Retro Television Review: St. Elsewhere 3.16 “Saving Face”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, things continue to be awkward in Boston.

Episode 3.16 “Saving Face”

(Dir by Charles Braverman, originally aired on January 16th, 1985)

This episode of St. Elsewhere was even busier than usual.

  • Tough-as-nails Dr. Mary Woodley (Karen Austin) has been hired to oversee the ER.  Dr. Fiscus isn’t happy about it.  He’s going to have to work for a woman?  Agck!
  • Dr. Cavanero is also not happy.  Of course, the last time that St. Eligius hired a new female doctor, Cavanero told everyone at the hospital that she was a lesbian and, for some reason, this led to the doctor having to leave town.  (It was the 80s.)  Maybe, just maybe, there are reasons to have doubts about Cavanero’s professionalism.
  • Dr. Westphall shows Dr. Woodley around the hospital and, as usual, comes across as being the saddest man on the planet.
  • Dr. Westphall informs Jack that he will be allowed to continue on as a resident.  However, Westphall also rather glumly states that he will be watching Jack from now on.  Jack better not screw up or Westphall will “come down” on him.  Personally, I think Westphall is too depressed to really do much of anything.
  • Feeling guilty about Murray’s death, Elliott brings Mrs. Hufnagle a ham.  Mrs. Hufnagle has an allergic reaction and ends up back in the hospital.  “She thinks I tried to kill her!” Elliott says.
  • A teenager (Tim Van Patten) brings in his pregnant girlfriend, who has OD’d.  Dr. Woodley says she is required to call family services.  Myself, I started shouting, “I am da futah!” as soon as Tim “Stegman” Van Patten showed up on the screen.
  • Dr. Caldwell performs extensive plastic surgery on a disfigured young woman.  When Dr. Ehrlich says that the patient looks like she got hit with the “ugly stick,” Caldwell kicks Ehrlich off his team.
  • Nobody wants to work with Ehrlich!  Dr. Craig declines to invite Ehrlich to his 34 year anniversary party.  Cavanero agrees to take Ehrlich as her date.  “What are you doing here!?” Craig snaps as soon as he sees Ehrlich in his living room.
  • Dr. Craig’s younger brother, William (Lou Richards), also shows up.  He was invited at Ellen’s insistence, despite the fact that William and Mark haven’t spoken in over four years.  Mark feels that William has wasted his life and his potential.  But when William proves to be the life of the party, it becomes apparent that Mark is actually jealous of how likable his younger brother is.
  • In the kitchen, Mark and William have a long conversation.  William admits that he’s struggling to pay the bills.  Mark writes him a check.  For a few minutes, the brothers actually reconcile.
  • However, Mark later hears William joking about how much money surgeon’s make and he loses his temper.  In front of the entire party, he calls out William and reveals that he doesn’t have a dime to his name.
  • That night, after everyone else has left and William has gone to the guest room, Ellen tells Mark that he should apologize.  Mark agrees and says he’ll do it in the morning.
  • Later, during the night, Mark steps out of his bedroom and discovers that William has gone home.  He left behind the check, which he ripped in half.  Mark stares at the check and starts to cry.

This was another episode that did a good job balancing the serious and the humorous.  Dr. Ehrlich’s inability to say the right thing will never not be funny.  For that matter, the same can be said of Dr. Craig’s general irritation with everything.  And yet, seeing Dr. Craig break down and cry was truly heartbreaking.  Dr. Craig and Dr. Ehrlich share an inability to socialize and a habit of screwing up even the kindest of gestures.  Even when they try to do the right thing, they somehow always manage to screw it up.

I wanted to cry for all of them.

Retro Television Review: The American Short Story #13: Barn Burning


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a William Faulkner short story.

Episode #13: Barn Burning

(Dir by Peter Werner, originally aired in 1980)

The year is 1895 and everyone in Yoknapatawpha County, Mississippi knows that Abner Snopes (Tommy Lee Jones) is no good.  The taciturn and bitter Abner is notorious for burning down the barns of those who he feels have mistreated him.  When Abner is dragged into the Justice of the Peace’s courtroom (which also happens to be a general store), he’s only acquitted because the judge and the prosecutor realize it would be unfair to force Abner’s young son, Sartoris “Sarty” Snopes (Shawn Whittington), to testify against him.  Abner and his family are ordered to move to another town but Abner avoids any legal punishment.  Despite that, Abner still accuses Sarty of thinking about betraying him.

This episode follows Sarty as he tries to understand his abusive father, a man who is offended over being told to wash a rug that he intentionally damaged that he plots to burn down another barn.  (The owner of the rug is played by Jimmy Faulkner, the grandson of William Faulkner.)  Sarty wants his father’s love but it soon becomes clear that Abner is too angry and resentful to love anyone.  The story ends with a fire and an ambiguous tragedy, leaving both the fate of Abner and the future of Sarty unclear.

With his shifting viewpoints and his internalized style of narration, William Faulkner is not an easy writer to adapt to the screen.  With Barn Burning, director Peter Werner takes a straight-forward approach to Faulkner’s short story.  While Werner’s film might lack the nuance that was brought to the tale by Faulkner’s stream-of-consciousness style, it does work as a portrait of living with an angry man who is determined to let the world know that he’s not going to be pushed around anymore.  Tommy Lee Jones gives a strong, intimidating, and ultimately charismatic performance as Abner, a tyrant who only shows emotion when he feels that he’s been treated disrespectfully.  The story takes place in the ruins of the Old South and capture the struggle between the forced gentility of the old aristocracy and the crassness of the future, represented by Abner and his family.

This was a strong episode that truly did justice to William Faulkner’s short story.