The New York Film Critics Online Grab The Spotlight


Spotlight

I really don’t know much about the New York Film Critics Online but, for whatever reason, the people at  Awards Daily seem to hate them.  And that’s more than enough reason for me to like them!  Anyway, the NYFCO met today and announced their picks for the best of 2015.

And the big winner was Mad Ma…oh wait.  No, sorry.  The big winner was Spotlight.  Check out the rest of the winners below:

Best Picture: Spotlight
Best Director: Tom McCarthy – Spotlight
Best Actress: Brie Larson – Room
Best Actor: Paul Dano – Love & Mercy
Best Supporting Actress: Rooney Mara – Carol
Best Supporting Actor: Mark Rylance – Bridge of Spies
Breakthrough Performance: Alicia Vikander – The Danish Girl

Best Screenplay: Tom McCarthy and Josh Singer – Spotlight
Best Use of Music: Love & Mercy
Best Debut Director: Alex Garland – Ex Machina
Best Ensemble Cast: Spotlight
Best Foreign Language Film: Son of Saul
Best Documentary Feature: Amy
Best Animated Feature: Inside Out

Top 10 Films (in alphabetical order):

45 Years
The Big Short
Bridge of Spies
Brooklyn
Carol
Mad Max: Fury Road
Sicario

Spotlight
Steve Jobs
Trumbo

The Boston Society Of Film Critics Honors Spotlight!


Spotlight

With three major groups of critics scheduled to announce their picks for the best of 2015, today is a big day for those of us who love Awards Season.  First off, here are the picks of the Boston Society of Film Critics!  While the awards are nicely spread around, it’s not surprising that the Boston Society of Film Critics picked a Boston film for best picture.

Best Picture  – Spotlight (runner-up: Mad Max: Fury Road)

Best Actor – Paul Dano, Love & Mercy and Leonardo DiCaprio, The Revenant (TIE)

Best Actress – Charlotte Rampling, 45 Years (runner-up: Saoirse Ronan, Brooklyn)

Best Supporting Actor – Mark Rylance, Bridge of Spies (runner-up: Sylvester Stallone, Creed)

Best Supporting Actress – Kristen Stewart, Clouds of Sils Maria (runner-up: Alicia Vikander, Ex Machina, The Danish Girl, Burnt, Testament of Youth)

Best Director – Todd Haynes for Carol (runner-up: Tom McCarthy for Spotlight)

Best ScreenplaySpotlight (runner-up: Carol)

Best CinematographyCarol (runner-up: The Revenant)

Best Editing – Mad Max: Fury Road (runner-up: Spotlight)

Best DocumentaryAmy (runner-up: The Look of Silence)

Best Foreign-Language Film  (awarded in memory of Jay Carr)The Look of Silence (runner-up: White God)

Best Animated FilmAnomalisa and Inside Out (TIE) (runner-up: Shaun the Sheep Movie)

Best Film Editing (awarded in memory of Karen Schmeer)Mad Max: Fury Road (runner-up: Spotlight)

Best New Filmmaker (awarded in memory of David Brudnoy) – Marielle Heller for The Diary of a Teenage Girl (runner-up: Alex Garland for Ex Machina)

Best Ensemble Cast – Spotlight (runner-up: The Big Short)

Best Original Score – Love & Mercy (runner-up: Creed)

The Washington D.C. Critics Are Mad About Max!


MadMaxFuryRoad

One good thing about Mad Max: Fury Road doing so well during award seasion is that it gives me an excuse to say that “So-and-so Is Mad About Max!”  Thank you, film critics, for making my job a lot easier.

Anyway, yesterday, the Washington D.C. Area Film Critics announced their nominees for the best of 2015!  And, once again, a lot of love was shown to Fury Road.  However, I am even happier to see that they also gave some attention to one of my favorite films of the year, Ex Machina.

Here are the nominees!

Best Film:
Brooklyn
Mad Max: Fury Road
The Revenant
Sicario
Spotlight

Best Director:
Alex Garland (Ex Machina)
Todd Haynes (Carol)
Alejandro G. Iñárritu (The Revenant)
George Miller (Mad Max: Fury Road)
Ridley Scott (The Martian)

Best Actor:
Matt Damon (The Martian)
Johnny Depp (Black Mass)
Leonardo DiCaprio (The Revenant)
Michael Fassbender (Steve Jobs)
Eddie Redmayne (The Danish Girl)

Best Actress:
Cate Blanchett (Carol)
Brie Larson (Room)
Saoirse Ronan (Brooklyn)
Sarah Silverman (I Smile Back)
Charlize Theron (Mad Max: Fury Road)

Best Supporting Actor:
Paul Dano (Love & Mercy)
Idris Elba (Beasts of No Nation)
Tom Hardy (The Revenant)
Mark Rylance (Bridge of Spies)
Sylvester Stallone (Creed)

Best Supporting Actress:
Jennifer Jason Leigh (The Hateful Eight)
Rooney Mara (Carol)
Alicia Vikander (The Danish Girl)
Alicia Vikander (Ex Machina)
Kate Winslet (Steve Jobs)

Best Acting Ensemble:
The Big Short
The Hateful Eight
Spotlight
Steve Jobs
Straight Outta Compton

Best Youth Performance:
Abraham Attah (Beasts of No Nation)
Raffey Cassidy (Tomorrowland)
Oona Laurence (Southpaw)
Güneş Şensoy (Mustang)
Jacob Tremblay (Room)

Best Adapted Screenplay:
Nick Hornby (Brooklyn)
Phyllis Nagy (Carol)
Drew Goddard (The Martian)
Emma Donoghue (Room)
Aaron Sorkin (Steve Jobs)

Best Original Screenplay:
Matt Charman and Ethan Coen & Joel Coen (Bridge of Spies)
Alex Garland (Ex Machina)
Pete Docter, Meg LeFauve and Josh Cooley (Original Story by Pete Docter and Ronnie Del Carmen) (Inside Out)
Tom McCarthy and Josh Singer (Spotlight)
Amy Schumer (Trainwreck)

 

Carol Wins In New York!


mara_blanchett_carol

Earlier today, the New York Film Critics Circle announced their picks for the best films and performer of the year!  And the big winner was … Carol!

Best Picture
Carol

Best Director
Todd Haynes, Carol

Best Screenplay
Carol

Best Actor
Michael Keaton, Spotlight

Best Actress
Saoirse Ronan, Brooklyn

Best Supporting Actor
Mark Rylance, Bridge of Spies

Best Supporting Actress
Kristen Stewart, Clouds of Sils Maria

Best Animated Film
Inside Out

Best Foreign Film
Timbuktu

Best Non-Fiction Film
In Jackson Heights

Best Cinematographer
Ed Lachman, Carol

Best First Film
Son of Saul

SPECIAL AWARD #1: Posthumous Award honoring the legacy of William Becker and Janus Films

SPECIAL AWARD #2: Ennio Morricone, Composer

Lisa’s Oscar Predictions for November!


oscar trailer kitties

Have you heard the news?  Apparently, Steve Jobs is shaping up to the be one of the biggest box office bombs of all time!  Over this past weekend, it went from playing in 2,000 theaters to playing in 424.

Myself, I have to wonder why anyone thought Steve Jobs was going to be a huge financial success in the first place.  Isn’t this the third Steve Jobs biopic to be released in as many years?  None of them have made in money.  It may be time for people of a certain age and certain economic class to admit that not everyone is as fascinated by Steve Jobs as they are.  I haven’t seen Steve Jobs yet so I better get out to a theater this week or else I’ll have to see it in a dollar theater and I always seem to have a bad experience at those places.  In the mean time, be sure to check out Leonard’s review!

Anyway, with Steve Jobs crashing and burning, I’m dropping it from my list of Oscar predictions.  Sorry, Steve Jobs.  Sorry, Danny Boyle and Kate Winslet.  Don’t worry, Michael Fassbender — you’re still on my list.

Anyway, here are my Oscar predictions for November.  Be sure to also check out my predictions for January, February, March, April, May, June, July, August, September, and October!

The_Martian_film_poster

Best Picture

Bridge of Spies

Brooklyn

Carol

The Danish Girl

Joy

Love & Mercy

The Martian

The Revenant 

Room

Spotlight

Best Director

Lenny Abrahamson for Room

Todd Haynes for Carol

Alejandro G. Inarritu for The Revenant

Thomas McCarthy for Spotlight

Ridley Scott for The Martian

Best Actor

Matt Damon in The Martin

Johnny Depp in Black Mass

Leonardo DiCaprio in The Revenant

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol

Brie Larson in Room

Jennifer Lawrence in Joy

Carey Mulligan in Suffragette

Saiorse Ronan in Brooklyn

Best Supporting Actor

Paul Dano in Love & Mercy

Robert De Niro in Joy

Benicio Del Toro in Sicario

Idris Elba in Beasts of No Nation

Mark Rylance in Bridge of Spies

Best Supporting Actress

Joan Allen in Room

Elizabeth Banks in Love & Mercy

Jane Fonda in Youth

Rooney Mara in Carol

Alicia Vikander in The Danish Girl

mara_blanchett_carol

Film Review: Bridge of Spies (dir by Steven Spielberg)


Bridge_of_Spies_poster

I saw Bridge of Spies last weekend and I’m a little bit surprised that I haven’t gotten around to writing a review until now.  After all, this is not only the latest film from Steven Spielberg but it also stars the universally beloved Tom Hanks and it’s currently being touted as a possible best picture nominee.  (Mark Rylance, who plays an imprisoned spy in this film, is also emerging as a front runner for best supporting actor.)  The screenplay was written by the Coen Brothers.  (Oddly enough, films scripted by the Coens — like Unbroken, for instance — tend to be far more conventional and far less snarky than films actually directed by the Coens.)  Even beyond its impressive pedigree, Bridge of Spies is a historical drama and by now, everyone should know how much I love historical dramas.

And the thing is, I enjoyed Bridge of Spies.  I thought it was a well-made film.  I thought that Tom Hanks was well-cast as an idealistic lawyer who stands up for truth, justice, and the Constitution.  I agreed with the pundits who thought Mark Rylance was award-worthy.  It’s become a bit of a cliché for Amy Ryan to show up as an understanding wife but it’s a role she plays well and she made the most of her scenes with Tom Hanks.  Steven Spielberg knows how to put a good film together.  This really should have been a film about which I rushed home to rave.

And yet, at the same time, I just could not work up that much enthusiasm for Bridge of Spies.  It’s a good film but there’s nothing unexpected about it.  There’s nothing surprising about the film.  Steven Spielberg is one of the most commercially successful directors in history and the American film establishment pretty much orbits around him.  He’s good at what he does and he deserves his success.  Unfortunately, he doesn’t have a subversive bone in his body.  Bridge of Spies is a lot like his previous Oscar contender, Lincoln.  It’s very well-made.  It’s the epitome of competence.  But there’s not a truly surprising or unexpected moment to be found in the film.

And I have to admit that, even as I enjoyed Bridge of Spies, I still found myself frustrated by just how risk-adverse a film it truly was.  After all, we’re living in the age of Ex Machina, Upstream Color, and Sicario.  Bridge of Spies is a good movie and, in many ways, it provides a very valuable history lesson.  (The film’s best moments were the one that contrasted the U.S. with the cold desolation of communist-controlled East Germany.)  But, overall, it just didn’t make a huge impression on me.  It was just a a little bit too safe in its approach.

Lisa’s Oscar Predictions for October!


It’s that time of the month again!

No, not that time!  I mean that it’s time for me to, once again, attempt to guess which films and performers will receive Oscar nominations next January!

This year’s Oscar race is shaping up to be an interesting one.  Even though some favorites have finally started to emerge, there doesn’t yet seem to be any true consensus choices.  For instance, last year, from the moment the film premiered at Sundance, we all knew that J.K. Simmons was going to win an Oscar for Whiplash.  There was never any doubt.  This year, however, has yet to see any such certainty.

Up until a few days ago, I thought a best picture nomination for Carol was about as close to a sure thing as we could hope for.  But now, word is coming in that American audiences are not reacting quite as enthusiastically to the film as the audiences at Cannes.  Much like last year’s Foxcatcher, it’s starting to sound as if Carol might be a film that people respect more than they like.

Meanwhile, Steven Spielberg’s Bridge of Spies has been getting positive but not exactly rapturous reviews, which is pretty much what I was expecting.  Spotlight seems to be becoming more and more of a certainty.  A lot of self-appointed award divas are going crazy over Cate Blanchett in Truth, a film that looks incredibly tedious.  Myself, I’m hoping that Suffragette turns out to be great and gets all sorts of nominations.  Unfortunately, this means that I’m now in the rare position of actually agreeing with Sasha “I am the game” Stone of AwardsDaily.

And who would have thought that The Room would suddenly emerge as an Oscar front runner!? Way to go, Tommy Wiseau!  Oh, wait.  It’s a different Room?

Well, never mind then.

Anyway, below you can find my predictions for October and no, I’m still not hopping on the Revenant bangwagon, I don’t care how great the damn trailer is!  (Actually, the trailer is really good…but I made my choices for this month and I’ll live with them.)

Be sure to check out my previous predictions for January, February, March, April, May, June, July, August, and September.  (Daaaaaaaaaaamn…that’s a lot of predictions!)

Room_Poster

Best Picture

Brooklyn

The Danish Girl

Joy

Room

Sicario

Son of Saul

Spotlight

Steve Jobs

Straight Outta Compton

Suffragette

Best Director

Danny Boyle for Steve Jobs

Tom McCarthy for Spotlight

Laszlo Nemes for Son of Saul

David O. Russell for Joy

Denis Villenueve for Sicario

Best Actor

Michael Caine in Youth

Bradley Cooper in Burnt

Johnny Depp in Black Mass

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol (and not Truth, so fug off with that commie crap!)

Brie Larson in Room

Jennifer Lawrence in Joy

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Paul Dano in Love and Mercy

Benicio Del Toro in Sicario

Idris Elba in Beasts of No Nation

Kurt Russell in The Hateful Eight

Mark Rylance in Bridge of Spies

Best Supporting Actress

Joan Allen in Room

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol (though I’m sure Noomi Rapace would have been even better in the role)

Alicia Vikander in The Danish Girl

Kate Winslet in Steve Jobs

Sicario_poster

The Cold War Relived Through Bridge of Spies


BridgeofSpies

Lisa Marie is not the only history nerd in this here place. I don’t think it was a coincidence that TSL’s co-founders ended up being both history nerds. We both love films the depict historical events. Some of them turn out to be great while some end up on the trash heap.

One filmmaker who has made a career late in his life of making historical films is Steven Spielberg. The same one who gave us great blockbusters in the scifi, thriller and fantasy genres has also given us some excellent historical films such as Saving Private Ryan, Schindler’s List, Munich and Lincoln.

We have the first trailer for Spielberg’s latest film which is based on the real-life events surrounding the 1960 U-2 spy plane incident where American pilot Francis Gary Powers was shot down while on a mission over the Soviet Union and was subsequently swapped back into US custody for a Soviet spy that the Americans were holding.

Bridge of Spies showcases the events which led to that swap and how contentious the negotiations had been before it finally came about. Everyone knows the Cuban Missile Crisis put the world very close to nuclear annihilation, but what many don’t know is how the Gary Powers Incident also pushed the two nuclear powers very close to the brink.

Bridge of Spies is set for an OCt. 16, 2015 release date…just in time for the start of Lisa Marie’s favorite film season: Awards Season.