Basically, Armand Vernoy (Jean Del Val) is haunted by not only the death of Indian his wife but also the fact that he’s lost all of his money “in the war” and will not be able to send his son, Krishna (George Hamilton) off to study with the world-renowned Prof. Charles Goncourt (Boris Karloff, who not only hosts but gets to play a kindly character for once). Then a young woman named Santha Naidu (Lee Torrance) shows up. She’s a year younger than Krishna but she claims to be his mother, reincarnated! Meanwhile, back in India, a young man hopes to marry Santha but he’s been told that he can’t because she’s already been married in a previous life….
This is an okay episode, though definitely not as good as some of the previous episodes of The Veil. Boris doesn’t get to do much but it’s kind of nice to see him play a character who is as nice as he apparently was in real life. If this episode were made today, the casting of Torrance and Hamilton as Indians would undoubtedly be extremely controversial.
On tonight’s episode of The Veil, a writer (Booth Colman) is heartbroken when his lover, Marie (Roxane Berard) leaves him so that she can marry his boss (played by Leo Penn, father of Sean). To help soften the blow, Marie gives the writer a parting gift, an ornamental crystal ball. However, it doesn’t turn out to be much of a gift because the only thing that the writer can see in the ball are visions of Marie cheating on her husband! Boris Karloff both hosts and plays the role of the writer’s uncle.
This is one of the lesser episodes of The Veil but it still has its entertaining moments, largely due to the performances of Roxane Berard and, of course, Boris Karloff. I guess my main problem with this episode is that it doesn’t so much end as it just stops. I was waiting for one big twist but …. oh well! Listen, it’s got Boris Karloff in it and you should always watch as much Karloff as possible in October!
Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played! The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.
This film was produced as a direct result of the box office success of I Was A Teenage Werewolf. Just as in Teenage Werewolf, Whit Bissell plays a mad scientist who makes the mistake of trying to play God. (He also makes the mistake of keeping an alligator in his lap but that’s another story.) The end result …. Teenage Frankenstein!
The makeup on the Teenage Frankenstein is probably the best thing about this film. If nothing else, this film features a monster who actually looks like he was stitched together in a lab.