Brad reviews BLOOD AND BONE (2009), starring Michael Jai White! 


Michael Jai White is Bone, an ex-convict who also happens to be a badass martial artist. After getting out of prison, Bone heads to Los Angeles and rents a room from Tamara (Nona Gaye), a foster mother to three kids. Once there, he hooks up with Pinball (Dante Basco) and enters the underground street-fighting scene, quickly gaining a reputation as the best fighter around. This catches the attention of the ruthless James (Eamonn Walker) who controls the local fighting action. Bone takes a special interest in James’ woman, the beautiful Angela (Michelle Belegrin). When Bone easily dispatches James’ best fighter Hammer (Bob Sapp), James invites him into his life because he wants him to take on Pretty Boy Price (Matt Mullins). Price is the prize fighter of the wealthy and powerful Franklin McVeigh (Julian Sands), and James sees Bone as his chance to beat Price and join the big time. But Bone is much more complicated than he initially seems, and he has an agenda that involves Angela and keeping a promise he made to an old friend. 

I’m a fan of B-movie star and martial artist Michael Jai White. I remember buying the DVD of BLOOD AND BONE a decade or more ago and thinking it was a good movie. I decided to revisit the film today and my opinion remains the same. It has a memorable opening scene where mixed martial artist Kimbo Slice and his crew confront White’s character Bone in the bathroom of an unnamed prison. Slice runs his mouth, and we soon learn that Bone is the biggest badass around. It’s a simple, awesome scene that proves to be a perfect introduction to our hero. From this point forward, BLOOD AND BONE seems to follow a similar storyline to my favorite Charles Bronson film HARD TIMES (1975). In HARD TIMES, Bronson is a badass fighter who rolls into town, hooks up with the fast talking James Coburn, dominates the local street fighting competition, and then heads back out of town. In BLOOD AND BONE, Michael Jai White rolls into town, hooks up with the fast talking Dante Basco, and dominates the local street fighting competition. However, in this film we find out that White is doing all of this to keep a jailhouse promise to a friend before heading out of town. I like White as an actor, martial artist, and charismatic screen presence, so I was all in as the action and the story played out. 

Aside from Michael Jai White’s basic badass character, I also like the relationship that develops between his Bone and Nona Gaye’s character, Tamara. She has a world weariness and bullshit detector, but she also realizes that his character has more depth than it may initially appear. They have some good moments sprinkled throughout the film that seem more grounded in reality than your typical B action movie relationships. Eamonn Walker is appropriately evil as the ruthless James, a man who has zero redeeming qualities. His character may not be set in the real world, but a movie like this needs someone to really dislike and Walker fits the bill. Dante Basco is fine as the fast-talking Pinball who helps break Bone into the underground fighting scene, but I didn’t find his character especially memorable. Julian Sands is prominently billed, but his part is quite small. He shows up at the beginning and the end, and delivers an outrageous monologue to Eamonn Walker about how he and his rich, white buddies are entertained by African Americans, but they don’t really want to hang out with them. It’s a pretty uncomfortable scene to be honest with you even though it’s being delivered to a completely despicable character. 

Overall, I like BLOOD AND BONE as a badass action and martial arts film with some heart. It’s not always easy to watch as it’s pretty violent, with multiple arms broken and shoulders dislocated to graphic effect. It also throws around some inappropriate slurs, which is somewhat typical of B movies made fifteen to twenty years ago, but they still stand out in this day and time. However, thanks to Michael Jai White’s badass performance, BLOOD AND BONE delivers the goods for anyone looking for an entertaining, bone-crunching action film. In that context, I definitely recommend it. See the trailer below:

Insomnia File #67: Heist (dir by Scott Mann)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you find yourself awake later tonight, you can always go over to Tubi and watch the 2015 direct-to-video action thriller, Heist.

Heist takes place in Louisiana.  Francis “The Pope” Silva (Robert De Niro) is a mobster and businessman who owns a riverboat casino.  The Pope lives his life according to a set of simple but very specific rules.  He doesn’t lend money.  He doesn’t forgive people who betray him.  If you steal from him, he will track you down and he will get his money back and he will make you regret your decision.  Working as his main henchman is the sadistic Dog (Morris Chestnut).  The Pope’s former main henchman was a man named Luke Vaughn (Jeffrey Dean Morgan) but Luke grew tired of the violence and walked away from it all.  Now, Luke works as a dealer in The Pope’s casino.  His daughter is sick and Luke desperately needs $300,000 to pay her medial bills.  When The Pope refuses to give him the money, Luke teams up with security guard Jason Cox (Dave Bautista) and sets out to rob the place.

The robbery is carefully planned by Luke but, inevitably, things go wrong.  A security guard shows up earlier than he was supposed to.  A shootout leads to Jason’s best friend, Dante (Stephen Cyrus Sepher), getting shot.  The getaway driver panics and drives off, leading to Luke, Cox, and Dante hijacking a bus.  Cox orders the bus driver (D.B. Sweeney) to take them to Galveston but Luke is more concerned with getting the money to his daughter.  Meanwhile, two police officers — Kris Bajos (Gina Carano) and Detective Marconi (Mark-Paul Gosselaar) — follow the bus, each pursuing their own agenda.

Considering that this film is basically a low budget rip-off of Speed (albeit without a bomb threatening to take out the cast), Heist has an impressive cast and they all do a good job of elevating the film above its B-movie origins.  Don’t get me wrong.  There are hundreds of plot holes to be found in Heist.  The film’s big twist really doesn’t make much sense when you think about it.  But, in the end, Heist is an entertaining thrill ride that moves quickly enough that most viewers really won’t have time to obsess on all the lapses of logic.  Morgan plays his role with just enough heart that you want his criminal to succeed.  De Niro brings some extra layers to a role that could have been a caricature.  There’s a brief scene in which he meets his estranged daughter (Kate Bosworth) and, as a result, you suddenly see his character in an entirely new light.  As a character who seems like a much more sinister version of Zach Morris, Mark-Paul Gosselaar keeps you guessing.  And finally, Gina Carano — years before her cancellation — gives an earnest performance that works despite her character being rather inconsistently written.

Heist is an entertaining and fast-paced action film with a good cast and an interesting story.  If you can’t sleep, you might as well be entertained.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit
  60. Project Kill
  61. Replica
  62. Rollergator
  63. Hillbillys In A Haunted House
  64. Once Upon A Midnight Scary
  65. Girl Lost
  66. Ghosts Can’t Do It

Nobody Can Stop Gina Carano In The Trailer For Daughter Of The Wolf!


Seriously, Gina Carano kicks so much ass!

She managed to survive starring in one of Steven Soderbergh’s worst films and has gone on to become one of my favorite action movie stars.  Though she may be best-known for her supporting roles in Fast & Furious 6 and Deadpool, Gina Carano’s best work is usually found in an underappreciated genre films like In The Blood and Scorched Earth.  For me, there’s little that’s more empowering than watching Gina Carano single-handedly take down an army of mercenaries and evil-doers.

The trailer for Carano’s upcoming film features her doing what she does best.  This time, she’s a mother trying to rescue her child and it would appear that screen veteran Richard Dreyfuss is playing the bad guy.  Carano vs. Dreyfuss?  I wonder who will win that one.

Here’s the trailer for Daughter of the Wolf!

Film Review: Deadpool (2016, directed by Tim Miller)


Deadpool_posterWade Wilson (Ryan Reynolds) is a mercenary with a sense of humor and a heart of not quite gold.  When he is diagnosed with terminal cancer, he leaves his girlfriend, Vanessa (Morena Baccarin), and agrees to allow a secret organization to experiment on him.  They will cure his cancer but, in return, they expect him to serve as a super powered slave for their own clients.  After being severely disfigured by the sadistic Ajax (Ed Skrein), Wilson develops a super human healing ability.  Eventually, Wilson escapes but now fears that he’s too twisted to return to Vanessa.  Taking on the identity of Deadpool, Wilson tries to track down and get his revenge on Ajax (real name: Francis).

From the moment I heard that 20th Century Fox was producing a Deadpool film, I had only one request: “Don’t fuck it up.”

After all, there is a reason why Deadpool is one of the most popular characters to come out of Marvel’s later period.  He’s certainly the best thing that Rob Liefeld has ever had a hand in creating.  First introduced in New Mutants and subsequently used in the various X-books before getting his own ground-breaking series, Deadpool has earned the right to be known as “the merc with a mouth.”  Deadpool was popular because, out of all the characters in the Marvel Universe, he alone understood that he was in a comic book.  He would frequently break the fourth wall and talk about how ridiculous life as a comic book antihero was.  At a time when almost all other super powered characters were presented as being grim and troubled, Deadpool was the often vulgar antidote to comic books that took themselves too seriously.

(My favorite Deadpool moment was when Deadpool had been once again incorrectly assumed dead.  When Blind Al told Weasel that Deadpool was dead, the footnote at the bottom of the panel read, “Guess the series is over!”)

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I saw Deadpool last weekend.

They did not fuck it up.

My biggest fear was that the Deadpool movie would present a neutered or toned down Deadpool but there was no need to worry.  Though the film’s plot may be a standard origin story with a revenge subplot tossed in, Deadpool distinguishes itself by staying true to the character’s anarchistic and self-referential humor.  This is not a case of Dolph Lundgren putting on a trenchcoat, driving a motorcycle, and calling himself the Punisher.  And it is certainly not a case of the strange character that Ryan Reynolds played in X-Men Origins who was supposed to be Deadpool but definitely was not.  Deadpool allows Deadpool to be Deadpool, right down to the red uniform, the broken fourth wall, and the R-rated humor and violence.  Deadpool earns its R rating and wears it as a badge of honor  This is not a movie for children.  Everything that most heroes do and say off-camera, Deadpool does and says for the entire audience to see and hear.

That's not Deadpool!

That’s not Deadpool!

That's Deadpool!

That’s Deadpool!

Deadpool ends with the promise of a sequel, perhaps one that will include Cable.  Since Cable is one of my least favorite Marvel characters, I hope that the sequel will at least see the return of Colossus (rendered by CGI and voiced by Stefan Kapicic) and Negasonic Teenage Warhead (Briana Hildebrand), both of whom make welcome appearances here.  Negasonic Teenage Warhead especially deserves her own spin-off film.  Let her blow up shit for two hours.  I’ll watch.

Also, if the sequel has to feature Cable, I hope it will also include Dr. Bong.  Deadpool needs all the help he can get!

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A Very Red Band Deadpool Trailer for Christmas


Deadpool

Twentieth Century Fox has had a stranglehold on the film rights to one of Marvel Comics’ biggest properties: the X-Men and every character associated with them. So far, the studio has only taken the core X-Men and Wolverine properties and adapted them onto the big-screen to mixed results. Some fans of the properties have even come to see the Fox vision for these mutant characters as tame and water-down version of the classic comic book characters.

One such mutant character which had languished in development hell within Fox was the character of Deadpool. The so-called “Merc with a Mouth” had an off and on development cycle throughout the years. The character finally appeared in the forgettable Wolverine stand-alone film, X-Men Origins: Wolverine. The character was played by Ryan Reynolds and just like another superhero film (this time for DC as the classic character of Green Lantern) he starred in, this one bombed and he was starting to be seen as a curse on superhero projects his named gets attached to.

If there was one major effect that Marvel Studios’ success with their Marvel Cinematic Universe has had with the rest of the Hollywood studios was to force them to treat their comic book property licenses seriously. They had to embrace the comic book nature of the properties they held the license to and work with it instead of against it.

It looks like Fox might be doing just that with their R-rated attempt at the Deadpool live-action adaptation starring the star who campained long and hard to produce and star as the title character: Ryan Reynolds. If the tone we’ve seen with the Comic-Con trailer and this latest red band trailer is any indication then the Ryan Reynolds superhero curse could be ending in early February of 2012.

Deadpool is set for a February 12, 2016 release date.

The (Official) Deadpool Red Band Trailer


Deadpool

Fox has released the trailer for Marvel’s Deadpool, which comes out next year. This is the same trailer that was shown at the San Diego Comic Con earlier this year, and is in crystal clear HD. For those who aren’t aware, Deadpool is the tale of Wade Wilson (no relation to me, mind you), who is dying of cancer and elects to join a program similar to the Weapon X one that created Wolverine. When he’s given the same healing factor as Wolverine, Wilson takes his new-found abilities and becomes Deadpool, the Merc With a Mouth, weapon-wielding extraordinaire. The movie has the potential to be great or maybe not, considering how hard they’re trying to appease their target audience. It hits just about every mark, with it’s breaking of the fourth wall and comic elements. It’s also great to not only see Ryan Reynolds reprising the mishandled role from X-Men Origins: Wolverine, but finally having it done in a way that at least comes close to the comic origins.

Why is this a Fox production and not a Disney/Marvel one? Well, for one, Fox already had the character. Two, I don’t think Deadpool fits into the wholesome do-gooder world that most of the Marvel Heroes and Heroines inhabit. He’s more like Stitch in comparison to the other Disney Characters.

Deadpool also stars Morena Baccarin, Gina Carano and T.J. Miller. Enjoy.

Film Review: In the Blood (dir by John Stockwell)


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Do you remember Haywire?

Haywire was an action film that came out in 2011.  It briefly got a lot of attention because it starred MMA fighter Gina Carano in her feature film debut and it was directed by Steven Soderbergh.  I have to admit that I didn’t care much for Haywire.  Some of that is because Gina Carano herself didn’t seem to be a very good actress but my main issue with the film was with Steven Soderbergh.  Don’t get me wrong — I know that Soderbergh can be a genius.  However, he’s also a remarkably pretentious filmmaker.  Sometimes that pretension works, like with The Girlfriend Experience.  But, in the case of Haywire, all the pretension served to do was to make a thin story even more annoying.

John Stockwell, on the other hand, is a director who is the very opposite of pretentious.  Whereas Soderbergh often makes genre films that try too hard to be art, Stockwell makes genre films that are so unapologetic about being genre that they often become art despite themselves.  Stockwell may never be as acclaimed as Soderbergh but, on the whole, he’s a much more consistent filmmaker.

Take In The Blood for instance.  In the Blood came out earlier this year, got thoroughly mediocre reviews, and disappeared from theaters pretty quickly.  When I watched it last night, I had very low expectations.

But you know what?

In the Blood isn’t bad.

In fact, it’s a perfectly entertaining and, ultimately, rather empowering film.

In In The Blood, Gina Carano plays Ava.  Ava, we quickly learn, has led a difficult life.  Raised in extreme poverty by a father who taught her early how to fight and how to defend herself, Ava is a former drug addict.  When she goes to rehab, she meets and falls in love with fellow addict Derek (Cam Gigandet).  Once they’re both clean, Ava and Derek marry despite the concerns of Derek’s wealthy father (Treat Williams).

For their honeymoon, Derek and Ava go to the type of Caribbean island where bad things always happen in movies like In The Blood.  They meet Manny (Ismael Cruz Cordova), who agrees to be their guide on the island.  One night, Manny takes them out to a club where Ava ends up getting into a huge fight with literally everyone on the dance floor, including a local gangster played by Danny Trejo.  The next morning, Manny takes them zip lining but Derek ends up plunging from the zip line and crashing down to the ground below.  He’s rushed to the hospital where he promptly vanishes.

Despite being ordered to return to America by police chief Luis Guzman, Ava is determined to figure out what has happened to her husband and she’s willing to beat up the entire island to do it…

Obviously inspired (much like almost every other low-budget action film released over the past few years) by Taken, In The Blood is a familiar but enjoyable burst of pulp fiction.  As opposed to Soderbergh’s approach to Haywire, Stockwell doesn’t worry about trying to disguise the genre roots of In The Blood.  Instead, he simply tells the story and he tells it well.  In The Blood is a film that’s full of beautiful island scenery, villainous character actors, and enjoyable melodramatic dialogue.  The pace never falters and the action is exciting.  In a few years, the club fight scene will be remembered as a classic of action cinema.

And best of all, Gina Carano kicks ass!  In The Blood gives her a chance to show what she can actually do when she has a director who is willing to get out of her way.  As opposed to Haywire, where she often seemed to get lost amongst all of Soderbergh’s showy techniques, Gina Carano gives a confident and determined performance in In The Blood.  After having to sit through countless action films where every female character is either a victim or a pawn, there is something so wonderful about seeing a movie where a woman gets to do something more than whimper and beg.  Regardless of how predictable the film’s plot may be, the fact that it’s a woman — as opposed to a man — who is getting to kick ass (and look good while doing it!) serves to make In The Blood something of a minor masterpiece of the pulp imagination.

If nothing else, In The Blood shows that sometimes it’s best to keep things simple.

Quick Review: Fast & Furious 6 (dir. by Justin Lin)


url-6Thinking back on the original Fast & Furious film, I still find it hard to believe it’s done so well over the years. The longevity of the films owe a lot to the Saw series, which seems fitting considering that the original director of that film will take over the reigns for the next installment. Both series have managed to take events from all of their films and weave this strange tapestry with it. Once you think one story is over, the writers somehow jump back to an earlier scene and pull out a new thread for everyone to follow. Gimmicky? Perhaps, but it works, at least for this tale.

To sum up Furious 6 in a nutshell, Dominic Toretto’s team has to help Hobbs (the lawman who was after them in Furious 5) stop a former SAS agent who is using cars to facilitate his acts of terror. Why get involved, one asks? Hobbs sweetens the deal by showing Dom that his formerly believed dead girlfriend Letty (Michelle Rodriguez) is…wait for it….not dead, and is working with these bad guys.

It’s like General Hospital with Cars. I’m such a sucker for this franchise.

If you’re new to the Furious films, the opening credits sum up the last 5 movies in a Spider-Man 2 like montage. You have your main heroes, Dominic Toretto (Vin Diesel) and Brian O’Connor (Paul Walker), who are kind of like criminals only they take down bad guys to better others (or themselves). Along with them is Dom’s sister Mia (Jordana Brewster), who is the mother of Brian’s baby boy, Jack (not to be confused with Jack Jack from The Incredibles). Then there’s the crew, made up of most of the characters from all of the Furious films leading up to 6:

From 2 Fast 2 Furious, Chris “Ludacris” Bridges and Tyrese Gibson return as two friends of Brian’s. Tej (Bridges) is the team hacker (wouldn’t be complete without one) and Roman (Tyrese) is the comic relief.

From Tokyo Drift (the 3rd and my personal favorite) comes Sung Kang, who plays Han. While he met his end in that film, every movie after the 3rd takes place somewhere before this film, believe it or not. This makes the ending of Tokyo Drift a little baffling when you see Toretto at the end of it. No matter what the writers decide to do with future installments, they’ll eventually have to circle back to how Dom got there.

From Fast & Furious. (No. 4) – We have Gal Gadot as Gisele, a former IDF member who was an accomplice to a drug cartel leader. Ironically, Gadot actually did some work with the Israeli forces, which I found interesting. She is the only member of that film to come back to the series as Don Omar and Tego Calderon sat this one out.

And finally from Fast Five, you have Hobbs (The Rock) and his former partner from Brazil, Elena (Elsa Pataky).

So, you have the setup. One of the things to understand about this (and some of the earlier ones) is that you’re working in a “Popcorn Reality”. The action’s all well and good, but in the course of all the driving, you’ll almost expect to see at least one or two action scenes or stunts that just don’t make any kind of practical sense. These GTFO moments are in great supply in Furious 6 – A runway chase that lasts a good 15 minutes, yet seems impossibly long for any plane to actually use for a take off. A “flip” car with the ability to send other cars launching into the air. In any other movie, most people would scoff and walk out. For this, it’s almost the norm and if you don’t care, it’s actually fun. Lin has been able to take the chase scenes about as far as they can possibly go, and I can’t really imagine what else they could try to push things, really.

Of particular note is Luke Evans, who plays the villain, Shaw. I didn’t really care for him in Tarsem’s Immortals, but  was good here, trying to be as much a Bond baddie as he can. Another addition is Gina Carano, who takes the place as Hobbs partner this time around. She’s a bit more light hearted here than she was in Haywire, and gets to showcase her fight skills. However, in a movie that’s already packed with stars performing particular roles, she doesn’t really have much to truly do other than to be Michelle Rodriguez’s sparring partner. Not a terrible thing, just something I noticed.

Is it worth it? Well, considering that most of the movies that came out since Fast & Furious 6 was released haven’t fared too well (Yes, I’m looking right at you, After Earth), it’s a safe bet if you also understand that this all revolves around cars driving very smooth and fast with near unlimited shift points. If you don’t like cars or racing, this might not be your cup of tea. There’s a lot of shooting at some points, which might  round things out for action fans. It’s a quick way to burn 2 hours. If you also managed to see at least the last film in the cinema, then this is a given – though you’ll probably be able to put 2 and 2 together before the story’s half done.

Also, do stick around once the credits start, as there’s a scene that will come up to help lay the groundwork for the next installment.

Trailer: Fast and Furious 6 (Extended First Look)


FastSix

During this year’s Super Bowl XLVII one of the films whose trailers were premiered was the latest and upcoming entry to the Fast and the Furious series. Since that day a new and much more extended look and version of that trailer has been released by Universal Pictures for everyone to look over.

When I say extended first look I mean extended. This trailer is over 3 minutes long and pretty much acts like a major sizzle reel that’s usually reserved for special screenings at conventions or trade shows. I was mistaken from the earlier post when I said the film has an M-1 tank in it to ramp up the epicness. It looks more like the newest French main battle tank, the Leclerc. I shall keep my opinion about the French Leclerc to myself….

Now, enjoy the extended first look of Fast and Furious 6.

Trailer: Fast and Furious 6 (Super Bowl Exclusive)


FastSix

Fast Five was a big surprise when in came out in 2011. The franchise finally broke away from the street racing template of the previous entries in the series. The huge success of Fast Five meant it had given the franchise a new template by which to keep it going for the foreseeable future.

Fast and Furious 6 continues the action film rebirth of the Fast and Furious franchise by dumping all the street racing aspect of the series and just going all out action. We have Justin Lin back as director with the cast of Fast Five returning en masse. Joining this group is Luke Evans, Gina Carano and Michelle Rodriguez (thought dead after the fourth film). From the Super Bowl tv spot that just got released it looks like Fast and Furious 6 will be even bigger than the previous film.

M1 main battle tank and C-5 Galaxy transport plane means way bigger than a bank vault.

Fast and Furious 6 is set for a May 24, 2013 release date.