Here Are The WGA Nominations!


The Writers Guild of America announced their film nominations earlier today!  As always, the WGA nominations should be taken with a grain of salt, as several potential Oscar nominees — Brooklyn, Room, The Hateful Eight — were not eligible to be nominated for a WGA award.

With that in mind, here are the nominees!

ORIGINAL SCREENPLAY
Bridge of Spies, Written by Matt Charman and Ethan Coen & Joel Coen; DreamWorks Pictures

Sicario, Written by Taylor Sheridan; Lionsgate

Spotlight, Written by Josh Singer & Tom McCarthy; Open Road Films

Straight Outta Compton, Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff; Universal Pictures

Trainwreck, Written by Amy Schumer; Universal Pictures

ADAPTED SCREENPLAY

The Big Short, Screenplay by Charles Randolph and Adam McKay; Based on the Book by Michael Lewis; Paramount Pictures

Carol, Screenplay by Phyllis Nagy; Based on the Novel The Price of Salt by Patricia Highsmith; The Weinstein Company

The Martian, Screenplay by Drew Goddard; Based on the Novel by Andy Weir; Twentieth Century Fox

Steve Jobs, Screenplay by Aaron Sorkin; Based on the Book by Walter Isaacson; Universal Pictures

Trumbo, Written by John McNamara; Based on the Biography by Bruce Cook; Bleecker Street Media
DOCUMENTARY SCREENPLAY

Being Canadian, Written by Robert Cohen; Candy Factory Films

Going Clear: Scientology and the Prison of Belief, Written by Alex Gibney; HBO Documentary Films

Kurt Cobain: Montage of Heck, Written by Brett Morgen; HBO Documentary Films

Prophet’s Prey, Written by Amy J. Berg; Showtime Documentary Films

Here Are The Eddie Nominations! Where’s Spotlight?


So, here’s the thing…the Eddie Awards are a pretty big deal.  The Eddies are given out by ACE, the American Cinema Editors and they are meant to honor the best edited films of the year.  The ACEs are also considered to be a pretty good precursor of what will be nominated for (obviously) Best Editing and Best Picture.

And here’s the thing — it’s rare that a film wins Best Picture without receiving, at the very least, a nomination for Best Editing.  Birdman managed to do it (and it’s odd that Birdman was snubbed for Best Editing since the editing was probably the only thing that kept Birdman from just being a pretentious mess).  However, Birdman was the exception to the rule.

What’s interesting is that Spotlight — which has dominated the critics awards — was snubbed by the Eddies.  What does this mean?  It might not mean anything.  Or it could mean that Spotlight is more popular with the critics than with the industry people who will actually be voting for the Oscars.

(The same thing happened with The Social Network a few years ago.)

What was nominated?  Check them out below and notice that Sicario — a darkhorse that I would love to see nominated — got the nomination that a lot of people were expecting to go to Spotlight.

Sicario_poster

BEST EDITED FEATURE FILM (DRAMATIC):

BEST EDITED FEATURE FILM (COMEDY):

  • Ant-Man
    Dan Lebental, ACE & Colby Parker, Jr., ACE
  • The Big Short
    Hank Corwin, ACE
  • Joy
    Jay Cassidy, ACE, Alan Baumgarten, ACE, 
Christopher Tellefsen, ACE & Tom Cross, ACE
  • Me and Earl and the Dying Girl
    David Trachtenberg
  • Trainwreck
    William Kerr, ACE & Paul Zucker

BEST EDITED ANIMATED FEATURE FILM:

  • Anomalisa
    Garret Elkins
  • Inside Out
    Kevin Nolting, ACE
  • The Good Dinosaur
    Stephen Schaffer, ACE

BEST EDITED DOCUMENTARY (FEATURE):