Here Are The Dorian Award Nominees!


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The Dorian Awards are handed out by the Gay and Lesbian Entertainment Film Critics Association.  Here are their film nominations for 2015.

FILM OF THE YEAR
The Big Short / Paramount, Regency
Brooklyn / Fox Searchlight
Carol / The Weinstein Company
Mad Max: Fury Road / Warner Bros., Village Road Show
Spotlight / Open Road, Participant, First Look

DIRECTOR OF THE YEAR
(Film or Television)
Sean Baker, Tangerine / Magnolia Pictures
Todd Haynes, Carol / The Weinstein Company
Alejandro Gonzalez Iñárritu, The Revenant / Fox
Tom McCarthy, Spotlight / Open Road, Participant, First Look
George Miller, Mad Max: Fury Road / Warner Bros., Village Road Show

PERFORMANCE OF THE YEAR — ACTRESS
Cate Blanchett, Carol / The Weinstein Company
Brie Larson, Room / A24
Rooney Mara, Carol / The Weinstein Company
Charlotte Rampling, 45 Years / Sundance Selects
Saoirse Ronan, Brooklyn / Fox Searchlight

PERFORMANCE OF THE YEAR — ACTOR
Matt Damon, The Martian / Fox
Leonardo DiCaprio, The Revenant / Fox
Michael Fassbender, Steve Jobs / Universal
Tom Hardy, Legend / Universal, Cross Creek
Eddie Redmayne, The Danish Girl / Focus, Working Title

LGBTQ FILM OF THE YEAR
Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Freeheld / Summit
Grandma / Sony Pictures Classics
Tangerine / Magnolia Pictures

FOREIGN LANGUAGE FILM OF THE YEAR
The Assassin / Central Motion Pictures, Well Go USA
Mustang / Cohen Media Group
Phoenix / Sundance Selects
Son of Saul / Sony Pictures Classics
Viva / Magnolia Pictures

SCREENPLAY OF THE YEAR
Emma Donoghue, Room / A24
Phyllis Nagy, Carol / The Weinstein Company
Charles Randolph and Adam McKay, The Big Short / Paramount, Regency
Josh Singer & Tom McCarthy, Spotlight / Open Road, Participant, First Look
Aaron Sorkin, Steve Jobs / Universal

DOCUMENTARY OF THE YEAR
(theatrical release, TV airing or DVD release)
Amy / A24
Best of Enemies / Magnolia Pictures, Magnet
Going Clear: Scientology and the Prison of Belief / HBO
Making a Murderer / Netflix
What Happened, Miss Simone? / Netflix

VISUALLY STRIKING FILM OF THE YEAR
(honoring a production of stunning beauty, from art direction to cinematography)
Carol / The Weinstein Company
The Danish Girl / Focus, Working Title
Mad Max: Fury Road / Warner Bros., Village Road Show
The Martian / Fox
The Revenant / Fox

UNSUNG FILM OF THE YEAR
The Diary of a Teenage Girl / Sony Pictures Classics
Ex Machina / A24
Grandma / Sony Pictures Classics
Me and Earl and the Dying Girl / Fox Searchlight
Tangerine (Magnolia)

CAMPY FLICK OF THE YEAR
The Boy Next Door
Fifty Shades of Grey
Magic Mike XXL
Jupiter Ascending
Stonewall

Playing Catch-Up: Carol (dir by Todd Haynes)


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(Minor Spoilers Below)

Carol is the best film of 2015.

I say that without a hint of hesitation or doubt.  2015 was a wonderful year for movies and I would say that there were at least 20 film released that I would call great.  And, out of those 20, Carol is the best.

Carol opens in 1952.  Therese Belivet (Rooney Mara) is young, lonely, and living in New York City.  She’s an aspiring photographer who can’t afford a decent camera, a secret bohemian living in a world where morality and culture are defined by the bourgeoisie.  She has a boyfriend named Richard (Jake Lacey) and he’s eager to marry her and move to France but, try as she might, Therese simply cannot bring herself to feel the same way about him that he feels about her.  Though she lives with him, she refuses to have sex with him.  At one point, she asks him if he’s ever heard of men being attracted to other men and she asks if he thinks the same can be true of women.  Richard says sure, before adding that it’s always the result of “something wrong” psychologically.

It’s Christmas.  Therese gets a temporary job, working at a department store in Manhattan.  From the moment we see Therese surrounded by the Christmas crowds, we realize that she feels totally out-of-place among the rest of the world.  She is withdrawn and quiet and rarely looks anyone in the eye.  That is until she meets Carol (Cate Blanchett).

Carol is searching for a gift for her daughter and accidentally leaves her gloves behind at the store.  When Therese arranges for the gloves to be returned to Carol, Carol thanks her by taking her out to lunch.  Soon, Carol is inviting Therese to spend Christmas at her house in New Jersey and a jealous Richard is complaining that Therese has a “crush” on the older woman.

Carol is going through a difficult divorce.  Her alcoholic husband, Harge (Kyle Chandler), is demanding full custody of their children.  Harge knows that years ago, Carol had a brief affair with her best friend, Abby (Sarah Paulson), and he can’t handle it.  When he stops by, drunk and belligerent, on Christmas, he discovers Therese visiting Carol and he freaks out even more.

(With all the attention being paid to the exquisite performances of Blanchett and Mara, now would be good place to mention that Kyle Chandler does a great job playing a loathsome character.  With his performance here and his role in The Spectacular Now, Chandler has cornered the market on playing abusive alcoholics.)

For New Year’s, Carol and Therese go on a trip and they finally consummate their relationship (in Iowa, of all places).  But what they don’t know is that Harge has hired men to follow them and to get proof of their relationship.  If Carol wants to see her daughter again, she knows that it means seeing a psychotherapist for help with her “problem” and never seeing Therese again…

Carol is an amazing and beautiful film, a portrait of both forbidden love and the struggle to survive in a society that demands total and complete conformity.  In many scenes, director Todd Haynes pays homage to the masters of 50s melodrama, filmmakers like Mark Robson, Douglas Sirk and Nicholas Ray.  The film’s lushly vibrant colors and attention to detail feels reminiscent of the films that Sirk made for MGM, with Cate Blanchett often made up to resemble Lana Turner.  Meanwhile, Rooney Mara often resembles Natalie Wood from Rebel Without A Cause.  One shot in particular, with the shadows of a window bar falling across Blanchett’s face like the bars of a prison cell, immediately brought to mind the end of Ray’s Bigger Than Life.

For the longest time, I have complained about Rooney Mara’s performance in David Fincher’s rehash of The Girl With The Dragon Tattoo.  Well, I’m prepared to stop complaining because Mara is brilliant in Carol.  Her blossoming as an actress mirrors Therese’s blossoming as a woman.  Rooney Mara is being promoted for best supporting actress but make no mistake.  There’s nothing “supporting” about Rooney Mara’s performance.  Carol is all about Therese and it works because of Mara’s wonderful performance.

Regardless of what may or may not happen with the Oscar nominations on Thursday, Carol is the best film of 2015.  It’s a film that we will still be talking about decades from now.

mara_blanchett_carol

2015 In Review: Lisa Picks The 30 Best Films of 2015!


Well, the time has arrived!  It’s time for the list that you’ve all been waiting for!  Here are my top 30 films of 2015!

Now, as some of you may know, I am currently in the process of playing catch up as far as all of my reviews are concerned.  Sadly, I haven’t posted a review for every film listed below.  However, as I continue to post reviews tonight and tomorrow, I will be sure to add links to this list!

Finally, I have only considered and listed 2015 films that I have actually seen.  Unfortunately, Anomalisa has not opened in my part of the world yet and neither has Son of Saul.  So, I could not consider either one of them for the list below.  However, I have seen every other “prestige” picture to have been released over the past few weeks.  So, if you look at this list below and wonder if I actually saw Spotlight, The Hateful Eight, and The Big Short, rest assured that I did.  And none of them made my list.

With all that in mind, here are my picks for the 30 best films of 2015!

mara_blanchett_carol

  1. Carol
  2. Brooklyn
  3. Inside Out
  4. Mad Max Fury Road
  5. Ex Machina
  6. Room
  7. Clouds of Sils Maria
  8. Sicario
  9. Straight Outta Compton
  10. The Final Girls
  11. Star Wars: The Force Awakens
  12. Beasts of No Nation
  13. 88
  14. Love & Mercy
  15. The Tribe
  16. The End of the Tour
  17. Furious Seven
  18. The Walk
  19. Crimson Peak
  20. Unfriended
  21. Trainwreck
  22. The Revenant
  23. Creed
  24. Shaun the Sheep
  25. The Gift
  26. The Stanford Prison Experiment
  27. A Pigeon Sat On A Branch Reflection On Existence
  28. Spring
  29. Maggie
  30. The Green Inferno
Katherine Isabelle in 88

Katharine Isabelle in 88

You can check out my picks for previous years by clicking on 2010, 2011, 2012, 2013, and 2014!

Agree?  Disagree?  Have a list of your own?  Let us know in the comments!

Previous Entries In The Best of 2015:

  1. Valerie Troutman’s 25 Best, Worst, and Gems I Saw in 2015
  2. Necromoonyeti’s Top 15 Metal Albums of 2015
  3. 2015 In Review: The Best of SyFy
  4. 2015 in Review: The Best of Lifetime
  5. 2015 In Review: Lisa’s Picks For The 16 Worst Films of 2015
  6. 2015 in Review: Lisa Marie’s 10 Favorite Songs of 2015
  7. 2015 in Review: 16 Good Things Lisa Saw On TV
  8. 2015 in Review: Lisa’s 10 Favorite Non-Fiction Books of 2015
  9. 2015 in Review: Lisa’s 20 Favorite Novels of 2015
  10. TFG’s Top Ten Comic Series of 2015

Here Are The Costume Designers Guild Nominations!


The Costume Designers Guild Nominations were announced today and here they are!  Ex Machina received a nomination, which would seem to be another indication that it’s popular with Academy voters.  (Then again, remember how excited we were last year when Nightcrawler kept getting love from the guilds?)

Excellence in Contemporary Film

Excellence in Period Film

  • “Brooklyn” – Odile Dicks-Mireaux
  • “Carol” – Sandy Powell
  • “Crimson Peak” – Kate Hawley
  • “The Danish Girl” – Paco Delgado
  • “Trumbo” – Daniel Orlandi

Excellence in Fantasy Film

Here Are The USC Scripter Nominations!


The USC Scripter nominations are meant to honor film scripts that were adapted from previously published material.  You’ll find their film nominations below and you may immediately notice that Oscar front runner Carol is missing.  Make of that what you will.

The Big Short
Screenwriters Adam McKay and Charles Randolph, adapted from Michael Lewis’s nonfiction work “The Big Short: Inside the Doomsday Machine”
Paramount Pictures and W.W. Norton

Brooklyn
Novelist Colm Tóibín and screenwriter Nick Hornby
Fox Searchlight and Viking

The End Of The Tour
Screenwriter Donald Margulies, adapted from David Lipsky’s memoir “Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace”
A24 and Broadway Books

The Martian
Novelist Andy Weir and screenwriter Drew Goddard
Twentieth Century Fox and Crown Publishing Group

Room
Emma Donoghue for the novel and screenplay
A24 and Little, Brown and Company

Here Are The WGA Nominations!


The Writers Guild of America announced their film nominations earlier today!  As always, the WGA nominations should be taken with a grain of salt, as several potential Oscar nominees — Brooklyn, Room, The Hateful Eight — were not eligible to be nominated for a WGA award.

With that in mind, here are the nominees!

ORIGINAL SCREENPLAY
Bridge of Spies, Written by Matt Charman and Ethan Coen & Joel Coen; DreamWorks Pictures

Sicario, Written by Taylor Sheridan; Lionsgate

Spotlight, Written by Josh Singer & Tom McCarthy; Open Road Films

Straight Outta Compton, Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff; Universal Pictures

Trainwreck, Written by Amy Schumer; Universal Pictures

ADAPTED SCREENPLAY

The Big Short, Screenplay by Charles Randolph and Adam McKay; Based on the Book by Michael Lewis; Paramount Pictures

Carol, Screenplay by Phyllis Nagy; Based on the Novel The Price of Salt by Patricia Highsmith; The Weinstein Company

The Martian, Screenplay by Drew Goddard; Based on the Novel by Andy Weir; Twentieth Century Fox

Steve Jobs, Screenplay by Aaron Sorkin; Based on the Book by Walter Isaacson; Universal Pictures

Trumbo, Written by John McNamara; Based on the Biography by Bruce Cook; Bleecker Street Media
DOCUMENTARY SCREENPLAY

Being Canadian, Written by Robert Cohen; Candy Factory Films

Going Clear: Scientology and the Prison of Belief, Written by Alex Gibney; HBO Documentary Films

Kurt Cobain: Montage of Heck, Written by Brett Morgen; HBO Documentary Films

Prophet’s Prey, Written by Amy J. Berg; Showtime Documentary Films

The American Society of Cinematographers Has Spoken!


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The American Society of Cinematographers announced their 5 nominees for the best cinematography of 2015 and here they are:

Bridge of Spies – Janusz Kaminski
Carol – Edward Lachman
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

This is Roger Deakins’s 14th ASC nomiantion!  If Sicario scores a best picture nomination, I wouldn’t be surprised if Deakins finally picks up an Oscar as a result.

Though a lot of critics don’t want to admit it (for obvious reasons), the guild awards are actually a far better Oscar precursor than the critic awards.  If you want to know what films are popular with the people who actually make movies, look to the guild awards.

And looking at the guild awards so far, it really does appear that there are quite a few films that have wide industry support.  Interestingly enough, both Sicario and Straight Outta Compton have been making something of a comeback with the guild awards.  (Even though Compton was not nominated by ASC, it has been recognized by the PGA, WGA, and SAG.)  As well, Bridge of Spies and Trumbo have both received more guild support than either has gotten from the critics.

For that matter, both Mad Max: Fury Road and The Big Short have received more guild support than Spotlight.  I know that Sasha Stone and Jeff Wells have pretty much declared Spotlight to be unbeatable but who knows?  Things could still get interesting.

(Correction: Over on Gold Derby, Sasha Stone is now predicting victory for The Big Short.)

The PGA Gives New Life To Sicario and Straight Outta Compton!


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The Producers Guild of America announced their nominees today and guess what?  Ex MachinaSicario and Straight Outta Compton made the cut!  In general, the PGA is a good precursor for the actual Oscar nominations so that’s good news for both of those films.  (Among the films snubbed: Star Wars: The Force Awakens and Carol!)

Here are the nominees:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

Ø  The Big Short

Producers: Brad Pitt & Dede Gardner, Jeremy Kleiner

Ø  Bridge of Spies

Producers: Steven Spielberg, Marc Platt, Kristie Macosko Krieger

Ø  Brooklyn

Producers: Finola Dwyer & Amanda Posey

Ø  Ex Machina

This film is in the process of being vetted for producer eligibility

Ø  Mad Max: Fury Road

Producers: Doug Mitchell & George Miller

Ø  The Martian

Producers: Simon Kinberg, Ridley Scott, Michael Schaefer, Mark Huffam

Ø  The Revenant

Producers: Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, Keith Redmon

Ø  Sicario

Producers: Basil Iwanyk, Edward L. McDonnell, Molly Smith

Ø  Spotlight

Producers: Michael Sugar & Steve Golin,

Straight Outta Compton

 

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

Ø  Anomalisa

Producers: Rosa Tran, Duke Johnson, Charlie Kaufman

Ø  The Good Dinosaur

Producer: Denise Ream

Ø  Inside Out

Producer: Jonas Rivera

Ø  Minions

Producers: Chris Meledandri, Janet Healy

Ø  The Peanuts Movie

Producers: Craig Schulz, Michael J. Travers

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Here Are The CSA Nominations!


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They really should give an Oscar for Best Casting.  But until they do, we’ll just have to be happy with the nominations of the Casting Society of America!

BIG BUDGET – COMEDY

“The Big Short” Francine Maisler, Meagan Lewis (Location Casting)

“The Intern” Bernard Telsey, Laray Mayfield, Tiffany Little Canfield, David Vaccari (Associate)

“Joy” Mary Vernieu, Lindsay Graham, Angela Peri (Location Casting)

“Sisters” Kerry Barden, Paul Schnee, Joey Montenarello (Associate), Adam Richards (Associate)

“Tomorrowland” April Webster, Alyssa Weisberg, Corinne Clark (Location Casting), Jennifer Page (Location Casting)

BIG BUDGET – DRAMA

“Bridge of Spies” Ellen Lewis, Kate Sprance (Associate)

“Mad Max: Fury Road” Ronna Kress, Nikki Barrett

“Spotlight” Kerry Barden, Paul Schnee, John Buchan (Location Casting), Jason Knight (Location Casting), Carolyn Pickman (Location Casting), Joey Montenarello (Associate), Adam Richards (Associate)

Star Wars: The Force Awakens” Nina Gold, April Webster, Alyssa Weisberg,?Jessica Sherman (Associate)

“Straight Outta Compton” Cindy Tolan, Victoria Thomas, Meagan Lewis(Location Casting), Beth Sepko (Location Casting), Carolyn Pickman (Location Casting), Lucinda Syson (Location Casting), Pat Moran (Location Casting), Judith Sunga (Associate)

STUDIO OR INDEPENDENT – COMEDY

“Infinitely Polar Bear” Douglas Aibel, Carolyn Pickman (Location Casting), Henry Russell Bergstein (Associate)

“Me & Earl and the Dying Girl” Angela Demo, Nancy Mosser (Location Casting), Katie Shenot (Location Casting)

“Ricki and the Flash” Bernard Telsey, Tiffany Little Canfield, Conrad Woolfe (Associate)

“Sleeping With Other People” Jennifer Euston, Emer O’Callaghan

“While We’re Young” Douglas Aibel, Francine Maisler, Henry Russell Bergstein (Associate)

STUDIO OR INDEPENDENT – DRAMA

“Brooklyn” Fiona Weir, Lucie Robitaille (Location Casting), Jim Carnahan (Location Casting),

“Carol” Laura Rosenthal, Maribeth Fox (Associate), Jodi Angstreich (Associate)

“The Danish Girl” Nina Gold

“Room” Fiona Weir, Robin D. Cook, Jonathan Oliveira (Associate)

“Trumbo” David Rubin, Meagan Lewis (Location Casting), Melissa Pryor (Associate)

LOW BUDGET – COMEDY

“Big Stone Gap” Henry Russell Bergstein, Stephanie Holbrook, Erica Arvold, Anne Chapman

“Dope” Kim Coleman

“Grandma” Douglas Aibel, Henry Russell Bergstein

“The Mend”  Kerry Barden, Paul Schnee, Allison Estrin

“Mistress America” Douglas Aibel, Henry Russell Bergstein (Associate)

LOW BUDGET – DRAMA

“It Follows” Mark Bennett

“James White” Susan Shopmaker

“Meadowland” Richard Hicks

“Sisterhood of Night” Laura Rosenthal, Maribeth Fox, Jodi Angstreich

“The Stanford Prison Experiment” Angela Demo

ANIMATION

“The Good Dinosaur” Kevin Reher, Natalie Lyon

“Inside Out” Kevin Reher, Natalie Lyon

“Legend of the Neverbeast” Jason Henkel

“Pixies” Brad Gilmore

The Seattle Film Critics Survey Is Mad For Max! We Love You, Seattle!


MadMaxFuryRoad

The Seattle Film Critics Survey announced their nominees for the best of 2015 earlier today and I have to say, their nominations are pretty interesting!  (Also interesting to note is that they did not nominate Oscar front runner Spotlight.) Way to go, Seattle!

BEST PICTURE OF THE YEAR:

BEST DIRECTOR:

BEST ACTOR in a LEADING ROLE:

BEST ACTRESS in a LEADING ROLE:

  • Cate Blanchett – CAROL
  • Nina Hoss – PHOENIX
  • Brie Larson – ROOM
  • Rooney Mara – CAROL
  • Saoirse RonanBROOKLYN

BEST ACTOR in a SUPPORTING ROLE:

  • Benicio del ToroSICARIO
  • Tom Hardy – THE REVENANT
  • Oscar IsaacEX MACHINA
  • Mark Rylance – BRIDGE OF SPIES
  • Sylvester StalloneCREED

BEST ACTRESS in a SUPPORTING ROLE:

  • Jennifer Jason Leigh – THE HATEFUL EIGHT
  • Kristen Stewart – CLOUDS OF SILS MARIA
  • Mya Taylor – TANGERINE
  • Alicia VikanderEX MACHINA
  • Kate WinsletSTEVE JOBS

BEST ENSEMBLE CAST:

BEST ORIGINAL SCREENPLAY:

  • EX MACHINAAlex Garland
  • THE HATEFUL EIGHTQuentin Tarantino
  • INSIDE OUTPete Docter, Meg LeFauve, and Josh Cooley (screenplay); Pete Docter and Ronnie del Carmen (story)
  • SICARIO Taylor Sheridan
  • SPOTLIGHTJosh Singer & Tom McCarthy

BEST ADAPTED SCREENPLAY:

BEST ANIMATED FEATURE:

  • ANOMALISACharlie Kaufman and Duke Johnson, directors
  • INSIDE OUTPete Docter, director
  • THE PEANUTS MOVIESteve Martino, director
  • SHAUN THE SHEEP MOVIE Mark Burton, Richard Starzak, Julie Lockhart and Paul Kewley, directors
  • WHEN MARNIE WAS THEREHiromasa Yonebayashi, director

BEST DOCUMENTARY FEATURE:

  • AMYAsif Kapadia, director
  • CARTEL LANDMatthew Heineman, director
  • GOING CLEAR: SCIENTOLOGY AND THE POWER OF BELIEF Alex Gibney, director
  • KURT COBAIN: MONTAGE OF HECKBrett Morgen, director
  • THE LOOK OF SILENCEJoshua Oppenheimer, director

BEST FOREIGN LANGUAGE FILM:

  • THE ASSASSINHou Hsiao-Hsien, director
  • MUSTANGDeniz Gamze Ergüven, director
  • PHOENIXChristian Petzold, director
  • SON OF SAULLászló Nemes, director
  • WHITE GODKornél Mundruczó, director

BEST CINEMATOGRAPHY:

  • CAROLEdward Lachman
  • THE HATEFUL EIGHTRobert Richardson
  • MAD MAX: FURY ROADJohn Seale
  • THE REVENANTEmmanuel Lubezki
  • SICARIORoger Deakins

BEST COSTUME DESIGN:

BEST FILM EDITING:

BEST MAKEUP & HAIRSTYLING:

  • CAROLPatricia Regan, Jerry DeCarlo
  • MAD MAX: FURY ROAD Lesley Vanderwalt, Damian Martin, Elka Wardega
  • THE REVENANTGraham Johnston, Robert Pandini

BEST ORIGINAL SCORE:

BEST ORIGINAL SONG:

  • CREED – “Grip”, Ludwig Göransson, Sam Dew, Tessa Thompson (composers)
  • FIFTY SHADES OF GREY – “Earned It (Fifty Shades of Grey)”, Abel Tesfaye, Stephan Moccio, Jason  Quenneville, Ahmad Balshe (composers)
  • FURIOUS 7 – “See You Again”, Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz (composers)
  • THE HUNTING GROUND – “Til It Happens To You”, Lady Gaga, Diane Warren (composers)
  • SPECTRE – “Writing’s On The Wall”, Sam Smith, James Napier (composers)

BEST PRODUCTION DESIGN:

  • CAROLJudy Becker (production design); Heather Loeffler (set decorator)
  • CRIMSON PEAK Tom Sanders (production design); Shane Vieau, Jeffrey A. Melvin (set decorator)
  • MAD MAX: FURY ROADColin Gibson (production design); Lisa Thompson (set decorator)
  • THE REVENANTJack Fisk (production design); Hamish Purdy (set decorator)
  • STAR WARS: THE FORCE AWAKENSRick Carter and Darren Gilford (production design); Lee Sandales (set decorator)

BEST SOUND DESIGN:

  • MAD MAX: FURY ROADBen Osmo, Chris Jenkins, Gregg Rudloff (sound mixing); Scott Hecker, Mark Mangini, David White (sound editing)
  • THE MARTIANMac Ruth, Paul Massey, Mark Taylor (sound mixing); Oliver Tarney (sound editing)
  • THE REVENANTChris Duesterdisk, Jon Taylor, Frank A. Moñtano, Randy Thom (sound mixing); Martin Hernandez, Randy Thom, Lon Bender (sound editing)
  • SICARIOJohn Reitz, Tom Ozanich, William Sarokin (sound mixing); Alan Robert Murray (sound editing)
  • STAR WARS: THE FORCE AWAKENSAndy Nelson, Christopher Scarabosio, Stuart Wilson (sound mixing); Matthew Wood, David Acord (sound editing)

BEST VISUAL EFFECTS: