Real Men (1987, directed by Dennis Feldman)


Due to a chemical spill that is spreading through the ocean, life on Earth is going to end in five years unless something is done.  A group of friendly alien offer to give Earth either the “Good Package” or the “Big Gun.”  The Good Package can clean up the ocean.  The Big Gun is a big gun.  They both sound good to me!  The aliens only want a glass of water in return and they want that glass to be delivered by CIA Agent Pillbox.

Unfortunately, Pillbox has been killed in the field so the government tracks down a meek office worker named Bob Wilson (John Ritter) who looks just like Pillbox.  Tough and streetwise Nick Pirandello (Jim Belushi) is sent to recruit Bob and take him to the aliens.  Trying to stop Nick and Bob are a group of rogue CIA agents who would rather get the Big Gun than the Good Package.  Nick teaches Bob how to be a “real man” and Bob teaches Nick how to be a real friend.  They also beat up clowns.

A box office failure that did even worse with the critics, Real Men is a movie that was saved by cable.  When I was a kid, Real Men used to show up on HBO all the time.  Whatever flaws the film may have had, the mix of John Ritter’s physical comedy, Jim Belushi’s wiseguy attitude, and the action scenes made it the type of movie that was ideal for home viewing, especially if you had just gotten out of school and wanted to watch something before your parents came home and asked if you had done your homework.  Real Men was fun enough to hold up to repeat viewings but it was also slight enough that it wasn’t a huge tragedy if the channel got changed before the movie ended.

When I rewatched Real Men, I thought the film’s storytelling could have been tighter but it still turned out to be better than I was expecting.  There were a lot of classic buddy movies released in the 80s and while Real Men may not be the equivalent of a 48 Hours or a Midnight Run, John Ritter and Jim Belushi are still an entertainingly mismatched team.  Ritter again shows that he was a master at physical comedy while Belushi provides sarcastic commentary from the side.  A lot of the odd couple-style banter is predictable (Bob doesn’t smoke but Nick does) but Ritter and Belushi deliver their lines with enough conviction to still make it work.  Nick teaches Bob to believe in himself and Bob is able to both save the world and tell off the neighborhood bullies.  The film’s mix of action, science fiction, and broad comedy confounded critics in 1987 but it holds up today.

Retro Television Review: The Love Boat 4.15 “The Trigamist/Jealousy/From Here To Maternity”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, both Doc and Captain Stubing try to get out of doing their jobs.

Episode 4.15 “The Trigamist/Jealousy/From Here To Maternity”

(Dir by Howard Morris, originally aired on January 17th, 1981)

Finally, Captain Stubing has found love!

He is totally smitten with passenger Linda Bradley (Pat Crowley) and Linda seems to like him as well.  (Why wouldn’t she?  He’s the Captain.  No one wants to date the people who are in the bottom of the boat and shoveling coal in the furnace.  The Captain is the one who has his own special table.)  Stubing is soon spending all of his time with Linda.  Vicki gets jealous.  Myself, I’m wondering who is steering the boat.

Vicki gets so jealous that Linda eventually picks up on it and breaks things off with the Captain.  The Captain is heart-broken but, when a contrite Vicki explains that Linda was just trying to protect her feelings, the Captain cheers up, Vicki agrees to accept Linda as a possible stepmother, and Linda promises to return for another cruise as soon as possible.  Will we ever see Linda again?  I doubt it.  Charo seems to be the only performer who regularly returns to the Love Boat as the same character.  We might see Pat Crowley again but she probably won’t be playing Linda.

This storyline, I could relate to.  I’m a child of divorce and I’ll just say that I was Hell on anyone who I thought was trying to be either a new father or a new mother to me.  So far, at least, the stories about the Captain and Vicki have always been handled well.  Gavin MacLeod is always at his best when he’s playing the fatherly side of Stubing.

Captain Stubing is not the only person trying to get laid on this cruise.  Doc Bricker — of course! — is eager to spend time with his latest girlfriend, Mona (Rebecca Holden), but he keeps getting summoned by the Talmadges.  Betty Talmadge (Murphy Cross) is pregnant and her husband, Arthur (Michael Young), is worried that she’s going to give birth on the cruise event though she’s not due for another 9 weeks.  “I was born on airplane!” Arthur yells at one point.  Eventually, Doc tells Arthur that he should take up jogging to deal with his nervousness.  Arthur ends up breaking his leg as a result.  That, at the very least, confines him to his cabin but Doc is now so worried about him that he still can’t find time for Mona.  Finally, as the ship docks in Los Angeles, Betty goes into labor.

Finally, Judge Joanne Atkinson (Nancy Walker) boards the ship and is surprised to see that Harrison Harper (George Gobel, who is an even less convincing womanizer than Doc Bricker) is also taking a cruise.  The judge previously sentenced Harrison to probation for being a bigamist.  The Judge and Harrison fall in love and get engaged.  Of course, Harrison is also engaged to five other women.  I’m sure it’ll all work out.

This was a weird cruise.  The main theme seemed to be that both Doc and the Captain will do anything to avoid actually doing their jobs.  Meanwhile, the Judge and Harrison’s relationship appears to be doomed from the start.  Getting arrested and being sentenced to probation has done nothing to dissuade Harrison from getting engaged to everyone he meets.  Julie looks worried as Harrison and the Judge leave the ship together and I don’t blame her!

As always, the ocean scenery was pleasant and I appreciated the sincerity of the scenes that Gavin MacLeod and Jill Whelan performed together.  Still, I was kind of happy when the boat docked this week.

The Eric Roberts Collection: The Rebels of PT-218 (dir by Nick Lyon)


The 2021 film, The Rebels of PT-218, takes place in 1943.

At the height of World War II, the Allies are on the verge of invading Italy and moving into Europe.  General Omar Bradley (played by William Baldwin, who looks like Alec but sounds like Stephen) orders the SS Lawton, a small torpedo boat to help secure the port of Solano.  It won’t be easy.  The Atlantic Ocean is full of German U-boats and the Lawton is built to move cargo, not fight battles.  But the Lawton is still the most powerful boat in the area and General Bradley believes in the abilities of the Lawton’s commander, Lt. William Snow (Eric Roberts).

However, Snow is eager to get into combat and defeat the Germans.  In fact, he’s so gung ho to fight that some of Bradley’s assistants feel that Lt. Snow’s judgment can’t be trusted.  Commander Barnes (Noah Blake) tells Ensign Kenneth Ford (Geoff Meed) to keep an eye on Snow and do everything he can to keep Lt. Snow on track.

The men of the SS Lawton, meanwhile, just want to man the guns, launch the torpedoes, and stop the Germans.  They’re from all over the United States but they’ll be familiar to anyone who has ever seen a war film.  Some of them are naive.  Some of them are cocky and streetwise.  One of them is played by Danny Trejo!  Trejo plays Cookie, a former gunner turned cook.  He delights in serving chorizos for dinner.  Cookie has a mustache and a pony tail, which definitely do not feel like they would be within Navy regulations.  After Cookie is wounded in action, a crewman tosses Cookie a machete and Trejo smiles like a man who has waited his entire life for that exact moment.

Historical accuracy?  Who needs historical accuracy when you’ve got Danny Trejo and Eric Roberts in the same movie?  Obviously, both Roberts and Trejo are a bit too old for their roles.  Cookie would have probably retired from the Navy long before the bombing of Pearl Harbor.  As for Roberts, one has to worry about any officer who is clearly in his 70s and still hasn’t achieved a rank higher than lieutenant.  When Snow expresses his ambition to be promoted, you have to wonder if he’s hoping to be the world’s oldest admiral.

This film is an attempt to do an epic war story on a budget and it doesn’t quite work.  One never feels that any of the characters are waking up everyday with the knowledge that this could be the day that they die.  The ship and all of the characters are remarkably clean and fresh-faced throughout the film, with none of the grime nor grit that would have given the story a realistic edge.  That said, Danny Trejo gets a few good lines and it’s always fun to watch Eric Roberts play an authority figure.  In the end, the important thing is that America won.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Blood Red (1989)
  3. The Ambulance (1990)
  4. The Lost Capone (1990)
  5. Love, Cheat, & Steal (1993)
  6. Love Is A Gun (1994)
  7. Sensation (1994)
  8. Dark Angel (1996)
  9. Doctor Who (1996)
  10. Most Wanted (1997)
  11. Mr. Brightside (2004)
  12. Six: The Mark Unleased (2004)
  13. Hey You (2006)
  14. In The Blink of an Eye (2009)
  15. Enemies Among Us (2010)
  16. The Expendables (2010) 
  17. Sharktopus (2010)
  18. The Dead Want Women (2012)
  19. Deadline (2012)
  20. The Mark (2012)
  21. Miss Atomic Bomb (2012)
  22. Lovelace (2013)
  23. The Mark: Redemption (2013)
  24. Self-Storage (2013)
  25. This Is Our Time (2013)
  26. Inherent Vice (2014)
  27. Road to the Open (2014)
  28. Rumors of War (2014)
  29. Amityville Death House (2015)
  30. A Fatal Obsession (2015)
  31. Stalked By My Doctor (2015)
  32. Joker’s Poltergeist (2016)
  33. Prayer Never Fails (2016)
  34. Stalked By My Doctor: The Return (2016)
  35. The Wrong Roommate (2016)
  36. Dark Image (2017)
  37. Black Wake (2018)
  38. Stalked By My Doctor: Patient’s Revenge (2018)
  39. Clinton Island (2019)
  40. Monster Island (2019)
  41. The Savant (2019)
  42. Seven Deadly Sins (2019)
  43. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  44. The Wrong Mommy (2019)
  45. Exodus of a Prodigal Son (2020)
  46. Free Lunch Express (2020)
  47. Her Deadly Groom (2020)
  48. Top Gunner (2020)
  49. Deadly Nightshade (2021)
  50. Just What The Doctor Ordered (2021)
  51. Killer Advice (2021)
  52. The Poltergeist Diaries (2021)
  53. A Town Called Parable (2021)
  54. Bleach (2022)
  55. My Dinner With Eric (2022)
  56. Aftermath (2024)

The Covers of Mammoth Mystery


Published by Ziff-Davis, Mammoth Mystery was a crime fiction magazine that ran for 11 issues, from 1945 to 1947.  Thought the magazine had a short run, contributions from writers like Robert Bloch and covers from artists like Arnold Kohn have made it popular amongst collectors.  Below is a small sampling of the covers of Mammoth Mystery.

January 1946. By RR Epperly

June, 1946. By Arnold Kohn.

August, 1946. By Arnold Kohn

February, 1947. By Arnold Kohn

April, 1947. By Arnold Kohn

A Powerful Scene From Roberto Rossellini’s Rome, Open City


Filmed in 1945, Roberto Rossellini’s Rome, Open City was one of the first films to be made about life under the Nazis.  Uniquely, it was a film made by and starring the people who had actually experienced, firsthand, the occupation of Rome by the Germans and much of the film was based on their real-life experiences.  The majority of the cast was made up of nonprofessionals and, largely because the city’s once-impressive studios and sound stages had been destroyed during the war, the film was shot on location, on the streets where many of the events depicted had actually occurred.

Rome, Open City follows a diverse group of characters who are all involved with the Resistance.  When the film begins, it appears that the pregnant Pina (Anna Magnani) is meant to be the main character.  However, in a scene that was considered quite shocking for the time, Pina is shot in the streets by the Nazis while chasing after a truck that is carrying away her fiancé.  The scene captures both the casual brutality of the Nazis and the reality of living under an occupation.  It’s a scene that reminds the viewer that evil is not sentimental, evil does not care that you are pregnant or that you’re planning on getting married, and that the forces of evil will do anything — including shooting an unarmed woman in the street — to maintain power.

The priest who tries to help Pina was based on Giuseppe Morosini, who was a member of the Italian Resistance and who was executed in 1944, shortly before the Nazis fled Rome and left the city to the Allies.  Originally, Rossellini planned to make a documentary about Morosini’s life.  When that project struggled to get off the ground, he instead incorporated Morosini’s story into Open City.

4 Shots From 4 Films: Special Roberto Rossellini Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

118 years ago, on this date, the great Italian neorealist director (and husband of Ingrid Bergman and father of Isabella Rossellini), Roberto Rossellini was born in Rome.  It’s time for….

4 Shots From 4 Roberto Rossellini Films

Rome, Open City (1945, dir by Roberto Rossellini, DP: Ubaldo Arata)

Europe ’51 (1952, dir by Roberto Rossellini, DP: Aldo Tonti)

Fear (1954, dir by Roberto Rossellini, DP: Carlo Carlini, DP: Heinz Schnackertz)

Journey to Italy, (1954, dir by Roberto Rossellini, DP: Enzo Serafin)

Music Video Of The Day: Lay It Down by Ratt (1985, directed by Marshall Berle)


What did young Stephen Pearcy wish for his birthday?  He wished to be a rock star with a girlfriend who had appeared in Playboy and today’s music video of the day indicates that his fantasy came true.  (Or at least it came true for a while.)

Young Stephen Pearcy was played by child actor Whit Hertford.  The woman that the adult Stephen sings to was played by model Marianne Gravatte, who also appeared on the cover of Ratt’s Invasion Of Your Privacy album.

The video was directed by Marshall Berle, who was also known for his work with Van Halen and for being Milton Berle’s nephew.

Enjoy!

Late Night Retro Television Review: Baywatch Nights 2.3 “The Rig”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on You tube!

This week, Mitch and Ryan head out to an abandoned ocean oil rig.  Do they find love or do they find a glowing green slime monster?  Read on to find out!

Episode 2.3 “The Rig”

(Dir by Jon Cassar, originally aired on October 13th, 1996)

Donna is super-excited because she’s saved her first person as a lifeguard.  (Apparently, the nightclub is no longer a thing and Donna is no longer a cynical and tough-minded businesswoman.)  She tracks down Griff and she tells him about it.  Griff is impressed.  Donna wants to tell Mitch but he’s not on the beach!

Instead, Mitch and Ryan are investigating a deserted oil rig.  A few weeks ago, the crew of the oil rig died under mysterious circumstances.  The official story is that they fell victim to cabin fever or maybe a mass delusion.  But Diamont thinks that maybe something paranormal has happened and he has asked Mitch and Ryan to check it out.  Despite the fact that this is the third “paranormal” mystery that Mitch has investigated in as many episodes, he remains a skeptic.  Ryan, however, thinks that it is possible that the rig was attacked by some sort of prehistoric one-celled organism.

And it turns out that Ryan is right!  Ryan and Mitch find themselves being threatened by a green gelatinous goo that eats away at everything from metal to skin.  Joining Ryan and Mitch is Claire (Jennifer Campbell), whose boat was earlier attacked by the goo.  Claire does very little in this episode and there’s really no point to her being there, beyond the fact that the show’s producers needed someone to wear a bikini and to scream.

Featuring an absolutely ludicrous monster and a finale that involves a self-destruct mechanism slowly counting down, The Rig is actually a lot of fun.  It’s totally ludicrous and silly and everything that an episode of something like Baywatch Nights should be.  Mitch and Ryan make for an entertaining team.  Angie Harmon’s naturally sarcastic delivery contrasts nicely with David Hasselhoff’s most earnest style.  The Rig is at its best when it just follows Mitch and Ryan as they flirtatiously argue about the paranormal while walking around the abandoned rig.

And fear not!  Mitch survives his meeting with goo, jumping off the rig at the same moment that it explodes.  We get a little bit of slow motion, followed by a short of an obvious dummy crashing into the water.  When Hasselhoff jumps off the rig, the night sky is pitch black.  When he emerges from the ocean, the sun is shining.  That’s type of easily avoidable continuity error that makes Baywatch Nights so much fun!

This was a fun episode.  Next week, Mitch gets involved with a UFO!

The Films of 2024: Lights Out (dir by Christian Sesma)


Duffy (Frank Grillo) is haunted by the past.  When he was serving in the U.S. military, he watched as his friends and fellow soldiers were killed in battle.  Now that he’s back in America, he’s haunted by the memories and the trauma has left him incapable of finding peace.  He’s angry and paranoid and restless.  He drifts around the country, making whatever money that he can as a gambler.  But when a poker game at a Los Angeles roadhouse leads to a physical confrontation, Duffy is offered a new opportunity.

Max (Mekhi Phifer) watches as Duffy defends himself and is impressed with what he sees.  Max is a ex-con who works as a recruiter for underground fight clubs.  Max recognizes the source of Duffy’s anger because Max’s brother was also a veteran who returned to America carrying the mental and physical scars of war.  Max feels that he failed his brother but maybe he can make up for it by saving Duffy’s life.  Max recruits Duffy as a fighter and gives him a place to live.  Duffy and Max soon find themselves in conflict with an evil gym owner (Dermot Mulroney, making the most of a rare villainous role) and a corrupt cop (Jaime King) who is secretly in charge of the town’s underground fight scene.

Lights Out is a fast-paced and occasionally self-aware B-movie.  I always find movies like this fascinating because they present a world where there’s an underground fight club located in every backroom and lumber yard.  Don’t get me wrong.  I’m not saying that there aren’t underground fight clubs.  I’m sure they’re out there and I’m sure that there are some dangerous people involved in promoting them.  I’m just saying that I kind of suspect that there might not be as many of them as there tends to be in the movies.  I always find it interesting that so many underground fight clubs seem to have a “fight until the death” rule.  I mean, it seems to me that would cause you to quickly run out of fighters.  I also wonder what people do when they want to start an underground fight club but they don’t have access to an abandoned warehouse or any acquaintances in the Russian Mafia.  I guess those people are just screwed.

While Mulroney and King definitely make an impression as the two over-the-top villains, Lights Out is dominated by Frank Grillo.  Grillo has been lucky enough to be blessed with a down-to-Earth screen presence that allows him to be likable while also leaving little doubt that he is someone who can handle himself in a fight.  He has the weathered good looks of some one who has seen some things but who hasn’t yet surrendered his humanity.  He’s like the modern day version of one of those wonderful character actors who used to populate the gangster movies of the 1930s.  Grillo’s tough sincerity and streetwise persona is well-used here.  John Garfield had his Body and Soul.  Frank Grillo has his Lights Out.