Retro Television Review: Crime Story 1.10 “For Love Or Money”

Posted on July 13, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!

This week, the Major Crimes Unit follows a ring of things from Chicago to Iowa!

Episode 1.10 “For Love Or Money”

(Dir by Bobby Roth, originally aired on December 5th, 1986)

An investigation into a new Chicago robbery crew leads the Major Crimes Unit to the small town in Iowa that the crew calls home. After the MCU busts the crew, the Mayor is so thrilled that he gives them all the key to the city and invites them to party at the local bar, which turns out to be a surprisingly happening place. Torello, who has just signed his divorce papers, gets drunk, steals a car, and sleeps with the mayor’s wife. That’ll teach him to hand out keys to the city!

Meanwhile, Danny feels sorry for one of the thieves. Howie Dressler (a very young Gary Sinise) is not a ruthless criminal. Instead, he’s someone who has lost his job and who is desperately trying to pay the bills His wife (Moira Sinise) is a victim of polio and lives in an iron lung. Danny wants to cut a deal with Howie.

Unfortunately, though the thieves don’t fully realize it, the thieves work for Ray Luca’s organization. Luca and Paulie take Howie for a ride to a warehouse, where they tie him to a chair. Howie swears to them that he’s not going to rat them out. He says that he’ll take the fall and that the only reason he talked to the MCU was to protect his wife. Howie says that he did what any real man would do in the situation. Luca seems to be sympathetic and motions at Paulie to let Howie go.

Or does he?

Later, Torello, Danny, and the boys are called to another warehouse where the bodies of the thieves have been found. The majority of them were beaten to death. Howie was hanged.

Yikes!

Back at the bar, Danny gets drunk. When Torello shows up to take him home, Danny says that he should have let Torello execute Ray Luca when he had the chance. Torello nods and then says, “I will kill Ray Luca.”

This episode really gave us a look into the mentality of Torello and the other members of the Major Crimes Unit. We’ve always known that Torello is obsessed with Luca but, in this episode, we saw just how obsessed. Torello seems to feel that he’s now on a holy mission to personally kill Luca. The members of MCU obsess over the criminals they chase and, when they don’t have a criminal to chase, they end up losing control, getting drunk, and impulsively stealing cars. Say what you will about Ray Luca, he’s at least a little bit more disciplined.

I get the feeling none of this is going to lead to a happy ending.

Retro Television Review: Crime Story 1.8 “Old Friends, Dead Ends”

Posted on June 22, 2026 by Lisa Marie Bowman

This week, Torello discovers some disturbing facts about an old friend.

Episode 1.8 “Old Friends, Dead Ends”

(Dir by Bobby Roth, originally aired on November 4h, 1986)

Luca has bought a controlling interest in a bottling company so that he can borrow from the pension fund and use that money to purchase casinos in Las Vegas. He’s brought a reluctant Bartoli in as his partner. The owner of the company is Ted Kehoe (Mark Hutter), who just happens to be an old friend of Mike Torello’s. When Kehoe’s business partner, Marilyn Stewart (Dana Wheeler-Nicholson), becomes suspicious of Kehoe’s arrangement with Luca, Bartoli starts to wonder if it’s really worth it to keep Marilyn and Ted around.

This is especially the case after Bartoli’s attorney, Dee (a youngish Eric Bogosian), informs Bartoli that U.S. Attorney Harry Brietel (Ray Sharkey) is planning on indicting both him and Luca for money laundering. Looking to end Brietel’s case before it can even get started, Luca murders Marilyn Stewart. Marilyn’s body is later found by two teenagers and–

HEY, IT’S CHRISTIAN SLATER!

This episode does indeed feature an early performance from Christian Slater. He pays a teenager who is trying to convince his girlfriend to “do it” when they happen to spot Marilyn’s body floating in the river. Slater’s girlfriend is played by Kim Walker, who was later co-star with Slater in Heathers.

Torello is not happy. Well, that’s not a surprise. Torello is never happy. But this episode gives him even more reasons than usual to be in a foul mood. Because of his childhood friendship with Ted Kehoe, Brietel suspects that Torello might be corrupt. After Marilyn is murdered, Brietel seems more interested in trying to pin the murder on Torello than going after Luca.

As for Ted Kehoe, he tells Luca that he’s done working for him. Kehoe is going to tell the cops everything! And what is Luca going to do about it? This episode ends with Kehoe getting thrown out the window of his penthouse and falling several stories down to his death….

Piece of advice: If you’re going to turn on the mob, don’t tell them ahead of time.

This was a good episode! Torello’s friendship with Kehoe brought some real stakes the story and, once again, we got to see just how ruthless an adversary Ray Luca truly is. Luca, Bartoli, and the other mobsters can occasionally seem a bit buffoonish. This episode reminded us that, in Luca’s case, it’s always a mistake to underestimate him.

As for now, Kehoe is dead and Torello is under suspicion. I look forward to seeing what happens next week!

Retro Television Review: Crime Story 1.2 “Final Transmission”

Posted on May 4, 2026 by Lisa Marie Bowman

This week, Torello and company search Chicago for a serial killer.

Episode 1.2 “Final Transmission”

(Dir by Leon Ichaso, originally aired on September 19th, 1986)

Mike Torello and the members of the MCU would really like to go after Luca and his crew but, unfortunately, there’s a serial killer on the loose in Chicago. Realizing that the MCU is going to be tied up trying to track down Ray Pernell (John Snyder) before he kills again, Luca orders his crew to commit even more robberies. Luca explains to a crestfallen Paulie that Luca will no longer be taking part in the robberies. Luca is the boss and the boss doesn’t get his hands dirty. Instead, Luca spends most of this episode meeting with Murray Weisbord’s man in Chicago, Max Goldman (Andrew Dice Clay).

This was an odd episode. On the one hand, the show went out of its way to recreate Chicago in the early 60s. The soundtrack was early rock and roll. The cars all had tailfins. The suits, the cigarettes, Luca’s haircut, all of the details screamed 1960s. But then the episode revolved around a serial killer who thought his mother was addressing him through the television and who looked and dressed like a late 70s punk rocker. I assume that Ray Pernell was based on Richard Speck, the notorious Chicago serial killer who, in 1966, murdered 8 student nurses. Like Speck, Pernell had an identifying tattoo and both men were traced through the National Maritime Union. That said, Pernell just seemed so out-of-place, with his sleeveless shirt and his punkish haircut that he just didn’t seem to belong in the world of Crime Story.

That said, I will give this episode some credit. In the pilot, Luca often seemed like a clueless punk. In this episode, he quickly realized that the MCU would be too busy hunting for Pernell to devote much time to him and he took advantage of that fact. Luca’s not quite as dumb as he sometimes seems. This episode also showed that he was capable of thinking ahead. When he suspects that someone is listening in on his conversation with Goldman, he resists the temptation to burst into the room next door with his gun drawn. (If he had, he would have run straight into Torello and Danny.) This episode shows that Luca is learning and growing. He not the buffoonish hothead that Torello originally assumed him to be. In fact, he’s even more dangerous.

This episode ends with Pernell somehow (it’s not really clear how) taking an entire television news broadcast hostage. Torello takes him down as the cameras roll and the entire city of Chicago watches. It’s not a bad ending but it just doesn’t feel right for the show. It’s a Miami Vice ending. This is Crime Story!