October Positivity: Abel’s Field (dir by Gordie Haakstad)


In 2012’s Abel’s Field, Kevin Sorbo plays the role of Abel.  He’s the new groundskeeper at a small town high school, one of those places where football is king.  No one in town really seems to know much about Abel and that’s fine with Abel.  He keeps to himself and he prefers not have long conversations with people.  He works hard, he tries to stay out of trouble, and he spends a lot time writing in a notebook on which he keeps a very close eye.

And let’s give credit where credit is due.  Kevin Sorbo actually gives a very good performance as Abel.  I know that some people will snicker when they read that.  At this point, Kevin Sorbo is so associated with a certain type of politics and a certain type of religion and a certain type of movie that merely mentioning his name will send some self-appointed cultural critics into a frothing rage.  That said, Sorbo is one of the better actors to have found a niche in the faith-based film industry and he does a good job playing the role of Abel.  He’s convincing as a man who doesn’t want to get close to anyone but who is still kind enough to reach out to people who need help.

Seth McArdle (Samuel Davis) is someone who could definitely use some help.  A 17 year-old high school senior, Seth has had to step up and take on an enormous amount of responsibility.  With his father having vanished and his mother having died, Seth is taking care of his two younger sisters.  He attends high school, he works two jobs, and then when he finally returns home, he just hopes that he has enough money to pay the babysitter.

When Seth yells at the arrogant high school quarterback after the latter runs a stop sign and nearly hits Seth’s sisters, the entire football team starts to target Seth.  The team is struggling on the field this season so they decide to take their frustrations out on Seth.  Seth can’t even walk down the school hallway without the team attacking him.  Because Seth fights back, he’s the one who ends up getting in trouble.  Seth is told that he has two options.  He can either help Abel install a new sprinkler system for the football field or he can just drop out of school.

(Wow, that’s harsh.)

You can guess where this is going.  After an awkward beginning, Abel eventually becomes a mentor to Seth.  Abel and Seth discover they have something in common.  They’re both down-on-their luck and their both kind of miserable.  When the bank threatens to foreclose on Seth’s house, Abel is there to try to keep Seth from breaking the law in order to pay.  They share a lot of pain but they also share a common faith and, eventually, Abel even shares the dark secret from his past.  How much that secret surprises you will depend on how much you know about the stories of the Biblical Cain and Abel and Seth.

Abel’s Field is a surprisingly effective film.  Yes, it’s a religious film but it’s nowhere near as preachy as some of the other films of the genre that I’ve seen.  The characters are portrayed as being flawed individuals who are trying to do their best in difficult situations.  Both Davis and Sorbo give good strong performances.  Believe it or not, it’s a good movie.

Late Night Retro Television Review: Saved By The Bell 3.9 “Pipe Dreams”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show can be purchased on Prime!

This week, Zack loses his favorite duck.

Episode 3.9 “Pipe Dreams”

(Dir by Don Barnhart, originally aired on October 26th, 1991)

Oil’s been discovered on Bayside’s football field!  Smarmy Dan Grayson (Gary Lahti) offers Bayside a lot of money for the right to drill on the field.  Almost all of the students fantasize about going to rich school despite the fact that, with the exception of Kelly, it’s been established that they’re all already rich and that Bayside has been a rich school for a while.  I’m not sure why the students think that they would be getting any of the money.  And why is it up to the principal to decide whether or not to allow drilling.  It seems like that should be up to the county supervisors.

But what about the never before mentioned pond behind the football field!?  When the inevitable oil spill happens, Zack’s favorite duck Becky is killed.  “She’s where the oil can’t hurt her anymore,” Screech says.  It looks like it’s time for Zack to crash Mr. Grayson’s presentation and spray oil on him.  “I’m covered in oil!” Mr. Grayson shouts.  It’s easy to make your point when your opponent is cartoonishly evil.

You probably already guessed that this is not my favorite episode.  It’s just so cartoonishly heavy-handed and the idea that Zack’s simplistic presentation was enough to convince everyone not to drill for oil was borderline insulting.  If there’s oil underneath the football field and money to be made by drilling for it, someone’s going to do it.  No one is going to care whether Zack approves or not.

My favorite moment is when Slater calls out Jessie for wearing clothing and accessories that aren’t environmentally-friendly.  Seriously, Jessie is always a little bit too self-righteous for me.  Personally, I would have agreed to let the company drill for the oil but only after they found a new pond for all of the turtles and ducks.

Poor Becky.

Lisa Marie’s Week In Television: 10/4/26 — 10/10/26


The Amazing Race (Wednesday Night, CBS)

I wrote about the Amazing Race here.

Austin City Limits (PBS)

On Friday night, I watched a performance by Sienna Spiro.  She was okay.  I prefer EDM but that’s not the Austin City Limits way.

Carrie (Prime)

I started watching Mike Flanagan’s Carrie on Friday.  I’ve got two more episodes to go so I’ll probably review it tomorrow.  I’ll hold off on giving my thoughts until then.

Fear Itself (YouTube)

I’ve been watching and posting episodes of Fear Itself all week.

Kitchen Nightmares (Tubi)

I watched four episodes on Wednesday.  Two of the episodes deal with the Main Street Bistro and its arrogant owner.  One episode was about Yanni’s, a Greek restaurant owned by a loud family.  The final episode was the classic episode that featured Gordon’s visit to Amy’s Baking Company in Scotsdale, Arizona.  It’s hard to believe that episode is now 13 years old.

The Steve Wilkos Show (Tubi)

I watched two episodes on Tuesday.  Both dealt with bad and abusive parents.  Steve got mad and yelled a lot but he was totally justified in doing so.  Some people really don’t deserve to be parents.

Survivor (Wednesday Night, CBS)

I wrote about Survivor here.

Bonus Horror On Television: Final Curtain (dir by Edward D. Wood, Jr.)


1957’s Final Curtain is a short, 22-minute film in which a mysterious man (Duke Moore) wanders around a creepy and seemingly abandoned theater.  While Dudley Manlove (who played Eros the Alien in Plan Nine From Outer Space) provides narration, the man sees many strange things in the theater.  What is real and what is merely a hallucination?  Watch to find out!

Final Curtain was envisioned, by director Edward D. Wood, as being the pilot for a horror anthology series.  Though none of the networks were interested in buying Wood’s proposed series, Wood considered Final Curtain to be his finest film and it certainly is a bit more atmospheric than the typical Wood film.  The role of the mysterious man was written for Bela Lugosi but, after Lugosi passed away, Duke Moore was cast in the role instead.

From 1957, here is Final Curtain.

Horror on TV: Fear Itself 1.10 “Chance” (dir by John Dahl)


Tonight’s episode of Fear Itself features Ethan Embry as Chance Miller, whose run of bad luck gets even worse once he finds himself having to deal with an evil doppelganger of himself.  This psychological thriller was directed by noir specialist, John Dahl.

This was one of the episodes of Fear Itself that was filmed in 2008 but wasn’t aired before the show went on hiatus.  It was included when the show was released on DVD in 2009.

Brad reviews DEATH WEEKEND (1976)!


With October being a fun month for horror, I’ve been searching for some scary movies that I’ve never seen before. As I was browsing the horror genre on Tubi the other day, I came across this little Canadian movie called DEATH WEEKEND. Also known as “The House by the Lake,” I noticed it has a simple story, a solid cast and a short running time. I decided to give it a shot. 

The movie opens with a playboy dentist named Harry (Chuck Shamata from DEATH WISH 5) and his fashion model girlfriend Diane (Brenda Vaccaro) driving out to his countryside home for a weekend getaway. While on the way, they cross paths with a group of crazy, drunk guys in a fast car, led by Lep (Don Stroud), and end up engaging in a dangerous game of road rage. They’re finally able to give them the slip, but they’ve made some enemies who are determined to find them and get even. When they track the couple to the home, the weekend is now set for death!

I have to admit I was very uncomfortable with this one from the very beginning. The guys are truly awful. Lep and the drunken thugs terrorize the couple on the road for no other reason than they can. And when the couple gets away, with a woman behind the wheel, no less, they use this as an excuse to track them to the home, and this is where things get really disturbing. They are cruel, vicious people, and the movie doesn’t give us any more information about them. They just seem to enjoy rape and murder. This nihilistic behavior seemed to go on and on and was hard for me to watch. 

There’s no hope for Harry, either. He had lied to Diane about the entire weekend. They were supposed to be there with other couples, but Harry had set the whole thing up for them to be alone just so he could get laid. What a jerk! And when the thugs take over, he’s a perfect coward much more worried about his safety and his property than he is about Diane. I can understand being scared and wanting to survive, but he’s revealed as a completely selfish person and about as unlikable as it gets. 

The only person who has a shred of humanity in this film is Diane. Of course, this being a 70’s movie, she’s terrorized, abused, and raped. I know I may be coming off as a hypocrite, because I love Charles Bronson and his DEATH WISH franchise notoriously features brutal scenes of rape. Well, those scenes are sickening to me, and I don’t like to watch them. And I didn’t like watching this one either. This movie seemed to revel in cruelty for the sake of cruelty and nothing else. I won’t say that I didn’t enjoy it when she finally gets a chance to get some revenge, but I wish the movie had given us more time to enjoy it. After everything she goes through, I wanted a little more satisfaction out of seeing her fight back. I will give the movie props for one impressive throat slash death, though. 

I did think that the actors were fine in their various roles. Don Stroud was effectively crazy as the lead murderer / rapist, Chuck Shamata made me really dislike his lecherous liar, and you can’t help but pull for Brenda Vaccaro after what she goes through. But at the end of the day, I can’t say that I enjoyed the movie that surrounded them very much. This movie presented relentless cruelty for most of its run time before finally giving Diane a few minutes to try to get some payback. Not only did the movie make me uncomfortable, it also left me feeling unsatisfied. 

Retro Television Review: Baywatch 3.0 “Summerfest Special”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, the third of Baywatch begins with a special!

Episode 3.0: “Summerfest Special”

(Originally aired September 13, 1992)

“Hi, I’m David Hasselhoff, here to welcome you to the Summerfest special.”

The third season of Baywatch starts not with a story about Mitch Buchannon and his fellow lifeguards, but with a breezy special about the California lifestyle and what viewers can expect from the upcoming season. David Hasselhoff stands on the beach in his Baywatch uniform and earnestly talks about how important lifeguards are and how the show is all about celebrating their heroism.

“Life’s a beach,” Hasselhoff says, “and everyone’s life is at the beach.”

“We’ll be back with the latest in barely legal swimwear!” announcer Sean “Hollywood” Hamilton says as the special goes to commercial. Yes, that is the actual line.

In between shots of beachgoers in bikinis, the Summerfest Special features interviews with the cast members joining Baywatch in season 3. Susan Anton talks about being dramatically taller than her on-screen daughter, Nicole Eggert. David Charvet is introduced as “Baywatch’s newest bad boy.” Alexandra Paul says that maybe her character and Mitch will hook up, then laughs. Kelly Slater says that he’s not really an actor, but he joined the cast to show the world what “surfing is all about.” Pamela Anderson says that she’s looking forward to playing a “metaphysical character” because she’s very metaphysical herself. Gregory Alan Williams, who is being promoted to regular status in season 3, talks about saving a bystander during a riot because “I don’t like mobs.”

In between even more shots of beachgoers in bikinis, Hasselhoff talks about his music career and says that Baywatch is a show the entire family can watch. He adds, “Skimpy apparel is a part of the appeal.” This is followed by a montage of women in bikinis.

The Summerfest Special isn’t streaming on Tubi or Prime, but it is available on YouTube. The version I watched included all of the commercials that aired with the show. There weren’t any pharma commercials, which I appreciated. In America, we don’t really realize how bombarded we are with commercials for medicine with potentially deadly side effects until we get a chance to watch a complete broadcast from a time when no one in their right mind would think of advertising prescription medication on television.

Instead, I got a lot of commercials for local businesses and special musical compilation albums. There was a commercial for a Dodge dealership that bragged about how their vehicles came with airbags. In the middle of a commercial for a gospel album, a preacher said, “Who the hell left the gate open?” and everyone in the church cheered. A woman quit her job with confidence because of her Secret deodorant. “I’ll borrow my mother’s scarf,” a young woman who reminded me of myself declared, “but my mother’s tampons? No way!” A bunch of teen soccer players announced they’d rather drink “Sunny D” than “soda” or “purple stuff.” I’m from the South, so it always sounds weird to hear people refer to Coke as soda. It’s even weirder to see people preferring an orange drink to it.

If I seem to be spending a lot of time on the commercials, that’s because they felt like little mini time machines. Watching them was like taking a 30-second trip back to the early ’90s. As for the rest of the special, it was essentially a lengthy commercial for Baywatch and bikinis, but everyone interviewed seemed to be in a really good mood. They were having fun, and that’s the important thing.

 

Lifetime In October: Killer Prom (dir by Alexandre Carriere)


In 2020’s Killer Prom, Yvonne Zima plays Sienna. Poor Sienna is desperately struggling with her life. She has a cheap apartment that she still can’t really afford. Her mother wants nothing to do with her. She hasn’t had much of a romantic life since missing her high school prom. She’s very jealous of her distant cousin, Hannah (Megan Vincent). Hannah is married to Dr. Tony Wilson (Mark Lutz), a man on whom Sienna has always had a crush. So, Sienna drowns Hannah at the family reunion and then moves to Texas so she can be close to Tony and his family.

Sienna not only wants to marry Tony. She also wants to help Tony’s teenage daughter, Maya (Erica Anderson), have a great prom night! In fact, Sienna has it all perfectly planned out. While Maya is off at prom, Tony will be so moved by his love for Sienna that he’ll ask her to marry him. The only problem is that Maya instantly notices that something is off about Sienna and she really doesn’t want her anywhere near her prom or her date, Jake (Kyle Meagher). Meanwhile, Tony is too busy mourning his wife to fall in love with anyone. And even if Tony was going to fall in love with anyone, it would probably be his assistant, Lauren (Brianna Barnes).

Oh, Sienna hates Lauren. When Lauren shows up at a barbecue, Sienna has to duck into the bathroom so she can ask her reflection, “Who wears a red dress to a barbecue!?” Really, Sienna? Who wears a red dress to a barbecue? I WEAR A RED DRESS TO A BARBECUE! You have a problem with me!? That said, Lauren’s dress is a little bit too expensive for a barbecue. Barbecues can get messy as anyone who has seen that picture of James Talarico sinking his teeth into those ribs can tell you.

Anyway, it’s a Lifetime film so Sienna loses it. She goes from wanting to marry Tony and become Maya’s stepmother to wanting to kill them both and does it pretty quickly. Of course, it’s up to Maya to save the family, even if that means missing her own prom. Don’t count on Tony to do anything. Tony is bizarrely clueless, even though it’s pretty much obvious from the start that Sienna has some issues. Men in Lifetime films never stop to think that the attractive woman who was the last person to see their wife before her mysterious death could possibly be a troublemaker.

I really enjoyed Killer Prom, mostly because I went to prom every year that I was in high school and I had a blast each time. Movies like this pretty much live and die based on how effective the actress playing the psycho is and Yvonne Zima gives a wonderfully unhinged performance as Sienna. She’s just so incredibly excited about the prom! It’s hard not to feel bad for her when it becomes clear that she’s going to end up missing another one.

Two Books For The Weekend (10/10/26)


As I mentioned in my previous post, I’ve been watching Mike Flanagan’s Carrie on Prime.  I’ve made it through four episodes and to say that I’m not enjoying it would be an understatement.  The miniseries is spending 8 hours on a story that Stephen King handled in about 200 pages and which Brian De Palma was able to tell in a little over 90 minutes.  Of course, De Palma was smart enough not to give Carrie an invisible friend.  He also didn’t introduce a psychic cult.  De Palma knew the story worked as it was.

If you haven’t read Stephen King’s original novel, you really should.  That’s especially true if you’re currently watching the Flanagan miniseries and you’re wondering what all of the complaints are about.  Carrie was King’s first published novel and King himself has admitted that it’s a flawed work.  It’s a mix of passages that are definitely the work of King and excerpts from government hearings, Carrie’s notebook, and Sue Snell’s autobiography.  The split format shows that King still wasn’t totally sure how he wanted to tell the story.  That said, when the book works, it really does work.  King doesn’t shy away from Carrie’s anger and bitterness.  He doesn’t try to make the story about anything more than what it is.  And even the government hearings and Sue Snell’s autobiography show us that Carrie, the outcast with telekinetic powers, will never be forgotten.

For the record, I do know that King has endorsed Flanagan’s revisions.  With the exception of Stanley Kubrick’s The Shining, Stephen King tends to endorse everything and one gets the feeling that, much as was the case with Frank Darabont, King enjoys the fact that Flanagan is such a fan.  That’s just human nature.  That said, the novel, flaws and all, is infinitely superior to Flanagan’s miniseries.

Again, as I mentioned in my previous post, if you’re watching Flanagan’s miniseries but haven’t seen Brian De Palma’s film, that’s something you need to rectify.  After you watch Brian De Palma’s film, be sure to check out Like Being On Mars: An Oral History Of Carrie (1976) by Lee Gambin.  This book is all about the production of the film that changed horror in much the same way that Star Wars, a year later, would later change science-fiction.  Gambin interviews the key players: Sissy Spacek, Piper Laurie, Nancy Allen, Amy Irving, William Katt, P.J. Soles, De Palma, Stephen King, and even Bill Paxton!  (Paxton worked on the crew.)  It’s a great book for lovers of both movies and horror.

Hero of the Day: Jeff Trent (Plan 9 From Outer Space)


How do you stop an alien invasion?

That’s the question posed to us by Ed Wood’s Plan 9 From Outer Space.  The aliens have not only raised the dead and flown their saucers over Hollywood but they’ve also dared to lecture us just because we want to build a bomb that will blow up sunlight.  Humanity has responded by trying to stop the zombies and also by trying to blow their flying saucers out of the sky.  Those attempts failed.

But then Jeff Trent — a simple, hard-working airline pilot — announces that “that’s all I’m taking” and promptly punches the smug alien in the face.  A few seconds later, the flying saucer explodes.  Luckily, Jeff and the other humans were able to escape before it did.  The aliens were less lucky.

And that’s how you save the world!

Gregory Walcott, who went on to appear in several mainstream productions and became a favorite of Clint Eastwood’s, was reportedly not a huge fan of Plan 9, at least not at first.  He only agreed to appear in the film as a favor to his pastor, who was one of the people who helped to finance the film.  Walcott probably gives the best performance in the film.  When he punches that alien, you feel his frustration.

Later, in 2010, Walcott said, in regards of Plan 9, “It’s better to be remembered for something than nothing.”  He even started to attend screenings and meet with fans of the film.  I was glad to have learned that.  It’s not everyday that you get to save humanity for the dead.

Jeff Trent was a true hero and Gregory Walcott was a hero for bringing him to life.

Hero of the Day