sorry, Bruce!), Davi’s Sean McKinney is just as obsessive and ruthless as Cordell.  Cordell sets fire and McKinney uses those fires to light his cigarettes.

William Lustig has described Maniac Cop 2 as being his best film and he’s probably right.  It is definitely the best of the Maniac Cop films and the only one to fully take advantage of its premise.

Maniac Cop (1988, directed by William Lustig)


In New York City, murders are being committed by a hulking man dressed in a policeman’s uniform.  The NYPD brass (led by William Smith and Richard Roundtree) want to cover up the fact that the murders are being committed by an apparent maniac cop but Lt. Frank McRae (Tom Atkins) leaks the news to the press.  With the citizens taking up arms against cops, the brass is eager to frame adulterous cop Jack Forrest (Bruce Campbell) for not only murdering his wife but also committing all of the murders.  Lt. McRae believes that Jack is innocent.

Why is the brass so eager to frame Jack?  Maybe it’s because they know that the Maniac Cop is actually Matt Cordell (Robert Z’Dar), a formerly good cop who was sent to Sing Sing on  trumped up brutality charges.  Cordell was killed in prison but he has now come back to life and is seeking revenge on the police force that he feels betrayed him.

Written by Larry Cohen and directed by William Lustig, Maniac Cop is the first of three Maniac Cop films.  While the other two Maniac Cop movies largely work and hold up well, the first Maniac Cop is undoubtedly the worst of the trilogy, with most of the kills occurring offscreen and the action moving very slowly.  The film is full of genre vets and Tom Atkins gives another one of this good tough guy performances.  Bruce Campbell disappointingly plays his role straight and Robert Z’Dar, as intimidating as he is, is actually underused in this film.

As with most films written by Cohen, Maniac Cop has an interesting political subtext.  It focuses on cop brutality and corruption with Cordell becoming a symbol of most people’s mixed feelings about the police.  But the Maniac Cop trilogy wouldn’t really come to life until the second film.  The first spends a lot of time setting Cordell up as a relentless avenger but there’s not much of pay-off.

The TSL Grindhouse: Amityville Cop (dir by Gregory Hatanaka)


2021’s Amityville Cop does not take place in Amityville.

Actually, as far as I can remember, we never learn the name of the city where this movie is supposed to be taking place.  But it definitely is a city and it’s not on Long Island so we can safely assume that it’s not Amityville.  It’s not even New York City, which would have at least made the film somewhat Amityville-adjacent.

Amityville Cop also does not feature the infamous house.  Nor does it feature a recreation of the DeFeo murders or any conversations about the Lutz hauntings or any of the other nonsense that we typically expect from an Amityville film.

In fact, there’s really no reason for this film to be called Amityville Cop, beyond the fact that Amityville is a recognized brand.

Instead, this is yet another remake of Maniac Cop.  This time, the cop in question was a rookie who was either sacrificed by a Satanic cult or who voluntarily chose to be possessed by a demon.  It’s a bit hard to follow exactly what happened, to be honest.  The head of the cult is played by Laurene Landon, who also appeared in two of Maniac Cop films.  Her role is brief but she’s around long enough to ensure that Officer Wilson (Lovie Johnson) will come back to life as a demon who wanders around in the city in his policeman’s uniform and who kills people for the least little infraction.  (“No loitering,” he says, before killing one unfortunate homeless man.)

Meanwhile, the non-possessed cops are pretty much useless.  Benson (Jason Toler) and his partner, Val (Nicole D’Angelo) are both infamous for roughing up suspects.  Tom (Leonard Zhang) is socially awkward and never hangs out with the other cops while off-duty because he’s always too busy taking care of his mother.  Cooper (Chris Spenelli) is boring.  Lewis (Craijece Danielle) is inexperienced.  Detective Clawson (Lisa London) always seems like she’s more interested in going after her fellow cops than the actual criminals.  And Chief Benson (Jeffrey Moon) is more concerned with throwing a New Years Party at the station house than actually solving any crimes.

Yes, the entire police force appears to be gathered at the station, partying and dancing as the New Year approaches.  It kind of makes you wonder just who exactly is on patrol in the city. Then again, it is New Years Eve.  It’s not as if that’s a time of the year that’s associated with people getting drunk and disorderly.  Anyway, the important thing that Officer Wilson eventually shows up for the party and soon, the killings start and Tom starts to consider which side he wants to be on.

Where to start with all this?  It’s not a very good movie.  You probably already guessed that.  The awkward dialogue is stiffly delivered, the kills are largely uninspired, and the characters themselves are not particularly interesting.  Benson, our nominal hero, literally bullies Tom to the extent that Tom is willing to sacrifice his soul to get revenge but the film never calls him out on it.  No one ever says, “Gee, Benson, maybe you went too far when you made fun of his mom.”  On the plus side, Officer Wilson is occasionally intimidating.  There was one scene where he suddenly comes running down a hallway and, for a few seconds, the film came to life.  But it’s hard not to feel that, in our cultural moment, Amityville Cop missed the chance to be something truly subversive.  At a time when many people are asking whether we need the police at all, this film asks whether we actually need any more Amityville films.

Previous TSL Amityville Reviews:

  1. The Amityville Horror (1979)
  2. Amityville II: The Possession (1981)
  3. The Amityville Cure (1990)
  4. The Amityville Haunting (2011)
  5. Amityville: The Awakening (2017)
  6. The Amityville Murders (2018)
  7. Amityville Emanuelle (2023)

Tag Team Turmoil: …ALL THE MARBLES (MGM 1981)


cracked rear viewer

all_the_marbles

Before Dwayne “The Rock” Johnson, before Hulk Hogan and Roddy Piper , the worlds of professional wrestling and the movies had long been entwined. After all, they’re both show biz! Grapplers like Nat Pendleton , Mike Mazurki, Tor Johnson , Harold Sakata (GOLDFINGER’s Oddjob), and Lenny Montana (Luca Brasi in THE GODFATHER) made the successful transition from the squared circle to Hollywood, not to mention Mexican luchadores like El Santo and Mil Mascaras, who starred in the ring and in their own series of movies south of the border. Even early TV wrestling phenom Gorgeous George had his own feature film, 1949’s ALIAS THE CHAMP.

marbles

1981’s …ALL THE MARBLES was made just before the Hulkamania craze started a boom in pro wrestling’s popularity. It’s a serio-comic character study centering on small time manager Harry Sears and his two young charges Iris and Molly,  better known as tag team The California Dolls. Harry and Iris…

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