Chilling Adventures of Sabrina, S2 E9, Dir: Rob Seidenglanz, Review by Case Wright


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The finale!!! Don’t forget to check out Lisa’s review here!  This season was without a doubt a televised story that Netflix paid to make.  It had its downs and would roll credits.  By the end of this season, I am excited to speak with the show’s fan.

Last season was a triumph and this season was …. just trying.  Why? I didn’t mind that the characters separated and returned together; that’s a critical part of storytelling. I also don’t totally mind what Lisa pointed out: Sabrina sucks at her job.  She’s amazingly incompetent.  That’s kinda refreshing.  Usually, incompetence is just the purview of fat husbands married to pretty wives on sitcoms.  Sabrina blunders through everything she does and manages to survive because everyone cleans up her messes.  This time with Nick’s life, but I’m getting ahead of myself.  This is the finale so let’s get our flashlights out so we can see anything on our screens and try to figure out: Whaaa Happened?!

There was something different about this episode.  It wasn’t directed like it was done by an overtired cashier at The Last Blockbuster Video (Alaska) who couldn’t turn on the lights.  The direction popped and there was actual humor. Why? Am I watching the right show? Rob Seidenglanz directed this episode.  He is known for a number of dramas: The Following, Parenthood, BUT he also directed Party Down- a no kidding great comedy!

This episode and the season can be summed up in one word: burritos….wait, I’m kinda hungry….I meant failure.  Our heroine and her friends can barely tie their shoes correctly.  They should all get chaperones in case they try something challenging like getting their own mail or cutting up their own meat.

Last episode: Our heroine figured out that she was manipulated…oh wait she didn’t.  She unleashed Lucifer by “killing herself” her double.  In this episode, Lucifer gets released and Sabrina challenges him right off. Wait, no she…has dinner with him.  In fact, we learn that Lucifer is her father, but Hilda never thought to mention it. Ok, did the writers’ room just decide to eat bunch of turkey and nyquil sandwiches this season?!!!!!

Sabrina and the aunties try to kill Lucifer, but they bungle that too.  It’s kinda funny.  Sabrina’s friends also fail to keep the gates of hell closed.  Sabrina does a …. song and dance number?????  Huh??? But, Why? Why? Why?  It’s apparently a scheme to trap Lucifer in a puzzle box of her Adoptive Father’s design and it……fails.  Is someone around to bail out Sabrina? Yep, Nick! He makes Lucifer possess him and does a sleep spell.  Luckily, Ms. Wardwell is around to carry them both off to hell.  The shot is reminiscent of The Beyond, but no one goes blind from the revelation.

The episode ends with Sabrina and her friends planning out season 3 by deciding to try to go into Hell and rescue Nick. Poor, poor Nick.  Maybe you should stop doing…you know…things.  See you next season.  Maybe, Lisa will review it again if you beg her as I will!

This season as gif:

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TV Review: Chilling Adventures of Sabrina 2.8 “The Mandrake” (dir by Kevin Sullivan)


When last we checked in on the adventures of the Greendale’s most boring family of witches, Sabrina had been resurrected as some sort of witch messiah and was planning on revealing the truth of her powers to all of Roz’s church friends when she was suddenly stopped by Harvey.  Harvey cried out, “If you ever loved me, stop!”  That got a look from both Roz and Nick, not to mention Sabrina.

Anyway, it turned out that Harvey found a wall painting of Sabrina in the mines and apparently, the painting indicated that Sabrina was destined to be the herald of Hell and bring about the apocalypse.

“Am I evil!?” Sabrina asked.

The 8th episode of the 2nd season of Chilling Adventures of Sabrina attempted to answer this question and, as is typical with this show, the results were mixed.  In order to try to exorcise the evil out of her, Sabrina convinced Ambrose to help her create a duplicate Sabrina, a “mandrake.”  The Mandrake Sabrina would have all of her powers but none of her humanity and the plan was for the real Sabrina to kill the fake Sabrina 24 hours after creating it.  This would not only vanquish whatever evil that Sabrina had inside of her but it would also deprive her of both her powers and her immortality.  In short, Sabrina would become a normal mortal but, at the same time, she also wouldn’t end the world.

Sounds like a good plan, right?

Of course, it didn’t work like that, largely due to the fact that Sabrina is incredibly incompetent.  While Sabrina managed to create the Mandrake, she didn’t do a very good job of keeping track of it.  This led to the Evil Sabrina wandering around Greendale and exploiting all of her friends’s insecurities and weaknesses.  Of course, since Sabrina only has three friends, this means that the Mandrake just tracked down Harvey, Roz, and Theo.  If Harvey, Roz, and Theo were complex characters (as opposed to thinly drawn caricatures), it would be potentially interesting to see how the Mandrake manipulated them and tried to use their weaknesses against them.  But, as I’ve been saying since this season began, there’s not much to say about the members of Sabrina’s supporting cast.  Everyone has one or two traits that are used to define them.  Of course, Roz is going to be insecure about her relationship with Harvey and her eyesight because that’s really the only two things that Roz has going on in her life.  The show’s refusal to dig any deeper into its supporting cast remains one of its most glaring flaws.

On the plus side, the Mandrake’s plan to create duplicates of Harvey, Roz, and Theo did lead to a nice homage to Invasion of the Body Snatchers and Kiernan Shipka did a great job playing both Sabrina and her evil twin.  As is usually the case with this series, Kiernan Shipka’s efforts to hold this uneven episode together were nothing less than heroic.

When the episode wasn’t dealing with Sabrina and her Mandrake, it was focusing on Father Blackwood’s attempts to break away from the Church of Night and join the Church of Judas.  It was …. well, not very interesting.  Meanwhile, Mrs. Wardwell sent a reanimated scarecrow to kill Sabrina.  The scarecrow failed, of course but Sabrina has now finally figured out that Wardwell is her enemy.  Considering that Mrs. Wardwell has never been a subtle antagonist, you have to wonder how dumb Sabrina is to have only now figured this out.

Anyway, I actually liked this episode a little bit more than the previous one.  It had all the usual flaws that we’ve come to expect from this series but Kiernan Shipka’s evil turn as the Mandrake elevated the episode.  As usual, Kiernan Shipka remains the show’s greatest strength.  At times, it’s the show’s only strength.

Up next, Case finished up season 2 by reviewing the finale!

TV Review: Chilling Adventures of Sabrina 2.7 “The Miracles of Sabrina Spellman” (dir by Antonio Negret)


GOOD GOD, CAN SOMEONE IN GREENDALE TURN ON A FREAKING LIGHT!?

As you may have guessed from the introduction, I am once again reviewing Chilling Adventures of Sabrina.  I will be reviewing the seventh and eighth episodes of the 2nd season and then Case will be back with us, covering the big finale.  If you’ve read any of my previous reviews, you know that one of my huge issues with this show is that no one in this damn town — even the mortals — seems to know how to flip a light switch.  Visually and thematically, this is one dark show.

It’s also, especially during season 2, been a rather dull show.  Watching it, one gets the feeling that the writers ran out of ideas halfway through season 1.  Yes, everyone worships Satan.  Yes, they’re all witches and warlocks.  That should be interesting but trust this show to make the dark arts seem boring and rather tedious.  “What the Heaven’s happened!?”  Aunt Hilda (Lucy Davis) exclaims at the start of the show when she sees as seriously, perhaps fatally, wounded Sabrina and replacing “Hell” with “Heaven” is supposed to be shocking but, at this point, who cares?

The show’s main strength has always been Kiernan Shipka’s performance Sabrina.  She’s always been able to bring life to even the laziest of dialogue but this episode comes close to defeating even the normally reliable Shipka.  Kiernan Shipka has always kept the show grounded but this episode sent her up into the air.

While the previous episode ended with Sabrina nearly dead, this episode opens with Sabrina coming back to life and becoming not only a healer but also a messianic figure.  Sabrina not only heals Ambrose but she also prevents him from being executed.  And it says a lot of about this show’s flaws that I wouldn’t have minded if Amrbose’s head had been chopped off.  If nothing else, it would have meant no longer having to listen to him whine about every little thing.  Sabrina also gives Roz back her eyesight, so I guess that subplot’s resolved.  Roz is no longer blind and yay, I guess.  Roz is a flat, one-demensional character.  You didn’t care when she went blind and you’re not going to care that she can now see.  By that same token, you’re not going to care when Aunt Zelda is freed from the spell that Blackwood’s put her under because, again, she’s just Zelda and she’s not that interesting.

Anyway, now that Sabrina has returned from the dead and can magically do whatever the script requires her to do at any given moment, she wants to spread her father’s gospel and bring together mortals and humans.  Alone among the students at the Academy, Nick Scratch thinks that’s a good idea and I’d be worried about that if I cared about Nick and Sabrina as a couple….

Really, this was a surprisingly uninvolving episode.  I’m not even going to discuss Harvey and Theo in the mines or Ms. Wardwell creating a servant in her bathtub.  Nor am I going to talk about the rat that a possessed Zelda drops in a meat grinder.  It all plays out very slowly and it mostly plays out in the dark and it doesn’t work because none of these characters feel like they’re worth all the trouble.

As I pointed out earlier, even Kiernan Shipka stuggled during this episode.  Over the course of one episode, Sabrina goes from being a teenager trying to find her place in the world to being some sort of witch messiah and, in the process, she becomes self-righteous and a bit dull.  The episode ends with Sabrina looking at a cave painting, a prophecy that proclaims her to be the herald of Hell.

“I’m evil!” Sabrina says, shocked.

And who knows?  Maybe she is.  But seriously, who cares?

Coming up next, once I’ve found the strength to continue, episode 8!  And then Case will be here to wrap things up with the finale!

Chilling Adventures of Sabrina, S2, Ep6, The Missionaries, Review by Case Wright


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This is the first time in a long time where I rooted for the “villains” to kill off every character.  It’s a hard thing to watch a show you love slowly fail.  It’s like a bad relationship that slouches on from inertia and the inconvenience of setting up a separate bank account.  This is how I feel about CAOS.  I was really hoping that this episode would be the last one, but….not so much.

I would normally describe the director’s technique, but it’s Alex Pillai again and…man it has all the subtlety of a Lifetime MOW.  Not to say that I don’t REALLY like a good guilty pleasure lifetime live tweet, BUT that’s a different animal.  Lifetime movies are supposed to be campy and over the top ridiculous, but CAOS is supposed to bridge comics and realism and instead it’s just giggle-inducing borefest.

The episode opens with Nick being tortured by a guy who looks like a Mormon missionary who is about to chop his hands off.  Oh well, Nick kinda got on my nerves; maybe they’ll have to write a soupy episode featuring Nick titled: Who needs the clap?  Ambrose is still locked up without a shirt doing pull-ups.  This show has more gratuitous beefcake than Arrow season 1 and that is saying A LOT!  I do give Chance Perdomo credit on his abs.  I’m developing my abs and it is a process.  Chance, tip of the hat to committing to the shred!

The “Missionaries”of the episode aren’t really missionaries per se, but they ARE gorgeous blonde angels named Jerathmiel and Mehitable (Spencer Treat Clark and Bayley Corman)! I guess it makes sense that angels would be pretty, but WHOA!  It turns out these angels are avenging angels armed with the latest in …..Ancient Weaponry… wait, what?!  Why?!  Really, why are they armed with crossbows?  Most states just require a driver’s license to purchase any gun you want; let alone what you can get on craigslist.  This just seemed unnecessarily antiquated and dumb like really dumb….really!  Crossbows are heavy, awkward, take a long time load, hard to aim, and are ridiculous.  Bleh.

Jerathmiel and Mehitable spent most of the episode blundering through town trying to kill all of the witches of Greendale.  Why bother?  We already learned in previous episodes that the teenagers are unvaccinated and catch the Chicken Pox.  Just send in Jenny MacArthy’s measles carrying minions into town and you’ll have the whole town on its knees in matter of hours!

Jerathmiel and Mehitable catch most of the witches and start purifying the town.  I guess this says a lot about how the show has degraded because I really rooted for the Angels.  I thought to myself…Self, maybe they could just go full-on Hamlet?!!!!

This main plot is interwoven with the more compelling love story between Wardwell and Adam.  He wants to take her to Tibet.  She is about to accept when the Devil finds out about their escape plan, so the Devil turns Adam in Wardwell’s diner.  REALLY.  It’s really sad, but sets up a great revenge arc for Wardwell that looks MUCH more interesting than the primary storyline.

Jerathmiel and Mehitable have all the witches cornered and even put a few arrow bolts into Sabrina, but the Devil resurrects Sabrina and gets the Angels to renounce God and envelopes the angels in flames.  Honestly, I thought this scene was just plain terrible.  The angels spent the whole episode being intrepid crusaders, but they were easily cowed by a floating Sabrina?!  Really?! It came across as contrived.  The angels were so brave for the entire episode and then… nope.  It was just awful in an awful way, not like Lifetime which is bad in an AWESOME way.

I’m not sure what the show should do or where it should go, but it needs artistic honesty because without it, the suspense withers away like a dried out orange.

 

Chilling Adventures of Sabrina, S2 E5, “Blackwood” (Dir: Alex Pillai) Review By Case Wright


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First of all, it’s always so fun to read Lisa’s reviews.   I hope she wants to review another one of these episodes.  She always sees things that I don’t like HERE!!!! and HERE!!!!.  It has been a true pleasure working with/for her over these years.  This series is making me already plan for my October reviews!!!  Weren’t they awesome last October?! Yes…Yes…They were.

Is this season getting better? Yes, but that’s mostly because the first episode of the second season was so very unsatisfying and disappointing. The series seems to be evolving into a Tales From The Crypt over the top fest.  I loved TFTC, but that’s not what I expected Sabrina to become.  I saw this series as a scary in your face we’re mad as hell at the patriarchy and we’re not gonna take it anymore!  The feminism is still there, but it really hits you over the head with its agenda ….every….single…episode; It comes across as a PSA sometimes.  When done right, like last season, you root for the agenda, but now I’m lectured by it.  It’s kind of annoying when you already agree.

This episode was directed by Alex Pillai (Riverdale) and he did a fine paint by numbers job with the episode.  It got the job done….fine, not great, but definitely fine like the Chicago Cubs in the 2000s or Two Buck Chuck (Charles Shaw).  The episode was all about marriage, the loss of feminine identity, and misogyny…lots and lots of misogyny.  Really, this Church of Night is a bunch of knuckle dragging dirtbags.  I get the whole- we’re evil bit, but it doesn’t really work all the time.  The characters are mostly strong women and the constant subjugation that the Church imposes seems kinda silly that anyone would put up with it let alone these powerful heroines.   Also, the constant “for Hell’s Sake” “Your Unholiness” “Your Dishonor” just makes me laugh;  I look like loon when I’m on the elliptical watching this.

In the episode, Aunt Z is getting married and she’s all jittery and worried about being exposed for stealing one of the Blackwood babies.  Also, Father Blackwood is going full-on misogynist pig. He wants the church of night to go back to its old ways of chauvinism.  His plan is to write up the basic philosophy and give it to the Anti-Pope (Ray Wise). (Side Note: God, I love Ray Wise.  He’s awesome in everything he does and was the best devil ever in Reaper. Unfortunately, he’s only in the show for a couple of minutes.) Sabrina catches wind of Blackwood’s Misogynist plan because Ambrose tells her .

The Solution: Sabrina gets her Dad’s manifesto that’s all women and men are equal, witches should marry mortals, and powertrain warranties are bullshit.  Sabrina has Nick retrieve it from the bottom of the sea.  Just as the Anti-Pope will read it, Father Blackwood has him murdered and frames Ambrose for it!!! DUN DUN DUN!!!!  Basically, all of Sabrina’s plans fail: Aunt Z and Blackwood marry, Blackwood has Aunt Z walk behind him (bleh), Ambrose is jailed, Sabrina and Nick are expelled, and Aunt Hilda becomes lactose intolerant.  Bad all the way around.

I normally don’t get into subplots, but spring is in the air.  Ms Wardwell and Adam are falling in love. It’s really sweet.  She explains that marriage is a complete destruction of a woman’s identity. Wardwell looks at Adam expecting a fight, but instead he accepts her, her values, and just wants to be with her. It’s …well….sweet.  I was a bit moved.  Satan gets jealous and wants her to kill him, but instead she makes him a ring of protection.  I hope these crazy kids make it work.

The show is moving in the right direction, but the show seems to collapse under its own weight sometimes.  It has these big themes and plots, but can’t quite deliver them this season because of the campiness, clunky dialogue, and endless subplots that grind the suspense and gravitas to dust.  Maybe this is the way Riverdale is?  I never wanted to watch that show and now I really don’t want to.  My guess is that season 1 was Ruth Chris Steakhouse and season 2 is Red Robin and yes I did get food poisoning from them once.

 

TV Review: Chilling Adventures of Sabrina Season 2 Episode 3 “Lupercalia” (dir by Salli Richardson-Whitfield)


Hi, everyone!  Case already reviewed the first two episodes of the second season of Netflix’s Chilling Adventures of Sabrina and now, I’m here to take care of episode 3.

Episode 3 is centered around Lupercalia, an actual Pagan holiday from ancient Rome that is reimagined here as a sort of Valentine’s Day for witches and warlocks.  Basically, in the Sabrina version of Lupercalia, the holiday begins with the Matching, where each witch is paired up with a warlock.  This leads to the Courting, where the warlock and the witch go out into the woods, get naked, and spend the night staring up at the moon.  Then, finally, we get the Hunt, where each witch chases her warlock through the woods and the whole thing ends with a big orgy.  (The Sabrina version sounds considerably more fun than the real version, which involved a lot of animal sacrifices.)  Though participation in Lupercalia is voluntary, Zelda tells Sabrina that it would be foolish for her not to take part.  (Hilda, meanwhile, can’t even bring herself to say the word “sex.”)  After all, now that Sabrina and Harvey are no more, this would be a perfect opportunity for Sabrina to spend some time with that charming young warlock, Nicholas Scratch.

Interestingly enough, Nick is just as fascinated with Valentine’s Day as Sabrina is with Lupercalia.  As eager as Sabrina is to leave behind Baxter High and experience life at the Academy, Nick is just as curious about experiencing what it’s like to be a mortal.  It’s actually one of the more clever things about this sometimes uneven episode.  Though I don’t trust Nick, he and Sabrina do make for a far more interesting couple than Sabrina and Harvey ever did.  It also helps that Kiernan Shipka and Gavin Leatherwood have an undeniable chemistry together.  You believe their romance, even when the show occasionally seems determined to mess things up with unnecessary filler.

Yes, that’s right.  I just used the dreaded “f” word.  As I watched Lupercalia, it occurred to me that I’d probably like The Chilling Adventures of Sabrina a lot more if each episode was only 30 to 40 minutes long.  That way, the show could focus on Sabrina and we wouldn’t have to waste time with any of the less interesting characters or subplots.  Instead, this episode was a little over an hour long and it seemed that, every time that I started to get really involved in Sabrina and Nick’s storyline, the episode would cut to something less interesting.

For instance, Sabrina and Nick discover that Nick is being stalked by his former familiar, a wolf named Amalia.  Amalia is jealous of Nick’s attraction to Sabrina.  Ms. Wardwell says that the only solution is for Nick to murder his familiar.  Will Nick kill for Sabrina?  Will Sabrina kill for Nick?  Well, before we can find that out, we have to deal with stuff like Roz suddenly going blind right after she kisses Harvey and Father Blackwood asking Zelda to marry him.  Or else Hilda’s trying to let Dr. Cee know how she feels about him, just to discover that he can’t be with her because he has an incubus inside of him.  And the whole time this is going on, I was just thinking to myself, “Yes, but what about Sabrina?  I DON’T CARE ABOUT ANY OF THESE OTHER CHARACTERS!”

Kiernan Shipka has always been the best thing about Chilling Adventures of Sabrina.  Even when the writers fail her, Shipka always manages to keep the show afloat.  She’s likable, she’s compelling, and she’s believable as both a curious teenager and a naive witch.  Shipka has many great moments in Lupercalia but the episode’s momentum seems to come to a halt whenever she’s not on screen.  It’s not that the rest of the cast isn’t capable as much as their characters are all rather one-note.  Hilda is always insecure and introverted.  Zelda is always arch and sardonic.  Roz is always going blind and Harvey is always kind of a goof.  The only character, other than Sabrina, who is the least bit interesting is Theo and that’s because his storyline is about how far society has come and how far it has yet to go.

In the end, Lupercalia is an interesting but uneven episode of a frequently interesting but uneven show.

A few final notes:

  • It’s interesting to note that, much like Romulus and Remus — whom Lupercalia is meant to honor — Nick was raised by a wolf.
  • Though I find Ms. Wardwell to be a bit of a one-note character, I did enjoy her shock and horror upon discovering that she has a fiance.
  • The scenes in the woods were gorgeously filmed and full of atmosphere.  I’ve seen some people online saying that it doesn’t make any sense that Nick and Sabrina would be comfortable spending an entire February night outside in their underwear but since when does love and lust have to make sense?
  • The scene where Theo told his father that he was a boy (“I’m not a girl.”) was nicely and sensitively handled, I thought.
  • This episode ended with Sabrina killing a wolf, Nick in tears, and Roz apparently blind. What will happen next?  We’ll find out and I’ll be here to review episode 4 before turning things back over to Case for episodes 5 and 6!

 

 

The Chilling Adventures of Sabrina, S2,Ep2 Review By Case Wright


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Hello friends. Last time we spoke, it was really hard.  I wondered if my second favorite show after Santa Clarita Diet went Lost Season 2 on me.  The season opener was bad…really bad.  It was scary for me to watch the second episode.  I was actually worried that the show was a season 1 fluke or maybe I misread or willfully blinded myself to a meh show. Well, I’m happy to write that this episode was a solid …. Not Bad.  Its flaws were LEGION (and we’ll go over those), but the story had a theme, character growth, and despair.  Honestly, through in some Adele and Ben and Jerry’s and you got the makings of a lonely night in as you watch yourself age and love sulks away from you, broken, and never to return.

The episode is all about unrequited love and who We should be, but who We really are.  It’s fun, if you’re in the mood for it.  It was written by new writer Mj Kaufman and Christina Ham (Orphan Black) and these writers capture the loneliness of all of the most interesting characters.

The Devil talks to Ms Wardwell who we know is Lilith (Adam’s First Wife).  He not too gently casts her aside and tells Wardwell/Lilith that Sabrina is to be Satan’s Prophet and Queen, not Her.  The heartbreak is palpable, but the Devil’s  Costume looks like a step above Party City and it really takes me out of it.  Lilith asserts that Sabrina is too goody goody to be the Devil’s main squeeze and they wager on it: have Sabrina steal a stick of gum.  Sabrina resists.

I gotta ask why? She seemed all on board the Midnight Train to Gethsemane with Old Scratch, but she just can’t bring herself to steal the forbidden Fruit Stripe.  I would’ve been all in for the Freshen Up gum…ya know the one with the goo inside…I liked it….Whatever.  Because she refused, Satan starts hurting people around Sabrina by giving them Chickenpox.  WHAAAA?  Chickenpox?! What kind of anti-vax town is Greendale?! Let it burn to the ground! They’ll give us all measles!  To make amends to Satan, she starts to burn the school down as per Satan’s command.  Well, why bother?! They’ll all get Whooping Cough soon enough away.  Come on, Lucifer…this town is doomed and weird.

There are good subplots the Lilith story, which is a nice evil love story where Ms Wardwell watches her life portrayed as entertainment.  The Evil Dean wrote and produces a play of Lilith and Satan falling in sort of love.  It might of brought her a smile, but instead it brings tears because Satan has found a new special lady and Lilith’s destined to be eternally alone. We see in Ms Wardwell AKA Lilith how love is supposed to be, but how it withers and dies.

Suzie is now Theo is the focus of the other subplot. She should be accepted as a boy, but it doesn’t quite work out that way.  Theo tries to change in the boy’s locker room and is mocked by some, but gawked at by all.  The shot is done very well. We close up on the known bullies from the previous episodes, but then the camera pulls back and ALL of the boys are gawking silently, waiting to see female nudity regardless of her gender identity.  They simply can’t help it.  Where we should be, but who we are.  It’s disappointing, realistic, and sad.

Sabrina and Harvey react to a sensual spark and begin making out, but her tie to Satan destroys the encounter and ends their love affair forever.  What their love should be and the reality cannot be.

This was a good episode overall.  It allowed you to see and not be told Lilith’s story and the struggles that everyone has against loneliness and despair.

Adele