Lisa’s Too Early Oscar Predictions For May


It’s that time of the month again!

It’s time for me to offer up my early Oscar predictions!

These will be my first set of predictions since the Cannes Film Festival.  It’s always debatable just how much of an influence Cannes will actually have on the Oscar voting.  A victory at Cannes pretty much led to Tree of Life receiving an Oscar nomination and it certainly didn’t harm the chances of BlackKklansman last year.  While Once Upon A Time In Hollywood and Terrence Malick’s A Hidden Life may not have picked up any major awards at Cannes, the positive critical reception that both of those films received can only help.  The same can be said of The Lighthouse, which was shown out of competition.  Finally, the Cannes jury gave its best actor award to Antonio Banderas and, for now, that’s enough for me to add him to my list of predicted nominees.

So, without any further ado, here are my predictions for May!  If you want to see how my thinking has evolved over the year, be sure to also check out my predictions for January, February, March, and April!

Best Picture

1917

A Beautiful Day In The Neighborhood

Fair and Balanced

The Goldfinch

Harriet

A Hidden Life

The Irishman

Jojo Rabbit

Little Women

Once Upon A Time In Hollywood

Best Director

Kasi Lemmons for Harriet

Terrence Malick for A Hidden Life

Sam Mendes for 1917

Martin Scorsese for The Irishman

Quentin Tarantino for Once Upon A Time In Hollywood

Best Actor

Antonio Banderas in Pain & Glory

Willem DaFoe in The Lighthouse

Leonardo DiCaprio in Once Upon A Time In Hollywood

Tom Hanks in A Beautiful Day In the Neighborhood

John Lithgow in Fair and Balanced

Best Actress

Amy Adams in The Woman in the Window

Cynthia Erivo in Harriet

Blake Lively in The Rhythm Section

Saoirse Ronan in Little Women

Alfre Woodard in Clemency

Best Supporting Actor

Matt Damon in Ford v. Ferrari

Malcolm McDowell in Fair and Balanced

Ian McKellen in Cats

Sam Neill in Blackbird

Brad Pitt in Once Upon A Time In Hollywood

Best Supporting Actress

Annette Bening in The Report

Laura Dern in Little Women

Scarlett Johansson in Jojo Rabbit

Nicole Kidman in The Goldfinch

Margot Robbie in Once Upon A Time In Hollywood

 

 

Scenes That I Love: Harry Meets The Mayor From Dirty Harry


Today, we wish a happy 89th birthday to the one and only Clint Eastwood!

At this point of his career (from which he says he is now semi-retired), Clint Eastwood has become an American icon.  In many ways, his persona epitomizes all of the contrasts and extremes of the American experience.  A political conservative who specializes in playing taciturn and rather grouchy men, he is also one of our most humanistic directors, specializing in films that often question the traditional view of history and morality.  He may have first become a star in Europe but Clint Eastwood is definitely an American original.

In honor of his birthday, I’m sharing a scene that I love from 1971’s Dirty Harry.  In this scene, Detective Harry Callahan (Clint Eastwood) meets the Mayor of San Francisco (John Vernon).  The mayor is concerned that there’s a psycho on the loose, gunning people down and demanding money.  Callahan’s annoyed that he’s spent a lot of time sitting in a waiting room.  Things pretty much go downhill from there.

There’s so much that I love about this scene.  Both Eastwood and Vernon do a wonderful job playing off of each other.  The Mayor may be in charge of the city but Callahan probably didn’t vote for him.  One thing that I especially love about this scene is the look of annoyance that crosses Harry’s face whenever he’s interrupted.

And, of course, there’s that final line!  Eastwood does a great job explaining Harry’s “policy” but ultimately, it’s Vernon’s “I think he’s got a point,” that provides the perfect closing note.

Happy birthday, Mr. Eastwood!

Here’s The Trailer For The Kitchen


The Kitchen, which will be coming out in August, is one of those films about which I am cautiously optimistic.

It’s about three women in 1970s New York.  Each one is married to a member of the Irish mafia.  When their husbands all end up getting arrested by the FBI, the women take control of the rackets themselves.  This, of course, brings them into conflict with the old and patriarchal Italian mob.

It is it a comedy?  Well, it does star TIffany Haddish and Melissa McCarthy as two of the of the wives.  However, though they both may be thought of as being primarily comedic actresses, Haddish is a critical favorite right now and McCarthy has two Oscar nominations despite the fact that she’s appeared in some truly terrible movies over the past few years.  Both of them have proven that they can handle drama just as well as comedy.

So, is this a drama?  Well, as you can see in the trailer below, it does appear to feature Elisabeth Moss falling in love with violence.  In fact, the trailer features a few people getting killed but it also appears to take a rather jaunty approach to all the death.  “Oh look!  He’s sitting on the toilet and he got shot!”

So, I’m going to guess that this film is going to try to balance both comedy and drama.  That approach, when it works, can lead to wonderful things.  And when it doesn’t work …. well, let’s not even think about it.

I will say this — the trailer’s glimpse of 42nd Street is gorgeous!

Anyway, here’s the trailer for Widows …. I mean, The Kitchen:

Here’s The Trailer For The Dark Crystal: Age of Resistance!


Stoners rejoice!

Netflix has a Dark Crystal series that will be dropping on August 30th, 2019.  The series will be ten episodes long and will apparently explore the world of the original film.  The theme appears to be one of rebellion.  Then again, rebellion appears to be the theme of everything nowadays.  Even the authority figures say that they’re rebelling against something.  I guess it truly is …. THE AGE OF RESISTANCE!

Anyway, someone will undoubtedly review this show for the site so hopefully, it’ll be good.  Or, at the very least, it’ll be better than the second season of Chilling Adventures of Sabrina.  Seriously, we deserve a Carribbean cruise after making it through that.

Here’s the Dark Crystal trailer!  I hope you’ll trip like I do while watching it.

(Someone out there will get the joke and that’s all that matters.)

Here’s The Trailer For Rambo: Last Blood!


So, today, twitter is all abuzz over the trailer for the upcoming Rambo film.  Apparently this film, which is called Rambo: Last Blood, will be the final time that Sylvester Stallone will ever play John Rambo and it features Rambo coming home and fighting a Mexican drug cartel.

Look, to be honest, this trailer pretty much looks like a typical Sylvester Stallone trailer.  It could just as easily be the trailer for another Expendables film, except for the fact that Rambo has become an iconic figure in the annals of cinematic mayhem.  Just the mere mention of the name gets certain filmgoers excited.

Of course, I watched First Blood earlier this year and I was surprised to discover just how good a film it actually was.  And, of course, action film enthusiasts are still talking about that scene in Rambo where the title character kills the population of a small country in a matter of minutes.  So, I get why people are excited about this trailer but, at the same time, it still feels a bit generic.

This trailer also features Old Town Road because God knows it’s not like that song is currently overplayed or anything.

There’s one thing that I do think we definitely have to give Sylvester Stallone credit for.  I’ve read that, during the first part of his stardom, Stallone wasn’t always pleasant to work with and that he sometimes resented being thought of as just being an action star.  But, during the twilight of his career, it would appear that Stallone has definitely made a sort of peace with the roles that define him.  He understands what he does well and he tries to give his audience what they came for.  I’m predicting that, when Stallone’s 90 years old, he’ll probably still be making movies where he beats up terrorists.  By this point, of course, the terrorists might be attacking a retirement home but Stallone’s going to be there to put them in their place.

And we’ll all be better off for it!

Anyway, here’s the trailer:

Lisa’s Week In Review: 5/20/19 — 5/26/19


Let’s see.  Last week started with my DVR exploding and me slightly burning my thumb while unplugging it.  I lost a total of 267 recorded programs.  That was bad.

However, I got a new DVR on Wednesday and the little burn mark on my thumb that had me so concerned has nearly faded away.  Even more importantly, I no longer have the obligation of watching those 267 recorded programs hanging over my head.  Sometimes, losing something is the only way that you can move forward.  So, that’s good.

This week is ending with me shadowbanned on twitter, which means that my tweets are currently not showing up in twitter searches.  Needless to say, this is very frustrating, especially since Twitter refuses to tell me what I did to upset their precious algorithm.  That’s bad.

However, shadowbans are only temporary and I have enough followers who are generous with their likes and retweets that not showing up in a twitter search isn’t going to massively effect the number of people who come across my reviews.  And, even more importantly, all of the drama over the twitter algorithm has reminded me of just what a first world problem social media truly is.  (I mean, seriously — go tell someone living in a war zone about how getting temporarily shadowbanned is the worst thing that ever happened to you.)  If nothing else, this has helped me to gain some sort of perspective and that’s a good thing.

Finally, I spent today and I’ll be spending most of tomorrow at Lake Texoma with the people who I love.  And you know what?  That’s the most important thing of all.  Above all else, there is love.

Have a good week, everyone.

Films I Watched:

  1. Bend it Like Beckham (2002)
  2. eXistenZ (1999)
  3. Fuzz (1972)
  4. The Great Northfield Minnesota Raid (1972)
  5. Happy Gilmore (1996)
  6. Hope and Glory (1987)
  7. Maria (2019)
  8. Morons From Outer Space (1985)
  9. Paris Blues (1961)
  10. Sins and Seduction (2019)
  11. Tombstone (1993)
  12. Yojimbo (1961)

Television Shows I Watched:

  1. The Amazing Race 31
  2. American Idol
  3. The Bachelorette
  4. Chernobyl
  5. Chilling Adventures of Sabrina
  6. Degrassi
  7. A Discovery of Witches
  8. Dynasty
  9. Fosse/Verdon
  10. It’s Always Sunny In Philadelphia
  11. iZombie
  12. King of the Hill
  13. Marvel’s Agents of SHIELD
  14. Paradise Hotel
  15. South Park
  16. The Voice
  17. What We Do In The Shadows

Books I Read:

  1.  The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick (2019) by Mallory O’Meara

Music To Which I Listened

  1. Afrojack
  2. Basement Jaxx
  3. Big Data
  4. Britney Spears
  5. The Chemical Brothers
  6. Dillon Francis
  7. DJ Judaa
  8. Fais
  9. Fitz and the Tantrums
  10. Gwen Stefani
  11. Icona Pop
  12. Jakalope
  13. No Doubt
  14. R.E.M.
  15. Saint Motel
  16. She & Him
  17. Steve Aoki
  18. Swedish House Mafia
  19. Taylor Swift
  20. UPSAHL

Links From Last Week

  1. Over on Horror Critic, I reviewed The Haunting of Helen Walker.
  2. On my music site, I shared music from Fais, Gwen Stefani, Taylor Swift, Fitz and the Tantrums, Big Data, Saint Motel, and She & Him.
  3. On her photography site, Erin shared: Clouds in Black-and-White, Crooked Path, City in Black-and-White, Yard, Alleyway, Flags, and American Flags.
  4. I reviewed the latest two episodes of The Amazing Race.
  5. David Milch’s Third Act
  6. Cancellation Watch Season Roundup: Syfy Appears to Be Fading as a Network, Will It Become a Peak TV Casualty?
  7. A Quiet Place 2 Gets New March 2020 Release Date, Moving Up Two Months

Links From The Site

  1. I shared music videos from Big Data, Big Data, She & Him, and Big Data again.  I shared the trailers for Stranger Things and Once Upon A Time In Hollywood.  I reviewed episodes 7 and 8 of Chilling Adventures of Sabrina and I also reviewed the new Netflix film, Maria.  Finally, I told you who won at Cannes and I wrote about being shadowbanned on twitter.
  2. Case reviewed the 2nd season finale of the Chilling Adventures of Sabrina!
  3. Ryan shared an interview with Tana Oshima, reviewed Doom Patrol, and shared his weekly reading round-up!
  4. Erin shared the following artwork: Painted Lips, Planet Stories, The Seven Deadly Sisters, Danger Trail, Fantastic Adventures, The Eager Beavers, and Inside Detective!
  5. Gary reviewed Count Yorga, Three Hours To Kill, and She Done Him Wrong!

Want to see what I did last week?  Click here!

TV Review: Chilling Adventures of Sabrina 2.8 “The Mandrake” (dir by Kevin Sullivan)


When last we checked in on the adventures of the Greendale’s most boring family of witches, Sabrina had been resurrected as some sort of witch messiah and was planning on revealing the truth of her powers to all of Roz’s church friends when she was suddenly stopped by Harvey.  Harvey cried out, “If you ever loved me, stop!”  That got a look from both Roz and Nick, not to mention Sabrina.

Anyway, it turned out that Harvey found a wall painting of Sabrina in the mines and apparently, the painting indicated that Sabrina was destined to be the herald of Hell and bring about the apocalypse.

“Am I evil!?” Sabrina asked.

The 8th episode of the 2nd season of Chilling Adventures of Sabrina attempted to answer this question and, as is typical with this show, the results were mixed.  In order to try to exorcise the evil out of her, Sabrina convinced Ambrose to help her create a duplicate Sabrina, a “mandrake.”  The Mandrake Sabrina would have all of her powers but none of her humanity and the plan was for the real Sabrina to kill the fake Sabrina 24 hours after creating it.  This would not only vanquish whatever evil that Sabrina had inside of her but it would also deprive her of both her powers and her immortality.  In short, Sabrina would become a normal mortal but, at the same time, she also wouldn’t end the world.

Sounds like a good plan, right?

Of course, it didn’t work like that, largely due to the fact that Sabrina is incredibly incompetent.  While Sabrina managed to create the Mandrake, she didn’t do a very good job of keeping track of it.  This led to the Evil Sabrina wandering around Greendale and exploiting all of her friends’s insecurities and weaknesses.  Of course, since Sabrina only has three friends, this means that the Mandrake just tracked down Harvey, Roz, and Theo.  If Harvey, Roz, and Theo were complex characters (as opposed to thinly drawn caricatures), it would be potentially interesting to see how the Mandrake manipulated them and tried to use their weaknesses against them.  But, as I’ve been saying since this season began, there’s not much to say about the members of Sabrina’s supporting cast.  Everyone has one or two traits that are used to define them.  Of course, Roz is going to be insecure about her relationship with Harvey and her eyesight because that’s really the only two things that Roz has going on in her life.  The show’s refusal to dig any deeper into its supporting cast remains one of its most glaring flaws.

On the plus side, the Mandrake’s plan to create duplicates of Harvey, Roz, and Theo did lead to a nice homage to Invasion of the Body Snatchers and Kiernan Shipka did a great job playing both Sabrina and her evil twin.  As is usually the case with this series, Kiernan Shipka’s efforts to hold this uneven episode together were nothing less than heroic.

When the episode wasn’t dealing with Sabrina and her Mandrake, it was focusing on Father Blackwood’s attempts to break away from the Church of Night and join the Church of Judas.  It was …. well, not very interesting.  Meanwhile, Mrs. Wardwell sent a reanimated scarecrow to kill Sabrina.  The scarecrow failed, of course but Sabrina has now finally figured out that Wardwell is her enemy.  Considering that Mrs. Wardwell has never been a subtle antagonist, you have to wonder how dumb Sabrina is to have only now figured this out.

Anyway, I actually liked this episode a little bit more than the previous one.  It had all the usual flaws that we’ve come to expect from this series but Kiernan Shipka’s evil turn as the Mandrake elevated the episode.  As usual, Kiernan Shipka remains the show’s greatest strength.  At times, it’s the show’s only strength.

Up next, Case finished up season 2 by reviewing the finale!

Shadowbanned Again, Naturally


Well, I’ve been shadowbanned on twitter.  Again.

Shadowbanning is when you still have a twitter account but, for whatever reason, twitter goes out of its way to hide your tweets.  Right now, people can read my tweets by going to my profile page or by following me.  That hasn’t changed.  However, my tweets do not currently show up under most twitter searches nor will they be found under any hashtags.

So, for instance, let’s say that someone decided to go on twitter and search for which film won the Palme d’Or at Cannes earlier today.  They’ll probably find a lot of tweets about it but what they won’t find is the post that I wrote for this site or the link that I tweeted out earlier today.  Or let’s say that someone was searching to see if anyone on twitter had written a review of the new Netflix film, Maria.  Again, I have.  And, as always, I posted a link to it on twitter.  But only those people who are already following me are going to see that link.  A random person searching for “Maria review” will not.

Why have I been shadowbanned?  I don’t know.  As you may remember, the same thing happened to me three years ago and the shadowban was lifted after three days.  From my own research, I imagine that it’s because I post a lot of links (mostly to this site) and I’ve been doing some automated tweets as my way of wishing everyone a good morning.  Here’s an example of one of them:

https://twitter.com/LisaMarieBowman/status/1132247439967178752

The Twitter Algorithm has apparently been set to treat with suspicion any account that posts a certain amount of links or which posts any automated tweet.  A human being, of course, could just look at my profile and see that I’m a very real person who talks to a lot of other very real people.  The Algorithm, however, doesn’t have to worry about any of that or any of the damage done by its decisions.  For a film blogger, being shadowbanned from the country’s biggest social network — even if it is just for a limited amount of time — can seriously and adversely effect that number of daily page views that their site receives.

I’ve been told that the best way to get unshadowbanned is to basically just go silent for a few days.  Apparently, under the new rules, these shadowbans usually only last 48 hours from the moment that you stop tweeting but they can last up to 5 days.  To me, this seems like bullshit and it also seems rather unfair but I guess that’s what I’ll do.

It’s frustrating.  Twitter says that they want to promote “healthy conversation” but this isn’t the way to do it.  A look at my twitter timeline will show that I’m probably one of the nicest, most positive people on twitter.  I don’t pick fights with people.  I don’t send abusive tweets to anyone, regardless of whether they’re verified or not.  I’ve studiously avoided getting involved in any of the political fights that have come to define social media as of late.  My only sin is that apparently I tweeted too much, I posted too many links, and I thought it would be cute to wish everyone a good morning.

I’m mad.  I’m hurt.  I’m sad.  And quite frankly, I’m not alone in this.  There are others who have been shadowbanned for the exact same reason.  They did something that tripped up the algorithm and they were shadowbanned without warning.  Tweeting at @Twitter or @Jack or @TwitterSupport, as so many people do, will not make any difference.  But you have to wonder how exactly we’re supposed to follow the twitter rules when no one knows what the rules are?

It’s easy to just shrug and say, “Well, forget twitter.  Who needs social media?”  Realistically, though, social media has become too important to be ignored or causally dismissed.  My fear, though, is that twitter’s foolish attempts to control “healthy conversation” will ultimately just make society sicker.  If you want to know why so many people end up on social media sites like Gab (where most of their interactions will likely be with Neo-Nazis who were previously kicked off of twitter), it’s because of stuff like this.

Anyway, I guess my twitter silence begins now.  I’ll be back in a few days, hopefully.

Fortunately, however, I will never be silent on this site.  TSL forever!

That too.

(And, by the way, check out this Shadownban Test, in case your curious about the status of your own account!)

Bong Joon-ho Wins At Cannes while Tarantino and Malick are Snubbed


The 2019 Cannes FIlm Festival is over and here’s what won!  Interestingly enough, for all the critical acclaim and excitement that greeted Tarantino’s Once Upon A Time In Hollywood and Terrence Malick’s A Hidden Life, the jury ignored both of them.

COMPETITION

Palme d’Or: Bong Joon-ho, “Parasite”
Grand Prize: Mati Diop, “Atlantique”
Director: Jean-Pierre and Luc Dardenne, “Young Ahmed”
Jury Prize (tie): Ladj Ly, “Les Misérables” and Kleber Mendonça Filho and Juliano Dornelles, “Bacurau”
Actor: Antonio Banderas, “Pain and Glory”
Actress: Emily Beecham, “Little Joe”
Screenplay: Celine Sciamma, “Portrait of a Lady on Fire”
Special Mention Prize: “It Must Be Heaven,” Elia Suleiman

CAMERA D’OR (across all sections)

César Diaz, “Our Mothers”

UN CERTAIN REGARD

Un Certain Regard Award: “The Invisible Life of Euridice Gusmao,” Karim Ainouz
Jury Prize: “The Fire Will Come,” Oliver Laxe
Best Director: Kantemir Balagov, “Beanpole”
Best Performance: Chiara Mastroianni, “On a Magical Night”
Un Certain Regard “Heart” Prize: “The Climb” and “A Brother’s Love”
Special Jury Prize: Albert Serra, “Liberte”
Special Jury Mention: “Joan of Arc,” Bruno Dumont

CRITICS’ WEEK

Nespresso Grand Prize: “I Lost My Body,” Jérémy Clapin
Leitz Cine Discovery Prize for Short Film: “She Runs,” Qiu Yang
Louis Roederer Foundation Rising Star Award: Ingvar E. Sigurðsson, “A White, White Day”
Gan Foundation Award for Distribution: The Jokers Films, French distributor for “Vivarium” by Lorcan Finnegan
SACD Award: César Díaz, “Our Mothers”
Canal+ Award for Short Film: “Ikki Illa Meint,” Andrias Høgenni

FIPRESCI

In Competition: “It Must Be Heaven,” Elia Suleiman
Un Certain Regard: “Beanpole,” Kantemir Balagov
Parallel Selection: “The Lighthouse,” Robert Eggers

DIRECTORS’ FORTNIGHT

Europa Cinemas Label Award for Best European Film: “Alice and the Mayor,” Nicolas Pariser
SACD Award for Best French-language Film: “An Easy Girl” Rebecca Zlotowski
Illy Short Film Award: “Stay Awake, Be Ready,” Pham Thien An
Carrosse d’Or: John Carpenter

ECUMENICAL PRIZE

Prize of the Ecumenical Jury: “A Hidden Life,” Terrence Malick

GOLDEN EYE

“For Sama,” Waad al-Khateab and Edward Watts
Special Prize: “The Cordillera of Dreams,” Patricio Guzman

QUEER PALM

Queer Palm Award: “Portrait of a Lady on Fire,” Céline Sciamma
Short Film Queer Palm: “The Distance Between Us and the Sky,” Vasilis Kekatos

Palm Dog

Brandy (Once Upon a Time…in Hollywood)

The Things You Find On Netflix: Maria (dir by Pedring Lopez)


Once upon a time, Lily (Cristine Reyes) was one of the most feared cartel assassins in the Philippines.  Working with her lover, Kaleb (Ivan Padilla), Lily killed a lot of people and she did so with the an unstoppable ruthlessness.  However, she soon grew tired of the killing.  When she told Kaleb that she wanted out, he told her that there was no way to get out.  Lily decided to prove him wrong by betraying the cartel, faking her own death, and building a new life for herself.

Years later, Lily is now knows as Maria.  She’s a wife and a mother.  While her new husband is enthusiastic about a politician who says that he’s going to do whatever needs to be done to put the cartel out of business, Maria is always careful to remain apolitical.  In fact, she does nothing that might bring attention to herself.

Unfortunately, disappearing is easier said than done.  The cartel learns of her new location and Kaleb and his men are sent to kill her and her family.  They easily manage to kill both her husband and her daughter.  However, Maria escapes.  While Kaleb is forced to deal with the machination of a rival member of the cartel, the brutal Victor (KC Montero), Maria once again enters the criminal underworld.  She now only has one mission and that’s revenge.  She’s going to kill anyone who had anything to do with the death of her family….

Earlier tonight, I watched the Filipino film Maria on Netflix.  It’s pretty much a standard revenge thriller.  The action scenes and the over-the-top violence were clearly inspired by films like The Raid and John Wick.  One could just as easily replaced the cartel with the Russian mafia and Maria’s family with a collection of house pets and then sold that film as being about John Wick’s long-lost sister.  However, Maria didn’t have any of the winking self-awareness that makes both The Raid and the John Wick films so memorable.  Really, the only thing that Maria has to distinguish itself from other action films is that the lead character is female but, at times, that’s enough.  Even though the whole “action girl” character has become a bit of a cliche in the years since Kill Bill and the original Resident Evil, there’s still something undeniably satisfying about watching a woman kick ass.  If nothing else, this makes Maria an appropriate film to watch if you’re having a bad day and you need the catharsis that comes from watching some really bad dudes not get a fair trial.

The film itself is a bit oddly paced.  The first fourth of the film is a bit-heavy on torture scenes with one in particular being drawn out to a painful degree.  Things pick up once Maria starts beating people up and Christine Reyes gives a sympathetic and highly-charged performance in the title role.  Maria is not a particularly challenging film, nor is it one that you’ll necessarily remember two hours after you’ve watched it.  That said, for what it is — i.e., a modest revenge flick, it gets the job done.  Just like Maria!