Celebrate National Trivia Day With The Actors Who Could Have Been James Bond!


 

Today is National Trivia Day so I thought why not share some trivia?  I love film trivia.  I especially love trivia about who was considered for certain films.  Hell, one of my most popular posts on the Shattered Lens dealt with all of the actors who were considered for the Godfather!

(I even came up with an alternative cast for The Godfather, even though I consider the actual film to be the best cast film in history.)

I also happen to love the James Bond films.  (Well, not so much the recent Bond films.  I’ve made my feelings on SPECTRE clear.)  As a franchise, I absolutely love them.  So, with all that in mind, here is a look at the actors who could have been Bond.  I’ve compiled this article from many sources.  And yes, you could probably just find a lot of the information on Wikipedia but then you’d miss out on my editorial commentary.

Hoagy Carmichael

Ian Fleming himself always said that his pick for Bond would have been the musician, Hoagy Carmichael.  He even made a point, in Casino Royale, of having Vesper Lynd exclaim that Bond looked like Hoagy Carmichael.  Of course, the first actor to actually play Bond was Barry Nelson in a 1954 television adaptation of Casino Royale.  Nelson is probably best remembered for playing Mr. Ullman in Stanley Kubrick’s The Shining.

Barry Nelson, the first James Bond

When Dr. No went into production in 1961, many actors were considered for the role before Sean Connery was eventually cast.  Many of them were very well-known actors and, had they been cast, Dr. No would not have been remembered as a Bond movie.  Instead, it would be remembered as a star vehicle for … well, let’s take a look at some of the better-known possibilities:

Among the famous actors who were mentioned for Bond in 1961: Cary Grant, Richard Burton, James Mason, Trevor Howard, Stanley Baker, George Baker, Jimmy Stewart, Rex Harrison, and David Niven.  (Of that list, I think Burton would have made for an interesting Bond.  If the Bond films had been made in the 1940s, Grant would have been my first choice.  Trying to imagine Jimmy Stewart as a British secret agent is … interesting.)

Once it became obvious that a star was not going to play Bond, the role was offered to Patrick McGoohan and Rod Taylor.  McGoohan had moral objections to the character.  Rod Taylor reportedly felt that the film would flop.  Steve Reeves, the American body builder who became famous for playing Hercules in Italy, was reportedly strongly considered.  At one point, director Terrence Young wanted to offer the role to Richard Johnson, who later played Dr. Menard in Lucio Fulci’s Zombi 2.

Of course, the role went to Sean Connery and made Connery a huge star.  In 1967, after Connery announced that he would no longer play the world’s most famous secret agent, there was a huge and widely publicized search for his replacement.  Some of the names that were considered are intriguing.  Others are just bizarre.

Oliver Reed

To me, perhaps the most intriguing name mentioned was that of Oliver Reed.  Reed definitely would have brought a rougher edge of the role than some of the other actors considered.  However, that’s one reason why Reed wasn’t picked.  Apparently, it was felt that he did not have the right public image to play the suave Mr. Bond.

Somewhat inevitably, Michael Caine was sought out for the role.  Caine, however, refused to consider it because he had already starred in three back-to-back spy thrillers and didn’t want to get typecast.  Caine’s former roommate, Terrence Stamp, was another possibility but wanted too much control over the future direction of the Bond films.  Future Bond Timothy Dalton was considered to be too young.  Another future Bond, Roger Moore, didn’t want to give up his television career.  Eric Braeden has the right look for Bond but was German.  Rumor has it that producer Cubby Broccoli even considered Dick Van Dyke for the role, though I find that hard to believe.  An even more surprising possibility was the nobleman Lord Lucan, who was offered a screen test in 1967 and who, ten years later, would vanish after being accused of murdering his children’s nanny.

Lord Lucan

Among the actors who auditioned before George Lazenby was cast in On Her Majesty’s Secret Service: Michael Billington, Jeremy Brett, Peter Purves, Robert Campbell, Patrick Mower, Daniel Pilon, John Richardson, Anthony Rogers, Hans De Vries, and Peter Snow.

After the mixed reception of both Lazenby’s performance and On Her Majesty’s Secret Service, Lazenby was soon out as James Bond.  Even today, there’s a lot of controversy about what led to Lazenby being dismissed from the role.  Some say Lazenby demanded too much money.  Some say that Lazenby was merely used a pawn to try to get Sean Connery to return to the role.  Regardless, Lazenby only made one film as Bond.  (Of course, On Her Majesty’s Secret Service has retroactively been recognized as being one of the best of the series.)

With Connery still claiming that he would never return to the role, the film’s producers went through the motions of looking for a new Bond.  Once again, Roger Moore and Timothy Dalton were considered.  Connery suggested that a talk show host named Simon Dee should play the role.  An actor named Roger Green auditioned.  So did Michael Gambon, though he later said he was turned down because, in his own words, he “had tits like a woman.”  Interestingly, several Americans were mentioned.  Clint Eastwood as James Bond?  Burt Reynolds?  Adam “Batman” West? The mind boggles but their names were mentioned.

John Gavin

And interestingly enough, an American was cast.  John Gavin is best known for playing Sam Loomis in Psycho but he was also, briefly, James Bond.  After Gavin accepted he role and signed a contract, Sean Connery announced that he would be willing to return to the role.  Gavin was paid off and Connery went on to star in Diamonds are Forever.

After Diamonds, Connery left the role for a second time and, once again, Bond was recast.  This time, Roger Moore would finally accept the role.  However, before Moore was cast, several other actors were considered.  Some of the regular possibilities were mentioned again: John Gavin, Simon Oates, Timothy Dalton, and Michael Billington.  Others considered included Jon Finch, Ranulph Fiennes, Peter Laughton, and Guy Peters.  Some of those names are probably as unknown to you as they are to me but it’s intriguing to think that Guy Peters may not be a well-known name but, at one time, there was a possibility that he could suddenly become one of the biggest stars in the world.

Looking over the history of the Bond franchise, it’s interesting to see the number of times that Moore tried to leave the role, just to be talked into returning.  Every time that Moore considered quitting, a new group of actors would be considered for the role of Bond.  In 1979, when Moore said he might not return after Moonraker, Timothy Dalton, Michael Jayston, Patrick Mower (who was also considered for On Her Majesty’s Secret Service), and Michael Billington were all considered as replacements.  So was Julian Glover.  Ironically, when Moore did agree to return to the role, Glover was cast as the villain in For Your Eyes Only.

David Warbeck

To me, the most intriguing actor mentioned as a replacement for Roger Moore was David Warbeck.  Warbeck was a television actor and model who subsequently had a nearly legendary film career in Italy.  Not only did he play a key role in Sergio Leone’s Duck You Sucker!, but he also starred in Lucio Fulci’s The Black Cat and The Beyond.  He also appeared in the best of Italian Apocalypse Now rip-offs, The Last Hunter.  In interviews, Warbeck claimed that he was under contract to Cubby Broccoli to step into the role in case Roger Moore ever walked off the set.  The likable and rugged Warbeck would have been an interesting Bond.

In 1983, when Moore again said he might not return to the role, Michael Billington (who actually did appear in a Bond film when he played a KGB agent killed at the start of The Spy Who Loved Me) would be once more considered as a replacement.  British TV actors Lewis Collins and Ian Ogilvy were also considered for the role.  In a repeat of what happened with John Gavin in Diamonds are Forever, American actor James Brolin was actually put under contract until Moore agreed to play the role in Octopussy.

James Brolin, in a screen test for Octopussy

After A View To A Kill, Moore left the role for the final time.  Famously, future Bond Pierce Brosnan was actually cast as his replacement until the surge of interest created by his casting led to the renewal of Remington Steele, the American television show in which Brosnan was starring.  Once the show was renewed, Brosnan could no longer work the Bond films into his schedule.

Among the other names mentioned: Sean Bean, Simon MacCorkindale, Andrew Clarke, Finlay Light, Mark Greenstreet, Neil Dickson, Christopher Lambert, Mel Gibson, and Antony Hamilton.  Sam Neill was another possibility and reportedly came very close to getting the role.  Watch any of the films that Neill made when he was younger and you can definitely see hints of Bond.

Sam Neill

In the end, Timothy Dalton finally accepted the role.  Ironically, for an actor who spent 20 years being courted for the role, Dalton turned out to be a bit of a flop as Bond.  He made two movies (both of which were considered to be disappointing when compared to the previous Bond films) and then left the role.

Looking over the contemporary reviews of Dalton as Bond, one thing that comes through clearly is that a lot of people resented him for taking a role that they felt should have gone to Pierce Brosnan.  When the Bond films resumed production with Goldeneye in 1994, Brosnan finally stepped into the role.  Reportedly, if Brosnan had turned down the role, the second choice was Sean Bean.  Much like Julian Glover, Bean may have lost out on 007 but he did end up playing the villain.

Sean Bean

Among the other actors who were reportedly considered before Brosnan accepted the role: Mark Frankel, Paul McGann, Liam Neeson, Russell Crowe, and Lambert Wilson.  Ralph Fiennes, who has been M since Skyfall, was also considered.

As opposed to his predecessors, Brosnan seemed to be very comfortable with the idea of playing Bond and never threatened to leave the role.  Looking over the Bond-related articles that were published from 1995 to 2004, I found the occasional speculation about whether Rupert Everett would be the first gay James Bond or if Sharon Stone would be the first female James Bond but I found very little speculation about Brosnan actually leaving the role.  Indeed, when Brosnan officially retired as Bond in 2004, it was less his decision and more at the prodding of the franchise’s producers, who felt that the series needed to be rejuvenated with a new (and younger) actor.  After Brosnan left, the series was rebooted and Daniel Craig played the role in Casino Royale.

In the past, I’ve made it clear that Daniel Craig is hardly my favorite Bond.  I loved Skyfall (and I consider it to the 2nd best Bond film, after From Russia With Love) but, even in that case, I felt that the film succeeded despite Craig instead of because of him.  With Casino Royale, we were supposed to be seeing a young and inexperienced Bond.  That’s never come through to me, probably because Craig looked like he was nearly 50 years old when he made Casino Royale.

Among the actors who were mentioned for the role before Craig received the role: Ralph Fiennes (again), Colin Salmon, Ewan McGregor, Henry Cavill, Rupert Friend, Julian McMahon, Alex O’Laughlin, Clive Owen, Dougray Scott, and Goran Visjnic.  Dominic West, who I think would have been great in the role, reportedly ruled himself out because he heard a rumor that Brosnan would be returning to the role.

Dominic West

Daniel Craig, of course, has been talking about leaving the role ever since he was first cast.  I think Skyfall would have been a perfect movie for him to leave on.  (It would have saved the world from SPECTRE.)  However, Craig has apparently agreed to do at least one more Bond film.  Maybe two.

When Craig does leave, who will replace him?  Idris Elba, of course, is probably the most widely discussed possibility.  James Norton has also been named as a possibility.  Others that I’ve seen mentioned: Tom Hardy, Jack Huston, Aidan Turner, Tom Hiddleston, Michael Fassbender, Jamie Bell, and Henry Cavill (again).

My personal choice?  Dominic Cooper.  He’d be an off-center Bond but I think it would still be an intriguing pick.

Dominic Cooper

Who knows what the future may hold for 007?  All I know is that I look forward to the speculation.

Happy National Trivia Day, everyone!

Rocky Mountain High: THE NAKED SPUR (MGM 1953)


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(By sheer coincidence, this post coincides with the birthday of character actor Millard Mitchell (1903-1953), who plays Tate in the film. Happy birthday, Millard! This one’s for you!)  

James Stewart and Anthony Mann  moved from Universal-International to MGM, and from black & white to Technicolor, for THE NAKED SPUR, the third of their quintet of Westerns together. The ensemble cast of five superb actors all get a chance to shine, collectively and individually, creating fully fleshed out characters against the natural beauty of the Colorado backdrop.

Bitter Howard Kemp, whose wife sold their ranch and ran off while he was serving in the war, is hunting down killer Ben Vandergroat for the $5,000 bounty in hopes of rebuilding his life. Along the trail he meets old prospector Jesse Tate and recently discharged (dishonorably) Lt. Roy Anderson. The trio manages to capture Vandergroat, but he’s not alone… he’s accompanied by pretty wildcat Lina…

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Look At Me Look At You: Alfred Hitchcock’s REAR WINDOW (Paramount 1954)


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When you go out to the neighborhood cinema, you’re indulging in a voyeuristic experience, watching the lives of people unfold before you on the screen. The theme of viewer as voyeur, peeping in on the privacy of total strangers, has never been done better than in Alfred Hitchcock’s REAR WINDOW, nor more entertainingly. Like James Stewart’s protagonist L.B. Jeffries, we the audience are the voyeurs in the shadows watching from afar, stumbling onto things not meant for our eyes, and powerless to stop them without outside assistance. Hitchcock is not only the Master of Suspense, but a master of audience manipulation, and this dazzling piece of moviemaking is not only a hell of a thrill ride but a technical marvel as well.

The world of globetrotting photojournalist Jeffries has been boiled down to the view of the courtyard outside his apartment window, just as the audience’s world is now focused on…

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Dark Western Sky: James Stewart in WINCHESTER ’73 (Universal-International 1950)


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James Stewart  and Anthony Mann made the first of their eight collaborations together with the Western WINCHESTER ’73, a film that helped change both their careers. Nice guy Stewart, Hollywood’s Everyman in Frank Capra movies like MR. SMITH GOES TO WASHINGTON and IT’S A WONDERFUL LIFE, took on a more mature, harder-edged persona as Lin McAdam, hunting down the man who killed his father, Dutch Henry Brown (Stephen McNally ). As for Mann, after years of grinding out B-movie noir masterpieces (T-MEN, RAW DEAL ), WINCHESTER ’73 put him on the map as one of the 1950’s top-drawer directors.

The rifle of the title is the movie’s McGuffin, a tool to hold the story together. When McAdam and his friend High Spade (the always welcome character actor Millard Mitchell) track Dutch Henry to Dodge City, the two mortal enemies engage in a shooting contest judged by none other than Wyatt Earp (Will Geer)…

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Scenes I Love: George Meets Mary Again in It’s A Wonderful Life


It may seem strange, on Valentine’s Day, to share a scene that I love from a Christmas movie.  Well, we’re all about being strange here at the Shattered Lens!

Add to that, George and Mary share one of the greatest romances ever put on the big screen.  It may be a Christmas movie but it’s also a love story.

So, for your viewing pleasure, here’s how it all started…

Did you miss It’s A Wonderful Life? Don’t worry, we got you covered!


Last night, NBC broadcast the classic 1946 film It’s A Wonderful Life and…

What?

You missed it?

Well, don’t worry — we’ve got you covered!

Presented for your listening enjoyment, here is the 1947 radio version of It’s A Wonderful Life!  This was an episode of the Lux Radio Theater and it featured Jimmy Stewart and Donna Reed recreating their film roles!

Holiday Scenes That I Love: The Ending of It’s A Wonderful Life


At this very moment, NBC is broadcasting the classic 1946 film, It’s A Wonderful Life!  They show it every Christmas Eve and every year, I watch.

Why?

Because I love this movie so much that I could watch it a million times and then a million times more!  There is no movie that makes me happier than It’s A Wonderful Life.  There is no movie that brings tears to my mismatched eyes as quickly as It’s A Wonderful Life.  I love this film so much that I even watch it outside of December.  If I’m depressed, this is the movie that I’m going to watch.

And who can blame me?  The scene below is one that I love but, to be honest, there’s not a single scene in It’s A Wonderful Life that I don’t love.  I even love those scenes with old Sam Wainwright going, “Hee haw!”  Sam may have been a jackass but he was a good guy underneath it all.

(Plus, he made a fortune in plastics!  Money can excuse all sorts of obnoxious behavior!)

As for the scene below, it’s the final ten minutes of It’s A Wonderful Life.  To me, nothing exemplifies the joy of the holidays better than Jimmy Stewart running down the snow-filled streets of Bedford Falls and shouting “Merry Christmas” to everyone, even mean old Mr. Potter.  (“And a happy new year to you — IN JAIL!”)  This is a great scene and wonderfully acted by James Stewart, Donna Reed, Lionel Barrymore, Ward Bond, and everyone else in the film!

And here it is!

(For an alternative take on whether or not Bedford Falls would have been better off if George Bailey had never been born, check out this interview with Mr. Potter himself!)

 

The Fabulous Forties #48: Pot O’ Gold (dir by George Marshall)


Pot_o_Gold-_1941-_Poster

The 48th film in Mill Creek’s Fabulous Forties box set was 1941’s Pot O’ Gold.  At first, I was really excited about watching Pot O’ Gold because it starred James Stewart, one of my favorite of the Golden Age stars.  “Wow,” I thought, “James Stewart never made a bad movie!  This is going to be great!”  However, before watching the film, I looked Pot O’ Gold up on Wikipedia and I discovered that apparently, James Stewart considered Pot O’ Gold to be the worst film that he ever made.

After having watched the film, I think that Jimmy may very well have been correct in his assessment.

Pot O’ Gold is a musical comedy.  Stewart plays Jimmy Haskell, the owner of a music store.  Jimmy loves music but he’s a terrible businessman.  Despite the fact that his store always seems to be full of quirky characters playing musical instruments, it still goes out of business.  Jimmy is forced to go to work for his uncle, C.J. Haskell (Charles Winninger).  C.J. not only owns a health food company but he also produces a radio show.

And, on top of all that, C.J. hates music!

Unfortunately, considering how much C.J. hates music, he lives right next door to the McCorkles, a family of Irish musicians.  The McCorkles are constantly practicing in front of C.J.’s store and, as a result, C.J. is constantly forced to call the cops to make them go away.

When Jimmy first arrives at the store, he befriends the McCorkles.  He even falls in love with Molly McCorkle (Paulette Goddard).  Unfortunately, none of the McCorkles know that he is C.J.’s nephew and C.J. doesn’t know that his nephew secretly continues to love music.  Meanwhile, C.J. is trying to catch the mysterious person who threw a tomato at him.  What he doesn’t realize is that the tomato was thrown by … JIMMY!

And it just keeps going on and on from there.  C.J. conspires to get rid of the McCorkles.  Jimmy tries to bring peace between the two sided without the Molly discovering that he’s related to C.J. and without C.J. realizing that Jimmy threw that tomato.  Jimmy eventually goes on C.J.’s radio show and soon, he’s using the show as a way to give away money to the needy.  Meanwhile, he struggles to forge peace between the McCorkles and C.J. without Molly discovering his true identity and without C.J. finding out he threw that tomato.  Will C.J. ever learn to love music and will it ever occur to anyone that this whole mess could easily be resolved by everyone making an effort not to randomly break out into song every time C.J. happens to be walking down the street?

Pot O’ Gold is an amazingly silly movie and I don’t mean silly in a good way.  This is one of those films where every issue could be resolved if people just showed a little intelligence.  It’s also a movie where everyone breaks into song every few minutes.  The key to a successful musical is that the songs have to feel like the grow organically out of the action.  The songs in Pot O’ Gold feel like they’re just there to be there.

Personally, I think James Stewart is one of those actors who can make any movie worth seeing.  He is his normal, likable self in this film but Pot O’ Gold never seems worthy of his famous persona.

Incidentally, Pot O’ Gold’s credited producer was James Roosevelt, FDR’s wastrel son.  I don’t know how much he had to do with the actual production but I’ve always wanted an excuse to use the word “wastrel” in a review.

On the Border: BANDOLERO! (20th Century-Fox 1968)


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BANDOLERO! was made at an interesting time in the history of Western movies. Sergio Leone’s “Man With No Name” trilogy had begun to exert their influence on American filmmakers (HANG EM HIGH, SHALAKO). Traditional Hollywood Westerns were still being produced (FIRECREEK, 5 CARD STUD), but in a year’s time, Sam Peckinpah’s THE WILD BUNCH would change the Western landscape forever. Andrew V. McLaglen’s BANDOLERO! is more on the traditional side of the fence, though it does exhibit a dash of Spaghetti flavor in its storytelling.

Outlaw Dee Bishop and his gang attempt to rob a bank in Valverde, Texas. The heist is going well until rich Nathan Stone walks in with his beautiful Mexican wife, Maria. Stone tries to break it up, and gets shot for his troubles, thus alerting the attention of Sheriff July Johnson and his deputy, Roscoe. The lawmen successfully catch the gang as they’re leaving the bank. Stone dies, and Dee and…

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A Dying Man, Scared of the Dark: John Wayne in THE SHOOTIST (Paramount 1976)


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THE SHOOTIST is John Wayne’s valedictory statement, a final love letter to his many fans. The Duke was now 69 years old and not in the best of health. He’d had a cancerous lung removed back in 1964, and though the cancer was in remission, Wayne must’ve knew his days were numbered when he made this film. Three years later, he died from cancer of the stomach, intestines, and spine. There were worries about his ability to make this movie, but Wayne loved the script and was determined to do it. The result is an elegy to not only the aging actor, but to the Western genre as a whole.

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The movie begins with footage of older Wayne westerns (EL DORADO, HONDO, RED RIVER, RIO BRAVO) narrated by Ron Howard (Gillom). “His name was J.B. Books…he wasn’t an outlaw. Fact is, for a while he was a lawman…He had a credo that…

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