Just as this song was a re-working of Fatboy Slim’s Praise You, this music video pays homage to Spike Jonze’s classic video for the original song.
Enjoy!
Just as this song was a re-working of Fatboy Slim’s Praise You, this music video pays homage to Spike Jonze’s classic video for the original song.
Enjoy!
It’s that time of the month again!
It’s time for me to once again try to predict what will be nominated for the Oscars. If you had to told me, at this time last year, that Top Gun: Maverick would emerge as an Oscar contender, I would have said that you were crazy but here we are. Admittedly, it is early in the year and I think there’s always going to be some ambivalence towards honoring Tom Cruise. (You just know that someone is having nightmares about him thanking David Miscavige in his Oscar speech.) But with the reviews and the box office success that Top Gun: Maverick is getting, it would be a mistake to dismiss it. After all, Mad Max: Fury Road came out around this same time of year in 2015. As well, one can be sure that A24 will be giving Everything Everywhere All At Once a heavy awards push as well. This could very well be the year of the genre blockbuster as far as the Oscars are concerned.
As for Cannes, it’s come and gone. George Miller’s Three Thousand Years of Longing got some good reviews, even if those reviews didn’t translate into awards at the end of the Festival. David Cronenberg’s Crimes of the Future sounds like it’s going to be too divisive for the Academy and really, the thought of Cronenberg winning an Oscar has always been a bit implausible, regardless of how much he may or may not deserve one. As for James Gray’s Armageddon Time, Gray has always been more popular with critics than with audiences or Academy voters. If Gray couldn’t break through with something like The Lost City of Z, I doubt he’s going to do so with an autobiographical film about his life in private school. Steven Spielberg already has the autobiography slot wrapped up with The Fabelmans.
Of course, there’s still many films left to see and many more film festivals to be held. Let us not forget that Martin Scorsese is bringing us Killers of the Flower Moon. Personally, I’m looking forward to Damien Chazelle’s Babylon. In short, nothing has been settled yet. For all the acclaim that Top Gun and Everything are getting, who knows how the race is going to look at the start of the Fall season?
Anyway, here are my predictions for May. Be sure to check out my predictions for February and March and April as well!
Best Picture
Amsterdam
Babylon
Everything Everywhere All at Once
The Fabelmans
I Want To Dance With Somebody
Killers of the Flower Moon
Next Goal Wins
Rustin
She Said
Top Gun: Maverick
Best Director
Damien Chazelle for Babylon
Kasi Lemmons for I Want To Dance With Somebody
Martin Scorsese for Killers of the Flower Moon
Steven Spielberg for The Fabelmans
Taika Waititi for Next Goal Wins
Best Actor
Tom Cruise in Top Gun: Maverick
Colman Domingo in Rustin
Idris Elba in Three Thousand Years of Longing
Brendan Fraser in The Whale
Brad Pitt in Babylon
Best Actress
Naomi Ackie in I Want To Dance With Somebody
Cate Blanchett in Tar
Margot Robie in Babylon
Tilda Swinton in Three Thousand Years of Longing
Michelle Yeoh in Everything Everywhere All At Once
Best Supporting Actor
John Boyega in The Woman King
Leonardo DiCaprio in Flowers of the Killer Moon
Tom Hanks in Elvis
David Lynch in The Fabelmans
Tobey Maguire in Babylon
Best Supporting Actress
Jessie Buckley in Women Talking
Tantoo Cardinal in Flowers of the Killer Moon
Li Jun Li in Babylon
Samantha Morton in She Said
Michelle Williams in The Fabelmans
Thor is one of the more remarkable success stories of the MCU.
He started out as the kind of boring super hero whose origin didn’t make much sense and who felt a bit out-of-place with the other Avengers. (It was always funny to him how quickly they all were to accept the fact that Norse mythology was based on reality.) But, thanks to director Taika Waititi and actor Chris Hemsworth, he’s been transformed into one of the most beloved characters in the MCU. Waititi and Hemsworth both realized Thor was a ludicrous character and the best way to handle that would be to embrace the silliness of it all.
That was the approach that they took with Thor: Ragnarok and it appears to be the same approach they’ll be taking with Thor: Love and Thunder. And, of course, Chris Pratt and the Guardians of the Galaxy are the perfect people to help them do that!
Here’s the teaser for Thor: Love and Thunder!
Today is May 4th, which is known to some people as being Star Wars Day. (May the 4th be with you. Get it?) I love the original Star Wars movies, even if Return of the Jedi deserves its less than stellar reputation. The first three prequels I could do without, even though Revenge of the Sith was actually fairly good. Of the three sequels, The Force Awakens was good. The Last Jedi and The Rise of Skywalker were both overstuffed and forgettable. Solo was adequate. I liked Rogue One. It was the only one of the new films to really seem to get what Star Wars was all about.
If I had to rank them all, I think it would go something like this:
I’m not going to rank the two Ewok movies or The Holiday Special. You have to draw the line somewhere.
Looking over the franchise as a whole, I think Star Wars shows the danger of overexplaining. In a New Hope, it didn’t matter whether or not we actually knew what the Kessel Run was or the exact details of The Clone Wars. They just sounded cool and they sparked our imaginations. We also didn’t know how the Empire came to exist or how Darth Vader could be both Luke and Leia’s father. We didn’t know how the Force worked, exactly. Nor did we know the exact details of how the Jedi were wiped out. We really didn’t need to know. We just accepted what the films told us and then let our imaginations fill in the missing pieces.
Then the prequels came along and suddenly, we discovered that everyone in the Star Wars universe was obsessed with trade routes and suddenly, The Clone Wars lost all of their mythic grandeur as we learned, in pain-staking details, every reason why the wars began and how they ended. They just became another collection of CGI space battles. And then Solo showed us the Kessel Run and we discovered that it really wasn’t anything that special. Probably the only prequel (and sequel) that didn’t diminish the other films was Rogue One. In fact, Rogue One brought some of that epic grandeur back to the films. With its scenes of Death Star destroying entire cities and planets, it actually made A New Hope more effective. After watching Rogue One, it’s not as easy to mock the Empire’s super weapon.
Today’s big news is that Taika Waititi will be directing the latest Star Wars film. Waititi was the first director to actually understand what to do with Thor (who, up until Thor: Ragnarok, had been Marvel’s least interesting hero) and, of course, he also directed JoJo Rabbit. My hope is that Waititi will be given the freedom to bring some new life to Star Wars. I think he’s capable of bring some wonder back to a universe that could definitely use it.
May the force be with him.
The Oscars are tomorrow and I guess that means that it’s time for me to post my predictions for what will win at the big ceremony on Sunday night!
So, without further ado:
Best Picture — 1917
Best Director — Sam Mendes for 1917
Best Actor — Joaquin Phoenix in Joker
Best Actress — Renee Zellweger in Judy
Best Supporting Actor — Brad Pitt in Once Upon A Time In Hollywood
Best Supporting Actress — Laura Dern in Marriage Story
Best Original Screenplay — Quentin Tarantino, Once Upon A Time In Hollywood
Best Adapted Screenplay — Taika Waititi , JoJo Rabbit
Best Animated Feature Film — Klaus
Best International Feature Film — Parasite
Best Documentary Feature — American Factory
Best Live Action Short Film — Nefta Football Club
Best Animated Short Film — Sister
Best Documentary Short Subject — Learning To Skateboard In A War Zone (If You’re A Girl)
Best Original Score — 1917
Best Original Song — (I’m Gonna) Love Me Again from Rocketman
Best Sound Editing — Ford v Ferrari
Best Sound Mixing — Ford v Ferrari
Best Production Design — Parasite
Best Cinematography — 1917
Best Makeup and Hair Styling — Joker
Best Costume Design — Once Upon A Time In Hollywood
Best Editing — Parasite
Best Visual Effects — The Irishman
Todd Phillips did not pick up a DGA nomination but fear not Joker fans. The film did pick a nomination from the PGA.
Uncut Gems has now been snubbed by the SAG, the DGA, and the PGA so I’m going to assume that it’s Oscar chances are pretty much dead. It was one of my favorite films of the year but, at the same time, I can also understand why some people might not share my feelings.
JoJo Rabbit, on the other hand, has been nominated by the DGA, PGA, and the SAG so it’s definitely a stronger contender than some have been giving it credit for being.
Anyway, here are the 2019 Director’s Guild nominations!
Bong Joon Ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Taika Waititi, Jojo Rabbit
Mati Diop, Atlantics
Alma Har’el, Honey Boy
Melina Matsoukas, Queen & Slim
Joe Talbot, The Last Black Man in San Francisco
Tyler Nilson and Michael Schwartz, The Peanut Butter Falcon
Here’s a full list of the winners in Nevada:
Best Film: Marriage Story
Best Director: Noah Baumbach – Marriage Story
Best Actor: Adam Driver – Marriage Story
Best Actress (tie): Scarlett Johansson – Marriage Story & Charlize Theron – Bombshell
Best Supporting Actor: Joe Pesci – The Irishman
Best Supporting Actress: Jennifer Lopez – Hustlers
Best Original Screenplay: Quentin Tarantino – Once Upon a Time in Hollywood
Best Adapted Screenplay: Taika Waititi – Jojo Rabbit
Best Animated Movie: Toy Story 4
Best Documentary: Apollo 11
Best Production Design: Once Upon a Time in Hollywood
Best Cinematography: 1917
Best Visual Effects: Avengers: Endgame
The San Diego Film Critics Society announced their picks for the best of 2019 earlier today!
And here they are!
(Check out a list of the nominations here!)
Best Picture
Best Director
Best Actor
Best Actress
Best Supporting Actor
Best Supporting Actress
Best Comedic Performance
Best Original Screenplay
Best Adapted Screenplay
Best Documentary
Runner Up: LOVE, ANTOSHA
Best Animated Film
Best Foreign-Language Film
Best Costume Design
Best Editing
Best Cinematography
Best Production Design
Best Visual Effects
Best Use of Music
Best Ensemble
Breakthrough Artist
You have to hand it to Ryan Reynolds, he knows how to market his projects. In the course of a few days, he made an advertisement for a TV that linked to a new film and his gin company, Aviation Gin. He also made a separate commercial for Aviation Gin starring Monica Ruiz, who everyone knows as the wife in the Peleton ads. Now, 20th Century Fox reunites Reynolds and his Green Lantern co-star, Taika Waititi in Free Guy.
Free Guy has Reynolds playing an NPC (Non-Playable Character) in a Video Game that is due to be shut down. Using classic video game items like power ups, guns and dance emotes, Reynolds’ character decides it’s time to level up. While we’re not sure of where this all goes, it’s good to see Ryan bring some of that Deadpool flair under the Disney umbrella.
Free Guy, Directed by Shawn Levy (Date Night), is set to release on July 3, 2020.
Earlier on Friday, the Detroit Film Critics Society released their nominations for the best of 2019!
Now, back in 2018, the DFCS honored some great films that were overlooked by the Academy, films like Eighth Grade, A Quiet Place, and First Reformed. I mean, I really, really loved the 2018 DFCS awards. And you know what? I’m pretty happy with what they came up with for 2019 as well! I especially like the nomination for Anna Paquin in The Irishman. With all the overblown controversy about how many lines she spoke in the film, it is often overlooked that she gave a great performance and, with just the power of her withering glare, pretty much transformed Peggy into the conscience of the film.
Here are the DFCS nominees for the best of 2019! The winners will be announced on December 9th!
BEST PICTURE
The Irishman
Jojo Rabbit
Marriage Story
Once Upon a Time… in Hollywood
Parasite
BEST DIRECTOR
Noah Baumbach – Marriage Story
Bong Joon-ho – Parasite
Martin Scorsese – The Irishman
Quentin Tarantino – Once Upon a Time… in Hollywood
Taika Waititi – Jojo Rabbit
BEST ACTRESS
Scarlett Johansson – Marriage Story
Julianne Moore – Gloria Bell
Lupita Nyong’o – Us
Charlize Theron – Bombshell
Renee Zellweger – Judy
BEST ACTOR
Robert De Niro – The Irishman
Adam Driver – Marriage Story
Robert Pattinson – The Lighthouse
Joaquin Phoenix – Joker
Adam Sandler – Uncut Gems
SUPPORTING ACTOR
Willem Dafoe – The Lighthouse
Tom Hanks – A Beautiful Day in the Neighborhood
Joe Pesci – The Irishman
Brad Pitt – Once Upon a Time… in Hollywood
Sam Rockwell – Richard Jewell
Wesley Snipes – Dolemite Is My Name
SUPPORTING ACTRESS
Kathy Bates – Richard Jewell
Laura Dern – Marriage Story
Scarlett Johansson – Jojo Rabbit
Anna Paquin – The Irishman
Florence Pugh – Little Women
BEST SCREENPLAY
The Irishman
The Lighthouse
Marriage Story
Once Upon a Time… in Hollywood
Parasite
BEST ANIMATED FILM
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Toy Story 4
BEST USE OF MUSIC
1917
Once Upon a Time… in Hollywood
Rocketman
Uncut Gems
Wild Rose
BEST ENSEMBLE
Dolemite Is My Name
The Farewell
The Irishman
Once Upon a Time… in Hollywood
Parasite
BEST DOCUMENTARY
Amazing Grace
Apollo 11
Horror Noire: A History of Black Horror
Knocking Down the House
Rolling Thunder Review: A Bob Dylan Story by Martin Scorsese
BREAKTHROUGH
Ana de Armas – actress (Knives Out, The Informer, Yesterday)
Jessie Buckley – actress (Wild Rose, Judy)
Kaitlyn Dever – actress (Booksmart, Them That Follow)
Aisling Franciosi – actress (The Nightingale)
Paul Walter Hauser – actor (Richard Jewell)
Florence Pugh – actress (Fighting with My Family, Midsommar, Little Women)
Lulu Wang – director (The Farewell)
Olivia Wilde – director (Booksmart)