Retro Television Review: Baywatch 2.5 “The Fabulous Buchanan Boys”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we meet Mitch’s brother.

Episode 2.5 “The Fabulous Buchanan Boys”

(Dir by Gus Trikonis, originally aired on October 14th, 1991)

Mitch’s brother, Buzz (Tim Thomerson), shows up with his 12 year-old son, Kyle (Chance Michael Corbitt)!  Mitch is reunited with Buzz and they both realize that they’re two old beach bums who are not getting any younger.  That’s especially true in the case of Buzz.  The show makes it clear that Buzz is Mitch’s older brother but we’re still left wondering just how much older.  With his gray hair and his weathered features, Tim Thomerson looks like he’s nearly 70 while Hasselhoff appears to be in his late 30s.

And that’s pretty much it.

Okay, in all fairness to the show, there is a bit more of a plot than just Buzz showing up but none of it adds up to much.  Mitch’s girlfriend, reporter Kaye Morgan (Pamela Bach), is pressured by her father to kill a story about a dangerous pier.  Kyle has a bad attitude and has an accident while surfing at that pier.  Luckily, the lifeguards are able to save him.  Eduardo (Buzz Belmondo) sells bikinis on the beach but — ha ha — the bikinis dissolve when soaked in salt water.  Eddie and Shauni have to help a lot of suddenly naked people get out of the water.  “We’re in syndication!” the show loudly announces.  Meanwhile, I’m left to wonder why you would buy a bikini from a stranger with a pencil-thin mustache.

For the most part, though, this was a montage episode.  The plot was secondary to the music playing behind slickly edited montages of Buzz and Mitch bonding.  Buzz and Kyle leave town at the end of the episode but, given how close Buzz and Mitch are, I’m sure that Buzz will return frequently in the future.

(Buzz will never be seen again.)

Fjord Wins At Cannes


Well, another Cannes Film Festival has come to a close.  Here in America, coverage of this year’s festival felt considerably more low-key than previous festivals.  In fact, the conventional wisdom — again, here in America — seems to be that this year’s festival was a disappointment.  Personally, I think there’s just some hurt feelings that only two American films were selected to compete this year.

Neither Paper Tiger nor The Man I Love won anything.  (Fear not, I’m sure that James Gray will be back with another drama about the Russian mafia next year.)  Instead, the Palme d’Or went to Fjord, a film about a traditional Catholic family that finds itself being targeted by a group of progressives.  The Guardian gave Fjord a negative review so I imagine it’s pretty good.  I look forward to seeing it.  It should be noted that, as of the last few years, winning the Palme d’Or has been a plus when it comes to a film’s Oscar chances.  (Even the now universally-derided Emilia Perez starting things off by winning at Cannes.)  We’ll see if the same holds true for Fjord.

Here are the winners from Cannes:

Palme d’Or: Fjord by Cristian Mungiu
Grand Prix: Minotaur by Andrey Zvyagintsev
Jury Prize: The Dreamed Adventure by Valeska Grisebach
Best Director:
Javier Ambrossi and Javier Calvo for The Black Ball
Paweł Pawlikowski for Fatherland
Best Actress: Virginie Efira and Tao Okamoto for All of a Sudden
Best Actor: Emmanuel Macchia and Valentin Campagne for Coward
Best Screenplay: Emmanuel Marre for A Man of His Time

Un Certain Regard
Un Certain Regard Prize: Everytime by Sandra Wollner
Jury Prize: Elephants in the Fog by Abinash Bikram Shah
Special Jury Prize: Iron Boy by Louis Clichy
Best Actress: Daniela Marín Navarro, Marina de Tavira and Mariangel Villegas for Forever Your Maternal Animal
Best Actor: Bradley Fiomona Dembeasset for Congo Boy

Caméra d’Or
Caméra d’Or: Ben’Imana by Marie Clémentine Dusabejambo

Short Films Competition
Short Film Palme d’Or: For the Opponents by Federico Luis

Live Tweet Alert: Watch Killer Workout With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1987’s Killer Workout!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Song of the Day: Somebody Has To Pay by Susie Van Der Meer


Today’s song of the day comes from the soundtrack of 1998’s Run, Lola, Run.

Whisper my darling
I didn’t have the time to say goodbye to you
Flow into silence
My mouth is full of blood and my mind is too
And my mind is too

And you see me walking miles away
Somebody has to pay
And you see me walking miles away
I’m gonna take your pain with me

Golden reunion
I will always wait for you to be with me
Secrets in heaven
I’ll complete the mission if you want me to

And you see me walking miles away
Somebody has to pay
And you see me walking miles away
I’m gonna take your pain

And you see me walking miles away
Somebody has to pay
Somebody has to pay
Somebody has to pay

Somebody has to pay
Somebody has to pay

Scenes that I Love: The Roulette Scene From Run, Lola, Run (Happy Birthday, Tom Tykwer!)


Today is the birthday of German filmmaker Tom Tykwer.  Tykwer directed one of my favorite films of all time, 1998’s Run, Lola, Run!  As such, it only seems appropriate that today’s scene that I love should come from that film.

In this scene, Lola shows us all how to win at roulette.  Do not try this in Vegas.

4 Shots from 4 Films: Special Ryan Coogler Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to director Ryan Coogler!  With just a handful of films, Ryan Coogler has made a star out of Michael B. Jordan, redeemed the acting career of Sylvester Stallone, introduced the rest of the world to Wakanda, twice made Oscar history, and changed the way that film viewers talk about race in cinema.  With all that in mind, it’s time for….

4 Shots from 4 Ryan Coogler Films

Fruitvale Station (2013, dir by Ryan Coogler, DP: Rachel Morrison)

Creed (2015, dir by Ryan Coogler, DP: Maryse Alberti)

Black Panther (2018, dir by Ryan Coogler, DP: Rachel Morrison)

Sinners (2025, dir by Ryan Coogler, DP: Autumn Durald Arkapaw)

Music Video of the Day: Love of a Lifetime by Firehouse (1990, directed by Mark Rezyka)


Love of a Lifetime was the third single to be released by Firehouse and it’s been featured at countless wedding receptions.  This was one of Firehouse’s biggest hits.  The band itself had the misfortune to be a metal band that hit its stride right when grunge was becoming the new big thing but they’ve remained big in Japan and they continue to sell-out shows to this day.

Director Mark Rezyka has also worked with KISS, Winger, RATT, Testament, and a host of other metal bands.  He also directed episodes of Monsters and The Hitchhiker.

Enjoy!

 

Late Night Retro Television Review: Freddy’s Nightmares 2.14 “Easy Come, Easy Go”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, Mary Crosby returns.  And hey — is that Wings Hauser!?

Episode 2.14 “Easy Come, Easy Go”

(Dir by William Malone, originally aired on January 14th, 1990)

In this sequel to Lucky Stiff, Greta (Mary Crosby) is still living in her mansion with her new husband, Eugene (Tracey Walter).  She’s married to Eugene so that Eugene won’t turn her in for having killed her previous husband.  Eugene says that he’ll leave the mansion as soon as they consummate the marriage.  Greta, however, has standards.  As a result, Eugene lives in the basement.

When her former brother-in-law, Wes Roscoe (Richard Eden), shows up, it doesn’t take long for a lingerie-clad Greta to seduce him.  It soon becomes apparent that Wes wants her money and vengeance for the death of his brother.  She makes plans to poison him but, when Wes attacks her, her life is saved by Eugene.  Greta realizes that she loves Eugene.  She sleeps with him.  Immediately afterwards, Eugene accidentally drinks the poison and dies.  Sorry, Eugene!

Shortly afterwards, Greta’s sister, Peggy (Jill Jacobson), shows up with her husband, eyepatch-wearing Sonny (Wings Hauser).  Sonny is Greta’s ex.  In fact, he blames her for the loss of his eye.  (They got into an argument in a car and a slap from Greta sent Sonny plunging eye-first into the gear shift.)  Greta seduces and then kills Sonny, just as she’s done with every man who has tried to take her money.  But then Peggy turns out to be a sociopath herself (“I killed mom and dad.”) and proceeds to shoot Greta.

“Easy come, easy go,” Greta gasps.

This episode was so over-the-top and cheerfully sordid that it was impossible not to enjoy it.  Mary Crosby threw herself into the femme fatale role.  Wings Hauser, as always, was amusingly disturbed as the bad guy.  Both stories were wonderfully sordid.  Even without any supernatural elements, this was a truly fun episode.

Retro Television Review: St. Elsewhere 3.21 “Murder, She Rote”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, we’ve got a great episode of St. Elsewhere.

Episode 3.21 “Murder, She Rote”

(Dir by Mark Tinker, originally aired on February 27th, 1985)

This week, Mrs. Hufnagle dies!

  • After spending the entire season getting on the nerves of the doctors and the nurses, Mrs. Hufnagle died in this episode.  She is found dead and apparently crushed in her bed.  (Hufnagle could never figure out how to properly lower and raise the front and back of it.  In this episode, it appears that she raised both at the same time.)  “Hufnagle in a half-shell,” Ehrlich says.  Meanwhile, the perpetually angry Nurse Lucy (Jennifer Savidge) blames herself for not responding when Hufnagle was desperately pushing her help button.  Gee, Lucy, you think?  Isn’t it your job to respond?
  • Now, I should note that this episode features both Westphall and Craig calling out the doctor for the treatment that Hufnagle received.  Both let it be known that doctors can’t just take care of the likable patients.  Everyone who enters the hospital deserves quality care.
  • What did Hufnagle die of?  That’s what Craig is determined to find out.  His first instinct is to blame Ehrlich.  Then he tried to blame Kochar (former serious regular Kavi Raz, making a guest appearance).  He tries to blame the nurses.  But, in the end, Craig examines his notes from Hufnagle’s heart surgery and he discovers that he’s the one who made a mistake.
  • In a wonderfully acted moment, Craig tells the residents that the mistake was his.  William Daniels does an excellent job of showing that Craig, for all of his arrogance, is not one to shirk responsibility.  When he explains how he made the mistake that led to Hufnagle’s death, it’s a brave moment for both the character and the actor.
  • That said, Craig is lucky Hufnagle didn’t have a family or he would definitely be getting sued.

While Hufnagle died, Shirley Daniels returned to the ER:

  • Given that Shirley has confessed to killing Peter White (even though she hasn’t gone to trial yet), clearing her to work at a hospital seems …. odd.  That said, a psychiatrist says that Shirley is not a threat to others and Auschlander seems to be oddly eager for her to get to work.
  • It doesn’t take long before Shirley pulls a gun on a patient.  She also points the gun at Fiscus and then Morrison.  She pulls the trigger and a little flag pops out that says, “Bang!”
  • It was a joke!  Oh, Shirely!
  • Shirley laughs and then leaves the hospital.

Elliot has a date:

  • Dr. Axelrod goes out on a date with Nurse Rosenthal’s odd daughter, Marcy (Jeannie Elias).
  • Marcy is impressed with Elliot’s goofy sense of humor.
  • Elliot takes her to the same Hawaiian restaurant that Ehrlich took the Craigs.
  • A sudden fire breaks out.  Elliot heroically saves the life of the restaurant’s owner.
  • Marcy explains that she liked Elliot because he seemed goofy and harmless.  Now that he’s a hero, she respects him too much to sleep with him.

This was a great episode!  William Daniels gave his best performance in the role of Dr. Craig so far.  Ellen Bry, in the role of Shirley Daniels, got one of the all-time great exits.  And the underused Stephen Furst got a storyline where he did something more than just get insulted.  I do feel sad for Mrs. Hufnagle, though.  She wasn’t that bad.