Here’s a clip from 1977 of a young David Hasselhoff, singing for the first time on television.
Stay strong, Hoff, we’re all rooting for you.
Author Archives: Lisa Marie Bowman
Scenes I Love: Robot Chicken is Sawed By The Bell
This has always made me laugh. It’s exactly what would have happened on both the show and real life, as well.
4 Shots From 4 Films: Special David Hasselhoff Edition
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
It’s the Hoff’s birthday! That means that it is time for….
4 Shots From 4 David Hasselhoff Films
Starcrash (1978, dir by Luigi Cozzi, DP: Paul Beeson and Roberto D’Ettorre Piazzoli)
Witchery (1988, dir by Fabrizio Laurenti, DP: Gianlorenzo Battaglia)
Panic At Malibu Pier (1989, dir by Richard Compton, DP: John McPherson)
Nick Fury: Agent of SHIELD (1998, dir by Rod Hardy, DP: James Bartle)
Late Night Retro Television Review: Hunter 1.12 “The Avenging Angel”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, someone wants to help out Hunter!
Episode 1.12 “The Avenging Angel”
(Dir by James Whitmore, Jr., originally aired on January 18th, 1985)
After Hunter receives an anonymous phone tip, he arrests Dr. Pierpoint (Angus Duncan) for attempting to hire a criminal known as “The Rat” to kill his wife. When Hunter makes the arrest, he actually has to Mirandize him twice because the doctor was unconscious the first time that Hunter read him his rights. Oh, Hunter!
Unfortunately, things fall apart at trial. The Rat (Robert Pastorelli, whose career later fell apart after the mysterious death of his girlfriend) changes his testimony at the last minute and says that Pierpoint never hired him to kill his wife. The case is dismissed. Hunter is upset. Even more upset is Arnold Morton (Robert Gray), a surveillance expert who idolizes Hunter and who makes it his mission to take down not just Pierpoint and the Rat but also defense attorney Nell Armstong (Nancy Stafford).
This was an interesting episode. The story didn’t quite work but the idea behind it was intriguing. Morton, who has bugged Hunter and has been following him for weeks, considers himself to be Hunter’s avenging angel. When Hunter makes it clear that he’s not cool with the whole vigilante thing, Morton turns on him like a lover scorned. This is like Hunter’s version of Magnum Force.
As for McCall, she spends most of this episode just trying to go on a date with her latest boyfriend, Ted (Rod Haase). Unfortunately, Hunter keeps interrupting. Ted is a nice guy about it but it’s pretty obvious that McCall and Hunter are meant to be together.
The highlight of this episode? Hunter destroying his phone while searching for a bug. In the role of Captain Dolan, John Amos got to do his whole, “Hunter, what the Hell are you doing!?” thing. That’s always entertaining.
As I said, the episode didn’t quite work. I never really bought that Arnold could do everything that he managed to do in this episode. I mean, for someone who lived in an abandoned arcade and drove a broken-down van, Arnold seemed to have unlimited resources. I will give a shout out to the show’s art department for including a poster of Lucio Fulci’s Zombi 2 in Arnold’s office.
It’s always funny to me how, in every episode, Hunter has got someone trying to kill him and no one but McCall seems to care.
Retro Television Review: Decoy 1.38 “First Arrest”
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958. The show can be viewed on Tubi!
This week, it’s the next-to-last episode Decoy!
Episode 1.38 “First Arrest”
(Dir by Arthur H. Singer, originally aired on June 30th, 1958)
Casey meets with a new, rookie policewoman (Ellen Madison) at Coney Island. The rookie just made her first arrest and is now in tears because she’s worried that she’s ruined someone’s life. Casey tells the story of her first assignment and what it was like to make her first arrest.
Flashback time!
The NYPD believes that a fencing operation is being run out of a Coney Island carnival sideshow. Young and eager, Casey gets a job as an exotic dancer at the carnival. (Calm down, boys. She wears one of the least-revealing costumes of all time.) Shy and insecure Willie Graff (Joshua Shelley) develops a crush on Casey. Casey, suspecting that Willie is the fence, plays along but she starts to feel guilty as she realizes that Willie isn’t some sort of dangerous criminal. He’s just a down-on-his-luck guy who is cutting a few corners. He even introduces Casey to his mother (Ruth McDevitt).
When Willie gives Casey a diamond necklace, she assumes that it must be stolen but it turns out that it’s his mother’s necklace and that Mrs. Graff wants Casey to have it. Casey is actually relieved because it seems like Willie isn’t the fence that she’s looking for. However, then Willie gives her a mink coat and admits that he bought it from someone who had stolen it. Though saddened, Casey forces herself to arrest Willie.
In the present, Casey assures the rookie that she will soon get used to arresting people and she won’t care about them anymore. Yikes!
As you may have guessed, I didn’t really care much for this episode. That idea of Casey being someone who doesn’t care about the people who she arrests pretty much goes totally against everything we’ve seen over the past 37 episodes. The thing that always set Casey apart was that she does care. She has to do her job but she also understands that sometimes, people just make mistakes. Unless it’s case in which she was threatened, Casey usually doesn’t take any joy in slapping the handcuffs on someone.
As much as I hate to say it, Beverly Garland is not particularly convincing in the flashback scenes. Young Casey is written as being continually breathless and unsure of herself. There’s nothing about Beverly Garland’s screen presence that suggests insecurity.
This was a disappointing episode. Next week, we’ll be finishing up Decoy and I hope it goes out on a better note than this.
Join #TubiThursday For In The Mouth Of Madness!
Hi, everyone! Tonight, on Mastodon, I will be hosting the #TubiThursday watch party! Join us for In The Mouth of Madness, starring Sam Neill!
You can find the movie on Tubi or YouTube and you can join us on Mastodon at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) We will be using #TubiThursday hashtag! See you then!
Song of the Day: Is Everybody Happy by David Hasselhoff (1989, dir by ????)
Seriously, we are so lucky to have the Hoff.
Set the mood, Hoff!
Scene That I Love: Donald Sutherland Discusses John Milton in National Lampoon’s Animal House
Tomorrow would have been Donald Sutherland’s birthday. Today’s scene that I love comes from one of my favorite Sutherland performances, as the professor who dislikes John Milton in Animal House.
“This is my job!”
4 Shots From 4 Films: Is It October Yet?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
We’re halfway through July, which means that it’s time for me to get ready for October! (Seriously, who cares about August and September?) Here to inspire are….
4 Shots From 4 Horror Movies
Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)
Night of the Living Dead (1968, dir by George Romero)
Halloween (1978, dir by John Carpenter, DP: Dean Cudney)
Inferno (1980, dir by Dario Argento, DP: Romana Albano)
Late Night Retro Television Review: 1st & Ten 4.8 “Injustice For All”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
Oh my, this epiosde.
Episode 4.8 “Injustice For All”
(Dir by Stan Lathan, originally aired on November 23rd, 1988)
The Bulls narrowly win a game against Texas’s team when Coach Denardo decides to give the ball not to usual running back but instead to Bubba Kincaid. Bubba is pronounced the hero of the game, which makes Jethro jealous. During the next game, when Denardo tries to pull off the same play, Bubba insists that the ball should be given to Jethro. Jethro fumbles the ball and Bubba falls on it, scoring once again for the Bulls. Afterwards, Bubba assures the press that Jethro was supposed to fumble and that Jethro is actually the hero of the game. That’s nice!
Less nice is what happens when the press talks to Coach Denardo. When asked whether or not he thought Texas lost because they had a black quarterback, he shrugs and says, “Maybe. Blacks have excelled at every other position in the game. Eventually, they’ll excel as quarterbacks.” Denardo is branded a racist. He insists that his words were taken out of context.
Personally …. I don’t know, it all sounds pretty racist to me. The question was definitely racist. Denardo wasn’t asked if he felt Texas lost because their quarterback didn’t play well. Instead, he was specifically asked if Texas lost because their quarterback was black. Then, Denardo’s answer is that apparently blacks are not good quarterbacks right now but they will be someday. How is that not racist? Denardo (and the reporter) are taking an individual player, considering nothing about him beyond his race, and then saying that’s why his team lost. All Denardo had to say was that the quarterback struggled, just as many white quarterbacks have struggled. Denardo could have just said, “Race doesn’t have anything to do with it.” Instead …. well, you get the idea.
The Dobbs Corporation, which now owns the Bulls, has recently had to settle a lawsuit about their discriminatory employment practices. Executive Michal Westwood (Paul Tuerpe) wants Denardo fired and really, Denardo probably should be fired. But TD Parker (OJ Simpson) tries to play peacemaker. He tells Denardo that it would help if he apologized.
“TD,” Denardo says, “I’ve got white friends and I’ve got black friends. But if you don’t drop this, I might have one less black friend.”
And then, presumably, Denardo complimented TD for being articulate.
Meanwhile, Dr. Death’s attempt to have a one night stand with a biker chick (Beth Broderick …. wait a minute, Aunt Zelda!?) comes to an end when he meets her son and discovers that the kid is being abused by his mother’s other boyfriend. Dr. Death takes the kid under his wing and then beats up the abuser. Yay! Seriously, this whole episode should have just been Dr. Death beating up that guy.
And Denardo really should have been fired.
