Late Night Retro Television Review: CHiPs 6.5 “Speedway Fever”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we meet the future of the Highway Patrol.

Episode 6.5 “Speedway Fever”

(Dir by Chuck Bail, originally aired on November 7th, 1982)

This week, we meet Bobby’s younger brother, Bruce Nelson (Bruce Penhall). Bruce is both a world motorcycle speedway champion and a student at the Highway Patrol Academy. He hopes soon to be riding a motorcycle in the name of the law, just like Bobby and Ponch.

Unfortunately, Bruce has a hard time following orders. He likes to show off when he’s riding his motorcycle. He’s a good driver and a good shooter, but he’s struggling at the Academy. And when things start to get too tough for him, he decides to walk away from it. It’s an impulsive decision that he regrets. Can Ponch and Bobby talk the head of the Academy into giving Bruce a second chance? Of course they can! Ponch and Bobby can do anything.

Bruce Penhall was a real-life speedway champion. The footage of Bruce Nelson winning his race is actually taken from one of Penhall’s actual races. Judging from this episode, Penhall was a likable, if somewhat stiff, actor. In fact, watching this episode, I couldn’t help but notice that Bruce Penhall had better chemistry with Erik Estrada than Tom Reilly did. One gets the feeling that the purpose of this episode was to introduce Penhall as a potential replacement for Reilly. If nothing else, Penhall brought a good deal of earnest energy to his performance and provided quite a contrast to Tom Reilly’s rather spacey acting style.

This episode wasn’t entirely taken up with scenes of Penhall racing. There were two storylines. The more annoying one featured three 16-year-old girls (one of whom was played by Moon Unit Zappa) who would hitchhike and then use a water pistol to rob whoever picked them up. The girls introduced themselves as being from the Valley and spent the entire episode saying stuff like “For sure!” and “Gag me with a spoon!” (I’m not kidding; they said that more than once.) Frank Zappa’s “Valley Girl” played on the soundtrack whenever the girls showed up. It was kind of embarrassing all around. Between this episode, the Moloch episode, and the UFO episode, this season appears to have found CHiPs desperately struggling to stay culturally relevant.

As for the other storyline, it featured two motorcycle-riding thieves who were robbing couriers on the highway. One of the thieves was Bruce’s best friend, Ray (Robert Romanus). What a coincidence! Romanus, of course, played Mike Damone in Fast Times at Ridgemont High, which was probably still in theaters when this episode aired. He gives pretty much the same performance here that he gave in Amy Heckerling’s film. In the end, this episode left you wondering just how Mike Damone eventually ended up going so bad.

The episode ends with Bruce not only winning the world speedway championship but also returning to the Academy. It looks like the Highway Patrol is getting some new blood, and not a minute too soon!

Late Night Retro Television Review: CHiPs 6.4 “Rock Devil Rock”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch learns about shock rock!

Episode 6.4 “Rock Devil Rock”

(Dir by John Astin, originally aired on October 31st, 1982)

It’s a Halloween episode of CHiPs!

Moloch (Don Most) is a singer who wears frightful makeup and sings songs like “Devil Take Me” but, once he takes off the makeup, he’s a rather meek and mild-mannered drummer who feels that he’s been forced to embrace an image that doesn’t fit him.  His manager (Peter Marshall) is convinced that Moloch can be the biggest star ever.  His manager is also trying to kill Moloch in order to guarantee that Moloch’s new record will hit the top of the charts.  He’s even included backwards messages in Moloch’s music.  Moloch will die …. Moloch will die….

Most of the Highway Patrol believes that Moloch is faking the numerous attempts on his life.  However, Ponch believes that Moloch is being targeted.  Luckily, Ponch is able to save Moloch because this is….

The Highway Patrol also holds their annual Halloween party.  Elvira, Mistress of the Dark shows up as herself and shares a dance with Ponch.  Ponch dresses up like a matador.  Bobby shows up as a Musketeer.  Getraer dresses up like General Patton but he doesn’t get to dance with Elvira.  That’s Ponch’s job.

Late Night Retro Television Review: CHiPs 6.3 “Spaceman”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, CHiPs jumps the proverbial shark.

Episode 6.3 “The Spaceman Made Me Do It”

(Dir by Winrich Kolbe, originally aired on October 24th, 1983)

There’s three storylines in this week’s episode.  Let’s start with the two that make sense.

In the episodes comedic storyline, the members of the Highway Patrol all receive a chain letter.  Some continue the chain and have good luck.  Others — like Ponch — do not continue the chain and wait for their bad luck.  Grossie mails his letter and then gets an $800 refund from the IRS.  However, at the end of the episode, it’s revealed that the Highway Patrol’s secretary failed to mail the chain letters and the IRS informs Grossie that his refund was a mistake.  Everyone laughs at Grossie.  Poor guy.

The B-plot features Grossie and new officer Kathy (Tina Gayle) tracking down some thieves who are robbing Japanese tourists.  This was a traditional CHiPs story and it was actually kind of nice of the show to acknowledge that Ponch isn’t the only person fighting crime in California.

But then there’s the main plot.  Ponch and Bobby have been assigned to night patrol.  They catch a preadolescent girl named Jodi (Kyle Richards) breaking into a jewelry store.  She says that an E.T. (and yes, she says “E.T.’) ordered her to break into the store because it need the diamonds to fix its spaceship.  Ponch and Bobby take Jodi to the station and Ponch volunteers to serve as Jodi’s legal guardian until her parents can be found.  Dr. Joyce Brothers appears as herself, talking to Jodi and announcing the Jodi is not crazy.

Having watched five seasons of CHiPs, I found myself waiting for the inevitable moment in which it would be revealed that Jodi was being manipulated by a master criminal.  When Jodi ran away to meet up with the UFO, I expected that Ponch and Bobby would track her down and arrest the actual villain.

Instead, when Ponch and Bobby tracked down Jodi, I got a scene of a light shining down from the sky, Jodi being pulled towards the unseen UFO, and Ponch grabbing her and yelling that the aliens can’t have her.  Ponch’s words apparently have the right effect because the lights disappear as the never-seen UFO returns to its own planet.

“What was that?” Bobby asks.

“Whatever you want it to be,” Ponch replies.

No, guys.  I’m sorry.  This is CHiPs.  It’s a show about cops on motorcycles.  It’s not a show about UFOs.  You can’t just introduce an alien on this show and then have everyone shrug it off once they hear that Grossie won’t be getting his tax refund.  This just isn’t the show to try that sort of thing.  (Yes, Force Seven did get pretty weird but that was a backdoor pilot for a different series and Ponch and Jon didn’t actually get involved in any of the mad scientist/karate action.)

I’m going to guess this episode was an attempt to shake things up.  Maybe there was a feeling that, since new star Tom Reilly lacked all credibility as a cop, the show should abandon the straight-forward approach that it used during the Larry Wilcox years.  I’m sure the show had its reasons but this episode just doesn’t feel right.

Of course, some thing never change.  The aliens may have been a surprise but it’s not a surprise that Ponch was the one who (somehow) made them go away.  Aliens or not, this is still….

Late Night Retro Television Review: CHiPs 6.2 “Tight Fit”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch becomes the Barcelona Man.

Episode 6.2 “Tight Fit”

(Dir by John Florea, originally aired on October 17th, 1982)

After Ponch and his new partner Bobby thwart an attempt to steal a lockbox of diamonds from a photo shoot, Ponch is invited to become a jeans model.  In fact, he even gets to appear on a giant billboard and star in a commercial as the shirtless Barcelona Man.

Well, of course, he does.  A lot of things may have changed last week but one thing remains the same.  We all know what we’re watching.

These episodes featuring Ponch getting “discovered” are always a bit silly.  Ponch always acts like he’s modest and kind of embarrassed to be at the center of attention but it’s never convincing because it’s obvious that Erik Estrada is loving it.  All it takes is one look at that big grin to know that Estrada is more than happy to be the shirtless Barcelona Man.

Now, to make clear, Ponch and Bobby did solve some crimes.  They caught a jewel thief who crashed his car in an attempt to hide his crimes.  They also busted a fashion photographer (Michael Haynes) who was coercing his underage models to pose nude and attend wild sex parties.  One of the models was played by Kim Richards.  She gets a scene where she attempts to jump off a ledge.  Can you guess which member of the Highway Patrol saves her?  I’ll give you a hint.  It’s not Bobby!

Much like last week, this episode highlighted the total lack of chemistry between Erik Estrada and his new partner, Tom Reilly.  Reilly spent most of this episode looking somewhat dazed and confused.  Unlike Larry Wilcox, who always came across as if he arrested people in his spare time, Tom Reilly was a very unconvincing cop.  After two episodes, it appears that Reilly’s main contribution to the show is to make Estrada seem convincing by comparison.

Next week, the Ponch Show continues.

Late Night Retro Television Review: CHiPs 6.1 “Meet The New Guy”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we start the sixth and final season of CHiPs.

Episode 6.1 “Meet the New Guy”

(Dir by John Astin, originally aired on October 10th, 1982)

The sixth season of CHiPs opens up with some changes.  Bonnie, Bear, and Turner are all gone.  They’ve been replaced by Kathy (Tina Gayle) and Officer Webster (Clarence Gilyard, Jr.)  Grossman (Paul Linke) is still providing comedic relief.  Harlan (Lou Wagner) is still running the garage.  Getraer (Robert Pine) is still the sarge.  And Ponch (Erik Estrada) is still riding his motorcycle and flashing his grin.

However, this episode finds Ponch riding solo.  Officer Baker is no longer his partner.  This was because Larry Wilcox declined to return for another season, specifically because he felt that the producers only cared about keeping Estrada happy.  On the show, it’s mentioned that Baker has relocated to Wyoming and he is now working on his father’s ranch.  Ponch, however, is not without a partner for long.  At the start of the episode, he meets Baker’s replacement.  Bobby Nelson (Tom Reilly) is blonde and kind of spacey and he’s nicknamed “hot dog” because he likes to take risks.  Ponch has been assigned to work as Nelson’s partner throughout Nelson’s probationary period.  Getraer explains that Nelson reminds him of Ponch.

And really, that’s the problem.  Ponch is a flamboyant motorcycle cop who smiles a lot and likes to take risks.  Bobby is another flamboyant motorcycle cop who smiles a lot and likes to take risks.  There’s not much difference between them.  Even though Larry Wilcox and Erik Estrada didn’t get along behind the scenes, Baker and Ponch worked as a team because Baker was the opposite of Ponch.  Baker was serious and by-the-book and he didn’t take unnecessary risks.  Bobby, on the other hand, is pretty much just a blonde version of Ponch.

There is another problem as far as Bobby Nelson is concerned.  Judging from this episode, Tom Reilly doesn’t appear to have been much of an actor.  Larry Wilcox may not have had the most expansive emotional range but he was totally believable as a cop.  Reilly, meanwhile, spends the entire episode looking somewhat spaced out.  He delivers his lines in a flat monotone.  From the start, there’s very little chemistry between him and Estrada.  When Ponch complains about getting a new partner, one gets the feeling that he was expressing Estrada’s own feelings.

That said, this episode isn’t all bad.  It opens with one of the most spectacular crashes in the show’s history.  The tragic Dominique Dunne gives a strong performance as a teenage mother who sells her baby to a couple but then decides that she wants him back.  This episode even manages to work quicksand into its finale.  How can you not appreciate a show that makes use of quicksand?

Finally, this episode has one extended sequence that is so ludicrous that you just can’t help but smile while watching it.  Two thieves have been robbing health clubs.  They just happen to rob the one where Ponch is a member.  (Fitness guru Richard Simmons plays Ponch’s teacher.)  Ponch, clad only in a pair of black shorts and a motorcycle helmet, jumps on his motorcycle and chases after the robbers.  The site of a half-naked Erik Estrada riding his motorcycle down the streets of Los Angeles is the perfect combination of silly and stupid.

This episode had its moments but I’m not really sold on Tom Reilly as a replacement for Larry Wilcox.  We’ll see what happens!