Film Review: Detective Knight: Redemption (dir by Edward Drake)


2022’s Detective Knight: Redemption picks up where Detective Knight: Rogue ended.

After having been arrested in front of his wife and daughter, football player-turned-criminal Casey Rhodes (Beau Mirchoff) has been sent to prison.  In the same prison is Rhodes’s nemesis, former Detective James Knight (Bruce Willis).  Knight has been imprisoned for murdering the two villains from Detective Knight: Rogue, finally answering the age-old question of what happens to an action hero after the end credits roll.  In prison, both men meet Ricky Conlan (Paul Johansson), a former convict who is now a chaplain.  Conlan is big on encouraging everyone in prison to set aside their differences and come together as one big community of sinners seeking redemption.

Meanwhile, as Christmas approaches, New York City finds itself under siege.  Terrorists are dressing up like Santa Claus and robbing banks, chanting “Ho!  Ho!  Ho!” as they do so.  Their leader alternates between handing out candy canes and tossing live grenades at people.  He becomes known as The Christmas Bomber and he announces that he’s only robbing the banks to get back at the 1%.  He’s a revolutionary, you see.

He’s also a prison chaplain.  That’s right, Ricky Conlan is the Christmas Bomber and he’s decided that Casey is going to be newest member of his operation!  He even stages a jailbreak, releasing the entire population of Riker’s onto the streets of New York.  The only prisoner who voluntarily chooses not to escape is Detective Knight.  Impressed by his refusal to escape when he had the chance, NYPD Capt. Anna Shea (Miranda Edwards) arranges for Detective Knight to be released from prison so that he can head up the search for Conlan and the commie Santas.

Meanwhile, Knight’s partner, Eric Fitzgerald (Lochlyn Munro), has traveled to New York to help out with the investigation.  In the previous movie, when we last saw Detective Fitzgerald, he was in the hospital after having been shot by Casey Rhodes.  Fitzgerald may be in a wheelchair now but he’s still good with a gun and he also mentions that the doctors think that he should be able to walk again by Memorial Day.  Fitzgerald doesn’t let being in a wheelchair prevent him from investigating and confronting New York’s power brokers, including the oily mayor (John Cassini).

Detective Knight: Redemption was one of the films that Bruce Willis filmed shortly before the announcement that he would be retiring from acting.  Though he’s definitely the main attraction here and he still looks convincing firing a gun during the film’s finale, Willis’s screen time is limited and it’s also obvious that a stand-in was used for a few of the scenes that involved his character.  There are a handful of fleeting moments where we get to see some hints of the wiseguy charisma that was Willis’s trademark but, for the most part, Detective Knight is written to be a man of few words.  When he made this film, Willis still had his screen presence but it’s still difficult to watch with the knowledge that he was struggling with his health during filming.

With Willis largely sidelined, it falls to Munro, Johansson, and Mirchoff to keep the action moving and all three of them prove themselves to be up to the challenge.  Johansson, in particular, is so wonderfully over-the-top in his villainy that it’s impossible not to be entertained whenever he’s onscreen.  The film’s plot does have a few interesting twists.  Conlan presents himself as being a revolutionary who is dedicated to bringing down the 1% but Casey eventually realizes that, much like Die Hard‘s Hans Gruber, he’s ultimately just a greedy thief.  Conlan’s gang is a mix of hardened escaped prisoners who are looking for revenge on the system and confused kids who quickly discover that the revolution is a lot scarier than they thought it would be.  The story may sometimes be too quick to ask the viewer to suspend their disbelief but the plot moves quickly and, just as he did with Gasoline Alley, director Edward Drake doesn’t allow the film’s low budget to prevent him from choreographing a few impressive action scenes.

Ultimately, of course, the main reason to see Detective Knight: Redemption is that it features a bunch of Santa Clauses chanting “Ho!  Ho!  Ho!” while robbing banks.  Who can resist that?

6 Classic Trailers For Loyalty & Law Day!


Since today is both Loyalty and Law Day here in the United States, it’s time for a special edition of Lisa Marie’s Grindhouse Trailers!

  1. The Super Cops (1974)

So, you think you can just ignore the law, huh?  Well, the Super Cops have got something to say about that!  This film was based on the “true” adventures of two widely decorated NYPD cops.  The cops were so good at their job that they were even nicknamed Batman and Robin.  Of course, long after this movie came out, it was discovered that they were both corrupt and were suspected of having committed more crimes than they stopped.  Amazingly, this film was directed by the same man who did Shaft.  The Super Cops are kind of annoying, to be honest.

2. Super Fuzz (1980)

Far more likable than The Super Cops was Super Fuzz.  Terence Hill plays a Florida cop who gets super powers!  Ernest Borgnine is his hapless partner.  The film was directed by Sergio Corbucci, of Django fame.

3. Miami Supercops (1985)

In 1985, Terence Hill returned as a Florida cop in Miami Supercops.  This time, his old partner Bud Spencer accompanied him.

4. Miami Cops (1989)

Apparently, Miami needed a lot of cops because Richard Roundtree decided to join the force in 1989.  Unfortunately, I could only find a copy of this trailer in German but I think you’ll still get the idea.

5. The Soldier (1982)

In order to celebrate loyalty, here’s the trailer for 1982’s The Soldier!  They’re our government’s most guarded secret …. or, at least, they were.  Then someone made a movie about them.

And finally, what better way to celebrate both Loyalty and Law Day than with a film that pays tribute to the Molokai Cops?  From Andy Sidaris, it’s….

6. Hard Ticket To Hawaii (1987)

Happy May Day!

6 Things I Am Looking Forward To In May


Welcome to the month of May!  Here’s a few things that I’m looking forward to over the next 31 days!

  1. Cannes Film Festival

The 76th annual Cannes Film Festival will be taking place from May 16th to May 27th!  Along with discovering which films will be honored by the Ruben Ostlund-led jury, we will also be getting initial reactions to Asteroid City, Indiana Jones and the Dial of Destiny, and Killers of the Flower Moon.  While doing well at Cannes is hardly a requirement for being an Oscar contender, it certainly doesn’t hurt.

2. Guardians of the Galaxy Volume 3

Admittedly, I’ve kind of grown a bit weary of the MCU.  I’m among those who feel like it all should have just ended with Tony Stark’s funeral at the end of Endgame.  However, I’m still looking forward to the third Guardians of the Galaxy film.  Seriously, who can resist Peter Quill, Groot, Drax, Rocket, and Gamora?  Plus, James Gunn is once again in the director’s chair.  Hopefully, they can bring some fun back to the MCU because, after The Eternals and all that, the MCU could definitely use it.  Guardians of the Galaxy Volume 3 is due to open on the 5th.

3. Fast X

I can’t help it.  I like fast cars and I like movies about fast cars.  Despite the fact that the franchise has started to show its age, I’ll always be willing to check in on the adventures of Toretto and the gang.  Fast X opens on May 19th.

4. Your Hurt My Feelings

I’ve heard very good things about the latest film from Nicole Holofcener and also about Julia Louis-Dreyfus’s starring performance.  You Hurt My Feelings opens on May 26th.

5. The Finale of Barry

HBO’s Barry is set to wrap up its story on May 28th.  I can’t wait to see how it all ends, even if I am a bit worried that all of my favorite characters are going to be dead by the time the final credits roll.

6. The Televised Coronation of Charles III

Seriously, how often do you get to watch a coronation?  We’ll get our chance on May 6th!  If nothing else, it’ll remind those of us in America of why we had a revolution.  Or, depending on how Charles does, it’ll make us reconsider the revolution in the first place.  Either way, it’ll get some sort of reaction.

What are you looking forward to in the month of May?

4 Shots From 4 Films: Special Wes Anderson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Texas’s own Wes Anderson!  It’s time for….

4 Shots From 4 Wes Anderson Films

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Fantastic Mr. Fox (2009, dir by Wes Anderson, DP: Tristan Oliver)

Moonrise Kingdom (2012, dir by Wes Anderson, DP: Robert Yeoman)

Grand Budapest Hotel (2014, dir by Wes Anderson, DP: Robert Yeoman)

Scenes That I Love: The Airport Chase and Shootout From John Woo’s Face/Off


Today, the Shattered Lens wishes a happy 77th birthday to director John Woo, the man who did the most to popularize the idea of the slo mo of doom!

Today’s scene that I love comes from Woo’s 1997 film, Face/Off.  In this scene, John Travolta pursues Nicolas Cage by both car and helicopter.  While Cage’s criminal has the time of his life, Travolta’s no-nonsense federal agent reveals just how obsessed he is with capturing his prey.  No one has switched faces yet but the action is already wonderfully over-the-top.  Cage and Travolta both do what they do best in this scene and so does John Woo.

Guilty Pleasure No. 61: Double Dragon (dir by James Yukich)


The time is …. the future!

The future looks a lot like a cheap music video.  Due to repeated earthquakes, California is now an island and Los Angeles has been left in ruins.  The city has been renamed New Angeles, even though the correct name would have been Nuevos Angeles but whatever.  The important thing is that city is now a mess.  The police allow the gangs to run rampant at night in return for not running rampant during the day.  The nightly news, which is anchored by George Hamilton and Vanna White, is full of stories about the federal government refusing to send any more aid to California, despite the fact that Jerry Brown is the Vice President.  For some reason, Andy Dick plays the weatherman and gives continual updates on the smog and rain.

Despite the fact that the city is the most dangerous place on Earth, Satori Imada (Julia Nickson) still makes the time to drive her teenage sons, Billy (Scott Wolf) and and Jimmy Lee (Mark Dacascos, who was clearly not a teenager when this film was shot) to and from their karate tournaments.  However, that might all end because Sartori possesses half of a magic medallion and the evil Koga Shuko (Robert Patrick, looking oddly like Sugar Ray’s Mark McGrath) has the other half.  Satori gives her half of the medallion to Billy and tells him that he and his brother must keep it out of the hands of Shuko.

That’s not going to be easy because Shuko not only has control of the local gangs but also the police.  Fortunately, rebel leader Marian Delario (Alyssa Milano) is willing to help out the Lee brothers.  It all leads to a lot of fights, a lot of running, some campy humor, and stiffly delivered dialogue.  For whatever reason, the filmmakers decided that the way to make this marital arts film a success would be to push accomplished martial artist Mark Dacascos into the background and instead focus on Scott Wolf, who spends most of the movie looking like he’s either confused by the plot or terrified as to what Double Dragon might do to his career.

Yeah, this movie is pretty stupid and the plot is pretty much impossible to follow.  And yet, it is oddly entertaining in its own weird way.  If you ignore the story and just focus on the visuals, it can actually be kind of fun.  Look at all the bright colors.  Look at Robert Patrick, with his goat-tee and his 90s pop star hair.  Look at Alyssa Milano, who, surprisingly, seems to actually be in on the joke.  Look at all of the Mad Max-inspired fashion choices.  From a purely visual point of view, New Angeles is a huge improvement on Los Angeles.  Along with the film visuals, the film is also worth watching just so one can witness just how over-the-top Robert Patrick goes in his performance.  I don’t normally think of Patrick as being someone who chews the scenery but, in this film, he gives into every cartoonish impulse that he has and it’s actually a lot of fun to watch.  There’s not a moment of subtlety to be found in either his performance or Alyssa Milano’s and thank the Angels for that.  Finally, I have to appreciate the fact that the film’s main message appears to be that the government and all other forms of civil authority are basically useless.  Not even Vice President Jerry Brown can be bothered to help out the people of New Angeles.  That pretty much tells you all that you need to know.

In the end, Double Dragon is not a particularly good film but it’s fun in its own deeply dumb way.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man

Retro Television Reviews: See The Man Run (dir by Corey Allen)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1971’s See The Man Run!  It  can be viewed on YouTube!

Two criminals have kidnapped the 18 year-old daughter of Dr. Thomas Spencer (Eddie Albert).  They call the number that they have for Dr. Spencer and they tell the man that answers that they are going to kill his daughter unless he pays them a large amount of money.

What the criminals don’t know is that Dr. Spencer has recently changed his phone number and his old number was given to a struggling actor named Ben Taylor (Robert Culp).  When the kidnappers call, Ben has just gotten out of bed and he’s still a bit too groggy to explain to them that they have the wrong number.  Though he suspects that the whole thing might be an elaborate prank, he decides to call the real Dr. Spencer and tell him about the phone call.  However, when the doctor answers, Ben does such a bad job of explaining the situation that Dr. Spencer thinks that Ben is the kidnapper.  Begging Ben not to hurt his daughter, Dr. Spencer says that he’ll pay anything and that he won’t even call the police.

This gives Ben and his wife, Joanne (Angie Dickinson), an idea.  When the kidnappers call back, Ben pretends to be Dr. Spencer.  After the kidnappers tell Ben the amount of money that they want, Ben then calls Dr. Spencer and, pretending to be the kidnapper, relays the message but he also adds an extra $50,000 to the ransom demand.  Ben and Joanne’s plan is to collect the ransom from Dr. Spencer, take their cut, and then deliver the ransom to the kidnappers.

It’s a complicated plan and, throughout the course of the day, both Ben and Joanne have their moments of doubt.  But they stick with it, because Joanne wants the money and Ben wants the chance to not only prove himself as an actor but to also show Joanne that he’s not the loser that she insists that he is.  Complicating matters, though, is that Dr. Spencer’s wife (June Allyson) has called the police without telling Dr. Spencer.  Though Dr. Spencer doesn’t know it, the cops are determined to be there when he hands off the ransom to the man who claims to have his daughter.

Clocking in at a briskly-paced 73 minutes, See The Man Run is an enjoyable thriller, one that is full of unexpected twists and which features a fierce performance from Angie Dickinson and a rather poignant one from Robert Culp.  Culp is convincing rather he’s playing a kidnapper, a doctor, or just an out of work actor who doesn’t realize that he’s gotten in over his head.  As smart as he may be, Ben cannot escape from his own insecurities and his fear of being betrayed.  It all leads to a diabolically clever surprise ending, one that proves that you can run only so far before you stumble.

Lisa Marie’s Way Too Early Oscar Predictions For April


Here are my Oscar predictions for April!  As always, when it’s this early in the year, I recommend taking all of these with a grain of salt.  At this point, the only thing that anyone knows for sure is that it’s safe to remove Jonathan Majors and Magazine Dreams from any list of predictions.

Check out my predictions for March by clicking here!

Best Picture

The Actor

Barbie

The Color Purple

Dumb Money

Dune: Part Two

Flint Strong

The Holdovers

Killers of the Flower Moon

Oppenheimer

Rustin

Best Director

Blitz Bazawule for The Color Purple

Rachel Morrison for Flint Strong

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Anthony Hopkins in Freud’s Last Session

Best Actress

Fantasia Barrino in The Color Purple

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Brian Tyree Henry in Flint Strong

Samuel L. Jackson in The Piano Lesson

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

4 Shots From 4 Films: Special Lars Von Trier Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 67th birthday to cinematic provocateur, Lars Von Trier!

It’s time for….

4 Shots From 4 Lars Von Trier Films

Europa (1991, directed by Lars Von Trier, DP: Henning Bendtsen,
Edward Kłosiński, Jean-Paul Meurisse.  Released as Zentropa in North America)

Breaking the Waves (1996, dir by Lars Von Trier, DP: Robby Muller)

Dogville (2002, dir by Lars Von Trier, DP: Anthony Dod Mantle)

Melancholia (2011, dir by Lars Von Trier, DP: Manuel Alberto Claro)