Celebrate National Trivia Day With The Actors Who Could Have Been James Bond!


 

Today is National Trivia Day so I thought why not share some trivia?  I love film trivia.  I especially love trivia about who was considered for certain films.  Hell, one of my most popular posts on the Shattered Lens dealt with all of the actors who were considered for the Godfather!

(I even came up with an alternative cast for The Godfather, even though I consider the actual film to be the best cast film in history.)

I also happen to love the James Bond films.  (Well, not so much the recent Bond films.  I’ve made my feelings on SPECTRE clear.)  As a franchise, I absolutely love them.  So, with all that in mind, here is a look at the actors who could have been Bond.  I’ve compiled this article from many sources.  And yes, you could probably just find a lot of the information on Wikipedia but then you’d miss out on my editorial commentary.

Hoagy Carmichael

Ian Fleming himself always said that his pick for Bond would have been the musician, Hoagy Carmichael.  He even made a point, in Casino Royale, of having Vesper Lynd exclaim that Bond looked like Hoagy Carmichael.  Of course, the first actor to actually play Bond was Barry Nelson in a 1954 television adaptation of Casino Royale.  Nelson is probably best remembered for playing Mr. Ullman in Stanley Kubrick’s The Shining.

Barry Nelson, the first James Bond

When Dr. No went into production in 1961, many actors were considered for the role before Sean Connery was eventually cast.  Many of them were very well-known actors and, had they been cast, Dr. No would not have been remembered as a Bond movie.  Instead, it would be remembered as a star vehicle for … well, let’s take a look at some of the better-known possibilities:

Among the famous actors who were mentioned for Bond in 1961: Cary Grant, Richard Burton, James Mason, Trevor Howard, Stanley Baker, George Baker, Jimmy Stewart, Rex Harrison, and David Niven.  (Of that list, I think Burton would have made for an interesting Bond.  If the Bond films had been made in the 1940s, Grant would have been my first choice.  Trying to imagine Jimmy Stewart as a British secret agent is … interesting.)

Once it became obvious that a star was not going to play Bond, the role was offered to Patrick McGoohan and Rod Taylor.  McGoohan had moral objections to the character.  Rod Taylor reportedly felt that the film would flop.  Steve Reeves, the American body builder who became famous for playing Hercules in Italy, was reportedly strongly considered.  At one point, director Terrence Young wanted to offer the role to Richard Johnson, who later played Dr. Menard in Lucio Fulci’s Zombi 2.

Of course, the role went to Sean Connery and made Connery a huge star.  In 1967, after Connery announced that he would no longer play the world’s most famous secret agent, there was a huge and widely publicized search for his replacement.  Some of the names that were considered are intriguing.  Others are just bizarre.

Oliver Reed

To me, perhaps the most intriguing name mentioned was that of Oliver Reed.  Reed definitely would have brought a rougher edge of the role than some of the other actors considered.  However, that’s one reason why Reed wasn’t picked.  Apparently, it was felt that he did not have the right public image to play the suave Mr. Bond.

Somewhat inevitably, Michael Caine was sought out for the role.  Caine, however, refused to consider it because he had already starred in three back-to-back spy thrillers and didn’t want to get typecast.  Caine’s former roommate, Terrence Stamp, was another possibility but wanted too much control over the future direction of the Bond films.  Future Bond Timothy Dalton was considered to be too young.  Another future Bond, Roger Moore, didn’t want to give up his television career.  Eric Braeden has the right look for Bond but was German.  Rumor has it that producer Cubby Broccoli even considered Dick Van Dyke for the role, though I find that hard to believe.  An even more surprising possibility was the nobleman Lord Lucan, who was offered a screen test in 1967 and who, ten years later, would vanish after being accused of murdering his children’s nanny.

Lord Lucan

Among the actors who auditioned before George Lazenby was cast in On Her Majesty’s Secret Service: Michael Billington, Jeremy Brett, Peter Purves, Robert Campbell, Patrick Mower, Daniel Pilon, John Richardson, Anthony Rogers, Hans De Vries, and Peter Snow.

After the mixed reception of both Lazenby’s performance and On Her Majesty’s Secret Service, Lazenby was soon out as James Bond.  Even today, there’s a lot of controversy about what led to Lazenby being dismissed from the role.  Some say Lazenby demanded too much money.  Some say that Lazenby was merely used a pawn to try to get Sean Connery to return to the role.  Regardless, Lazenby only made one film as Bond.  (Of course, On Her Majesty’s Secret Service has retroactively been recognized as being one of the best of the series.)

With Connery still claiming that he would never return to the role, the film’s producers went through the motions of looking for a new Bond.  Once again, Roger Moore and Timothy Dalton were considered.  Connery suggested that a talk show host named Simon Dee should play the role.  An actor named Roger Green auditioned.  So did Michael Gambon, though he later said he was turned down because, in his own words, he “had tits like a woman.”  Interestingly, several Americans were mentioned.  Clint Eastwood as James Bond?  Burt Reynolds?  Adam “Batman” West? The mind boggles but their names were mentioned.

John Gavin

And interestingly enough, an American was cast.  John Gavin is best known for playing Sam Loomis in Psycho but he was also, briefly, James Bond.  After Gavin accepted he role and signed a contract, Sean Connery announced that he would be willing to return to the role.  Gavin was paid off and Connery went on to star in Diamonds are Forever.

After Diamonds, Connery left the role for a second time and, once again, Bond was recast.  This time, Roger Moore would finally accept the role.  However, before Moore was cast, several other actors were considered.  Some of the regular possibilities were mentioned again: John Gavin, Simon Oates, Timothy Dalton, and Michael Billington.  Others considered included Jon Finch, Ranulph Fiennes, Peter Laughton, and Guy Peters.  Some of those names are probably as unknown to you as they are to me but it’s intriguing to think that Guy Peters may not be a well-known name but, at one time, there was a possibility that he could suddenly become one of the biggest stars in the world.

Looking over the history of the Bond franchise, it’s interesting to see the number of times that Moore tried to leave the role, just to be talked into returning.  Every time that Moore considered quitting, a new group of actors would be considered for the role of Bond.  In 1979, when Moore said he might not return after Moonraker, Timothy Dalton, Michael Jayston, Patrick Mower (who was also considered for On Her Majesty’s Secret Service), and Michael Billington were all considered as replacements.  So was Julian Glover.  Ironically, when Moore did agree to return to the role, Glover was cast as the villain in For Your Eyes Only.

David Warbeck

To me, the most intriguing actor mentioned as a replacement for Roger Moore was David Warbeck.  Warbeck was a television actor and model who subsequently had a nearly legendary film career in Italy.  Not only did he play a key role in Sergio Leone’s Duck You Sucker!, but he also starred in Lucio Fulci’s The Black Cat and The Beyond.  He also appeared in the best of Italian Apocalypse Now rip-offs, The Last Hunter.  In interviews, Warbeck claimed that he was under contract to Cubby Broccoli to step into the role in case Roger Moore ever walked off the set.  The likable and rugged Warbeck would have been an interesting Bond.

In 1983, when Moore again said he might not return to the role, Michael Billington (who actually did appear in a Bond film when he played a KGB agent killed at the start of The Spy Who Loved Me) would be once more considered as a replacement.  British TV actors Lewis Collins and Ian Ogilvy were also considered for the role.  In a repeat of what happened with John Gavin in Diamonds are Forever, American actor James Brolin was actually put under contract until Moore agreed to play the role in Octopussy.

James Brolin, in a screen test for Octopussy

After A View To A Kill, Moore left the role for the final time.  Famously, future Bond Pierce Brosnan was actually cast as his replacement until the surge of interest created by his casting led to the renewal of Remington Steele, the American television show in which Brosnan was starring.  Once the show was renewed, Brosnan could no longer work the Bond films into his schedule.

Among the other names mentioned: Sean Bean, Simon MacCorkindale, Andrew Clarke, Finlay Light, Mark Greenstreet, Neil Dickson, Christopher Lambert, Mel Gibson, and Antony Hamilton.  Sam Neill was another possibility and reportedly came very close to getting the role.  Watch any of the films that Neill made when he was younger and you can definitely see hints of Bond.

Sam Neill

In the end, Timothy Dalton finally accepted the role.  Ironically, for an actor who spent 20 years being courted for the role, Dalton turned out to be a bit of a flop as Bond.  He made two movies (both of which were considered to be disappointing when compared to the previous Bond films) and then left the role.

Looking over the contemporary reviews of Dalton as Bond, one thing that comes through clearly is that a lot of people resented him for taking a role that they felt should have gone to Pierce Brosnan.  When the Bond films resumed production with Goldeneye in 1994, Brosnan finally stepped into the role.  Reportedly, if Brosnan had turned down the role, the second choice was Sean Bean.  Much like Julian Glover, Bean may have lost out on 007 but he did end up playing the villain.

Sean Bean

Among the other actors who were reportedly considered before Brosnan accepted the role: Mark Frankel, Paul McGann, Liam Neeson, Russell Crowe, and Lambert Wilson.  Ralph Fiennes, who has been M since Skyfall, was also considered.

As opposed to his predecessors, Brosnan seemed to be very comfortable with the idea of playing Bond and never threatened to leave the role.  Looking over the Bond-related articles that were published from 1995 to 2004, I found the occasional speculation about whether Rupert Everett would be the first gay James Bond or if Sharon Stone would be the first female James Bond but I found very little speculation about Brosnan actually leaving the role.  Indeed, when Brosnan officially retired as Bond in 2004, it was less his decision and more at the prodding of the franchise’s producers, who felt that the series needed to be rejuvenated with a new (and younger) actor.  After Brosnan left, the series was rebooted and Daniel Craig played the role in Casino Royale.

In the past, I’ve made it clear that Daniel Craig is hardly my favorite Bond.  I loved Skyfall (and I consider it to the 2nd best Bond film, after From Russia With Love) but, even in that case, I felt that the film succeeded despite Craig instead of because of him.  With Casino Royale, we were supposed to be seeing a young and inexperienced Bond.  That’s never come through to me, probably because Craig looked like he was nearly 50 years old when he made Casino Royale.

Among the actors who were mentioned for the role before Craig received the role: Ralph Fiennes (again), Colin Salmon, Ewan McGregor, Henry Cavill, Rupert Friend, Julian McMahon, Alex O’Laughlin, Clive Owen, Dougray Scott, and Goran Visjnic.  Dominic West, who I think would have been great in the role, reportedly ruled himself out because he heard a rumor that Brosnan would be returning to the role.

Dominic West

Daniel Craig, of course, has been talking about leaving the role ever since he was first cast.  I think Skyfall would have been a perfect movie for him to leave on.  (It would have saved the world from SPECTRE.)  However, Craig has apparently agreed to do at least one more Bond film.  Maybe two.

When Craig does leave, who will replace him?  Idris Elba, of course, is probably the most widely discussed possibility.  James Norton has also been named as a possibility.  Others that I’ve seen mentioned: Tom Hardy, Jack Huston, Aidan Turner, Tom Hiddleston, Michael Fassbender, Jamie Bell, and Henry Cavill (again).

My personal choice?  Dominic Cooper.  He’d be an off-center Bond but I think it would still be an intriguing pick.

Dominic Cooper

Who knows what the future may hold for 007?  All I know is that I look forward to the speculation.

Happy National Trivia Day, everyone!

A Quick Review: The Hobbit: The Battle of the Five Armies (dir by Peter Jackson)


TheHobbit5Armies

It seems kind of weird to do a quick review for a 144 minutes film that not only serves as the end of one epic trilogy but also as a prequel for yet another epic trilogy.

Well, so be it.  I hate to admit it but I really don’t have that much to say about The Hobbit: The Battle of the Five Armies beyond the fact that I saw it on the day after Christmas, I enjoyed it, and I thought Aidan Turner was really hot.  It’s not a perfect film but then again, The Hobbit has never been a perfect trilogy.  As opposed to the Lord of the Ring films, The Hobbit told a story that could have easily been told in two films.  As a result, whenever you watch one of The Hobbit films, you’re aware of all of the filler that was included just to justify doing three films.

But so what?  The Hobbit films are fun.  Despite the cynical economic reasons behind turning The Hobbit into a trilogy, director Peter Jackson’s love for the material always came through.  In the title role, Martin Freeman was always likable.  Ian McKellan and Christopher Lee made for properly enigmatic wizards.  Though apparently his inclusion caused some controversy among purists, it was nice to Orlando Bloom as Legolas.  I also liked Evangeline Lilly’s elf character, even if everyone else seemed to dislike her and her love story with Aidan Turner.  And then there was Benedict Cumberbatch providing a perfectly evil and self-satisfied voice for Smaug.

I have to admit that, with the exception of Aidan Turner, I was never a big fan of the dwarves.  They were all so surly and bad-tempered and it didn’t take me too long to get tired of Richard Armitage showing up as Thorin and acting like a jerk.  However, in the final part of the trilogy, Armitage’s surly performance started to make sense.  As Thorin grew more and more paranoid, I saw that The Hobbit was actually using both the character and Armitage’s performance to make a much larger point.  Power corrupts and most conflicts are ultimately all about money and property.  It was a good message.

When the Battle of the Five Armies started, I was shocked to discover how little I remembered about the previous two Hobbit films.  It took me a while to get caught up on who everyone was and why they were all fighting over that mountain.  As opposed to the LoTR films, it’s not always easy to get emotionally invested in The Hobbit films.  But, Jackson is a good director and he’s a good storyteller and, even though it took me a while to get caught up, I was still often enthralled with what I was watching on screen.  The images were so stunning and the battle scenes were so spectacularly done that I could handle being occasionally confused.

Battle of the Five Armies is a fitting end for the Hobbit trilogy.  It’s not a perfect film but it is exciting and fun and that’s really all that matters.  At the end of it, the audience in the theater applauded, not just for the film but in recognition of everything that Peter Jackson has given us over the past 14 years.

It was a good way to spend the day after Christmas.

Trailer: The Hobbit: The Battle of the Five Armies (Teaser)


TheHobbit5Armies

 

It hasn’t been received as well as Jackson’s own The Lord of The Rings trilogy, but The Hobbit did hit it’s stride with 2013’s The Hobbit: The Desolation of Smaug. People still haven’t bought into Jackson’s decision to film the prequel trilogy in the 48-frame rate format which gives the films an ultra-definition look that anyone with an HDTV will recognize when watching with the anti-judder effect on.

Yet, this is The Hobbit and any flaws and ill-timed decisions made still hasn’t diminished it’s hold on those who have read the book and on those who were pulled into the cinematic world adapted by Jackson. We now see the final film in the Middle-Earth cinematic universe about to come down on audiences this 2014 Holiday. This weekend at the Comic-Con saw the first teaser trailer air at Hall H to the delight of those in attendance.

Warner Brothers has seen fit to release a shorter version of the teaser shown at Hall H, but it still shows that all the set-up and slog through the first film will have an epic pay-off with the final leg of this trilogy: The Battle of the Five Armies.

Trailer: The Hobbit: The Desolation of Smaug (Sneak Peek)


The Hobbit - The Desolation of Smaug

“The lord of silver fountains,

The King of carven stone,

The King beneath the mountain

Shall come into his own!

And the bells shall ring in gladness

At the Mountain-king’s return,

But all shall fail in sadness

And the lake shall shine and burn.”

Today, over in NYC a special fan event for The Hobbit: The Desolation of Smaug was held which introduced a new one-sheet poster (look above), but also premiere a 3-minute sneak peek trailer to the second entry in The Hobbit Trilogy.

To say that this extended trailer is a vast improvement to all the previous teasers and official trailers for this second film in the prequel set would be an understatement. It still shows the film as being much more darker in tone than the book source it’s being adapted from, but it definitely shows a film that looks and feels much more put together than the first film (still just an assumption, but I have hopes I’ll be correct).

We see more of Luke Evans as Bard the Bowman who looks to fit in rather well instead of looking “too modern” as some feared he would look. I like how the trailer uses the poem, “The King Beneath the Mountains”, but in an altered form to make it sound like it was a prophecy. I know purist will probably rail and scream to anyone who will listen that this wasn’t how Tolkien wrote the poem. If they haven’t figured out by now that these film adaptations have been altering the written work to better fit the story then what have they been watching over the past decade.

I, for one, can’t wait for this middle film in the trilogy to finally come out and come out it shall on December 13, 2013. I saw the first film in every format and watch it in all format I shall for this one as well.

Review: The Hobbit: An Unexpected Journey (dir. by Peter Jackson)


kinopoisk.ru

It’s hard to believe that’s it’s been 11 years since Peter Jackson released The Lord of the Rings: The Fellowship of the Ring on the masses in 2001. There were much trepidation from Tolkien fans that Jackson (who had been known mostly for low-budget splatter horror-comedies) wouldn’t be able to handle the monumental task of adapting what many consider the greatest novel ever written in the 20th century. Tolkien’s epic fantasy became the standard by which fnatasy epics would be compared to for decades to come and still do. To say that Jackson succeeded in this epic task would be an understatement. The Lord of the Rings trilogy would hoard awards from 2001 to 2003 and also box-office receipts to make any dwarf-lord green with envy.

It’s now 2012 and we finally have the release of Jackson’s next trip into Middle-Earth as he adapts another of Tolkien’s beloved novels. This time he tackles The Hobbit which for some Tolkien fans remains their favorite of the author’s works. It’s a novel that might not have the epic scope and breadth of The Lord of the Rings, but what it lacks in that department it more than makes up in being a fun, adventure tale of a curious hobbit named Bilbo Baggins, a wizard named Gandalf the Grey and a fellowship of twelve dwarfs led by one Thorin Oakenshield of Erebor.

The Hobbit was originally written as a children’s book, but in later years Tolkien would retcon some parts of the novel to better fit with his magnum opus in The Lord of the Rings.It’s this revised version of that children’s story that Peter Jackson, Fran Walsh, Philippa Boyens and Guillermo Del Toro would adapt for the big-screen. Initially a two-film set that would tell the story of Bilbo and his merry band of adventurers, but it has since been expanded to become a trilogy as Jackson and his writers take a page out of Tolkien’s bag of tricks and try to tie-in this latest trilogy to the Lord of the Rings which precedes it by a over a decade.

The first film in this new trilogy is called The Hobbit: An Unexpected Journey and we begin by returning to sometime before the beginning of the first trilogy’s first film. We see the aged Bilbo reminiscing of his adventures 60 years hence and deciding to put it to pen and paper as a sort of memoir of that adventure to reclaim the lost dwarf-hold of Erebor. It’s in this opening that we get to see Frodo once more (played once again by Elijah Wood who doesn’t seem to have aged) prior to him taking up the One Ring.

Bilbo recounts to Frodo the realm of Erebor deep inside the Lonely Mountain east of the Shire to Frodo and how it’s wealth in silver, mithril, gold and precious gems became well-known throughout Middle-Earth. Yet, as Bilbo warns, it’s the very sickness of avarice by Erebor’s Thror the King which seals the dwarf-hold’s doom. We learn that hoards of wealth does more than light up the dwarf king’s eyes with greed but also brings the attention of one of the very last dragon’s in Middle-Earth. The arrival of Smaug to Erebor signals the death of not just that dwarf realm, but the surrounding human town of Dale. The surviving dwarfs of Erebor flee in a massive diaspora towards any safe haven willing to take them in. What was once a proud and powerful realm has now been sundered and it’s afterwards that we get to the meat of the film’s story.

Martin Freeman as a younger Bilbo Baggins was more than just great casting but one which the film needed if one was to believe that this young Bilbo would grow old to be the Ian Holm one fans of the first trilogy have come to know well. His performance as Bilbo Baggins of Bag End becomes the anchor from which the rest of the company would revolve around. When we first meet Freeman as Bilbo he’s not the adventurer that he would become, but a hobbit that’s respectable and one not for doing anything foolish like going on adventures. Yet, his lot in life changes as Gandalf maneuvers the situation so that he becomes embroiled in the quest by Thorin Oakenshield (played by Richard Armitage) to retake his ancestral lands of Erebor and it’s massive wealth from Smaug who has taken it for his lair.

While many would think that a film called The Hobbit would focus on Bilbo I thought the way the film unfolded that this story was all about the dwarfs with extra focus on the single-minded Thorin who comes off initially as both condescending, superior and dismissive of poor old Bilbo. The film never fails to show how much Thorin thinks so less of Bilbo yet throughout the film’s two and a half and more running time we see cracks in Thorin’s ice-cold demeanor towards the young hobbit. By film’s end we see just how wrong Thorin has been of Bilbo’s worth and it makes for one of the film’s more emotional scenes when Thorin realizes this as well.

The Hobbit: An Unexpected Journey is not just about a brooding dwarf prince and his motley band of dwarfs getting into one trouble after the next once they’ve left the Shire with Bilbo. The film also brings on a parallel storyline which tries to lay down the foundation that would tie this new trilogy with the first one. It’s the storyline of the Great Necromancer that Gandalf and a fellow wizard, Radagast the Brown, suspect might be the Great Enemy returned. We learn soon enough during the White Council in Rivendell (attended by Gandalf, Galadriel, Elrond and Saruman the White) that this so-called Necromancer might be Sauron looking to regain his former strength and gather an army to him.

It’s this second storyline that get’s sandwiched within the Thorin Oakenshield Fellowship quest that comes off a bit awkward in the film’s overall narrative flow. Where the film is all about fun adventuring and camaraderie when the dwarfs and Bilbo are on the screen, when they’re not and the film tries to tell us about Sauron’s eventual return the film slows down. These scenes are not uninteresting. On it’s own these sequences bring back the epic tone of the original trilogy and brings it into this film, but it’s that very grandiose theme that seems out of place in what is simply a “men on a mission” story.

Fortunately, we don’t spend too much time dwelling on this side-story. The final third of the film is all about Thorin and company needing to escape from one goblin lair and orc ambush to another. The last 45 minutes or so flies back swiftly after a very uneven first two hours that would make more than a few theater-goers look at their watch. The wait is worth it as we see that Jackson hasn’t forgotten how to choreograph and stage fantasy action scenes. While the use of CGI might be more evident this time around than the previous three films they’re still small compared to other blockbuster films of it’s type. It’s still all about WETA practical effects, make-up and costumes that combine to create a world that’s become familiar yet still have a sense of newness to them as we see new areas of Middle-Earth only mentioned in brief passing in the original trilogy.

The Hobbit: An Unexpected Journey is a wonderful return to the world of Middle-Earth. It is not without it’s missteps and flaws, but it also gets saved by some great performances from the ensemble cast which makes up the dwarfs. The aerial shots of the New Zealand’s eclectic geography shows just how much cinematographer Andrew Lesnie has become such a major component of making Middle-Earth come alive. Even the return of Howard Shore as the film’s composer was a welcome that brought more than a few smiles.

There’s no way of talking about The Hobbit without bringing up the stylistic gamble Peter Jackson has taken in filming this film and the rest of the trilogy in 48fps instead of the traditional 24fps (frames per second) that filmmakers have been using for almost a hundred years now. It’s an aesthetic choice that gives the film a overly realistic look akin to watching a stage production live. Everything looks too perfect and the High-Frame Rate (HFR) takes away some of the cinematic look which many have grown up seeing every time they watch a film. This new filming style works in certain areas like wide shots of the outdoor scenes. Whether it’s the emerald green rolling hills of the Shire to the snowcapped Alpine peaks of the Misty Mountains, these scenes in HFR came out beautiful. It’s when the film switches over to a much more enclosed and personal space within rooms and halls that we get the unusual “soap opera” look some have complained about. It takes a bit of getting used to, but some make the adjustment quickly enough while others may never make the adjustment.

Yet, it is when the film shows a CGI-created sequence that the HFR fails. While the doubling of the frame rate during filming has made the 3D in the film come off smoothly it did make some of the CG-effects come off as too video game-like. A sequence earlier in the film where we see a flashback of Thorin and the dwarfs of Erebor trying to retake another fallen dwarf hold in Moria (Khazadum in dwarfish) looks like a cinematic cutscene as a dwarf army charges and battles it out with an orc and goblin force which had taken Moria as it’s own.

All the scenes where HFR fails to come off as believable turn out better when The Hobbit was seen in traditional 24fps. I actually think that downscaling the film from it’s original HFR to a more traditional film frame speed of 24fps gave the film an even more magical look than the original trilogy. Jackson and his team of filmmakers have two more films to release and hopefully take some of the criticism this first film has received about HFR that they tweak and work on making the new style much more believable instead of taking the audience out of the film’s narrative.

The Hobbit: An Unexpected Journey doesn’t come off as grandiose as the original trilogy and for some that might come as a disappointment. Yet, as an adventure film it more than does it’s job to fully entertain it’s audience while, at the same, time reminding it’s audience how much this film and this trilogy will lead into The Lord of the Rings. I recommend that people just see the film and decide on their own whether it’s a worthy addition to the Middle-Earth saga as seen through the eyes of Peter Jackson. I, for one, think it is and with two more films left we shall see whether Jackson’s return to Middle-Earth has been a triumphant one or not.

Trailer: The Hobbit: An Unexpected Journey (2nd Official)


It just a littleunder 3 months before Peter Jackson takes us back to Middle-Earth with the first of three films that will make up The Hobbit trilogy.

There’s not much else to say other than this latest trailer for The Hobbit: An Unexpected Journeyjust continues to whet the appetite for all things Middle-Earth. It’s much more action-packed with some nice new scenes instead of just rehashing what was in the original teaser trailer from year ago.

Enough words. Just watch the trailer below and decide for yourself whether another trip to Middle-Earth (before all the War of the Ring brouhaha of the first trilogy) is worth your monies.

The Hobbit: An Unexpected Journey premieres worldwide on December 14, 2012.

Trailer: The Hobbit: An Unexpected Journey


While Christopher Nolan’s The Dark Knight Rises is the most anticipated summer blockbuster for this upcoming 2012 then it would be safe to say that the most anticipated film for 2012 for some would be Peter Jackson’s The Hobbit: An Unexpected Journey.

This is a film that has been years in the making and even more years in development hell as the rights to J.R.R. Tolkien’s novel, The Hobbit, was entangled through many different studios. Once those entanglements were finally resolved and the film set to be put into production the film suffered more setbacks as budget and script rewrites kept things from starting. The original filmmaker picked to helm this two-part prequel, Guillermo Del Toro, had to back out after years of delays though he still remains as producer and his ideas and conceptual art and design has become the foundation for the film.

The film finally got the greenlight to start filming once Peter Jackson stopped searching for Del Toro’s replacement and took on the role as director once again. While Del Toro was a great choice I think most fans of the original trilogy were glad that Jackson decided to just take up the director’s chair once more. Who else knew the world of Middle-Earth on film better than the man who made what was called the unfilmable novel into the new millenium’s iconic film trilogy.

Like the production of the Lord of the Rings trilogy, Jackson and his geniuses at WETA have been pretty good with showing fans progress made on the films through video blogs released by Jackson himself. With just a year left to go before part one of this two-part prequel premieres we finally have the first official teaser trailer to the film and I must say that it’s great. Even from just snippets shown in the teaser one could see some of Del Toro’s more darker concepts and influence in the film’s look and tone. But then some of it also comes from Jackson himself whose early background as a filmmaker was all about dark, macabre subjects and themes.

The Hobbit: An Unexpected Journey is set for a December 14, 2012 release.