Lisa Marie’s Early Oscar Predictions For September

Posted on September 30, 2024 by Lisa Marie Bowman

It’s that time of the month again!

It’s time for me to share my latest round of Oscar predictions. Thanks to the summer festival season, the Oscar race is starting to become a bit clearer. That said, there really don’t seem to be any overwhelming favorites right now. There are contenders but there are no front runners. So, I imagine we’ll see some surprise contenders emerge as the precursor season approaches.

You’ll notice that, unlike a lot of Oscar bloggers, I don’t have Gladiator II amongst my predictions. That’s based on the fact that, every year, there’s a new Ridley Scott film that everyone predicts will be a contender and, with the exception of The Martian, it never happens. The Academy just does not seem to have the burning desire to honor Ridley Scott that a lot of film bloggers do. As well, I’m just not convinced that a sequel starring an actor who has yet to prove he can shoulder the weight of a blockbuster is going to be the film that’s going to win Ridley Scott a Best Director statuette. Remember that a few years ago, those same Oscar bloggers were insisting that Martin Scorsese’s Silence was going to be not only a contender but also the winner up until the end of November.

(For that matter, let’s not forget that Scorsese’s Killers of the Flower Moon was expected to be a winner as opposed to an also-ran. Fact of the matter is that, as much as I hate to resort to that overused quote from William Goldman, no one knows anything.)

Do I really think that Pamela Anderson is going to receive a Best Actress nomination? She’s receiving a lot of acclaim for her role in The Showgirl but, at the same time, she’s Pamela Anderson. There’s maybe a 2% chance that she’ll get nominated but I always like to throw in a few candidates who go against the conventional wisdom. So — what the Hell? Why not? Pamela Anderson for Best Actress!

Be sure to check out my predictions for April, May, June, July, and August!

Best Picture

Anora

The Apprentice

The Brutalist

A Complete Unknown

Dune Part Two

Emilia Perez

Maria

The Piano Lesson

Saturday Night

Sing Sing

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Brady Corbett for The Brutalist

Jason Reitman for Saturday Night

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Pamela Anderson in The Showgirl

Karla Sofia Gascon in Emila Perez

Angelina Jolie in Maria

Mickey Madison in Anora

Demi Moore in The Substance

Best Supporting Actor

Yura Borslav in Anora

Kieran Culkin in A Real Pain

Samuel L. Jackson in The Piano Lesson

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Best Supporting Actress

Monica Barbaro in A Complete Unknown

Danielle Deadwyler in The Piano Lesson

Selena Gomez in Emilia Perez

Felicity Jones in The Brutalist

Zoe Saldana in Emilia Perez

What Lisa Watched Tonight #215: Baywatch The Movie: Forbidden Paradise (dir by Douglas Schwartz)

Posted on May 19, 2021 by Lisa Marie Bowman

Earlier tonight, I watched the 1995 film Baywatch The Movie: Forbidden Paradise.

Why Was I Watching It?

The H&I network has been airing Baywatch every weekday at 5 and 6. I’ve been watching because the pure, unapologetic silliness of the show is a good way to unwind from whatever stress or annoyance I may have had to deal with during the day. Today, they aired Forbidden Paradise, which was originally released theatrically in Europe and straight-to-video in the United States. (To quote John Redcorn, “We are already straight-to-video. There is nowhere else left to go.”) A few months after its theatrical release, Forbidden Paradise was broadcast as a two-part episode of Baywatch, even though it featured characters who had since left the show. I imagine that was a bit confusing for some viewers.

(Or maybe it wasn’t. I doubt the majority Baywatch’s audience was particularly concerned with continuity.)

What Was It About?

The Baywatch team goes to Hawaii! Well, not all of them. Actually, it’s just Mitch (David Hasselhoff), CJ (Pamela Anderson), Stephanie (Alexandra Paul), Caroline (Yasmine Bleeth), Logan (Jaason Simmons), and Matt (David Charvet). They’re supposed to be taking part in a lifeguard exchange program but, as usual, it turns out that Stephanie is the only one who actually gives a damn about doing her job.

Instead, CJ considered whether or not she wants to model for a dorky photographer. Logan becomes obsessed with winning a surfing competition while Caroline obsesses on why Logan is always obsessing on stuff. Mitch and Matt end up getting lost in the jungle and briefly taken prisoner by a bunch of native villagers. It all leads to a chase through the jungle and an engagement on the beach. Stephanie helps that Hawaiian lifeguards save someone from drowning. At least Stephanie takes her job seriously.

What Worked?

Baywatch The Movie: Forbidden Paradise was actually filmed on location in Hawaii so the scenery was gorgeous. It was also apparently shot in approximately the same location as Lost so, whenever I got bored with the plot, I could think about Sawyer and the Others. This was especially true while David Hasselhoff and David Charvet were being chased through the jungle by all of the angry villagers. I felt like the Smoke Monster was going to pop out at any moment.

As with anything involving Baywatch, it could be argued that the whole film was so ludicrous that it worked as a self-parody. I’m certainly tempted to make that argument but I’m not really sure if any of the self-parody was intentional. That’s the great mystery when it comes to Baywatch.

What Did Not Work?

If you consider this movie to be a self-aware parody, than it all worked.

If you consider it to be an actual movie, with a plot and characters that you’re supposed to care about and interesting dialogue, than none of it worked. I mean, it’s Baywatch. It’s the adult version of Saved By The Bell. It’s entertainingly shallow but it’s never exactly good.

Probably the film’s biggest flaw is that the pacing is totally off. It seems to take forever for the film’s plot to actually get started and then, once it does, it keeps going off on these strange detours. For some reason, a lot of screen time is devoted to a model named Holly (Hedi Mark) and a remarkably unlucky photographer named Carlton Edwards (Ricky Dean Logan).

Myself, I was disappointed that David Chokachi (who played Cody, the lifeguard best-known for wearing a speedo in the opening credits) wasn’t even in the film.

“Oh my God! Just like me!” Moments

I’ve been to Hawaii! Seriously, I had a great time and I look forward to returning soon.

Lessons Learned

I refuse to learn anything from Baywatch.

A Movie A Day #26: The Taking of Beverly Hills (1991, directed by Sidney J. Furie)

Posted on January 26, 2017 by Jedadiah Leland

After a toxic chemical spill, Beverly Hills is evacuated. While its citizens wait in a hotel, their mansions and valuables are guarded by the police and agents of the EPA. Or so they think. It turns out that the chemical spill was faked and that both the police and the government agents are in on it. While the town’s deserted, they’re going to rob everyone blind. The scheme’s mastermind is Bat Masterson (Robert Davi), the owner of L.A. Rams. What Masterson doesn’t realize is that one citizen of Beverly Hills stayed behind, his own quarterback, Boomer Hayes (Ken Wahl). Teaming up with Ed Kelvin (Matt Frewer), the last honest cop in town, Boomer sets out to protect Beverly Hills.

It’s just a dumb as it sounds. In fact, of the many Die Hard ripoffs that came out in the late 80s and the early 90s, The Taking of Beverly Hills is probably the dumbest, which also makes it one of the most entertaining. Boomer, who has an impressive mullet, can only speak in football analogies, constantly assuring Ed that it’s only the first down and that they can turn things around after halftime. When Boomer gets serious, he says, “It’s time to play offense.” One of the stranger things about The Taking of Beverly Hills is that, unlike working class hero John McClane, Boomer is not an outsider. He’s in Beverly Hills because he’s rich. The Taking of Beverly Hills is basically about one rich guy trying to keep another rich guy from robbing a bunch of other rich people. It’s Die Hard if Hart Bochner had been the hero instead of Bruce Willis.

Keep an eye out for Lee Ving, lead singer of Fear, playing one of the corrupt cops and an uncredited Pamela Anderson cast as a cheerleader. And keep your ears open for songs like Epic by Faith No More because their presence on the soundtrack (and the associated rights issue) is the reason was this stupidly entertaining movie will probably never get a DVD/Blu-ray release in the United States.

It has been released in Germany, where it was retitled Boomer after the lead character.

Back to School #44: Some Kind of Wonderful (dir by Howard Deutch)

Posted on September 9, 2014 by Lisa Marie Bowman

For the past two and a half weeks, I’ve been reviewing, in chronological order, some of the best, worst, most memorable, and most forgettable teen films ever made. We started with two films from 1946 and now, we find ourselves coming to the close of the decade that is often considered to be the Golden Age of teen films, the 1980s. For our 44th entry in Back to School, we take a quick look at 1987’s Some Kind of Wonderful.

Why a quick look?

Because, quite frankly, there’s not that much to say about it.

Some Kind of Wonderful is a story about an artistic, lower-class misfit who has a crush on one of the popular kids. The only problem is that the popular kid is being cruelly manipulated by one of the richest students in school. The misft also has a best friend who is totally in love with the misfit but the misft has somehow failed to notice this. Eventually, the misfit does get to date the popular kid. Both the popular kid and the misft are given a hard time by the members of their collective clique but they still manage to go on one truly amazing date. Finally, the film ends with a big show down at a party and two people kissing outside.

Sound familiar?

If it does, that probably means that you’ve seen Pretty In Pink. Some Kind of Wonderful is basically a remake of Pretty In Pink, the only difference being that the genders have been reversed and that the film is a lot more heavy-handed (and predictable) when it comes to examining class differences. (Not coincidentally, both films were written by John Hughes and directed by Howard Deutch and it must be said that when it comes to Some Kind of Wonderful, it’s easy to feel that both of them were simply going through the motions.) The misfit is an aspiring painted named Keith (Eric Soltz). His best friend is a drummer named Watts (Mary Stuart Masterson). The object of Keith’s affection is Amanda (Lea Thompson). Unfortunately, even though she lives in the same poor neighborhood as Keith and Watts, Amanda is dating the rich (and therefore, evil) Hardy (Craig Sheffer).

When Keith finally works up the nerve to ask out Amanda, he doesn’t realize that she’s just broken up with Hardy and is on the rebound. Watts is skeptical, telling Keith, “Don’t go mistaking paradise for a pair of long legs,” and I’m just going to admit that, as the proud owner of a pair of long legs, that line really annoyed me. I guess it’s because I’ve known people like Watts, who always act like there’s something wrong with wanting to look good.

Shut up, Watts.

With the help of Watts and Duncan (Elias Koteas), the school bully that Keith managed to befriend in detention, Keith takes Amanda out on an amazing date and shows her a wonderful portrait that he’s painted of her. At the same time, Hardy — angry because someone from a lower class is now dating his ex-girlfriend — starts to plot his own revenge…

There are some positive things about Some Kind of Wonderful. There are two really good and memorable scenes that, momentarily, manage to elevate the entire film. There’s the moment when Keith shows Amanda the painting. And then there’s the erotically charged scene in which Keith and Watts practice how to kiss. Koteas, Thompson, and Masterson all gives good performances. Eric Stoltz is, at times, a bit too intense to sell some of the film’s more comedic moments but overall, he’s well-cast here. (In fact, the only performance that I really didn’t care for was Craig Sheffer’s. Sheffer one-dimensional villain only served to remind me of how good James Spader was in Pretty In Pink.)

That’s no James Spader

And yet, there’s just something missing from Some Kind of Wonderful, something that keeps this film from being … well, wonderful. I have to wonder if I had never seen Pretty In Pink, would I have thought more of Some Kind of Wonderful? Perhaps. Whereas Pretty In Pink was full of the type of small details and clever moments that make it a joy to watch and rewatch, Some Kind of Wonderful is one of those films that you can watch once and enjoy it without ever necessarily feeling the need to ever watch it again.