Detective Eileen McHenry (Raquel Welch) has just been given her new assignment and she is about to find out that there is never a dull day in the 87th Precinct. How could there be when the precinct’s top detectives are played by Burt Reynolds, Tom Skerritt, and Jack Weston? Or when Boston’s top criminal mastermind is played by Yul Brynner? There is always something happening in the 8th Precinct. Someone is stealing stuff from the precinct house. Someone else is attacking the city’s homeless. Even worse, Brynner is assassinating public officials and will not stop until he is paid a hefty ransom!
Based on the famous 87th Precinct novels that Evan Hunter wrote under the name Ed McBain, Fuzz has more in common with Robert Altman’s MASH than The French Connection. (Skerritt and Bert Remsen, who plays a policeman in Fuzz, were both members of Altman’s stock company.) Much like Altman’s best-regarded films, Fuzz is an ensemble piece, one that mixes comedy with tragedy and which features several different storylines playing out at once. Scenes of homeless men being set on fire are mixed with scenes of Reynolds and Weston going undercover as nuns. (Of course, Burt does not shave his mustache.) Since it was written by Hunter, the film’s script comes close to duplicating the feel of the 87th Precinct novels. Unfortunately, Richard A. Colla was a television director and Fuzz feels more like an extended episode of Police Story or Hill Street Blues than a movie. Unlike Altman’s best films, Fuzz‘s constantly shifting tone and the mix of comedy and drama often feels awkward. Fortunately, Fuzz does feature good performances from Reynolds, Westin, Skerritt, and Brynner, along with a great 70s score from Dave Grusin. Raquel Welch is never believable as cop but she’s Raquel Welch so who cares?