Today’s horror song of the day is the only hymn to Satan to have been nominated for an Oscar. From 1976’s The Omen, here is Ave Satani. Don’t sing along as much as you may be tempted too. We’ve all seen Hellraiser.
Composed by Jerry Goldsmith, this version of this song was performed by the Tenerife Film Orchestra and Choir.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been the 96th birthday of director Richard Donner. It’s time for….
4 Shots From 4 Richard Donner Films
The Omen (1976, dir by Richard Donner, DP: Gilbert Taylor)
Superman (1978, dir by Richard Donner, DP: Geoffrey Unsworth)
Lethal Weapon (1987, dir by Richard Donner, DP: Stephen Goldblatt)
Scrooged (1988, dir by Richard Donner, DP: Michael Chapman)
This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today would have been the 95th birthday of director Richard Donner. It’s time for….
4 Shots From 4 Richard Donner Films
The Omen (1976, dir by Richard Donner, DP: Gilbert Taylor)
Superman (1978, dir by Richard Donner, DP: Geoffrey Unsworth)
Lethal Weapon (1987, dir by Richard Donner, DP: Stephen Goldblatt)
Scrooged (1988, dir by Richard Donner, DP: Michael Chapman)
Today’s horror song of the day is the only hymn to Satan to have been nominated for an Oscar. From 1976’s The Omen, here is Ave Satani. Don’t sing along as much as you may be tempted too. We’ve all seen Hellraiser.
Composed by Jerry Goldsmith, this version of this song was performed by the Tenerife Film Orchestra and Choir.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we take a look at three very important years: 1975, 1976, and 1977!
10 Shots From 10 Films: 1975 — 1977
Deep Red (1975, dir by Dario Argento, DP: Luigi Kuveiller)
Trilogy of Terror (1975, dir by Dan Curtis. DP: Paul Lohmann)
Eaten Alive (1976, dir by Tobe Hooper. DP: Robert Caramico)
The Omen (1976, dir by Richard Donner, DP: Gilbert Taylor)
Carrie (1976, dir by Brian De Palma, DP: Mario Tosi)
Shock (1977, dir by Mario Bava, DP: Alberto Spagnoli)
The Hills Have Eyes (1977, dir by Wes Craven, DP: Eric Saarinen)
Suspiria (1977, dir by Dario Argento, DP: Luciano Tuvalia)
Eraserhead (1977, directed by David Lynch, DP: Frederick Elmes and Herbert Cardwell)
Shock Waves (1977, dir by Ken Wiederhorn, DP: Reuben Trane)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!
4 Shots From 4 1976 Horror Films
Carrie (1976, dir by Brian De Palma)
God Told Me To (1976, dir by Larry Cohen)
The House With Laughing Windows (1976, directed by Pupi Avati)
This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
A&E, the network who produced Bates Motel, a sorta prequel to Psycho, is now producing Damien, a sorta sequel to the original Omen. (Apparently, all of the sequels and the remake are being ignored.) So, I guess would have a cross-over event where Norman Bates met the son of the Devil.
But until that happens, here is the trailer for Damien.
There’s really only one reason to see the 2006 remake of The Omen and that’s the fact that the priest who convinces Ambassador Thorn to adopt the Antichrist is played by the great Giovanni Lombardo Radice.
If you’re a fan of Italian horror, you’ll immediately know who Radice is and, whenever he appears in The Omen, you’ll be momentarily excited. After all, Radice is an actor who has given memorable performances in films made by iconic directors like Lucio Fulci, Ruggero Deodato, Antonio Margheriti, Michele Soavi, and Martin Scorsese. He’s appeared in everything from City of the Living Dead to Cannibal Apocalypse to The House On The Edge of the Park toStagefright to Gangs of New York. As both a horror icon and an excellent actor who has always been gracious and friendly to his fans, Giovanni Lombardo Radice is one of those actors who movie bloggers like me are always happy to see in any film.
(And, if anyone deserves a role in a Quentin Tarantino film, it’s Giovanni Lombardo Radice.)
And Radice gives a really great performance in The Omen. He plays the role with just the right combination of menace and regret. When he first appears, you can tell that he’s determined to get Robert Thorn to adopt Damien but that he’s not particularly happy about having to do it. He may be one of the bad guys but he’s a bad guy with a conscience. Later, when Radice makes a second appearance, it momentarily re-energizes the film. He’s just got such a unique screen presence that, whenever he’s on-screen, Radice reminds you of the film that you want The Omen to be.
As for the rest of the remake — well, it’s all kind of pointless. The film is largely a scene-by-scene remake of the first Omen and, unfortunately, it never quite answers the question of why the film needed to be remade in the first place. The Gregory Peck role is played by Liev Schrieber while his wife is played by Julia Stiles. The doomed photographer is played by David Thewlis. Mia Farrow shows up in the role of the sinister nanny and Mia actually does a pretty good job but whenever she was delivering her lines, it was impossible for me not to imagine a remake of The Final Conflict where Ronan Farrow plays Damien.
Otherwise, the same characters die as in the original film and, often times, they die in the exact same way. It’s really almost lazy how little the remake changes from the original. And, ultimately, it makes the entire movie feel more than a little pointless. You’re left with the feeling that the only reason the Omen was remade was so that it could be released on June 6th, 2006 (a.k.a. 6-6-06).
So, when it comes to The Omen, stick with the original but watch the remake for Giovanni Lombardo Radice.